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Tumbling Dice and Other Tales from a Life Untitled Tammy Mckillip Mckillip University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 Tumbling Dice and Other Tales from a Life Untitled Tammy Mckillip Mckillip University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Mckillip, Tammy Mckillip, "Tumbling Dice and Other Tales from a Life Untitled" (2016). Open Access Theses & Dissertations. 897. https://digitalcommons.utep.edu/open_etd/897 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED TAMMY MCKILLIP Master’s Program in Creative Writing APPROVED: ______________________________________ Liz Scheid, MFA, Chair ______________________________________ Lex Williford, MFA ______________________________________ Maryse Jayasuriya, Ph.D. _________________________________________________ Charles Ambler, Ph.D. Dean of the Graduate School TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED ©Tammy McKillip, 2016 This work is dedicated to my beautiful, eternally-young mother, who taught me how to roll. Always in a hurry, I never stop to worry, Don't you see the time flashin’ by? …You’ve got to roll me And call me the tumbling dice —The Rolling Stones TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED BY TAMMY -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Minotti | the Magazine 04
/04 Authenticity THE MAGAZINE /04 2019 Authenticity Intuition, passion, and spontaneity represent for us the deepest expression of authenticity. They animate our boundless creative thoughts; every day and wholeheartedly. D THE MAGAZINE /04 EDITORIAL After three issues of our yearly in-house magazine, we thought it was time to rethink this editorial project by grasping its real potential, both as a means to reflect on today’s daily environments and life styles and to encourage an active conversation with complementary fields such as art, design, and fashion. We wanted to transform it into an object of desire, something you can collect in time as an endless source of inspiration and come back to whenever /04 you feel the need to learn from the past. We planned this new project with great enthusiasm and determination. Its aim is to reveal the intangible side of Minotti, its timeless values and creative process, which leads us in developing our brand identity. After a long brainstorming, we decided to start from Minotti, beginning from the family values that have led the company in the past 70 years, and how these values could be shared with a larger community. From this introspection we came to the conclusion that the magazine could slowly reveal Minotti’s DNA, creating a continuous story in time, and carefully weaving it together with other international perspectives. Each number will focus on a specific brand value, and the collection of the issues will unfold a broad awareness of who we are and how others share our attitudes. In this number we will be focusing on Authenticity. -
The Exchange Mike Marsh Mastering Discography to December 2020
The Exchange Mike Marsh Mastering Discography to December 2020 ARTIST TITLE RECORD LABEL FORMAT YEAR FRANKIE GOES TO HOLLYWOOD RELAX (12" SEX MIX) ISLAND / ZTT NEW 12" LACQUERS 1988 JOCEYLYN BROWN SOMEBODY ELSES GUY ISLAND / 4TH & BROADWAY NEW 12" LACQUERS 1988 SHRIEKBACK GO BANG! ISLAND LP LACQUERS 1988 BEATMASTERS BURN IT UP (ACID REMIX) RHYTHM KING 12" SINGLE 1988 SPECIAL A.K.A. FREE NELSON MANDELA CHRYSALIS 12" SINGLE 1988 MICA PARIS SO GOOD ISLAND / 4TH & BROADWAY LP LACQUERS 1988 JELLYBEAN COMING BACK FOR MORE CHRYSALIS 12" SINGLE 1988 ERASURE A LITTLE RESPECT MUTE 12" / 7" SINGLE 1988 OUTLAW POSSE THE * PARTY / OUTLAWS IN EFFECT GEE STREET 12" SINGLE 1988 BRANDON COOKE & ROXANNE SHANTE SHARP AS A KNIFE PHONOGRAM 12" / 7" SINGLE 1988 U2 WITH OR WITHOUT YOU ISLAND NEW 7" LACQUERS 1988 JUDI TZUKE COMPILATION ALBUM CHRYSALIS DOUBLE LP LACQUERS 1988 NAPALM DEATH FROM ENSLAVEMENT TO OBLITERATION EARACHE / REVOLVER LP LACQUERS 1988 TOOTS HIBBERT IN MEMPHIS ISLAND MANGO LP LACQUERS 1988 REGGAE PHILHARMONIC ORCHESTRA MINNIE THE MOOCHER ISLAND 12" SINGLE 1988 JUNGLE BROTHERS STRAIGHT OUT THE JUNGLE GEE STREET LP LACQUERS 1988 LEVEL 42 HEAVEN IN MY HANDS POLYDOR 7" SINGLE 1988 JUNGLE BROTHERS I'LL HOUSE YOU (GEE ST. RECONSTRUCTION) GEE STREET 12" / 7" SINGLE 1988 MICA PARIS BREATHE LIFE INTO ME ISLAND / 4TH & BROADWAY 12" / 7" SINGLE 1988 BLOW MONKEYS IT PAYS TO BE TWELVE RCA 12" SINGLE 1988 STEVEN DANTE IMAGINATION CHRYSALIS COOLTEMPO 12" SINGLE 1988 TANITA TIKARAM TWIST IN MY SOBRIETY WEA 10" SINGLE 1988 RICHIE RICH MY D.J. (PUMP IT UP SOME) GEE STREET 12" SINGLE 1988 TODD TERRY WEEKEND SLEEPING BAG UK 12" / 7" SINGLE 1988 TRAVELING WILBURYS HANDLE WITH CARE WEA 12" / 7" SINGLE 1988 YOUNG M.C. -
PORTNOY"S COMPLAINT Philip Roth
PORTNOY"S COMPLAINT Philip Roth Portnoy's Complaint (port/'noiz kam-plant') n. [after Alexander Portnoy (1933" )] A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature. Spielvogel says: 'Acts of exhibitionism, voyeurism, fetishism, auto- eroticism and oral coitus are plentiful; as a consequence of the patient's "morality," however, neither fantasy nor act issues in genuine sexual gratification, but rather in overriding feelings of shame and the dread of retribution, particularly in the form of castration.' (Spielvogel, O. "The Puzzled Penis," Internationale Zeitschrift fur Psychoanalyse) Vol. XXIV p. 909.) It is believed by Spielvogel that many of the symptoms can be traced to the bonds obtaining in the mother-child relationship. THE MOST UNFORGETTABLE CHARACTER I'VE MET She was so deeply imbedded in my consciousness that for the first year of school I seem to have believed that each of my teachers was my mother in disguise. As soon as the last bell had sounded, I would rush off for home, wondering as I ran if I could possibly make it to our apartment before she had succeeded in transforming herself. Invariably she was already in the kitchen by the time I arrived, and setting out my milk and cookies. Instead of causing me to give up my delusions, however, the feat merely intensified my respect for her powers. And then it was always a relief not to have caught her between incarnations anyway– even if I never stopped trying; I knew that my father and sister were innocent of my mother's real nature, and the burden of betrayal that I imagined would fall to me if I ever came upon her unawares was more than I wanted to bear at the age of five.