New Nordic Films Catalogue 2013
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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Medieutveckling 2018 Innehåll
MEDIEUTVECKLING 2018 INNEHÅLL FÖRORD 3 RESULTATEN I SAMMANFATTNING 4 1. OM RAPPORTEN 8 2. STRUKTURELLA FÖRUTSÄTTNINGAR OCH UTVECKLINGSTENDENSER 9 2.1 Konjunkturläget 2017 9 2.2 Reklammarknadens utveckling 10 2.3 De största medieföretagen 12 2.3.1 Sveriges största medieföretag 13 2.3.2 De största utlandskontrollerade medieföretagen 15 3. RADIO- OCH TV-BRANSCHEN 17 3.1 En strukturell överblick 17 3.1.1 Reklamförsäljningen 19 3.1.2 Publikmarknaden 20 3.1.3 Aktörer och marknadsandelar 22 3.2 Public servicebolagen 25 3.3 De kommersiella tv-bolagen 26 3.4 De kommersiella radiobolagen 29 4. DAGSPRESSEN 31 4.1 En strukturell överblick 32 4.1.1 Tidningsförsäljningen 33 4.1.2 Reklamförsäljningen 36 4.2 Resultat och lönsamhetsnivåer 38 4.2.1 Dagstidningsföretagens lönsamhet 39 4.2.2 Årets mest lönsamma tidningsföretag 41 4.3 De största tidningsgrupperna 42 4.4 Dagstidningar med allmänt driftsstöd 44 4.4.1 Den lågfrekventa dagspressen 45 4.4.2 Medel- och högfrekventa dagstidningar med allmänt driftsstöd 45 4.5 Övriga medel- och högfrekventa dagstidningar 47 4.5.1 Landsortspressen 47 4.5.2 Storstadspressen 47 4.6 Marknaden för dagstidningsdistribution 48 MYNDIGHETEN FÖR PRESS, RADIO OCH TV ISSN 1404-2819 Grafisk form Martin Zachrisson ISBN 978-91-983978-8-8 Distribution Myndigheten för press, radio och tv, Författare Jonas Ohlsson, Nordicom, Göteborgs universitet Kontakta oss 08 580 070 00, www.mprt.se Bearbetning Ulrika Facht, Nordicom, Göteborgs universitet Publicerad Oktober 2018 2 FÖRORD yndigheten för press, radio och tv har i uppdrag att verka för yttrandefrihet, Mmångfald och tillgänglighet samt följa och analysera utvecklingen inom medie- området. -
Hur Konstrueras Det Svenska Kändisskapet I Subgenren Realitysåpa?
Hur konstrueras det svenska kändisskapet i subgenren realitysåpa? En kvantitativ innehållsanalys av subgenren realitysåpa Av: Maria Vallén Handledare: Peter Jakobsson Södertörns högskola | Institutionen för kultur och lärande Kandidatuppsats 15 hp Medie- och kommunikationsvetenskap C | Höstterminen 2019 Medievetarprogrammet Abstract Syftet med denna studie är att undersöka hur det svenska kändisskapet blir konstruerat i subgenren realitysåpa samt att urskilja likheter och skillnader inom genren gällande hur celebritetsskapet skildras. Utifrån syftet ställdes två frågeställningar upp, hur konstrueras det svenska kändisskapet i subgenren realitysåpa samt vilka likheter och skillnader sett till programmens sätt att skildra celebritetskap uppmärksammas. Med avstamp i teorier och tidigare forskningar som berör forskningsområdena celebritetskultur och reality-tv utformades en kvantitativ innehållsanalys. Den kvantitativa innehållsanalysen utgick från ett tidsbestämt urval för tv-serier som sändes på kommersiella tv-kanaler hösten 2018. Materialet består av avsnitt från fyra svenska tv-serier som hör till subgenren realitysåpa om totalt 43 stycken avsnitt som omfattar cirka 26,5 timmar. De tv-serier som denna studie grundar sig på är Cirkus Bagge, Hyséns, Lailaland och Wahlgrens värld. Utifrån olika komponenter i tv- serierna har ett kodschema bildats som omfattar 56 olika variabler inom 12 kategorier; kanal, serie, avsnitt, miljö, personer, centrala teman, medieaktiviteter, konsumtion, celebritetsaktiviteter, vardagsaktiviteter, celebritetens -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Movie Museum AUGUST 2021 COMING ATTRACTIONS
Movie Museum AUGUST 2021 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! 3 Hawaii Premieres! A SUMMER TALE APPLAUS BACK TO BURGUNDY ELSA Y FRED ACCUSED: aka Den bästa sommaren (2009-Denmark) aka Ce qui nous lie (2005-Argentina/Spain) Spanish/Italian subtitled ws Mo's Story (2000-Sweden) Danish w/Eng subtitles ws (2017-France) plus Swedish/Eng w/Eng sub ws 1 & 8:45pm French w/Eng subtitles ws with Manuel Alexandre, China Zorilla Tracie's Story 1:30, 3:15 & 7pm ---------------------------------- Pio Marmaï, Ana Girardot (2012-UK) in widescreen Directed by Cédric Klapisch 12, 4 & 6pm --------------------------------- THE YELLOW Olivia Colman, Sean Bean Hawaii Premiere! HANDKERCHIEF 12, 4:15 & 8:30pm --------------------------------- (1977-Japan) Jpn subs ws ---------------------------------- THE NEPHEW 12:30, 4:30 & 8:30pm THOSE HAPPY YEARS 2:45 & 6:45pm PLATO'S ACADEMY (1998-Ireland) ---------------------------------- aka Anni felici -------------------------------- aka Akadimia Platonos In Irish-accented English with AGATHA RAISIN: (2013-Italy/France) ELSA Y FRED (2009-Greece/Germany) Eng subtitles & in widescreen THE QUICHE OF DEATH Italian/Fr w/Eng subtitles ws (2005-Argentina/Spain) Greek/Albanian subtitled ws with Hill Harper, Donal (2014-UK) with Kim Rossi Stuart Spanish/Italian subtitled ws Directed by Filippos Tsitos McCann, Pierce Brosnan in widescreen 5 & 8:45pm 4:45pm only 2:15 & 6:30pm 2 & 8pm 2:45 & 6:45pm 5 6 7 8 9 2 Hawaii Premieres! 2 Hawaii Premieres! 2 Hawaii Premieres! THE -
Nordisk Film & Tv Fond, Agreement, 2020–2024
NORDISK FILM & TV FOND, AGREEMENT, 2020–2024 Nordic Council of Ministers (the culture ministers) and the Danish Broadcasting Corporation (DR), TV2 Danmark A/S, Yleisradio OY, MTV OY, the Icelandic National Broadcasting Service (RUV), Síminn, Sýn hf / Stöð 2, the Norwegian Broadcasting Corporation (NRK), TV2 A/S Norway, Discovery Networks Norway, Sveriges Television AB, TV4 AB, Discovery Networks Sweden, C More Entertainment, NENT/Viaplay, the Danish Film Institute, the Finnish Film Foundation, the Icelandic Film Centre, the Norwegian Film Institute and the Swedish Film Institute. OBJECTIVE ARTICLE 1 The purpose of the Nordisk Film & TV Fond, henceforth referred to as the Fund, is to promote the production and distribution of Nordic audiovisual works of high quality, in accordance with rules set out in the Fund’s statutes and administrative guidelines. STATUS AND ACTIVITIES ARTICLE 2 1. The Fund is subject to the legal requirements that apply to funds in the country in which it is based. 2. The Fund must operate in accordance with its statutes, which are enclosed with this agreement, and with the administrative guidelines laid down by the Fund’s Board. ARTICLE 3 1. The above-mentioned parties (hereinafter referred to as the Parties) to this agreement (the Agreement), agree that the Nordic Council of Ministers (the culture ministers), in consultation with the Parties, will lay down statutes for the Fund’s activities. The statutes must at all times be in accordance with the relevant legislation in the country in which the Fund is based. 2. The Nordic Council of Ministers can, in consultation with the Parties, make changes and additions to the statutes. -
The Other in Contemporary Swedish Cinema
Division of Art History and Visual Studies Department of Arts and Cultural Sciences Lund University Sweden The Other in Contemporary Swedish Cinema Portrayals of Non-White Swedes in Swedish Cinema 2000-2010 A Master’s Thesis for the Degree Master of Arts (Two Years) in Visual Culture Elina Svantesson Spring 2012 Supervisor: Ingrid Stigsdotter 1 LUND UNIVERSITY ABSTRACT DIVISION OF ART HISTORY AND VISUAL STUDIES / FILM STUDIES MASTER OF ARTS IN VISUAL CULTURE The other in contemporary Swedish cinema Portrayals of non-white Swedes in Swedish cinema 2000-2010 Elina Svantesson The evident place that film has in society makes it a powerful medium that journeys across borders of nationalities, sexualities, and ethnicities. Film represents, and since representation is of importance when acquiring knowledge and a continuous changing medium, it must be scrutinised continuously. In this thesis, contemporary Swedish mainstream cinema (2000-2010) has been examined for its representations of immigrants, Arabs and non-white Swedes. Concepts of culture, identity and whiteness are used to make sense of these representations and politics is shown to have a strong impact on the medium. Making use of the notion of “whiteness”, the thesis suggests that non-white Swedes are considered different to white Swedes. The Arab, for example, is given many negative traits previously seen in anti-Semitic, pre-WWII images of the Jew. Furthermore, many films were proven to exclude non-white Swedes from a depicted society, geographical and social. This exclusion of “the other” can be considered a representation in itself, a reflection of a divided Swedish society. Non-white Swedes are a large group of people, and it is argued that instead of portraying a static, shallow image of non-white Swedes, the Swedish film industry and society, could benefit from anticipating a new cinematic society and by including this group. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
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2021 Industry Guide 44th Göteborg Film Festival goteborgfilmfestival.se Jan 29–Feb 8 2021 #gbgfilmfestival Contents 5 Welcome 16 Industry Programmes 6 Online universe 18 Nordic Competition of Industry 2021 Short guide to our 20 International Competition digital platform. 22 Nordic Documentary 8 Accreditation Guide Competition An explicit visual guide of what's 34 Nostradamus Academy included in your accreditation. Exclusive training programme for film and television 9 Digital self-care industry professionals. 37 Film Production in 11 Discover the West Sweden 44th Göteborg 38 Who's who at Göteborg Film Festival Film Festival? Read more about the 24 Ingmar Bergman festival's annual focus, Competition special programmes, guests and competitions. 26 Nordisk Film & TV Fond Prize 28 Swedish Shorts Competition 30 Nordic Film Lab Nordic Film Lab is an exclusive networking forum for upcoming Scandinavian filmmakers. Cover photo from Gagarine. Industry Guide 2021 – Göteborg Film Festival Göteborg Film Festival Editor: Josef Kullengård, Liisa Nurmela Olof Palmes Plats 1 Editorials: Cia Edström, Nicholas Davies 413 04 Göteborg, Sweden Layout: Felicia Fortes Tel: +46 31 339 30 00 Photo Editor: Linda Petersson E-mail: [email protected] www.goteborgfilmfestival.se 3 4 From Undine Welcome to the 44th Göteborg Film Festival Welcome to the Göteborg Film Festival. For 44 The festival’s industry programme – the years, Scandinavia’s leading film festival pro- Nordic Film Market, TV Drama Vision, Nostrada- gramme has been presented in cinemas packed mus and Film Forum Sweden – transforms into a with expectant audiences and filmmakers. Over multidimensional digital space to offer industry time, the festival audience has become one of delegates exclusive live online sessions, network- the largest in Europe; in a normal year, audiences ing and engaging high-end content. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
THE COMMITTEE a NORDIC COLLABORATION Is Taking Place
PROGRAMME THE COMMITTEE A NORDIC COLLABORATION is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise. Instead of a sculpture, the commissioned artist presents his idea of a “Nordic Dance”. The delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? GUNHILD ENGER is known for her award- winning short films Subtotal , A Simpler Life and Premature . She studied at Edinburgh College of Art, Lillehammer College and the University of Gothenburg. Her graduation film Bargain was nominated for a BAFTA. JENNI TOIVONIEMI ‘s first film, The Date , was screened at multiple festivals, nominated for several awards and won the Short Film Jury Prize in Sundance and the Crystal Bear, Special Mention in Generation 14plus, Berlinale in 2013. KOMMITTÉN SWEDEN/NORWAY/FINLAND 2016 DIRECTORS Gunhild Enger and Jenni Toivoniemi PRODUCER Marie Kjellson CO-PRODUCERS Isak Eymundsson and Elli Toivoniemi SCREENPLAY Gunhild Enger and Jenni Toivoniemi CINEMATOGRAPHY Jarmo Kiuru, Annika Summerson CAST Cecilia Milocco, Tapio Liinoja, Kristin Groven Holmboe, Martin Slaatto, Teemu Aromaa. DURATION 14 min PRODUCED AND SUPPORTED BY Kjellson & Wik, Tuffi Films and Ape&Bjørn in co- production with Film Väst and SVT with financial support by Swedish Film Institute, Norwegian Film Institute, Finnish Film Foundation, AVEK, YLE and NRK. Commissioned by CPH:LAB INT. SALES TBA AVAILABLE WORLDWIDE EXCLUDING Sweden, Norway, Finland FESTIVAL CONTACT Norwegian Film Institute (in Haugesund, Toril Simonsen) 12 PROGRAMME THE DAY WILL COME THE DAY WILL COME IS A “David versus Goliat” story inspired by actual events. -
Göteborgs Stad Kommunfullmäktige 1 (1)
Kommunfullmäktige Handling 2020 nr 57 Utredningen om framtida huvudmannaskap för Stora Teatern samt kulturnämndens hemställan om att utöka uppdraget Till Göteborgs kommunfullmäktige Kommunstyrelsens förslag Kommunstyrelsen tillstyrker beslutssatsen i yrkande från M, L och C den 26 februari 2020 och V, MP och S den 21 februari 2020 och föreslår att kommunfullmäktige beslutar: Inriktningen för utredningsuppdraget ska beakta samtliga punkter i kulturnämndens hemställan, med uppdragsformulering enligt tjänsteutlåtandet från kulturförvaltningen samt tilläggsyrkande från S, MP, V och D. ---- Vid behandlingen av ärendet i kommunstyrelsen antecknade Elisabet Lann (KD) som yttrande en skrivelse från den 26 februari 2020. Göteborg den 11 mars 2020 Göteborgs kommunstyrelse Axel Josefson Mathias Sköld Göteborgs Stad kommunfullmäktige 1 (1) Kommunstyrelsen Yrkande (Vänsterpartiet, Miljöpartiet, Socialdemokraterna) 2020-02-21 2.1.5 Yrkande angående – Utredningen om framtida huvudmannaskap för Stora Teatern samt kulturnämndens hemställan om att utöka uppdraget Förslag till beslut I kommunstyrelsen och kommunfullmäktige: Inriktningen för utredningsuppdraget ska vara att beakta samtliga punkter i kulturnämndens hemställan, med uppdragsformulering enligt kulturförvaltningens tjänsteutlåtande samt tilläggsyrkande från S, MP, V och D. Yrkandet I 2019 års budget för Göteborgs Stad görs antagandet att Stora Teaterns nuvarande verksamhet inte överensstämmer med det ursprungliga uppdraget. En oberoende extern utredning konstaterar tvärtom att Stora Teatern är en välfungerande verksamhet som har utfört sitt uppdrag i enlighet med de riktlinjer som gavs av kulturnämnden 2013. Teaterns gästspelsverksamhet är värdefull för Göteborg som kulturstad och har spelat en viktig roll för tillgängligheten till konst och kultur både i staden och i regionen, lockat nya målgrupper till scenkonsten samt satt Göteborg på den internationella kartan. Verksamheten fyller ett behov som inte bedöms konkurrera med andra aktörer och den ges ett gott omdöme.