Earthquake-Induced Building Detection Based on Object-Level
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Paper Title (Use Style: Paper Title)
2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2015) Analysis on the Social Culture in the Art Theme of China Gongyi Grotto Temple Xiaohui Zhang Huanghe Science and Technology College Zhengzhou, China 450046 Abstract—As the three-dimensional image carrier of Buddhist art in the Northern Wei Dynasty, the stone carvings II. THE EXPRESSION OF DIFFERENT THEMES FOR in Gongyi Grotto Temple has a all-inclusive content and form, GROTTO TEMPLE ART with its performance theme including the magnificent Buddha, Art comes from life, and as the three-dimensional Buddha Figure of Buddha and the royal family jointly sharing image carrier of Buddhist art in the Northern Wei Dynasty, pleasure, secularized civilian inscriptions, as well as men and the stone carvings in Gongyi Grotto Temple has an all- women and the Buddhist monks with belief of Buddha in the late. Its transformation of theme and content from magnificent inclusive content and form, with its expressive content complex to simple common customs and from the grim majesty including both the god and the human, both the noble and the to intimate civilians, shows the change of the society and the labourers. With the artistic technique of circle carvings and change of dominant ideology, from which we can look into a line engraving and the copper, stone or clay statues, it is variety of vicissitude from the early Northern Wei Dynasty to small and exquisite, wonderful and unique, compared with the Tang Dynasty. grand and magnificent grotto art in the Tang Dynasty. As the beginning of grotto expression for carving art, it has unique Keywords—Gongyi Grotto Temple; expressive theme; artistic value. -
A Review of the Origin and Evolution of Uygur Musical Instruments
2019 International Conference on Humanities, Cultures, Arts and Design (ICHCAD 2019) A Review of the Origin and Evolution of Uygur Musical Instruments Xiaoling Wang, Xiaoling Wu Changji University Changji, Xinjiang, China Keywords: Uygur Musical Instruments, Origin, Evolution, Research Status Abstract: There Are Three Opinions about the Origin of Uygur Musical Instruments, and Four Opinions Should Be Exact. Due to Transliteration, the Same Musical Instrument Has Multiple Names, Which Makes It More Difficult to Study. So Far, the Origin of Some Musical Instruments is Difficult to Form a Conclusion, Which Needs to Be Further Explored by People with Lofty Ideals. 1. Introduction Uyghur Musical Instruments Have Various Origins and Clear Evolution Stages, But the Process is More Complex. I Think There Are Four Sources of Uygur Musical Instruments. One is the National Instrument, Two Are the Central Plains Instruments, Three Are Western Instruments, Four Are Indigenous Instruments. There Are Three Changes in the Development of Uygur Musical Instruments. Before the 10th Century, the Main Musical Instruments Were Reed Flute, Flute, Flute, Suona, Bronze Horn, Shell, Pottery Flute, Harp, Phoenix Head Harp, Kojixiang Pipa, Wuxian, Ruan Xian, Ruan Pipa, Cymbals, Bangling Bells, Pan, Hand Drum, Iron Drum, Waist Drum, Jiegu, Jilou Drum. At the Beginning of the 10th Century, on the Basis of the Original Instruments, Sattar, Tanbu, Rehwap, Aisi, Etc New Instruments Such as Thar, Zheng and Kalong. after the Middle of the 20th Century, There Were More Than 20 Kinds of Commonly Used Musical Instruments, Including Sattar, Trable, Jewap, Asitar, Kalong, Czech Republic, Utar, Nyi, Sunai, Kanai, Sapai, Balaman, Dapu, Narre, Sabai and Kashtahi (Dui Shi, or Chahchak), Which Can Be Divided into Four Categories: Choral, Membranous, Qiming and Ti Ming. -
Shijing and Han Yuefu
SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU by Yumei Wang A thesis submitted in conformity with the requirements for the degree of Master of Art Graduate Department of the East Asian Studies University of Toronto © Yumei Wang 2012 SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU Yumei Wang Master of Art Graduate Department of the East Asian Studies University of Toronto 2012 Abstract The subject of my thesis is the comparative study of classical Chinese folk songs. Based on Jeffrey Wainwright, George Lansing Raymond, and Liu Xie’s theories, this study was conducted from four perspectives: theme, content, prosody structure and aesthetic features. The purposes of my thesis are to trace the originality of 160 folk songs in Shijing and 47 folk songs in Han yuefu , to illuminate the origin of Chinese folk songs and to demonstrate the secularism reflected in Chinese folk songs. My research makes contribution to the following four areas: it explores the relation between folk songs in Shijing and Han yuefu and compares the similarities and differences between them ; it reveals the poetic kinship between Shijing and Han yuefu; it evaluates the significance of the common people’s compositions; and it displays the unique artistic value and cultural influence of Chinese early folk songs. ii Acknowledgments I would like to express my sincere gratitude to my supervisor Professor Graham Sanders for his supervision, inspirations, and encouragements during my two years M.A study in the Department of East Asian Studies at University of Toronto. -
UNIVERSITY of CALIFORNIA Los Angeles the Qin
UNIVERSITY OF CALIFORNIA Los Angeles The Qin and Literati Culture in Song China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Meimei Zhang 2019 © Copyright by Meimei Zhang 2019 ABSTRACT OF THE DISSERTATION The Qin and Literati Culture in Song China by Meimei Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2019 Professor David C Schaberg, Chair My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of ii historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. -
Wechselbeziehungen Zwischen Musik Und Politik in China Und Taiwan
Wechselbeziehungen zwischen Musik und Politik in China und Taiwan DISSERTATION zur Erlangung der Würde des Doktors der Philosophie der Universität Hamburg vorgelegt von Mei-Ling Shyu 徐玫玲 aus Taipei, Taiwan Hamburg 2001 1. Gutachter: Prof. Dr. H. Rösing 2. Gutachter: Prof. Dr. M. Friedrich Für meine Großmutter Koeh A-Ti (1907-1996), die in der japanischen Kolonialzeit geboren und in den 90er Jahren der Demokratie gestorben ist. Wie bei allen ihrer Generation war ihr Leben eng mit den politischen Spannungen Taiwans verwoben. Inhaltsverzeichnis VORWORT................................................................................................................... VI EINLEITUNG..................................................................................................................2 TEIL I. GRUNDLAGEN CHINESISCHER MUSIKTHEORIE .........................7 I. MUSIK UND REGIERUNGSPRAXIS ........................................................................8 I. 1. Das Herz des Menschen - Grundlage von Musik und Politik....................8 I. 2. Musik als Hinweis auf die politische Leistungsfähigkeit eines Staates...11 II. MUSIKALISCHE ERZIEHUNG ZUR VERBESSERUNG DER HERZEN........................16 II. 1. Musikalische Erziehung in den historischen Betrachtungen...................16 II. 2. Was ist gute Musik eigentlich? ................................................................22 II. 3. Zum politischen Zweck ............................................................................29 III. LI UND MUSIK ALS GUTE REGIERUNG ...............................................................33 -
Congressional-Executive Commission on China
CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00001 Fmt 6011 Sfmt 5011 U:\DOCS\26811 DIEDRE 2017 ANNUAL REPORT VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2017 ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION OCTOBER 5, 2017 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 26–811 PDF WASHINGTON : 2017 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Nov 24 2008 16:24 Oct 04, 2017 Jkt 000000 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 U:\DOCS\26811 DIEDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS Senate House MARCO RUBIO, Florida, Chairman CHRISTOPHER H. SMITH, New Jersey, JAMES LANKFORD, Oklahoma Cochairman TOM COTTON, Arkansas ROBERT PITTENGER, North Carolina STEVE DAINES, Montana TRENT FRANKS, Arizona TODD YOUNG, Indiana RANDY HULTGREN, Illinois DIANNE FEINSTEIN, California MARCY KAPTUR, Ohio JEFF MERKLEY, Oregon TIMOTHY J. WALZ, Minnesota GARY PETERS, Michigan TED LIEU, California ANGUS KING, Maine EXECUTIVE BRANCH COMMISSIONERS Department of State, To Be Appointed Department of Labor, To Be Appointed Department of Commerce, To Be Appointed At-Large, To Be Appointed At-Large, To Be Appointed ELYSE B. -
The Birth of Chinese Feminism Columbia & Ko, Eds
& liu e-yin zHen (1886–1920?) was a theo- ko Hrist who figured centrally in the birth , karl of Chinese feminism. Unlike her contem- , poraries, she was concerned less with China’s eds fate as a nation and more with the relation- . , ship among patriarchy, imperialism, capi- talism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin’s work in English, critically reconstructs early twenti- eth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin The Bir Zhen’s writing against works by two better- known male interlocutors of her time. The editors begin with a detailed analysis of He-Yin Zhen’s life and thought. They then present annotated translations of six of her major essays, as well as two foundational “The Birth of Chinese Feminism not only sheds light T on the unique vision of a remarkable turn-of- tracts by her male contemporaries, Jin h of Chinese the century radical thinker but also, in so Tianhe (1874–1947) and Liang Qichao doing, provides a fresh lens through which to (1873–1929), to which He-Yin’s work examine one of the most fascinating and com- responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher e plex junctures in modern Chinese history.” Theory in Transnational ssential Texts Amy— Dooling, author of Women’s Literary and journalist, understood feminism as a Feminism in Twentieth-Century China paternalistic cause that liberals like them- selves should defend. He-Yin presents an “This magnificent volume opens up a past and alternative conception that draws upon anar- conjures a future. -
On the War Culture of Rewarding, Management and Sacrificing in the Ancient China Zhou Dynasty Based on the War Inscriptions
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 11, No. 8, 2015, pp. 60-66 www.cscanada.net DOI:10.3968/7434 www.cscanada.org On the War Culture of Rewarding, Management and Sacrificing in the Ancient China Zhou Dynasty Based on the War Inscriptions DENG Fei[a],* [a]Institute of Chinese Language and Documents, Southwest University, Chongqing, China. INTRODUCTION *Corresponding author. As we know, the early Chinese considered that two things Supported by National Funds for Social Science “Research on the Time were the most important for one country. One was Category in the Oracle-Bone Inscriptions in Ancient Chinese Shang sacrificing to the gods and ancestors. One was fighting. Dynasty” (13XYY017); Chinese Special Postdoctoral Funds “Research Fighting continued the political activity. The bronze on the Time Category in the Oracle-Bone Inscriptions in Ancient inscriptions in the Zhou dynasty are of rich language Chinese Shang Dynasty” (2014T70841); Chinese Postdoctoral Funds materials about war, contrast to the oracle-bone “Research on the Cognitive Issues of the Time Category in the Oracle- Bone Inscriptions in Ancient Chinese Shang Dynasty” (2013M531921); inscriptions in the Shang dynasty, these language Chongqing city’s Postdoctoral Funds “ Research on the Different materials are systematical and complete, so they have Expressions of the Time Category in the Oracle-Bone Inscriptions in provided so many materials to us to investigate all aspects Ancient Chinese Shang Dynasty” (XM201359). of war culture. This paper will discuss the war culture of rewarding, management and sacrificing. Received 19 April 2015; accepted 2 June 2015 Published online 26 August 2015 1. -
Evans-Levinson BBS 2009.Pdf
BEHAVIORAL AND BRAIN SCIENCES (2009) 32, 429–492 doi:10.1017/S0140525X0999094X The myth of language universals: Language diversity and its importance for cognitive science Nicholas Evans Department of Linguistics, Research School of Asian and Pacific Studies, Australian National University, ACT 0200, Australia [email protected] http://rspas.anu.edu.au/people/personal/evann_ling.php Stephen C. Levinson Max Planck Institute for Psycholinguistics, Wundtlaan 1, NL-6525 XD Nijmegen, The Netherlands; and Radboud University, Department of Linguistics, Nijmegen, The Netherlands [email protected] http://www.mpi.nl/Members/StephenLevinson Abstract: Talk of linguistic universals has given cognitive scientists the impression that languages are all built to a common pattern. In fact, there are vanishingly few universals of language in the direct sense that all languages exhibit them. Instead, diversity can be found at almost every level of linguistic organization. This fundamentally changes the object of enquiry from a cognitive science perspective. This target article summarizes decades of cross-linguistic work by typologists and descriptive linguists, showing just how few and unprofound the universal characteristics of language are, once we honestly confront the diversity offered to us by the world’s 6,000 to 8,000 languages. After surveying the various uses of “universal,” we illustrate the ways languages vary radically in sound, meaning, and syntactic organization, and then we examine in more detail the core grammatical machinery of recursion, constituency, and grammatical relations. Although there are significant recurrent patterns in organization, these are better explained as stable engineering solutions satisfying multiple design constraints, reflecting both cultural-historical factors and the constraints of human cognition. -
Organizational Loyalty of Young Chinese People: Moral Virtues And
ORGANIZATIONAL LOYALTY OF YOUNG CHINESE PEOPLE: MORAL VIRTUES AND CLASS HABITUS Von der Fakultät für Gesellschaftswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades Dr. phil. genehmigte Dissertation von Ognjanovic, Iva aus Belgrad, Serbien 1. Gutachter: Prof. Dr. Flemming Christiansen 2. Gutachter: Prof. Dr. Thomas Heberer Tag der Disputation: 09.07.2018 DEDICATION To my big extended family, who taught me to be curious and to love all people. ii ACKNOWLEDGEMENTS I am eternally grateful to many extraordinary individuals and organizations without whom this dissertation would have never existed: All those at ElectriCo who were so enthusiastic about sharing their personal experiences with me and willingly gave up their time for an interview. Your words that have remained engraved on my mind kept me engaged and smiling throughout the entire writing process. I am especially indebted to all the members of ElectriCo for making my fieldwork a truly wonderful experience. Your continuous acts of kindness filled me with great joy and happiness. My supervisor, Professor Flemming Christiansen, who is an extraordinary doctoral father. I consider myself blessed to have been your student. There are no words to describe my gratitude for your endless patience, the time you invested in reading my chaotic drafts, and your honest and constructive guidance over the last seven years. Your insistence on adhering to deadlines in the final three years of my writing taught me focus, endurance and discipline, without which this dissertation would certainly never have been finished. Professor Thomas Heberer, who carefully assessed my dissertation and provided critique that it needed and enormously benefitted from. -
Gong Zizhen, Ren Bonian, and Kang Youwei
Modern Transformations of Visuality in Late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei Jian Gong A thesis in fulfilment of requirements for the degree of Doctor of Philosophy School of Humanities & Languages Faculty of Arts and Social Sciences February 2016 COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). I have either used no substantial portions of copyright material in my thesis or I have obtained permission to use copyright material; where permission has not been granted I have applied/will apply for a partial restriction of the digital copy of my thesis or dissertation.' Signed ……………………………………………........................... Date ……………………………………………........................... AUTHENTICITY STATEMENT ‘I certify that the Library deposit digital copy is a direct equivalent of the final officially approved version of my thesis. No emendation of content has occurred and if there are any minor variations in formatting, they are the result of the conversion to digital format.’ Signed ……………………………………………........................... Date ……………………………………………........................... ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. -
Downloaded License
European Journal European Journal of of East Asian Studies 19 (2020) 237–262 East Asian Studies brill.com/ejea Esoteric Writing through Historical Allusions Qu Xuanying’s Poetry under Japanese Occupation Chiu Yi-hsuan Research Institute for the Humanities and Social Sciences, Ministry of Science and Technology, Taipei, Taiwan [email protected] Abstract This paper investigates the poetry of Qu Xuanying, a literatus who remained in the city of Beiping (now Beijing) following its occupation by the Japanese in 1937. Through historical allusions in his poetry, Qu communicated with friends about the ethical dilemmas that he faced under occupation, and reflected upon the choices that literati in earlier eras had made when facing dynastic transitions and foreign conquest. Qu’s ‘esoteric writing’ during the occupation contained a complex set of historical allusions which referenced various points in the Chinese past. Since Qu served in the collabo- rationist north China regime, he has often been perceived as a ‘traitor’ or a ‘collabo- rator’. Through this in-depth analysis of his literary works, however, this paper seeks to reveal the special exegetical strategies adopted by literati such as Qu under occupa- tion. Keywords Qu Xuanying – occupation – collaboration, Beiping (Beijing) – literati – poetry 1 Introduction: Living with ‘the Enemy’ and Esoteric Writing In July 1937, the ancient city of Beiping (now Beijing) was filled with a highly tense atmosphere—like a pressure cooker that was about to burst. People were aware that a historical turning point was approaching, but they could not pre- dict what would happen next. An undeclared Sino-Japanese war was about to break out.