Horror and Frightfully Suspenseful Stories
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Carleton University Winter 2017 Department of English ENGL 2906
Carleton University Winter 2017 Department of English ENGL 2906 B Culture and Society: Gothic and Horror Prerequisite(s): 1.0 credit in ENGL at the 1000 level or permission of the Department Tuesdays 6:05 – 8:55 pm 182 Unicentre Instructor: Aalya Ahmad, Ph.D. Email: [email protected] Office: 1422 Dunton Tower Office Hours: please email me for an appointment Course Description: This course is an overview of Gothic and Horror fiction as literary genres or fictional modes that reflect and play with prevalent cultural fears and anxieties. Reading short stories that range from excerpts from the eighteenth-century Gothic novels to mid-century weird fiction to contemporary splatterpunk stories, students will also draw upon a wide range of literary and cultural studies theories that analyze and interpret Gothic and horror texts. By the end of this course, students should have a good grasp of the Gothic and Horror field, of its principal theoretical concepts, and be able to apply those concepts to texts more generally. Trigger Warning: This course examines graphic and potentially disturbing material. If you are triggered by anything you experience during this course and require assistance, please see me. Texts: All readings are available through the library or on ARES. Please note: where excerpts are indicated, students are also encouraged to read the entire text. Evaluation: 15% Journal (4 pages plus works cited list) due January 31 This assignment is designed to provide you with early feedback. In a short journal, please reflect on what you personally have found compelling about Gothic or horror fiction, including a short discussion of a favourite or memorable text(s). -
“Posthistorical University” in James Hynes's Gothic Academic
87 “Cash Is Better than Tenure ” DOI: 10.1515/abcsj-2016-0006 “Cash Is Better than Tenure”: (De)Constructing the “Posthistorical University” in James Hynes’s Gothic Academic Satire The Lecturer’s Tale RALUCA ANDREESCU University of Bucharest Abstract This article analyzes the manner in which James Hynes’s novel The Lecturer’s Tale (2001) can be read as a satire of what Bill Readings identified in his influential The University in Ruins (1996) as the “posthistorical university.” I argue that, in the contemporary context in which higher education establishments are becoming more like corporations and the idea of culture is replaced by the “discourse of excellence,” Hynes’s novel offers an insightful discussion of universities’ negotiation of the Scylla of the pursuit of profit and the Charybdis of self- absorbed literary theorizing and its association with political correctness, the exploitation of junior and non-tenured faculty, and the quest for academic stardom. At the same time, I discuss the way in which the Gothic elements that permeate the novel fittingly double and deepen the critique of contemporary educational establishments and professors. Keywords : academic satire, the Gothic, university of excellence, literary trends, academic superstars, privatization of universities “People who come downstairs from Ivory Towers splash straight into the gutter.” (Smith 156) Whether it brings to light the vibrant life of the academic community with a certain degree of veracity or, on the contrary, it distorts the image of the scholastic environment to the point of grotesque, the contemporary academic novel can be read as “a fun-house mirror held up to the nature of our colleges and universities, one that, for all its grotesquerie, packs a American, British and Canadian Studies / 88 good deal of truth within its pages” (Pinsker 183). -
American Fantastic Tales
AMERICAN FANTASTIC TALES TERROR AND THE UNCANNY FROM POE TO THE PULPS Peter Stmub, editor THE LIBRARY OF AMERICA digitalisiert durch: American fantastic tales IDS Luzern 2009 Contents Introduction xi Charles Brockden Brown Somnambulism: A Fragment i Washington Irving The Adventure of the Gerinan Student 21 Edgar Allan Poe Berenice 27 Nathaniel Hawthorne Young Goodman Brown 35 Herman Melville The Tartarus of Maids 49 Fitz-James O'Brien What Was It? 63 Bret Harte The Legend of Monte del Diablo 77 Harriet Prescott Spofford The Moonstone Mass 90 W. C. Morrow His Unconquerable Enemy 102 Sarah Orne Jewett In Dark New England Days 112 Charlotte Perkins Gilman The Yellow Wall Paper 131 Stephen Crane The Black Dog 148 Kate Chopin Ma'a?ne Pelagie 153 John Kendrick Bangs Thurlow's Christmas Story 162 Robert W. Chambers The Repairer of Reputations 177 Ralph Adams Cram The Dead Valley 210 Madeline Yale Wynne The Little Room 219 Gertrude Atherton The Striding Place 232 Vlll CONTENTS Emma Francis Dawson An Itinerant House 238 Mary Wilkins Freeman Luella Miller 255 Frank Norris Grettir at Thoi-hall-stead 269 Lafcadio Hearn Yuki-Onna 282 F. Marion Crawford For the Blood Is the Life 286 Ambrose Bierce The Moonlit Road 302 Edward Lucas White Lukundoo 312 Olivia Howard Dunbar The Shell of Sense 326 Henry James The Jolly Corner 337 Alice Brown Golden Baby 371 Edith Wharton Afterward 386 Willa Catlier Consequences 416 Ellen Glasgow The Shadowy Third 436 Julian Hawthorne Absolute Evil 460 Francis Stevens Unseen—Unfeared 493 F. Scott Fitzgerald The Curious Case of Benjamin Button 510 Seabury Quinn The Curse of Everard Maundy 536 Stephen Vincent Benet The King of the Cats 568 David H. -
BARKER, Clive
BARKER, Clive Geboren: Liverpool, Engeland, 1952 Woont met zijn partner, fotograaf David Armstrong en hun dochter Nicole in Californië, USA (foto: David Armstrong/Tangled Web) detective: Harry D’Amour , privé-detective, New York Harry D’Amour/The Book of Art: The Great and Secret Show: De Grote Geheime Show: The First Book of the Art 1989 Het eerste boek van de kunst 1990 Luitingh~Sijthoff Everville: The Second Book of the Art 1994 Everville 1995 Luitingh~Sijthoff korte verhalen: “The Last Illusion” in: Clive Barker’s Books of Blood, vol 6 1985 “Lost Souls” in: Time Out 1985 Verloren zielen 1988 Luitingh Imajica: Imajica 1991 Imagica 1992 Luitingh~Sijthoff Imajica: The Fifth Dominion 1995 Imajica: The Reconciliation 1995 Abarat: 1. Abarat. The First Book of Hours 2002 1. Abarat 2004 Luitingh~Sijthoff 2. Days of Magic, Nights of War 2004 2. Dagen vol magie, nachten vol strijd 2004 Luitingh 3. Absolute Midnight 2007 andere crimetitels: The Damnation Game 1985 Duivelsspel 1989 Luitingh~Sijthoff Weaveworld 1987 Weefwereld 1988 Luitingh Cabal: The Night Breed 1988 Kabal 1989 Luitingh The Art 1989 De kunst 1995 Luitingh~Sijthoff Hellraiser eerder verschenen in Comic Books 1989-94 The Thief of Always (jun) 1992 De dief van altijd 1995 Luitingh~Sijthoff Sacrament 1996 Sacrament 1997 Luitingh~Sijthoff Galilee 1998 Galilee 1999 Luitingh~Sijthoff Cold Heart Canyon 2001 Coldheart Canyon 2002 Luitingh~Sijthoff Mister B. Gone 2007 Meneer W.E.G. Wezen 2008 Luitingh Fantasy korte verhalen: Books of Blood (Vol I & II) # 1984 Tunnel van de dood en andere -
Award Winners
RITA Awards (Romance) Silent in the Grave / Deanna Ray- bourn (2008) Award Tribute / Nora Roberts (2009) The Lost Recipe for Happiness / Barbara O'Neal (2010) Winners Welcome to Harmony / Jodi Thomas (2011) How to Bake a Perfect Life / Barbara O'Neal (2012) The Haunting of Maddy Clare / Simone St. James (2013) Look for the Award Winner la- bel when browsing! Oshkosh Public Library 106 Washington Ave. Oshkosh, WI 54901 Phone: 920.236.5205 E-mail: Nothing listed here sound inter- [email protected] Here are some reading suggestions to esting? help you complete the “Award Winner” square on your Summer Reading Bingo Ask the Reference Staff for card! even more awards and winners! 2016 National Book Award (Literary) The Fifth Season / NK Jemisin Pulitzer Prize (Literary) Fiction (2016) Fiction The Echo Maker / Richard Powers (2006) Gilead / Marilynn Robinson (2005) Tree of Smoke / Dennis Johnson (2007) Agatha Awards (Mystery) March /Geraldine Brooks (2006) Shadow Country / Peter Matthiessen (2008) The Virgin of Small Plains /Nancy The Road /Cormac McCarthy (2007) Let the Great World Spin / Colum McCann Pickard (2006) The Brief and Wonderous Life of Os- (2009) A Fatal Grace /Louise Penny car Wao /Junot Diaz (2008) Lord of Misrule / Jaimy Gordon (2010) (2007) Olive Kitteridge / Elizabeth Strout Salvage the Bones / Jesmyn Ward (2011) The Cruelest Month /Louise Penny (2009) The Round House / Louise Erdrich (2012) (2008) Tinker / Paul Harding (2010) The Good Lord Bird / James McBride (2013) A Brutal Telling /Louise Penny A Visit -
Fafnir Cover Page 1:2018
NORDIC JOURNAL OF SCIENCE FICTION AND FANTASY RESEARCH Volume 5, issue 1, 2018 journal.finfar.org The Finnish Society for Science Fiction and Fantasy Research Suomen science fiction- ja fantasiatutkimuksen seura ry Submission Guidelines Fafnir is a Gold Open Access international peer-reviewed journal. Send submissions to our editors in chief at [email protected]. Book reviews, dissertation reviews, and related queries should be sent to [email protected]. We publish academic work on science-fiction and fantasy (SFF) literature, audiovisual art, games, and fan culture. Interdisciplinary perspectives are encouraged. In addition to peer- reviewed academic articles, Fafnir invites texts ranging from short overviews, essays, interviews, conference reports, and opinion pieces as well as academic reviews for books and dissertations on any suitable SFF subject. Our journal provides an international forum for scholarly discussions on science fiction and fantasy, including current debates within the field. Open-Access Policy All content for Fafnir is immediately available through open access, and we endorse the definition of open access laid out in Bethesda Meeting on Open Access Publishing. Our content is licensed under Creative Commons Attribution-Non Commercial 3.0 Unported License. All reprint requests can be sent to the editors at Fafnir, which retains copyright. Editorial Staff Editors in Chief Bodhisattva Chattopadhyay Laura E. Goodin Aino-Kaisa Koistinen Reviews Editor Dennis Wilson Wise Managing Editor Jaana Hakala Advisory Board Merja Polvinen, University of Helsinki, Chair Sari Polvinen, University of Helsinki Paula Arvas, University of Helsinki Liisa Rantalaiho, University of Tampere Stefan Ekman, University of Gothenburg Adam Roberts, Royal Holloway, U. London Ingvil Hellstrand, University of Stavanger Hanna-Riikka Roine, U. -
Lamplight-V1i1.Pdf
Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format. -
2021 Independent Bookstore Day Catalog of Exclusives
2021 Independent Bookstore Day Catalog of Exclusives Independent Bookstore Day is online and in-store Saturday, April 24, 2021 Order deadline is Friday, February 5, 2021 (we cannot accept late orders!) Table of Contents New Guidelines (Please Read Carefully!) Pg. 3 Our Sponsors Pg. 4 ADULT TITLES Exclusive Signed Edition of Sharks in the Time of Saviors Pg. 5 “Little Victories” Pouch Pg. 6 Exclusive Signed Edition of Hummingbird Salamander Pg. 7 Exclusive Signed Edition of Cook, Eat, Repeat Pg. 8 “Bad Citizen” Graffiti Stencil Pg. 9 Embodied: An Intersectional Feminist Comics Poetry Anthology Pg. 10 IBD Exclusive Edition of In the Tall Grass Pg. 11 $7 Story: Being Alive is a Good Idea Pg. 12 Independent Bookstores of the U.S. Map Pg. 13 Exclusive Independent Bookstore Day Blackwing Pencils Pg. 14 TITLES FOR CHILDREN & YOUNG PEOPLE The ABCs of Black History Print Pg. 16 Baby Yoda Onesie Pg. 17 FREE STUFF I Can Read! Comics / Macmillan’s Best Parties in Literature Pg. 18 Broken, An Oracle Card Deck by Jenny Lawson Pg. 19 Outside, Inside Independent Bookstore Day Lawn Signs Pg. 20 “I Visited An Independent Bookstore Today” Stickers Pg. 21 The Black Friend IBD Bumper Stickers Pg. 22 Milo Imagines the World Event Kit Pg. 23 Special Terms & Promotions Pg. 24 Free IBD Bookmarks Pg. 25 2021 IBD Totes & Shirts Pg. 26 NEW GUIDELINES FOR 2021 PLEASE READ CAREFULLY 1. All current dues-paying members of the ABA and a local regional independent booksellers association are eligible to participate in IBD. Membership in both is required because IBD is supported financially by ABA and the 8 regional bookseller associations. -
World Horror Convention 2013 – Progress Report #4
WORLD HORROR CONVENTION 2013 – PROGRESS REPORT #4 This report is sent via email to registered members of the Bram Stoker Awards® Weekend 2013, incorporating World Horror Convention (WHC) and specifically deals with WHC matters. Any questions should be directed to Rocky Wood via [email protected] . IN THIS PROGRESS REPORT: Committee Contacts Kaffeeklatches – Important Information Hotel Details Dealers Room Art Show Bram Stoker Awards® Banquet tickets HWA Lifetime Achievement Award Winners MASSIVE PROGRAMMING UPDATE (at the end of this Report) CONVENTION PROGRESS/COMMITTEE CONTACTS We have made enormous progress on the overall Convention. An Organizing Committee, Chaired by Greg Herren, continues its work. Rocky Wood is Chairing the World Horror Convention component. For instance, the Souvenir Book is complete and ready for final edit/proofing and then, the printer. Programming is almost entirely in place (we are just filling the last Panel slots), Reading applications are closed and announcement will be made about who has been selected, the Dealers Room is sold out. All arrangements with the Hotel are in place, etc. Plenty of time now for last minute panics! The Organizing Committee (double-click to send an email or head over to the website at http://www.stokers2013.org/) is: Chair/Programming - Greg Herren WHC Chair/Guests/Programming - Rocky Wood Pitch Sessions - R J Cavender Party Programming - Boyd Harris Social Media - Anita Siraki Website - Rick Pickman Dealers Room - John Prescott Art Show - Chad Savage Editor, Souvenir Book - Norman Rubenstein HWA Administrator - Brad Hodson Guest Liaison – Nancy Kalanta Ex-Officio – Lisa Morton Our website is at http://www.stokers2013.org/ and is updated regularly. -
Stay 13 Pardon
~~~~~~~~ CONTENTS ~~~~~~~~ 1 Introduction ~~~~~ Reviews ~~~~~ 7 Megatest Anxiety Gywneth Jones ~ Spirit; Or, the Princess of Bois Dormant 12 Shilling Hitler Jo Walton ~ Half a Crown 19 Cheaper by the Dozen Bruce Sterling ~ The Caryatids 23 Field Worker Poul Anderson ~ The Collected Short Works of Poul Anderson, Volume One: Call Me Joe 28 Green Shoot Jay Lake ~ Green 32 Cold Core George Zebrowski ~ Empties 35 Love is Pronounced Adam Roberts ~ Yellow Blue Tibia 38 Gnosis Hooded Gene Wolfe ~ The Best of Gene Wolfe 43 Tidings Paolo Bacigalupi ~ The Windup Girl 46 Late Late the Pomegranate Lev Grossman ~ The Magicians 49 The Ballard Look J G Ballard ~ The Complete Stories of J G Ballard 53 Holding onto the World Kim Stanley Robinson ~ Galileo’s Dream David Constantine ~ The Shieling Jack Skillingstead ~ Are You There and Other Stories 59 Poe-Faced America Peter Straub ~ American Fantastic Tales: Terror and the Uncanny 70 Water Sand Michal Ajvaz ~ The Other City Michal Ajvaz ~ The Golden Age 76 Fracking for Heinlein William H. Patterson, Jr. ~ Robert A. Heinlein: Volume 1: Learning Curve (1907-1948) Cory Doctorow ~ For the Win 84 Oubliette Me Not Hannu Rajaniemi ~ The Quantum Thief Georges-Olivier Châteaureynaud ~ A Life on Paper: Selected Stories vii 90 Zoo Zero William Gibson ~ Zero History Lauren Beukes ~ Zoo City 94 Battle for the Blitz Connie Willis ~ Blackout / All Clear 101 Beat of Equipoise Johanna Sinisalo ~ Birdbrain M Rickert ~ Holiday 106 Dutifuls Tobias S Buckell ~ The Executioness Paolo Bacigalupi ~ The Alchemist Elizabeth Bear -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Introduction
Introduction 1 Clive Barker, ‘Cenobite’, 1986. cintro.indd 1 8/2/2017 10:35:01 AM cintro.indd 2 8/2/2017 10:35:02 AM ‘To darken the day and brighten the night’: Clive Barker, dark imaginer S o r c h a N í F h l a i n n In one of his more in-depth television interviews, while promoting his newly published novel Weaveworld in 1987, Clive Barker was introduced by host John Nicolson as having such a remarkable impact on the horror genre that, some believed, ‘it could only be the product of a diseased mind’. 1 Rather than directly insult Barker on television, the description actually amused the author, a gleeful grin spreading across his youthful, handsome face. Th e television show, BBC ’ s Open to Question , was far removed from the more typical book promotion television shows or talk show slots during which hosts gently prod and chat with the author to showcase their new novel. Th e thirty-minute interview quickly proceeded to take the form of a confrontational interrogation, with Barker positioned to off er a defence for the ‘indefensible’ horror genre. Topics were dominated by audience-led comments and queries which evidenced the cultural residue of moral panic, following on from the video nasty crisis that had gripped the UK in the early 1980s. Th ere was a particular emphasis on the potential for copycat killings inspired by his work, or the potential viral spread of violence which, at any moment, threatened to burst forth from the screen simply because of Barker ’ s appearance on the show.