Music at Grace 2020-2021 Schedule

Total Page:16

File Type:pdf, Size:1020Kb

Music at Grace 2020-2021 Schedule MUSIC AT GRACE A Retrospective 2020 - 2021 WELCOME June 2021 (yes, JUNE!) Dear Friends, Well, the 2020-2021 season was a year with which to reckon! We were largely unable to plan more than a few weeks at a time, and relied heavily, if not totally, on our wonderful Staff Singers. Between September and February, the singers came in every week or two and recorded numerous anthems and hymns for our pre-recorded “Voices of Grace” worship videos. In addition to the Sunday services, we recorded Advent Lessons and Carols, monthly Evensongs, and several services of Compline. Beginning in Lent, the singers, along with clergy and music staff, began live-streaming our Sunday services, singing hymns, Anglican chant psalm, an anthem, and a choral setting of the communion service. We were now singing even more music on a Sunday than pre-pandemic! Our hearts were full on Easter Day, when we welcomed our aged 65+ parishioners in person for worship for the first time since March 2020. Brass, tympani, organ, and voices combined for a glorious celebration. We continued to open in-person worship to our parishioners on a limited basis, and then on the Feast of Pentecost, we once again had a mighty celebration with brass and tympani – opening that service with the hymn “Jesus Christ is risen today!” And on June 6, we re- opened the choir stalls to our wonderful and faithful volunteer choir members, who provide leadership for our summer worship. During this time, our Choristers were able to rehearse off and on, and several of them have joined us to sing for Sunday services or Evensongs. We look forward to the fall of 2022, when we can once again offer a fully-planned choral season, including three concerts presented by Collegium Ancora, ensemble-in-residence at Grace. This booklet is a retrospective of the music we were able to offer, either virtually or in person, during the COVID-19 pandemic. We felt so fortunate to be able to keep making music at Grace to whatever degree was possible, and we are deeply thankful to all those who helped make it happen. We hope that – once again – you will walk through our historic red doors on Westminster Street in downtown Providence for worship, concert, or both! The Reverend Canon Jonathan Huyck+ Rector Vincent Edwards David Heinze Organist and Director of Music Associate Director of Music _____________________________________________________________________________ Worship services and concerts at Grace Church are live-streamed then uploaded to the following social media platforms. We hope you take a moment to explore some of these videos and listen to the wonderful music we were privileged o record and share during the pandemic. @GraceChurchProvidence youtube.com/c/GraceChur chinProvidence vimeo.com/gracechurchprovidence - 2 - MUSIC AT GRACE 2020 - 2021 SEPTEMBER 13 The Fifteenth Sunday after Pentecost Virtual Worship O how amiable are Thy dwellings – Ralph Vaughan Williams Draw us in the Spirit’s tether – Harold Friedell Organ Grand Choeur in C, Op. 68, No. 4 – Theodore Salomé SEPTEMBER 20 The Sixteenth Sunday after Pentecost Virtual Worship O God, my King – John Amner All Thy works praise Thee, O Lord – Thomas Adams Organ Prelude from Suite in E Major – Everett Titcomb SEPTEMBER 27 The Seventeenth Sunday after Pentecost Virtual Worship Unto Thee, O Lord, I lift up my soul – Francis Edward Aulbach There’s a wideness in God’s mercy – Maurice Bevan Organ Chorale-Partita on ‘Herr Jesu Chirst, dich uns zu wend’ – Johann Gottfried Walther SEPTEMBER 29 The Feast of Saint Michael and All Angels Virtual Choral Introit: Hail, glorious spirits – Christopher Tye Evensong Psalm 150 – Sir Charles Villiers Stanford Evening Service in D Major – Sir A. Herbert Brewer Tibi, Christe, splendor Patris vita – Orlando di Lasso Organ Alleluyas – Simon Preston OCTOBER 4 The Eighteenth Sunday after Pentecost Virtual Worship Lord, I trust Thee from Brockes’ Passion, HWV 48 – George Frederic Händel Turn us, O Lord, Thy face display – James Nares Organ Präludium in G Major, BWV 541i – Johann Sebastian Bach OCTOBER 11 The Nineteenth Sunday after Pentecost Virtual Worship Rejoice in the Lord alway – Anonymous, 16th century My joy, my life, my crown! – Robert Bruce Montgomery Organ Sonatina from Cantata No. 106 (Actus tragicus) – J.S. Bach, arr. Jean Pasquet - 3 - OCTOBER 18 The Twentieth Sunday after Pentecost Virtual Worship Tollite hostias from Oratorio de Noël, Op. 12 – Camille Saint-Saëns O worship the Lord from Chandos Anthems 4, HWV 249b – G.F. Händel Organ Voluntary in D – William Boyce OCTOBER 25 The Twenty-first Sunday after Pentecost Virtual Worship O Lord, increase our faith – Henry Loosemore Love divine, all love’s excelling – Jonathan Bielby Organ March from Scipione, HWV 20 – G. F. Händel OCTOBER 28 The Feast of Saint Simon and Saint Jude, Apostles Virtual Choral Introit: If ye love me – Thomas Tallis Evensong Psalms 116 & 117 – Percy Buck Evening Service in C minor – Charles Wood Teach me, O Lord – William Byrd Organ Intermezzo – Helmers Pavasars NOVEMBER 1 The Feast of All Saints – The Visitation of the Bishop Virtual Worship O taste and see – Ralph Vaughan Williams O how glorious is the kingdom – Healey Willan Organ Chorale and Fugue – Healey Willan NOVEMBER 8 The Twenty-third Sunday after Pentecost Virtual Worship Since by man came death from Messiah, HWV 56 – G.F. Händel O Wisdom! Spirit of the Holy God – T. Tertius Noble Organ Chorale-Prelude on ‘St. Philip’ – Healey Willan NOVEMBER 15 The Twenty-fourth Sunday after Pentecost Virtual Worship Thou, Lord, our refuge from Sechs Sprüche, Op. 79 – Felix Mendelssohn-Bartholdy Turn Thee again, O Lord – Samuel Sebastian Wesley Organ Fugue in F minor – G. F. Händel NOVEMBER 22 The Last Sunday after Pentecost: The Feast of Christ the King Virtual Worship King of Glory, King of Peace – J.S. Bach, arr. Sir William H. Harris God omnipotent reigneth – Pierre Daques, arr. Charles Wood Organ Trumpet Tune in D Major – David N. Johnson - 4 - NOVEMBER 29 The First Sunday of Advent Virtual Worship The Advent Wreath Prayers: Advent I – Malcolm Archer And the glory of the Lord from Messiah – G.F. Händel Matin Responsory – after Giovanni Pierluigi da Palestrina Organ Nun komm, der Heiden Heiland, BWV 659 – J.S. Bach DECEMBER 6 The Second Sunday of Advent Virtual Worship The Advent Wreath Prayers: Advent II – Malcolm Archer Comfort ye, my people from Messiah – G.F. Händel Ev’ry valley shall be exalted from Messiah – G.F. Händel Organ Two Chorale-Preludes on ‘Gottes Sohn ist kommen’ – Johann Heinrich Buttstedt An Virtual Service Matin Responsory – after Giovanni Pierluigi da Palestrina of Lessons & Carols Rorate coeli – Samuel Webbe for Advent Adam lay ybounden – Boris Ord Oculi omnium – Charles Wood Ex Sion species decoris ejus – Josef Rheinberger Bogoródĩtse Dyévo from All-Night Vigil, Op. 37, No. 6 – Sergei Rachmaninov The Tree of Life – Elizabeth Poston The Baptism of Jesus – Peter Hallock Vesper Responsory – after Giovanni Pierluigi da Palestrina, adapt. Philip Ledger O Thou, the central orb – Charles Wood Organ Wachet auf, ruft uns die Stimme, BWV 645 – J.S. Bach DECEMBER 13 The Third Sunday of Advent: Gaudeté Virtual Worship The Advent Wreath Prayers: Advent III – Malcolm Archer This is the record of John – Orlando Gibbons Then shall the eyes & He shall feed his flock from Messiah – G.F. Händel Organ Es ist ein Ros’ entsprungen, Op. 122 – Johannes Brahms DECEMBER 20 The Fourth Sunday of Advent Virtual Worship The Advent Wreath Prayers: Advent IV – Malcolm Archer Ave Maria, gratia plena – Camille Saint-Saëns Advent Prose – Plainsong, Mode 1, arr. Sir Stephen Cleobury Organ Veni, veni Emmanuel – Gerald Near - 5 - DECEMBER 20 Antiphonary – Plainsong The Great “O” Introit: Magnificat – Oreste Ravanello Antiphons & Psalm 112 – Tone I.7 Choral Compline Te lucis ante terminum – Severus Gastorius Live-streamed Veni, veni Emmanuel! – Plainsong, Bone Jesu dulcis cunctis 8 PM DECEMBER 24 The Feast of the Nativity of Our Lord Jesus Christ: Christmas Eve Virtual Worship O Holy Night – Adolphe Adam Gesu Bambino – Pietro Yon Welcome, welcome dear Redeemer – César Franck The Advent Wreath Prayers: Christmas – Malcolm Archer Gloria in excelsis from The Mass of the Quiet Hour – George Oldroyd For unto us a child is born from Messiah – G.F. Händel Organ Cradle Song – Herbert Howells DECEMBER 27 The First Sunday after Christmas Virtual Worship Hallelujah from Messiah – G.F. Händel Organ In dulci jubilo, BuxWV 197 – Dieterich Buxtehude JANUARY 3 The Second Sunday after Christmas Virtual Worship Wie schön leuchtet der Morgenstern – Michael Praetorius Organ Wie schön leuchtet der Morgenstern – Johann Pachelbel JANUARY 6 The Feast of the Epiphany Virtual Eucharist Hymn 128: We three kings of Orient are – John H. Hopkins, Jr. via Zoom JANUARY 10 The First Sunday after the Epiphany: The Baptism of our Lord Virtual Worship The Baptism of Jesus – Peter Hallock Organ Chorale-Prelude on ‘Winchester New’ – John Ebenezer West JANUARY 17 The Second Sunday after the Epiphany Virtual Worship I waited for the Lord from Song of Praise, Op. 52 – Felix Mendelssohn-Bartholdy Organ Trumpet Tune in E-flat – David N. Johnson - 6 - JANUARY 24 The Third Sunday after the Epiphany Virtual Worship My soul truly waiteth still upon God – William Bennett Organ Voluntary in C minor – Maurice Greene JANUARY 25 The Feast of the Conversion of Saint Paul the Apostle Virtual Choral Introit: In te Domine speravi – Hans Leo Hassler Evensong Psalm 119:105-112 – George Cooper, Jr. Evening Service in D minor – Thomas Attwood Walmisley Thy word is a lantern unto my feet, Z. 61 – Henry Purcell Organ Präludium in C Major, BWV 545i – J.S. Bach JANUARY 31 The Fourth Sunday after the Epiphany Virtual Worship Almighty and everlasting God – Orlando Gibbons Organ Chorale-Prelude on ‘Old Hundredth’ – Johann Pachelbel FEBRUARY 2 The Feast of the Presentation of Christ in the Temple: Candlemas Virtual Eucharist Nunc dimittis from Evening Service, ‘Collegium Regale’ – Herbert Howells via Zoom FEBRUARY 7 The Fifth Sunday after the Epiphany Virtual Worship O come, ye servants of the Lord – Christopher Tye Organ Liebster Jesu, wir sind hier, BWV 731 – J.S.
Recommended publications
  • New Head for Hawford, OV Artists, Stephen Cleobury Concert & A
    N ew Head for Hawford, OV Artists, Stephen Cleobury concert & a tribute to Cecil Duckworth Announcement of New Head at King’s Hawford The Headmaster and Governors of The King’s School, Worcester are delighted to announce the appointment of Mrs Jennie Phillips as the new Head of King’s Hawford, one of Worcester’s leading 2 – 11 Prep Schools. Jennie will join in April 2021 from Monmouth School Girls’ Prep School where she is currently the Head. She was appointed from a dynamic field of sitting Heads and Deputies, and was the unanimous choice of the Headmaster, Governors and the staff who met her. Jennie was educated at Oxford High School, and read Education at the University of Exeter. A keen hiker and swimmer, Jennie is married to Eddie and they have two daughters, Amelia and Daisy, who are all excited about the move. Reflecting on her appointment, Mrs Phillips said, “I am absolutely delighted to be joining the team at King’s Hawford. The school has a wonderful warmth and a sense of community which is clearly held dear by parents, staff and pupils alike. I very much look forward to getting to know the school community and building on the excellent work of Mr Jim Turner, whilst working closely with Mr Richard Chapman, Head of King’s St Albans, under the Head of our Foundation, Mr Gareth Doodes. We will work together to provide parents with the choice of two outstanding, vibrant Prep school learning environments with high aspirations, that prepare our pupils well for the next step in their journey as they move on to King’s Worcester at the age 11.” The Headmaster of the King’s Foundation, Gareth Doodes, celebrated Jennie’s appointment.
    [Show full text]
  • Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
    Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit.
    [Show full text]
  • Trinity Choral Services:Choral Services 2
    Trinity College Chapel Choral Services & Anthem Texts Lent Term 2010 Sundays COLLEGE COMMUNION 10.00 a.m. COLLEGE EVENSONG WITH ADDRESS 6.15 p.m. Tuesdays EVENSONG 6.15 p.m. Thursdays EVENSONG 6.15 p.m. Tuesday 2nd February: Sung Eucharist for Candlemas 10.55 a.m. Ash Wednesday 17th February: Holy Communion & Imposition of Ashes 6.15 p.m. Holy Communion is celebrated each Wednesday lunchtime 12.30 p.m. Morning Prayer is said each weekday (except Friday) and Saturday morning 8.45 a.m. Holy Communion is celebrated each Friday morning during term 8.00 a.m. Evening Prayer is said on Monday and Wednesday evenings 6.15 p.m. The Reverend Dr Michael Banner Dean of Chapel Stephen Layton Director of Music The Reverend Alice Goodman Chaplain The Reverend Christopher Stoltz Chaplain Michael Waldron, Simon Bland Organ Scholars JANUARY 17 The Second Sunday after Epiphany 10:00 am College Communion Hymn 377: St Denio (Welsh melody / Roberts) Mass (MacMillan) 1st Lesson Isaiah 62: 1-5 Hymn 367 (i): Capetown (Filitz) Gospel John 2: 1-11 Preacher The Dean of Chapel Hymn 141: Salisbury (Howells) Hymn 484, omitting *: Aurelia (Wesley) Voluntary March (Choveaux) 5:40 pm Organ Music Before Evensong Stephen Cleobury (King’s College) Prelude and Fugue in c, BWV 546 (Bach) Sei gegrüßet, Jesu gütig, BWV 768 (Bach) 6:15 pm College Evensong Responses (McWilliam) Psalm 89: 1-8 Magnificat Primi toni (Victoria) Nunc Dimittis Double Choir (Holst) Anthem This worldes joie (Bax) Hymn 47: Dix (Kocher / Monk) Preacher Professor Amartya Sen, formerly Master of Trinity Hymn 49 (i): Wessex (Surplice) Voluntary Fantasia and Fugue in c, BWV 537 (Bach) 19 Tuesday 6:15 pm Choral Evensong Joint Service with the Choir of King’s School Ely Voluntary Postlude in G (Stanford) Introit Justorum animæ (Stanford) Responses (Rose) Psalm 150 1st Lesson Amos 7: 1-17 Canticles Service in C (Stanford) 2nd Lesson 1 Corinthians 6: 12-end Anthem Te lucis ante terminum (Balfour Gardiner) Hymn 413: Nun danket (Crüger / Mendelssohn) Final Responses (Rose) Voluntary Symphony No.
    [Show full text]
  • LCOM182 Lent & Eastertide
    LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas
    [Show full text]
  • A Countertenor's Reference Guide to Operatic Repertoire
    A COUNTERTENOR’S REFERENCE GUIDE TO OPERATIC REPERTOIRE Brad Morris A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2019 Committee: Christopher Scholl, Advisor Kevin Bylsma Eftychia Papanikolaou © 2019 Brad Morris All Rights Reserved iii ABSTRACT Christopher Scholl, Advisor There are few resources available for countertenors to find operatic repertoire. The purpose of the thesis is to provide an operatic repertoire guide for countertenors, and teachers with countertenors as students. Arias were selected based on the premise that the original singer was a castrato, the original singer was a countertenor, or the role is commonly performed by countertenors of today. Information about the composer, information about the opera, and the pedagogical significance of each aria is listed within each section. Study sheets are provided after each aria to list additional resources for countertenors and teachers with countertenors as students. It is the goal that any countertenor or male soprano can find usable repertoire in this guide. iv I dedicate this thesis to all of the music educators who encouraged me on my countertenor journey and who pushed me to find my own path in this field. v PREFACE One of the hardships while working on my Master of Music degree was determining the lack of resources available to countertenors. While there are opera repertoire books for sopranos, mezzo-sopranos, tenors, baritones, and basses, none is readily available for countertenors. Although there are online resources, it requires a great deal of research to verify the validity of those sources.
    [Show full text]
  • The Hymns Album, Vol. 2 Y Abide with Me (Eventide) William Henry Monk [3.46] U O Perfect Love Joseph Barnaby (1838-1896) [2.12] I the Lord Is My Shepherd Will Todd (B
    The Hymns Album, Vol. 2 y Abide with Me (Eventide) William Henry Monk [3.46] u O Perfect Love Joseph Barnaby (1838-1896) [2.12] i The Lord is my Shepherd Will Todd (b. 1970) [3.47] 1 Thy Hand, O God, has Guided (Thornbury) Basil Harwood (1859-1949), arr. Darius Battiwalla [2.24] o When I Survey the Wondrous cross (Rockingham) Edward Miller (1731-1807) [3.11] 2 All Things Bright and Beautiful William Henry Monk (1823-1889) [2.27] p Alleluya, Sing to Jesus (Hyfrydol) Richard Huw Pritchard (1811-1887) [3.47] 3 Guide Me, O Thou Great Jehovah (Cwm Rhondda) John Hughes (1873-1932) [2.32] a Come ye Thankful People, George Elvey (1816-1893) [2.49] 4 How Firm a Foundation, Samuel Jarvis (d.1785) [1.53] Come (St George’s Windsor) O Saints of the Lord (Montgomery) s I am the Bread of Life Suzanne Toolan (b. 1927), arr. Pulkingham [3.20] 5 Praise my Soul the King of Heaven (Lauda Anima) John Goss (1800-1880), arr. Battiwalla [2.24] d O Praise ye the Lord (Laudate Dominum) Hubert Parry (1848-1918) [2.12] 6 Amazing Grace (New Britain) Traditional, arr. Richard Wilberforce (b. 1984) [3.28] f All Creatures of our God Traditional, arr. Battiwalla [2.48] 7 Be Still, For the Presence of the Lord David Evans (b. 1957), arr. Simon Mold [2.31] and King (Lasst uns erfreuen) 8 Father We Love You Donna Adkins (b. 1940) [2.18] Total timings: [66.52] 9 Make me a Channel of your Peace Sebastian Temple (b.
    [Show full text]
  • CHOIR MUSIC ANDREW NUNN (Dean)
    PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t.
    [Show full text]
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • Instrumental, Cantatas and Other Music Author Index 1
    Music Manuscripts: Series 4: Part 8: British Library, London: Section C: Instrumental, Cantatas and Other Music Author Index Alberto, Giovanni (Ristori of Venice) - Italian. Anonymous. Versi colli. Belt costante; Se a chiamare il caro bene; Rivo, che tumido 1st half of 18th century s' ingrossa d'onda; Daphne the beautyfull: soprano cantata. Manuscript Number: Add. Ms 14212; Hughes-Hughes vol.ii, c.1712 558. With a bass for harpsichord; Type: Ms. Copy: Score. Manuscript Number: Add. Ms 31993; Hughes-Hughes vol.ii, 510. With figured bass for harpsichord; Type: Ms. Score. Genre: Secular Vocal Music: Solo Cantatas: Soprano Genre: Secular Vocal Music: Songs Reel: 58 Reel: 62 Albinoni, Tomaso Giovanni - Italian; Corelli, Arcangelo - Italian. Anonymous. 18th century Bruggio frà mille fiamme. Manuscript Number: RM 19 a 8; Catalogue of the King's 1st half of 18th century Music Library, vol.i, 131; Type: Ms.. Manuscript Number: Add. Ms 14212; Hughes-Hughes vol.ii, 558. With a bass for harpsichord; Type: Ms. Copy: Score. Genre: Instrumental Music Genre: Secular Vocal Music: Solo Cantatas Reel: 50 Reel: 58 Aldrich, Henry - English. Hark, the bonny Christ Church Bells; Good, good indeed; Anonymous. the Herbs good weed ( 4). Crudeli, affrettate; Con Megera, Tesifone ed Aletto; Posso c.1762 morir; Su l'orme del desio. Manuscript Number: Add. Ms 29386; Hughes-Hughes vol.ii, c.1761 28. In the hand of Edmund T. Warren; Type: Ms. Copy: Score. Manuscript Number: Add. Ms 14229; Hughes-Hughes vol.ii, 295; Type: Ms. Score. Genre: Secular Vocal Music: 3-part Catches/Rounds Genre: Secular Vocal Music: Operas: Arias Reel: 59 Reel: 59 Alexander's Feast, extracts; Esther.
    [Show full text]
  • Handel Israel in Egypt
    Israel in Egypt George Frideric Handel By: Michael C. Lister Israel in Egypt occupies a singular place in the history of Handel’s oratorios. While unique in concept and composition, this work has several characteristics in common with Handel’s most well known oratorio, Messiah, composed three years later. While there is no known librettist attributed to the oratorio, it is interesting to note that Handel had collaborated with librettist Charles Jennens on Saul just prior to beginning work on Israel in Egypt and would return to Jennens to shape the text for his next oratorio, Messiah. It is possible that Jennens influenced Handel’s choice to deviate from the dramatic libretto to a scripture-based libretto that makes no use of a conventional cast of soloists who portray key characters in a series of dramatic events, but rather allows the drama to unfold in a narrative form. The themes of Israel in Egypt continued to resonate in Messiah as well, with the people of God seeking (and receiving) physical deliverance in the former and spiritual deliverance in the latter. Unlike any other of Handel’s compositions, Israel in Egypt relies on choruses rather than solo arias to describe events and conditions surrounding the exodus of the children of Israel from the land of the Pharaohs. Israel in Egypt features the chorus more than any other of Handel’s oratorios, and uniquely employs a significant number of double choruses throughout the work. The expanded role of the chorus, the virtual absence of solo arias, and the unconventional libretto has led scholars to believe that Handel originally envisioned Israel in Egypt to be a series of anthems, similar to his Coronation Anthems, an idea encouraged by the composer’s choice to rework music from his Funeral Anthem for Queen Caroline from 1737.
    [Show full text]
  • Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
    Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote.
    [Show full text]
  • A Service of Lessons and Carols for Advent
    A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson).
    [Show full text]