Intervjuet Med Koreograf Mirenka Cechova I

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Intervjuet Med Koreograf Mirenka Cechova I VÅRT LAND ONSDAg 25. MARs 2015 26 KULTUR Tips til avdelingen Y 22 310 391 Danser SANGSKATT: Mezzosopran Marianne Beate Kielland gjør en spenstig fortolkning av Catharinus Ellings tidlige sanger. flyktningenes Norsk sangskatt fortellinger Forfriskende samPILL: Catharinus Elling skrev melodien til «Småsporven gjeng i tunet» – og 200 andre sanger. Nå har mezzosopran Marianne Beate Kielland sunget inn 25 av de tidligste. Album Klassisk Marianne Beate Kielland YOUNG ELLING Marianne Beate Kielland, mezzosopran Nils Anders Mortensen, piano Sanger av Catharinus Elling LAWO LWC 1072 Fin fortolkning av viktig, norsk sangskatt ANMELDELSE LaRS FLYDAL DOKUMENTARISK DANS: Koreograf Mirenka Cechova [email protected] prøver å slite ut danserne så de skal kunne sette seg inn i Alle er førsteinnspillinger og del av en viktig, norsk flyktningenes situasjon. sangskatt. Mezzosopran Marianne Beate Kielland og pia- Sniper’s Lake er støttet av EØS. nist Nils Anders Mortensen har sunget og spilt seg ANE BAMLE TJELLAUG SPITFIRE COMPANY – Vi traff Spitfire i fjor under sammen gjennom en rekke prosjekter og opptre- [email protected] en festival i Tsjekkia. De jobber i dener. I dag er resultatet en leken ledighet – og Y Tsjekkisk teater- og skjæringspunktet mellom fysisk stadig mer spennende, musikalske møter. De har – Jeg kunne ikke laget denne dansekompani teater og dans, og vi likte vel- en spenst i uttrykket som er verdt å følge. De er så forestillingen hvis jeg ikke hadde Y Ble i 2014 i konkurranse dig godt hvordan dette var nytt samspilte at de kan tillate seg å utfordre hveran- snakket med flyktningene først, med 600 andre, et av danse- og innovativt, sier produsent dre, uten at det skurrer. Det er bare forfriskende og sier Mirenka Cechova. formidlingsorganisasjonen Marianne Bilger. skaper en elegant dynamikk mellom to musikalske Den tsjekkiske koreogra- Aerowaves «Top 20 Priority Hun mener samarbeid med in- sjeler som kjenner hverandres puls. fen er i Norge med forestil- Companies» ternasjonale kompanier er viktig lingen Sniper's Lake, som har for å utvikle kompetanse lokalt. Y Jobber i skjærings- Shakespeare. Catharinus Ellings sangskatt base- urpremiere i Bærum Kulturhus punktene mellom moderne – Dette er et samfunnsenga- rer seg på hans egen innsamling av folkemelodier. i morgen. Danseforestillingen er dans og fysisk teater sjert prosjekt, gjennom arbeidet På denne platen er det også sanger til Shakespeare- basert på samtaler koreografen med flyktninger, samtidig som tekster og en samling melodier til den tyske folke- og danserne har hatt med flykt- Y Har urpremiere på fore- det er kunstnerisk spennende. stillingen Sniper’s Lake i musikksamlingen Des Knaben Wunderhorn. (som ninger i Bærum og Praha. Bærum kulturhus 26. mars finnes i Mahlers kjente tonesetting.) – Flyktningene har gitt oss for- Sliter ut danserne. Mirenka Her finnes også Ivar Aasens «Nordmannen» tellinger som danserne overfø- Y Sniper’s Lake er støttet Cechova er opptatt av at dan- («Mellom bakkar og berg») i et alternativ til L.M. rer til et fysisk språk. For oss er med EØS-midler og koreo- serne opplever noe som foran- Lindemans kjente melodi. det viktig å prøve å forstå den grafert av Mirenka Cechova drer dem under prøveprosessen. følelsesmessige påkjenningen Y Kompaniet har hentet – Jeg prøver alltid å gi dan- Kjernesunn. På slutten av 1800-tallet var det flyktinger i en ekstrem situasjon to norske og tre tsjekkiske serne oppgaver og hindringer trangt om plassen blant norske komponister. Men opplever, sier Cechova. utøvere til forestillingen som gjør dem modige og åpne. den 15 år eldre Grieg omtalte Elling som en «kjerne- Enten ved utmattelse eller ved sunn, lyrisk begavelse med en egenartet karak- Fysisk teater. Forestillingen at de overvinner frykten når de ter». Han satte opp flere av Ellings romanser på er en samproduksjon mellom vet de står foran noe smertefullt. egne konserter. tsjekkiske Spitfire Company og Det er en prosess som leder mot Kjernesunt er en god betegnelse på Ellings fro- Bærum kulturhus. Kompaniet ærlighet og sannhet, men også dige sangskatt, og helt presis i forhold til det utad- har hyret inn to norske dansere empati når vi som utøvere prøver vendte og sympatiske inntrykket utøverne leverer. som har fått jobbe med dem, og å forstå flyktningene og å over- ONSDAg 25. MARs 2015 VÅRT LAND Se flere nyheter Y vl.no/kultur KULTUR 27 Danser flyktningenes fortellinger NY plate: Sufjan Stevens synger om sine følelser knyttet til sin avdøde mor på sitt sjuende album. Foto: Wikipedia Commons På livet løs MORENS DØD: Sufjan Stevens gjør den musikalske innpakningen så enkel og gjennomsiktig som over- hodet mulig, når han skal beskrive sorgen og tankene etter morens død. ANMELDELSE Album Pop OLAV SOLVANG [email protected] Sufjan Stevens CARRIE & Albumtittelen Carrie & Lowell LOWEll henspeiler på henholdsvis Su­ Asthmatic Kitty fjan Stevens mor og stefar. Vi blir LØPING: Forestillingen Sniper’s Lake handler om å løpe fra noe. Det tsjek- invitert et inntil beinet ærlig og Dønn ærlig om kiske dansekompaniet har snakket med flyktninger som har fortalt hvor- dan det føles å være på flukt. sårt tankemessig møte først og sorg og savn. fremst mellom et barn og en mor. Det er artistens savn etter moren Carrie, som døde for litt over to år siden, som bringer ham så til de eller hvor fort hun løp. grader tett på hva døden og kjær­ – Du bare løper. Du tenker hel­ ligheten egentlig betyr for ham. ler ikke på om du er sterk nok, for Greier han virkelig å gripe den det må du bare være for å over­ gode kjærligheten? Eller den så fjernt fra den amerikanske leve, sier Cechova. vonde kjærligheten? Eller lever kristenpop­industrien man kan – Danserne kan aldri gjen­ han utenfor begge deler? komme, men har likevel gitt ut skape denne ekstreme situasjo­ den beste «kristenpop­plata» nen på scenen, men de kan prøve Usentimentalt. Det er rett på man kan tenke seg med albu­ å komme til den utmattelsen. sak, usentimentalt, basert på met Seven Swans. Her, noen år minner og tanker rundt en mor senere, er han mest som en Job Fortellinger om frykt. Cecho­ som hadde et trøblete og turbu­ som får lov å klage over det som va vil ikke si for mye om nøyaktig lent liv med en psykiatrisk diag­ plager ham. hva flyktningene fortalte dem. nose. Selv om utsagnet «how do I Artisten som har en ikke Fortellingene er for personlige. live with your ghost», i låten «The imponerende stor, men like­ – Men det er mange historier Only Thing», er hjerteskjærende, fullt bunnsolid fanskare, også om frykt. Hva det betyr når noen fremstår ikke Stevens som et i Norge, nøyer seg på sitt sju­ sikter en pistol mot deg. Hvordan offer. Bare en sønn, et mennes­ ende album med et minimalis­ det føles å leve i totalt mørke i ke, som roper ut sin fortvilelse tisk lydbilde bestående av for­ INSTRUERER sette det til dans. skogen i en uke uten mat og vann, og frustrasjon når hun som fødte trinnsvis akustisk gitar og en­ LITE: – Danser- – Så du sliter danserne ut? og uten å vite om noen kommer ham nå er borte for godt, ikke kle lydkreasjoner. Borte er den ne har fått rom – Å bli utslitt er en naturlig etter deg. bare fraværende, som det kan eksperimentelle trangen og de til å skape sine del av dans uansett, men hoved­ – Finnes det positive følelser virke som hun lenge har vært. musikalske 180­graderssvinge­ egne bevegel- temaet i denne forestillingen er å her også? ne, som har fått oss til å smile og ser, sier kore- løpe, å være på flukt. Da tenker – Definitivt. Når du løper så du Som Job. Sufjan Stevens roper humre fornøyd over hans aty­ ograf Mirenka du ikke på at du blir utmattet, du sliter deg ut, men kommer deg ikke ut sin fortvilelse i det store piske pop­fremtoning. Tilbake Cechova (t.v.). bare prøver å komme deg vekk. unna, får du følelsen av katarsis intet. «Lord, hear my prayer», står elleve enkle visepop­låter, En flyktning fra Afghanistan – en renselse. Når flyktningene ber han i «John My Beloved». med så mye luft og rom i seg at fortalte kompaniet om hvordan rømmer, gjør de det fordi det fin­ «How, God of Elijah?» spør han de reflekterende og ettertenk­ hun løpte uten å tenke på hvor nes et håp. Og hvis du har håp, i «Drawn To The Blood». Den somme tekstene til fulle får den langt hun løp, hvor lenge hun løp kan du overleve mye. kristne, alternative artisten, er oppmerksomheten de skal ha. .
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