Suitcase Museum Dayanita Singh
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Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
Museum Bhavan Guide
MUSEUM BHAVAN GUIDE “Museum Bhavan is a living exhibition that will wax and wane with the lunar cycle.” Dayanita Singh This is the premiere of MUSEUM BHAVAN on its home ground — at the Kiran Nadar Museum of Art, Delhi, it becomes a museum within a museum. MUSEUM BHAVAN is a collection of museums made by Dayanita Singh. They have previously been shown in London, Frankfurt and Chicago, and here, in Delhi, the artist has installed nine museums from the collection. Each holds old and new images, from the time Singh began photography in 1981 until the present. The architecture of the museums is integral to the realization of the images shown and stored in them. Each structure can be placed and opened out in different ways. It can hold around a hundred framed images, some on view, while others await their turn in the reserve collection kept inside the structure. All the museums have smaller structures within them, they can be displayed inside the museum or on the wall. The museums can form chambers for conversation and contemplation, with their own tables and stools, as in the Museum of Chance. They can also be joined to one another in different ways to form a labyrinth. The internal relationships among them have evolved through the endless process of editing, sequencing and archiving that sustains the formal thinking essential to the realization of Singh’s work. So, within the extended family of MUSEUM BHAVAN, it is now becoming clear that File Museum and Museum of Little Ladies are sibling museums, while Museum of Photography and Museum of Furniture are cousins. -
Dayanita Singh Biography
ALMA ZEVI DAYANITA SINGH Born in 1961 in New Delhi, India. She lives and works in New Delhi, India. Education 1988 Photojournalism and Documentary Photography, International Center of Photography, New York City, USA 1986 Visual Communication, National Institute of Design, Ahmedabad, India Selected Solo Exhibitions 2019 Dayanita Singh and Box 507 Pop Up, Frith Street Gallery, London, UK 2018 Pop-Up Book Shop, Callicoon Fine Arts, New York City, USA 2017 Museum Bhavan, Tokyo Photographic Art Museum, Tokyo, Japan 2016 Suitcase Museum, Dr. Bhau Daji Lad Museum, Mumbai, India Museum of Shedding, Frith Street Gallery, London, UK Museum of Machines: Photographs, Projections, Volumes, MAST, Bologna, Italy Museum of Chance – Book Object, Hawa Mahal, Jaipur, India 2015 Conversation Chambers Museum Bhavan, Kiran Nadar Museum of Art, Delhi, India Book Works, Goethe-Institut. New Delhi, India Museum of Chance – A book story, MMB, Delhi, India 2014 Museum of Chance – A book story, MMB, Mumbai, India Go Away Closer, MMK, Frankfurt, Germany City Dwellers: Contemporary Art From India, Seattle Art Museum, Seattle, USA Art Institute Chicago, Chicago, USA 2013 Go Away Closer, Hayward Gallery, Southbank Centre, London, UK 2012 File Museum, Frith Street Gallery, London, UK Dayanita Singh / The Adventures of a Photographer, Bildmuseet, Umeå University, Umea, Sweden Monuments of Knowledge, Photographs by Dayanita Singh, Kings College London, London, UK House of Love, Nature Morte, New Delhi, India 2011 Adventures of a Photographer, Shiseido Gallery, Tokyo, Japan -
Studio Guenzani Via Eustachi 10 20129 Milano Tel
STUDIO GUENZANI VIA EUSTACHI 10 20129 MILANO TEL. 0229409251 [email protected] DAYANITA SINGH Dayanita Singh è nata a New Dehli (India) nel 1961. Vive e lavora a New Dehli. Selected Solo-Exhibitions 2017 Museum Bhavan, Tokyo Photographic Art Museum, Tokyo 2016 Dayanita Singh: Museum of Shedding, Frith Street Gallery, London Dayanita Singh: Museum of Machines, Fondazione MAST, Bologna, Italy 2015 Dayanita Singh: Books Works, Goethe Institut – Max Mueller Bhavan, New Delhi Go Away Closer, MAMM, Moscow, Hayward Touring Museum of Chance – A book story MMB, Delhi 2014 Museum of Chance – A book story, MMB, Mumbai Go Away Closer, MMK, Frankfurt, Hayward Touring City Dwellers: Contemporary Art from India, Seattle Art Museum, WA Art Institute Chicago, Chicago 2013 Go Away Closer, Hayward Gallery, Southbank, Centre, London, travelling to MMK, Frankfurt and Multimedia Art museum, Moscow Venice Biennale 55th Interbational Art Exhibition, German presentation at the French Pavilion, Giardini, Venice 2012 Dayanita Singh, Monumento of Knowledge, King’s Institute, KCL, Londra Dayanita Singh, Nature Morte, New Delhi 2011 House of Love, Peabody Museum, Boston Dayanita Singh, Museum of Modern Art, Bogota 2010 Dream Villa, Nature Morte, New Delhi Dayanita Singh, Museum voor Fotografie, Amsterdam Dayanita Singh, Mapfre Foundation, Madrid 2009 Blue Book, Nature Morte Delhi Blue Book, Galerie Mirchandani and Steinruecke, Bombay 2008 Dream Villa, Frith Street Gallery 2007 Go Away Closer, Kriti Gallery, Banaras Go Away Closer, Gallerie Steinruecke + Mirchandani -
Geoff Dyer Now We Can
Arriving at Indira Gandhi International Airport in 2006, I was confronted by an unusually impressive advertisement. It featured a big and grainy black-and-white photograph of the tabla player Zakir Hussain and his dad Ustad Alla Rakha in concert, some time in the mid 1980s, I guessed. Zakir’s dad is reaching over and patting his son’s head, ruffling his hair as if to congratulate the puppy on having barked with such enthusiastic promise. But, with this loving gesture, the pre-eminent tabla player of one generation – in the famous Concert for Bangladesh it’s the grinning Alla Rakha we see accompanying Ravi Shankar on sitar and Ali Akbar Khan on sarod – is also passing on the musical baton to the man Bill Laswell will later describe as ‘the greatest rhythm player that this planet has ever produced’.1 Quite a claim! NOW WE CAN SEE The picture turned out to be by Dayanita Singh, who, in one of the little GEOFF DYER home-made-looking photographic journals from the box set Sent a Letter (Steidl, 2008), has constructed a tribute to her mum: a passing back of something that was never quite a baton. The other six books in the set take their names from places in India – ‘Calcutta’, ‘Bombay’ and so on – whereas this one, with its slightly darker cover, is named after Dayanita’s mother, Nony Singh. It’s made up of either pictures Nony took or of ones she – Nony – found in her husband’s cupboard. There are quite a few pictures of a little girl with a determined little pout or frowning smile who is clearly Dayanita. -
Moma International Curatorial Institute for Modern and Contemporary Art
MoMA International Curatorial Institute for Modern and Contemporary Art 2015 Participant Biographies ROOBINA KARODE Director and Chief Curator, Kiran Nadar Museum, New Delhi Roobina Karode has post-graduate specializations in Art History and in Education. She is an art educator, writer and curator, and has over the years been involved with the teaching of Art History, both Indian and Western at various institutions mainly the School of Arts & Aesthetics, Jawaharlal Nehru University, The National Museum Institute, College of Art and the Jamia Millia Islamia University in New Delhi. Roobina was also the co-curator from India in 1997, representing the Indian section at the First Fukuoka Asian Art Triennale in Japan where select Indian artists were shown in the context of an emerging Asianism. Awarded the Fulbright Fellowship in 2000, she was placed as a Visiting scholar at the Women’s Leadership Institute, Mills College in California, where she curated ‘Resonance’ a show of 20th century California painters and sculptors from the Mills College Art Collection. Roobina has written extensive monographic catalogues on contemporary Indian artists across generations and for cross cultural collaborations representing Contemporary Indian art in Hungary, Norway and Japan. She has curated several art exhibition both within India and abroad. In 2007-8, she co-curated a travelling exhibit on seventeen women artists of India at the Women’s Studies Research Center, Brandeis University, USA, titled Tiger by the Tail, Women Artists of India Transforming Culture. In 2011, she was invited by IGNCA to curate a retrospective exhibition on the veteran Indian artist Krishna Reddy, who has been living in New York for more than fifty years. -
2ND Kathmandu International Art Festival KI F 2012
2ND KATHMANDU INTERNATIONAL ART FESTIVAL KI F 2012 www.artmandu.org 2ND KATHMANDU INTERNATIONAL ART FESTIVAL KI F 2012 The exhibition and catalogue have been made possible through the generous support of our Patrons. Embassy of Brazil EMBASSY OF INDIA KATHMANDU, NEPAL 2nd Kathmandu International Art Festival Earth | Body | Mind Published and Compiled by: Siddhartha Art Foundation, Kathmandu, 2012 Editors Sally Acharya and Homraj Acharya Translation Homraj Acharya, Dandopani Upadhaya Logo Bikash Chandra Amatya Catalogue Design Bhushan Shilpakar, photo.circle Printing Jagadamba Press Copyright © 2012 Siddhartha Art Foundation No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including, tracing, photocopying, recording, or any information storage and retrieval system, without permission in writing to the Siddhartha Art Foundation, Kathmandu, Nepal. Siddhartha Art Foundation Maligoun, Kathmandu, Nepal Tel: 977-1-4438979 Email: [email protected] Website: www.artmandu.org MEDIA PARTNER SPONSORS Delegation of the The Gaekwad European Union to Nepal Art Foundation CO-SPONSORS Consulate of Croatia Consulate of Bulgaria in Kathmandu in Kathmandu SUPPORTED BY AllianceFrançaise Government of Nepal de Katmandou PATAN MUSEUM Ministry of Culture, Tourism & Civil Aviation Embassy of Australia Special thanks to the Collaborating Galleries and Foundations Reena Lath Akar Prakar Art, India Tayeba Begum Lippi Britto Trust, Bangladesh Catalijn Ramakers Galerie Ramakers, Netherlands Gaynor 'O Flynn Beinghuman Collective Sheba Chhachhi Volte Gallery, India Special thanks to Fabio Rossi (Rossi & Rossi Gallery) and Angelle Siyang-le (Hong Kong) OUR SPECIAL THANKS TO OUR PATRONS INDIEGOGO CAMPAIGN Christa Meindersma and Linda Van der Gaag of the Prince Lady Eugene Nuttall, Ms. -
Singh CV-New
DAYANITA SINGH 1961 Born in India 1980 - 1986 Visual Communication at the National Institute of Design in Ahmedabad 1987 - 1988 Photojournalism and Documentary Photography at the International Center of Photography in New York. Dayanita Singh lives and works in Delhi SOLO EXHIBITIONS 2019 Dayanita Singh and Box 507 Pop Up, Frith Street Gallery, London 2018 Pop-Up Book Shop, Callicoon Fine Arts, New York 2017 Museum Bhavan, Tokyo Photographic Art Museum, Tokyo 2016 Suitcase Museum, Dr. Bhau Daji Lad Museum, Mumbai Museum of Shedding, Frith Street Gallery, London Museum of Machines: Photographs, Projections, Volumes, MAST, Bologna Museum of Chance – Book Object, Hawa Mahal, Jaipur 2015 Conversation Chambers Museum Bhavan, Kiran Nadar Museum of Art, Delhi Book Works, Goethe-Institut. New Delhi, India Museum of Chance – A book story, MMB, Delhi 2014 * Museum of Chance – A book story, MMB, Mumbai Go Away Closer, MMK, Frankfurt, Hayward Touring City Dwellers: Contemporary Art From India, Seattle Art Museum, WA Art Institute Chicago, Chicago 2013 * Go Away Closer, Hayward Gallery, Southbank Centre, London 2012 File Museum, Frith Street Gallery Dayanita Singh / The Adventures of a Photographer, Bildmuseet, Umeå University, Sweden Monuments of Knowledge, Photographs by Dayanita Singh, Kings College London House of Love, Nature Morte, New Delhi 2011 Adventures of a Photographer, Shiseido Gallery, Tokyo * House of Love, Peabody Museum, Harvard University, Cambridge Dayanita Singh, Museum of Art, Bogota 2010 Dayanita Singh, Huis Marseille, Amsterdam -
K51652-Prelims 1..18
Basic Critical Theory for Photographers Basic Critical Theory for Photographers Ashley la Grange AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Focal Press is an imprint of Elsevier Focal Press An imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Burlington, MA 01803 First published 2005 Copyright ß 2005, Ashley la Grange. All rights reserved The right of Ashley la Grange to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (þ44) 1865 843830, fax (þ44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining -
(Cambridge, December 5, 2006) the Peabody Museum of Archaeology
CONTACT: Pamela Gerardi 617-496-0099 [email protected] Peabody Museum Awards the Robert Gardner Fellowship in Photography (Cambridge, June 5, 2008) The Peabody Museum of Archaeology and Ethnology announces that Dayanita Singh of New Delhi, India has been awarded the Robert Gardner Fellowship in Photography. Dayanita Singh was born in 1961 in New Delhi. She studied visual communication at the National Institute of Design in Ahmedabad and documentary photography at the International Center of Photography in New York. She has worked as a photojournalist for many international publications including Der Alltag, Fortune, Newsweek, New Yorker, India Magazine, SZ Magazine, and Time. Her work has been exhibited internationally in Zurich, New Delhi, Brussels, Stockholm, London, Berlin, Milan, Boston, and New York among others. She has also published five books of her photographs: Zakir Hussain (1986), Myself, Mona Ahmed (2001), Privacy (2003), Chairs (2005), and Go Away Closer (2007). Dayanita Singh lives and Works in New Delhi. During the fellowship year, Ms. Singh will be photographing the India that is slipping through the cracks, unnoticed, uncelebrated, in the rush to keep up, to modernize, globalize, westernize. Already lost in Delhi and Bombay, this India can still be found in Benares and Calcutta In Calcutta, there is a man who has spent his life sculpting from the clay of the Ganges each of the ten fingers for each of the ten hands of the goddess Durga for the fall pujas. In Benares, there is a man who sells perfume that his family makes, from house to house; and a cotton man, who pulls out the cotton from old quilts and mattresses and fluffs them to life again. -
AI WEIWEI BIOGRAPHY Born in Beijing, China
AI WEIWEI BIOGRAPHY Born in Beijing, China, 1957. Enrolled in Beijing Film Academy, 1978. Lived in NYC, NY, 1981-1993. Education: Parsons School of Design, 1983. Returned to China, 1993. Founded China Art Archives and Warehouse, Beijing, China, 1994. Lives in Beijing, China. Selected Solo Shows: 1982 Asian Foundation, San Francisco, California. 1988 “Old Shoes, Safe Sex”, Art Waves Gallery, NYC, NY. 2003 Galerie Urs Meile, Lucerne, Switzerland. 2004 Kunsthalle Bern, Bern, Switzerland. Caermersklooster-Provinciaal Centrum voor Kunst & Cultuur, Ghent, Belgium. Robert Miller Gallery, NYC, NY. 2006 “Fragments”, Galerie Urs Meile, Beijing, China. 2007 “Fragments”, Art Unlimited, Art 38 Basel, Basel, Switzerland. Galerie Urs Meile, Lucerne, Switzerland. 2008 “Go China! Ai Weiwei”, Groniger Museum, Groningen, The Netherlands. “Illumination”, Mary Boone Gallery, NYC, NY. Gallery Hyundai, Seoul, South Korea. “’Through’ and Video Work ‘Fairytale’”, Sherman Contemporary Art Foundation, Sydney, Australia. “Ai Weiwei: Under Construction”, Campbelltown Arts Centre, Sydney, Australia. Albion Gallery, London, England. 2009 “Ai Weiwei: New York Photographs 1983-1993”, Three Shadows Photography Art Centre, Beijing, China. “Four Movements”, Phillips de Pury & Company, London, England. Friedman Benda, NYC, NY. “Ai Weiwei: According to What?”, Mori Art Museum, Tokyo, Japan. “World Map”, Galleri Faurschou, Beijing, China. “So Sorry”, Haus der Kunst, Munich, Germany. “With Milk find something everybody can use”, Mies van der Rohe Pavilion, Barcelona, Spain. AI WEIWEI BIOGRAPHY (continued) : Selected Solo Shows: 2010 “Barely Something”, Museum DKM/Galerie DKM, Duisburg, Germany. “Ai Weiwei: Dropping the Urn, Ceramic Works 5000 BCE – 2010 CE”, Arcadia University Art Gallery, Glenside, Pennsylvania. “Ai Weiwei: Dropping the Urn, Ceramic Works 5000 BCE – 2010 CE”, Museum of Contemporary Craft, Portland, Oregon. -
Dayanita Singh, Museum Bhavan May 20 (Sat.) to July 17 (Mon.), 2017
the 20th Anniversary of Tokyo Photographic Art Museum Dayanita Singh, Museum Bhavan May 20 (Sat.) to July 17 (Mon.), 2017 展示風景 Museum Bhavan at the Kiran Nadar Museum Photo by Stephen White about Dayanita Singh is one of the most outstanding photographers active in the world today and the Tokyo Photographic Art Museum is delighted to present an exhibition of her work as part of the celebrations of the twentieth anniversary of its comprehensive opening. Beginning her career as a photographer for Western magazines, Dayanita Singh gradually came to detest producing pictures of the exotic, chaotic poverty that conformed to the foreigners’ image of India. As a result, she retired from photojournalism in the latter half of the 1990s in order to devote herself to her activities as an artist. Dayanita’s photographs have been described as visual novels, blending documentary with fiction, dreams with reality, absence with presence to produce unique worlds. In recent years she has developed her portable ‘Museum’ concept, having produced more than ten of these ‘Museums’ by 2016 and combining these to create the ‘Museum Bhavan’ (Hindi for ‘large house’). Within this poetic, beautiful world she hints at the various problems the museum system and art market hold for contemporary photography and art, as well as depicting the sexuality, prejudice, class, gender, archives, information, etc. that exist in today’s society. She easily transcends the existing concept of photography and photo-books, pioneering new possibilities in the photographic medium. Her work is full of rich intimations of the future direction of photography. This exhibition will consist of two parts, an introductory section presenting her earlier works, such as: ‘Myself Mona Ahmed’ (1989–2000), “I Am As I Am” (1999– ) and her landmark work, ‘Sent a Letter’ (2007), while the second part will feature her later works, including her ‘Museums’ project that will be shown in Japan for the first time.