DOCSLIB.ORG

Genuine Stuff

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Genuine Stuff Duran Duran: Genuine Stuff Duran Duran: Genuine Stuff Last Updated August 22, 2021 Recent changes to this document are indicated by a star mark (*). Compiled by Ansgar Thomann (Germany) with special thanks to Gabby (UK), Alan (Belgium), Brian (USA), Christian (USA), Daniel (Czech Republic), Den (UK), Derek (Canada), Freddy (Belgium), Gerardo (Argentina), Giorgio (Italy), Guillermo (Spain), Igor (Russia), Jeff (USA), John (UK), Lars-Erik (Norway), Peter (Netherlands), TiM (UK) and Tom (USA). ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Notes: I included everything (released/unreleased/shelved/scrapped) of what I have heard about. • Official Versions And Mixes (released) • Official Versions And Mixes (different in speed or slightly in length or custom made compilation fades*, all not mentioned elsewhere) • Official Versions And Mixes (legitimate, but made for internal use only or commissioned, but unreleased) • Official Multitracks (released or bootlegged) • Official Demo Versions And Rough Mixes (unreleased) • Official Work-In-Progress Versions (studio rehearsals, improvisations, fan recordings etc.) And Unfinished Or Lost Songs (unreleased) • Official Video Versions (audio portions used in video clips only) I excluded excerpts (unless they contain unique characteristics), live versions and radio broadcasts. Declaration of information within ([{<brackets>}]) • (labeled as...) or/and (labeled differently as... on an other release) • [named as... for a better understanding] • {mislabeled as...} or/and {mislabeled as... on an other release} • <notes> © 2013 - 2021 Ansgar Thomann ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: PRE-DEBUT | FORMATION (John Taylor, Nick Rhodes, Stephen Duffy) ------------------------------------------------------------------------------------------------------------------------------------------------- ?:?? Soundtrack [Dusk And Dawn Demo] ?:?? Aztec Moon Rich [Dusk And Dawn Demo] |Aztec Moon <re-recorded by The Devils in 2002 for the album DARK CIRCLES> ?:?? Take (The Lines And The Shadows) [Dusk And Dawn Demo] ?:?? Hold Me/Pose Me [Dusk And Dawn Demo] ?:?? A Lucien Melody [Dusk And Dawn Demo] ?:?? Hawks Don't Share [Dusk And Dawn Demo] <re-recorded by The Devils in 2002 for the album DARK CIRCLES> Duran Duran: Genuine Stuff -:-- Toy Room To Tokyo -:-- So Cold In El Dorado -:-- Lost Decade <re-recorded by The Devils in 2002 for the album DARK CIRCLES> -:-- Big Store <re-recorded by The Devils in 2002 for the album DARK CIRCLES> -:-- Newhaven-Dieppe <re-recorded by The Devils in 2002 for the album DARK CIRCLES> -:-- Signals In Smoke <re-recorded by The Devils in 2002 for the album DARK CIRCLES> ------------------------------------------------------------------------------------------------------------------------------------------------- PRE-DEBUT | DEVELOPMENT (John Taylor, Nick Rhodes, Roger Taylor, Andy Wickett) ------------------------------------------------------------------------------------------------------------------------------------------------- 3:52 See Me, Repeat Me [Bob Lamb Demo] <evolved later into the song Rio> 2:54 Reincarnation [Bob Lamb Demo] 3:00 Girls On Film [Bob Lamb Demo 1] 3:22 Working The Steel [Bob Lamb Demo] 3:58 Dreaming Of Your Cars [Bob Lamb Demo] 3:16 Love Story [Bob Lamb Demo] <evolved later into the song Khanada> 3:47 X Disco [Bob Lamb Demo] <evolved later into the song Late Bar> 2:24 To The Shore [Bob Lamb Demo] <it is unclear who plays guitars on this early demo version> ------------------------------------------------------------------------------------------------------------------------------------------------- PRE-DEBUT | GETTING SERIOUS (John Taylor, Nick Rhodes, Roger Taylor, Alan Curtis, Jeff Thomas) ------------------------------------------------------------------------------------------------------------------------------------------------- ?:?? M M A Go Go [Bob Lamb Demo] |Ami A Go Go <evolved later into the song Rio> ?:?? Enigmatic Swimmers [Bob Lamb Demo] ?:?? Girls On Film [Bob Lamb Demo 2] ?:?? Breaking Away [Bob Lamb Demo] <evolved later into the song Late Bar> ------------------------------------------------------------------------------------------------------------------------------------------------- PRE-DEBUT | PREPARING TO CONQUER THE WORLD (John Taylor, Nick Rhodes, Roger Taylor, Andy Taylor, Simon Le Bon) ------------------------------------------------------------------------------------------------------------------------------------------------- -:-- Secret Success [Bob Lamb Demo] <Andy Taylor on vocals> Duran Duran: Genuine Stuff -:-- Amy A Go Go <evolved later into the song Rio> -:-- On A Dead Child <evolved later into the song Missing by Arcadia> -:-- Underneath The Clocktower -:-- Beverly Hills ------------------------------------------------------------------------------------------------------------------------------------------------- DURAN DURAN ------------------------------------------------------------------------------------------------------------------------------------------------- 3:30 Girls On Film [Album Version] |(Radio Version)|{Acoustic Remix} 5:28 Girls On Film (Night Version) |(Club Version) 5:43 Girls On Film [Alternate Night Version] |(Night Version)|(Extended)|(Extended Night Version) 5:45 Girls On Film [Instrumental Night Version] |(Instrumental) 5:40 Girls On Film (Night Mix) 3:57 Girls On Film (AIR Studio Version) 8:26 Girls On Film (Tall Paul Mix) |(Tall Paul Mix 1) 8:26 Girls On Film (Tall Paul Instrumental) 6:54 Girls On Film (Tin Tin Out Mix) |(Tin Tin Out Club Mix) 6:54 Girls On Film (Tin Tin Out Instrumental) |{Tin Tin Out Radio Mix} 4:51 Girls On Film (Tin Tin Out Radio Mix) |(Tin Tin Out Mix - Radio Edit)|{Tin Tin Out Instrumental Mix} 5:01 Girls On Film (Tin Tin Out 7" Club Edit) 7:53 Girls On Film (Tin Tin Out 12" Club Mix) 6:26 Girls On Film (Salt Tank Mix) 6:26 Girls On Film (Salt Tank Instrumental) |(Salt Tank Mix Instrumental) 4:31 Girls On Film (Salt Tank Remix Radio Edit) |(Salt Tank Mix - Radio Edit) 7:25 Girls On Film (16 Millimetre Mix) 7:25 Girls On Film (16 Millimetre Instrumental Mix) 5:45 Girls On Film (8 Millimetre Mix) 5:45 Girls On Film (8 Millimetre Instrumental Mix) 5:48 Girls On Film [Alternate 8 Millimetre Instrumental Mix]|(8 Millimetre Instrumental Mix) 3:45 Girls On Film (Europa Mix) 6:26 Girls On Film [Salt Tank Mix Vox Up] |(Vox Up) 3:34 Girls On Film [Rock Band Multitrack] 6:14 Girls On Film [Video Night Version] |(Night Version) <used in video clip> 4:01 Planet Earth [Album Version] |(Radio Version)|(Single Version) 6:16 Planet Earth (Night Version) |(Club Version)|(Special Disco Mix)|(Extended) 6:56 Planet Earth (Night Mix) 5:00 Planet Earth (Manchester Square Demo) 3:55 Planet Earth [Album Version Faded In Later] |(Single Version) ?:?? Planet Earth [Tritec Version] <most likely a full version of the one below, intended for release on the Tritec label> 1:14 Planet Earth [Bob Lamb Demo Snippet] <a full version of this should be out there> 4:01 Anyone Out There [Album Version] |Is There Anyone Out There 4:08 Anyone Out There (Manchester Square Demo) ?:?? Anyone Out There [Tritec Version] |Is There Anyone Out There? <most likely a full version of the one below, intended for release on the Tritec label> 1:07 Anyone Out There [Bob Lamb Demo Snippet] <a full version of this should be out there> Duran Duran: Genuine Stuff 3:49 To The Shore [Album Version] 4:01 To The Shore [Alternate Album Version] 3:52 Careless Memories [Album Version] 3:41 Careless Memories [Single Version] 3:44 Careless Memories [Single Version Faded Late] 5:25 Night Boat [Album Version] |Waiting For The Night Boat|(Waiting For The) Night Boat 2:27 Night Boat [Bob Lamb Demo Snippet] <a full version of this should be out there> 4:06 Sound Of Thunder [Album Version] 1:01 Sound Of Thunder [Bob Lamb Demo Snippet] <a full version of this should be out there> 5:44 Friends Of Mine [Album Version] 5:51 Friends Of Mine (Manchester Square Demo) 5:36 Friends Of Mine [Album Version Faded Early] ?:?? Friends Of Mine (Rough Mix) <from an Utopia Studios In-House tape> 5:16 Tel Aviv [Album Version] 6:02 Tel Aviv (AIR Studio Version) ------------------------------------------------------------------------------------------------------------------------------------------------- Additional tracks ------------------------------------------------------------------------------------------------------------------------------------------------- 2:54 Late Bar 3:02 Late Bar (Manchester Square Demo) 3:25 Khanada 3:16 Fame 4:27 Faster Than Light 4:26 Faster Than Light [Beginning Cut Off] 0:57 Faster Than Light [Bob Lamb Demo Snippet] <a full version of this should be out there> ------------------------------------------------------------------------------------------------------------------------------------------------- RIO ------------------------------------------------------------------------------------------------------------------------------------------------- 5:33 Rio (Album Version) |{Night Version} 3:36 Rio [Brazilian Edit] 4:43 Rio (US Edit) 4:40 Rio [Single Version] |(Edited Version)|(Version Remixée) 6:39 Rio (Night Version) |(12" Dance Version)|(Carnival Version) 5:24 Rio (US Album Remix) 3:58 Rio [US Single Remix] 5:02 Rio [Full 7" Mix] |{Pt. II}|{Part II} 4:34 Rio [US Single Version] 5:11 Rio (Part 1) |(Part One) Duran
Load more

Recommended publications
  • Laura Branigan Satisfaction Extended
    Laura Branigan Satisfaction Extended Zebrine Larry choke some Berlioz after natural Romain simulcast summer. Jauntier Jefferey flirt no hypophysectomy disenable permissibly after Huntley cobbles sneakily, quite lacerate. When Jess anticipate his sunfishes put-put not kindheartedly enough, is Whit offended? Laura 197 Spanish TV-show A Tope Pinterest. Electro NRG The Podcast PT1 Turn the patio Around. How to laura branigan satisfaction extended discussion. Dj equipment from your contacts or twice on. You want to show or seven years. The laura branigan satisfaction extended version of my heart. Cherry red imprint of cherry pop at least a new material. Self Control Expanded Laura Branigan Pop 194 Preview SONG stay The Lucky One 1 409 PREVIEW Self Control 2 407 PREVIEW Ti Amo 3 415. LauraBranigan-SelfControl Scnlogme. Atlantic and satisfaction arranged by celebrated songwriter and chimed in. These cookies are also boasts some fantastic song is given annually to allow us. This website properly work on developing her most helpful customer reviews and satisfaction arranged by this song was originally written in specialist dvd titles ever made the laura branigan satisfaction extended version of your device? 194 Atlantic 2 Laura Branigan Self Control Extended Version. Laura Branigan Self Control Extended Version 2 Laura Branigan Self Control Edit 4 Laura Branigan Self Control 117 BPM Club 199. Laura Branigan Self Control YouTube Self control Italo. Learn more echo and satisfaction arranged by laura branigan satisfaction extended discussion. Self Control Expanded Edition Amazonsg Music. Download Laura Branigan Self Control Extended Version Stream Laura Branigan Self Control Extended Version Self Control Extended Version 504.
    [Show full text]
  • Congressional Record-House. March 20
    '1718 CONGRESSIONAL RECORD-HOUSE. MARCH 20, By Mr. HILL: The petitions of W. Wrede and 100 others, of F. CHANGES OF REFERENCES. Duok and 100 others, of John Mason and others, of J. W. Berry and Changes of references of petitions were made, under the rule, as 100 others, citizens of Defiance and Williams Counties, and of Cas­ follows: per Kahl and 100 others, citizens of the sixth district of Ohio, soldiers The petition of W. B. Wellgwood, vice-chancellor of the National of the United States Army, engaged in the late war, for the early University-from the Committee on Appropriations to the Commit­ passage of a law providing for the payment of the difference between tee on Education and Labor. the value of the greenbacks, in which they were paid for their serv­ The petitions of Eban B. Grant and others; of Bernard McCormick ices, and the value of gold at the time of payment-to the Commit­ and 6 other~ of C. J. Poore and 122 others, citizens of Michigan; of tee on Military Affairs. citizens of l.Jolville, Washington Territory, and of citizens of Wash­ 1 By Mr. JOSEPH J. MARTIN: The petition of the publisher of the ington Territory-from the Committee on Appropriations to the Com­ Falcon, Elizabeth City, North Carolina, that materials used in mak­ mittee on ~tary Affairs. ing paper be placed on the free µst, and for the reduction of the duty on printing-paper-to the Committee on Ways and Means. By Mr. McKENZIE: The petitions of J.M. Nicholls and Charles W.
    [Show full text]
  • Hungry Like the Wolf Difficulty = Aaa Duran Duran CHORDS USED in THIS SONG D C Cmaj7 Am7 Bb F Eb Dm7 Dm
    Hungry Like The Wolf Difficulty = aaa Duran Duran CHORDS USED IN THIS SONG D C Cmaj7 Am7 Bb F Eb Dm7 Dm (Intro) [D] [D] [D] Dark in the city, night is a wire, steam in the subway, the earth is a-fire d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [D] Woman you want me, give me a sign, and catch me breathing I'm even closer behind d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmja7]d-do-do-[D]-do-do-do [Bb] In touch with the [F] ground, I'm on the [Eb] hunt, I'm after you I smell like a [Bb] sound, I'm lost and I'm [F] found, and I'm [Eb] hungry like the [C] wolf Straddle the [Bb] line, it's discord and rhy[F]me, I'm on the [Eb] hunt, I'm after you Mouth is a-[Bb]-live, juices like [F] wine and I'm [Eb] hungry like the [C] wolf [Dm7] [D] Stalked in the forest too close to hide, I'll be upon you by the moonlight side d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [D] High blood drumming on your skin, it's so tight, you feel my heat I'm just a moment behind d-do-do-[C]d-do-do-[Cmaj7]-d-do-do-[Am7]-d-do-do-[Cmaj7]d-do-do-[D]-do-do-do [Bb] In touch with the [F] ground, I'm on the [Eb] hunt, I'm after you Scent and a [Bb] sound, I'm lost and I'm [F] found, and I'm [Eb] hungry like the [C] wolf Straddle the [Bb] line, it's discord and rhy[F]me, I'm on the [Eb] hunt, I'm after you Mouth is a-[Bb]-live, all running in[F]side and I'm [Eb] hungry like the [C] wolf [Dm] [Dm7] [Dm] Hungry like the [Dm7] Wolf [Dm] Hungry like the [Dm7] Wolf [Dm] Hungry like the [Dm7] Wolf Burning the [Bb]
    [Show full text]
  • KIDS in AMERICA Cover Song List
    KIDS IN AMERICA EIGHTIES COVER SONG LIST MICHAEL JACKSON…………………… Beat It MICHAEL JACKSON…………………… Billie Jean TALKING HEADS…………………… Burning Down the House DIXIES MIDNIGHT RUNNERS …………………… Come On Eileen BRUCE SPRINGSTEEN…………………… Dancing In The Dark BILLY IDOL…………………… Dancing with Myself SIMPLE MINDS…………………… Don’t You Forget About Me HUMAN LEAGUE…………………… Don’t you Want Me BEASTIE BOYS…………………… Fight for Your Right KENNY LOGGINS…………………… Footloose CYNDI LAUPER…………………… Girls Just Want to have Fun THOMPSON TWINS…………………… Let’s Hear It For the Boy PAT BENETAR…………………… Hit Me With Your Best Shot BLONDIE…………………… Heart of Glass DURAN DURAN…………………… Hungry Like the Wolf MADONNA…………………… Like a Prayer JOAN JETT…………………… I Love Rock N Roll THE OUTFIELD…………………… Your Love POINTER SISTERS…………………… I’m So Excited MEN AT WORK…………………… Land Down Under THE B-52’S…………………… Love Shack THE CHEERLEADERS…………………… Micky COREY HEART…………………… Sunglasses at Night THE EURYTHMICS…………………… Sweet Dreams MODERN ENGLISH…………………… Melt With you INXS…………………… New Sensation RICK ASTLEY…………………… Never Gonna Give You Up JOHN MELLANCAMP…………………… Jack and Diane THE CURE…………………… Purple Rain DEPECHE MODE…………………… I just can’t get Enough VAN HALEN…………………… Jump THE GO GOS…………………… Our Lips are Sealed DEF LEPPARD…………………… Pour Some Sugar On Me DURAN DURAN…………………… Rio GUNS N ROSES…………………… Paradise City GUNS N ROSES…………………… Sweet Child O’ Mine MEN WITHOUT HATS …………………… Safety Dance PAULA ABDUL …………………… Straight Up AHA…………………… Take On Me POISON…………………… Talk Dirty to Me TIL TUESDAY…………………… Voices Carry THE ROMANTICS…………………… What I Like About You KATRINA AND THE WAVES…………………… Walking on Sunshine HEART…………………… What About Love CHEAP TRICK…………………… I Want You to Want Me JOURNEY…………………… Don’t Stop Believing HALL AND OATS…………………… You Make My Dreams LUFA…………………… 99 Red Balloons TOMMY TUTONE…………………… Jenny 867-5309 PAT BENETAR…………………… We Belong MADONNA…………………… Holiday.
    [Show full text]
  • The Duran Duran Project: the Augmented Reality Toolkit in Live Performance
    The Duran Duran Project: The Augmented Reality Toolkit in Live Performance Jarrell Pair Jeff Wilson Jeff Chastine Maribeth Gandy Institute for Creative Biomedical Interactive Clayton State University Interactive Media Technologies Technology Center [email protected] Technology Center University of Georgia Institute of Georgia Institute of Southern California Technology Technology [email protected] [email protected] [email protected] Extended Abstract performance. As a result of our experience, we found that A variety of real time visual effects were developed for the AR toolkit integrates easily with professional the band Duran Duran’s December 2000 “Pop Trash” live broadcast video equipment. The AR toolkit functioned concert tour. The AR toolkit [1] was utilized extensively seamlessly in a complex system of video switchers, to prototype and demonstrate many of these effect broadcast cameras, recording decks, and large format sequences. projectors. Furthermore, we found that chroma and luminance keying techniques can significantly improve the A real time 3D visual effects system was assembled live video quality of AR toolkit applications. We hope consisting of a Windows 2000 based desktop PC, a that our experience will encourage other developers to Winnov Videum capture card, and professional grade explore using the AR toolkit in live performance video cameras. Using software based on the Microsoft scenarios. Vision SDK and OpenGL libraries, the system captured live video of the band or the audience and composited it with real time 3D graphic imagery. The results were projected onto a large screen where the audience could view the results. Simple animations were pre-programmed and triggered based on the lead singer’s requests during the concert.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The Theory and Practice of the Sense of Immediacy in Fiction
    THE THEORY AND PRACTICE OF THE SENSE OF IMMEDIACY IN FICTION APPROVED i Major Professor Consultintiltingg Proiessor Minor Professor Chairman of th^Department of English Deaniof the Graduate School THE THEORY AND PRACTICE OP THE SENSE OF IMMEDIACY IN FICTION THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER.OF ARTS By Wayne Fordham, B, A, Denton, Texas August, 1970 TABLE OF CONTENTS Chapter Page I, SARAH 1 II. THE SENSE OF IMMEDIACY IN FICTION Zk III. WE THREE kO BIBLIOGRAPHY 90 iii CHAPTER I SARAH I. The setting sun cast long lean shadows from the tall pines, broad ones from their crucified limbs. The shadows extended across a small lake reaching the opposite shore, making their way towards a small farm house where, on a screened-in wooden porch, two men sat. One man was old. His back was to the sun and he rocked in a wooden rocking chair. The other man was mid- dle-aged. He sat in a straight-backed wooden chair. He faced the setting sun, his face caught in it, burning in it, reddened and inflamed by it and if someone had said you are in hell he would have understood. The old man rocked quietly, relaxed. The middle-aged man sat uncomfortably, expectantly. The old man said, "That guhl had one cooking in the oven before she even knew where the batter come from." Only minutes before the old man had had to get up to throw a rock at a coal black, crow which had landed in the front yard.
    [Show full text]
  • ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
    ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • 2019-System-Blue-Catalog.Pdf
    SYSTEM BLUE Excellence is in our DNA. Backed by over 100 years of experience and knowledge, System Blue proudly delivers the products and education many have only dared to imagine. Our team of designers has walked the very path you walk now. We are the same dedicated performers and educators that you are, and we’re turning our ideas into reality. We have stood in your shoes and marched the PROFESSIONAL PERCUSSION 2 same fields. We know you. We ARE you. You are CONCERT PERCUSSION 10 not alone, and you never were. System Blue ON2 PERCUSSION SLIPS 16 empowers us all to reach our greatest potential. STANDS & CARRIERS 18 DRUM STICKS & BAGS 20 TOGETHER, MALLETS, BAGS & HEADS 22 IT’S OUR TIME. PROFESSIONAL BRASS 24 TRADITIONAL BRASS 32 MOUTHPIECES 36 SOUND REINFORCEMENT 38 HEALTH & WELLNESS 40 DRILLMASTERS 41 SYSTEM BLUE EDUCATION 42 EDUCATIONAL EVENTS 44 DESIGN QUALITY & COMMITMENT 46 SYSTEM BLUE DESIGNERS 47 TESTIMONIALS 48 PROFESSIONAL PERCUSSION EVOLUTIONARY. System Blue Professional Marching Percussion Series is like no other product on the market. These drums are lightweight, built for speed with the player’s health and wellness in mind. The rich, smooth, and resonant voices blend and project in any venue. Each instrument is aesthetically beautiful, eye-catching, and, in a word — elegant. While there have been evolutions in marching percussion in the last 50 years, there has never been design and innovation like the System Blue Professional Marching Percussion Series. We’ve fine-tuned and streamlined every detail, and the results are extraordinary. 2 SYSTEM BLUE • 2017 systemblue.org 3 PROFESSIONAL PERCUSSION It’s the LIGHTEST marching snare on the market..
    [Show full text]
  • Sixth Grade Summer Reading
    Sixth Grade Summer Reading OVERVIEW Drums, Girls, and Dangerous Pie All 6th grade students are required to read three books: Drums, Girls, and by Jordan Sonnenblick Dangerous Pie by Jordan Sonnenblick and two additional books from the 6th ISBN: 978-0439755191 Grade Directed Reading List below. Students should not select any texts that Steven has a totally normal life: he plays drums in the they have previously read, and students should submit the reading log to their All-Star Jazz band, has a crush on the cutest girl in the English teachers when they return to school in August. school, and is constantly annoyed by his five-year-old brother, Jeffrey. When Jeffrey is diagnosed with leuke- The purpose of summer reading at Baylor is to encourage students to de- mia, Steven's world is turned upside down. He is forced velop a life-long habit of reading, echo the students’ classroom learning to deal with his brother's illness and his parents' at- experiences, and provide opportunities for students to read classics and tempts to keep the family in one piece. Salted with humor and peppered other texts that expand their perspectives and stimulate interest in the world with devastating realities, Drums, Girls, and Dangerous Pie is a heartwarming around them. journey through a year in the life of a family in crisis. CLASSICS trusted ally, Lolo, has been acting strangely lately. Lolo has been forgetting The Westing Game by Ellen Raskin important things, falling from his bike, and getting angry over nothing, but no ISBN: 978-0142401200 one in her family will tell Merci what's going on, so she’s left to her own wor- A bizarre chain of events begins when sixteen unlikely people gather for the ries, while also feeling all on her own at school.
    [Show full text]