Elephant Man

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Elephant Man \"Si me viste hoy nunca vas a olvidarme... mi pelo, mi ropa, mi estilo... Estoy loco, soy el Dios de la energÃa... Padre del Dancehall\". AsÃ se define Elephant Man, un verdadero \"entertainer\", versÃ¡til y creador de mÃºsica para el mundo. Esta particular forma de ser, su velocidad y peculiaridades al recitar y una fuerte presencia sobre el escenario le han transformado de dj local a una figura internacional de la escena reggae. Su creativa mÃºsica le ha dado un nuevo aroma al dancehall y es evidente que su misiÃ³n es crear mÃºsica que todos puedan disfrutar. Su irrupciÃ³n fue en 1998 bajo la tutela de Bounty Killa y su Scare Dem Crew (de la que formaron parte Boom Dandimite, Harry Toddler, Nitty Kutchie, ademÃ¡s de Elephant Man) y desde ese momento se dio a conocer como \"Father Elephant\" , el autoproclamado rey del dancehall. Ã‰l ha sido el encargado de devolverle al dancehall la diversiÃ³n, la inocencia y la libertad en el baile. Good 2 Go supuso un Ã©xito mundial en 2004, al incluir temas como Signal di Plane o Pon di River, Pon di Bank, que le valieron diferentes premios y nominaciones. A partir de aquÃ el Dios de la energÃa y el hardcore ha estado grabando con artistas como Lil\' Jon, R.Kelly, Daddy Yankee o Janet Jackson. Y asÃ llegÃ³ su Ãºltimo disco, Let\'s Get Physical, en el que han colaborado artistas como Wyclef, Swizz Beatz, Rihanna, Shaggy o Busta Rhymes, ayudando a crear un disco balanceado, maduro y lleno de hits, a la altura de lo que se esperaba de Ã©l. Canciones locas, sexies, con aires gangsta, y con letras que hablan sobre los problemas sociales y violencia que asolan su Jamaica natal. Y es que \"Father Elephant\" sÃ³lo hay uno: \"Soy el que ha cambiado el dancehall con el baile... el padre de todo esto ahora mismo\". Producciones Animadas - http://www.animadas.com E-Mail: [email protected] #1/1.

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Dancehall Dossier – FULL
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer.
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Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer.
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La Méthode Du Riddim : Esthétique, Pratique Et Propriété Dans Le Dancehall Jamaïcain the Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall
Volume ! La revue des musiques populaires 13 : 2 | 2017 Inna Jamaican Stylee La méthode du riddim : esthétique, pratique et propriété dans le dancehall jamaïcain The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall Peter Manuel et Wayne Marshall Traducteur : Alexandre Tanase Édition électronique URL : http://journals.openedition.org/volume/5288 DOI : 10.4000/volume.5288 ISSN : 1950-568X Éditeur Association Mélanie Seteun Édition imprimée Date de publication : 21 avril 2017 Pagination : 25-59 ISBN : 978-2-913169-42-5 ISSN : 1634-5495 Référence électronique Peter Manuel et Wayne Marshall, « La méthode du riddim : esthétique, pratique et propriété dans le dancehall jamaïcain », Volume ! [En ligne], 13 : 2 | 2017, mis en ligne le 21 avril 2020, consulté le 08 janvier 2021. URL : http://journals.openedition.org/volume/5288 ; DOI : https://doi.org/ERREUR PDO dans /localdata/www-bin/Core/Core/Db/Db.class.php L.34 : SQLSTATE[HY000] [2006] MySQL server has gone away L'auteur & les Éd. Mélanie Seteun 25 ument Doc La méthode du riddim : Esthétique, pratique et propriété dans le dancehall jamaïcain* par Peter Manuel (City University of New York) Wayne Marshall (Berklee College of Music / Harvard University) Traduit de l’anglais (États-Unis) par Alexandre Tanase Résumé : La scène et l’industrie du disque jamaï- Abstract: The Jamaican system of recording caines, des années 1950 jusqu’à nos jours, ont une and performance, from the 1950s to the present, manière bien particulière d’aborder les notions de constitutes a distinctive
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Homophobic Attitudes and Stigma Toward Gay Men and Lesbians in the Caribbean: a Systematic Review of the Literature
HOMOPHOBIC ATTITUDES AND STIGMA TOWARD GAY MEN AND LESBIANS IN THE CARIBBEAN: A SYSTEMATIC REVIEW OF THE LITERATURE by Carol Martin-Mack BSW, Florida Atlantic University, 2002 MSW, Barry University, 2004 Submitted to the Graduate Faculty of the Graduate School of Public Health in partial fulfillment of the requirements for the degree of Master of Public Health University of Pittsburgh i 2012 UNIVERSITY OF PITTSBURGH GRADUATE SCHOOL OF PUBLIC HEALTH This thesis was presented by Carol Martin-Mack It was defended on December 6, 2012 and approved by Mark S. Friedman, MSW, MPA, PhD, Assistant Professor, Behavioral and Community Health Sciences, Graduate School of Public Health, University of Pittsburgh Candace M. Kammerer, PhD, Associate Professor, Department of Human Genetics,Graduate School of Public Health, University of Pittsburgh Thesis Director: Martha Ann Terry, BA, MA, PhD, Assistant Professor, Director, Master of Public Health Program, Behavioral and Community Health Sciences, Graduate School of Public Health, University of Pittsburgh ii Copyright © by Carol Martin-Mack 2012 iii HOMOPHOBIC ATTITUDES AND STIGMA TOWARD GAY MEN AND LESBIANS IN THE CARIBBEAN: A SYSTEMATIC REVIEW OF THE LITERATURE Carol Martin-Mack, MPH University of Pittsburgh, 2012 Violent acts against gay men and lesbians are common in the Caribbean, including rape and assault. Widespread violence and attacks against homosexuals have prompted a human rights group to confer on one Caribbean country, Jamaica, the distinction of being the most homophobic place on earth. Homophobic ideology and stigma toward gay men and lesbians in the Caribbean can be observed in the interactions of various institutions such as the church, the health care system, the laws, the police, the government, formal culture (e.g., newspapers), and popular culture (e.g., music).
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With Ty Dolla $Ign Is Finally Starting to Catch on with American Audiences, the Singer Only Sees His New Recording Home As a Tool to Push His Movement Forward
August 27, 2015 Kranium And Ty Dolla $ign Premiere The Video For "Nobody Has To Know" "This is not your typical dancehall video." Kranium's "Nobody Has To Know" is one of the most enduring dancehall songs this side of the aughts. Since it first dropped two years ago, it's been a bashment mainstay, perfect for dark corners and sweaty summer nights. The Atlantic signee recently recruited Ty Dolla $ign for a new version, and today he's dropping a video to go along with the DL-themed track. In the brightly hued video, Kranium skillfully evades paparazzi on a hoverboard before scooping his (presumably taken) woman and pulling up to a trailer for a middle-of- nowhere desert romp. Ty Dolla $ign is in the cut too, rolling through on a motorcycle with a fat blunt dangling from his lips. "Videos need to be creative and I think we pulled it off. This is not your typical dancehall video,” Kranium told The FADER over email. Accurate. Watch the video above, and hit the clip below for some behind-the-scenes views. June 15, 2015 Is Dancehall Going To Be Mainstream Again? 13 years after Dutty Rock, people in the music industry are ready to make dancehall pop again. Will they succeed? Once upon a time, Sean Paul was among the biggest pop stars in the world. His tour-de-force 2002 LP, Dutty Rock, charted in the Top 10 both in the US and in the UK. Singles like “Gimmie the Light” and “Get Busy” defined a slice of early aughts pop radio and earned the Jamaican singer a guest feature on Beyoncé’s debut album.
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TAnisha SCott
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The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2006 The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall Peter L. Manuel CUNY Graduate Center Wayne Marshall How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/311 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] . .,_' ' '· . :~ l',•1111/w M lls1'· (20116) Vnlt11nL' 25/1 . Cnpy riglll V 2llll6 l'.11nbridgL " Uni \' L"rsil)' l'rc s, . pp . H 7- .J7ll d<>i: Ill. Ill 17/ S02h I l.Jl01l600ll~97 l'rilllL'd in lilL' U11i1L-dKingdnm The riddim method: aesthetics, practice, and ownership in Jamaican dancehall 1 PETER MANUELt and WAYNE MARSHALL+ tJ 27 Park Ave, Le,mia, NJ 07605, USA tBB Holwort/1y Strecl, Col}/l,ridge,MA 02/313,LISI\ Abstract T/11:J1111111irn11 syste111 of recvrdi11g 1111dper/ilrn11111u', }1-0,11 t/Je ·1950s to t/1e prcsc11t, co11stit11tes11 distinctive 11pproach to nutio11s of cp111positio11, origi1111/ity 1111dmu11£·rshiJ', £111ergi11g fro111 a tmditio11 of live pe1fomin11ccpnict ice 111edi11tcd/1y ( n11di11Ji>n11i11g) sm111d recordings , the relative 1111to110111yof riddi111s 1111d voici11ss i11tht! /1111111irn11,ystc111 c/111/le11gcs co11 ve11tio1111l.ide11s11bo11/ the i11tcgrily of 11 so11g 1111dt/1c dcsn·i' to ,11l1ic/1 i11t,·m11tiP1111Icopyri:,:111 1ml' applies lo /owl rn11<'C/'lio11,, 11,c11shri11ed i11 d1't'11dcs ,>f111 ·octicc. o( 11111,icol11111/cri11ls 11s /ilil1/it' do11111i11.'vVit/J t/1 e sprcnd o( Ilic 'riddi111 111c//ipd'IP //1c site, ,>f/1111111irn11 11111, , 111i,1;mtio11.rb cuid1•11ccd /1y si111ilar opproncltcs i11l1ip lwp , rcsgat'/011, rlru111'11'/J11s,11111/ />lin11gm , n·x:.:11c's01,stlll'tic systc111/111s(o1111d udlu:n·11ts 11111011g11rli,1,; 1111d 1111dic·11r, ,, ou/.,idc ,v]1111rn irn.
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The Politics of Uniformity in Dancehall and Calypso
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Learning from the Jamaican Street Dance by Larisa K
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BLING-BLING for RASTAFARI: HOW JAMAICANS DEAL with HIP-HOP Author(S): Wayne Marshall Source: Social and Economic Studies, Vol
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2019 Zeen 1 All in the Same Boat Rockin’ on the Same Rock Got to Get Together, Lovin’ Each Other
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