En-Han Thaddeus Lee 2018 Writing and Research Sample Contents

Total Page:16

File Type:pdf, Size:1020Kb

En-Han Thaddeus Lee 2018 Writing and Research Sample Contents En-Han Thaddeus Lee 2018 Writing and Research Sample Contents Housing Ideals 3 Danchi Dreams 5 New Towns for Nigeria 6 What is Juutaku? 8 Excerpt - Meiji Slippages 11 3 Housing Ideals Independent research with the Harvey Geiger Travel Fellowship In challenging the myth of Pruitt Igoe and failed social housing in America, I travelled to Stockholm, Helsinki and Japan in search of modernist housing esetates and New Towns that have thrived from the mid-twentieth century, and some, even to this day. Depicted here are works of architecture from Sweden, Finland and Japan that represent varied paradgims for housing. From the Swedish Million Program, where authorities attempted to build over a million units in under a decade, to 1940s utopian garden cities, the research conducted shows that modernist housing has not only survived, but thrived in the right social and cultural environment. Housing Ideals All photographs are by the author, produced as a photo essay on housing ideals. Thaddeus Lee 4 Puu-Käpylä, Helsinki, Finland. One of the earliest examples of Garden Cities in Årsta, Stockholm, Sweden. A satelite town designed and built in the 1940s by Erik Telefonplan, Stockholm, Sweden. Originally conceived as a modern factory and Takashimadaira, Tokyo, Japan. Spread over 1,200 square meters, Takashimadaira Finalnd. and Tore Ahlsen. It features a vareity of programs integrated into a garden city layout. residential complex for the telephone company LM Ericsson in 1964, the site has danchi is one of the largest surviving danchi estates in Tokyo. A new collaboration since been expanded for use by the art school Konstfack, several design offices and between the semipublic Urban Renaissance Agency (UR) and MUJI will see renewed public housing. use of once-coveted New Town residential units. Housing Ideals Tapiola, Espoo, Finland. One of several variations of row houses in Tapiola, one of Södra Ängby, Stockholm, Sweden. Södra Ängby is an example of adapted garden Nagakin Capsule Tower, Tokyo, Japan. Although the Nagakin Tower is often de- Shibazono, Tokyo, Japan. Once touted as the most dangerous housing estate in Ja- the largest garden cities in Finland. city ideals, and perhaps one of the last surviving products of the 1930s Stockholm picted by architects as the height of Metabolist achievement, the idea never caught pan, Shibazono danchi is now home to a new wave of immigrant workers. The area’s Exhibition. on in Tokyo. Now, the tower is left in dire disrepair, and is allegedly slated for demoli- cultural diversity is evident by dedicated Korean and Chinese services, and a slew of tion in late 2017. Halal-certified eateries. Thaddeus Lee Henriksdalsberget, Stockholm, Sweden. Built in the 1960s after drawings by Erik Contemporary development near Årsta, Stockholm, Sweden. While much has Bess Showroom, Japan. A mass-produced geodeisic dome house? Bess is one of House Vision 2, Tokyo, Japan. One of several housing prototypes presented at the and Tore Ahlsen. The Henriksdalsberget estate is part of the later portion of the Mil- certainly changed in the past decades, Some architectural motifs persist, such as several producers of mass modular houses in Japan, but is particularly well known for annual House Vision exhibition. This particular concept pushes the Situationists’ lion Program, an ambitious project of the Swedish government to build a million units the series of individual balconies, now celebrated as colorful features on the build- capturing the vogue of Heavy Duty and a return to country living. concept of city psychogeography to the extreme by envisioning not houses, but of housing in under a decade. ing’s facade. utility walls scattered around the city where groceries and other essentials can be deposited. Danchi Dreams It is said that at the westernmost point of the largest city on of a danchi complex notorious for its gruesome history of suicides. 5 earth, there is a fence that stands against the foot of a hill. This faded housing dream eventually waned with the burst of Beyond that fence sits a shrine, right at the start of a forest that Japan’s Bubble Wealth in 1989. As initially skyrocketing property expands to form the horizon. Looking back within this fragile prices collapsed and remained stagnant, an entire generation boundary, one sees an immensity of a different kind. For as far became stuck on the housing ladder, unable to afford the expected as the eastern bay, there lies a dense metropolis of skyscrapers upgrade or to move beyond public housing. What followed was a and apartment towers surrounded by a suburbia of countless slow retreat of the Japanese population from these danchi. detached houses. Whether you are walking amongst salaried workers through unnamed streets or traversing through com- Chinese migration to Japan grew in the run-up to 1989. As Japan pressed subway tunnels, it is challenging to find an individual’s entered its ‘lost decades’ of the 1990s and 2000s, this migration space or place in Tokyo. abruptly exploded. Occurring primarily through student networks, Chinese nationals began moving to Tokyo first to study, and then In Warabi, some 40 minutes from downtown Tokyo, an unfolded to work, through the 1990s. As each moved up their career path mass of concrete structures stand in defiance of an other- in Japan, they brought over their relatives, and person by person, wise monotonous suburb. Built in 1978, Shibazono Danchi family by family, this move eventually transitioned into a significant (danchi may be literally translated as ‘group-land’) stretches migration pattern at the turn of the century. Most of the migrants Danchi Dreams Danchi across 20-acres. Fifteen-storey residential blocks — some were middle to upper class, skilled and from larger cities in China, 2500 households — zig-zag to shield rare greenspace from were willing to work the jobs outside of rigid Japanese employment the aggressive cityscape of Japan’s capital. Conversations hierarchies and traditional business conglomerates. Due to formal, are overheard in Mandarin Chinese and Korean grocery stores and informal, restrictions on properties available for rent to foreign- stand across from chain convenience stores and a row of Halal ers, a large number of these new Chinese immigrants ended up catering services operate from across the street. Today, in a city living in danchi. Its low rent and communal qualities were a good fit where less than 3% of the population is comprised of registered for an entire community not yet accustomed to Japanese lan- foreign residents, Shibazono is a heterotopia, a break from a guage and society. Shibazono Danchi exists as an example of one homogenous Japanese milieu that makes space for growing of these communities that has now firmly taken root in Tokyo. Chinese, Korean and, to a smaller extent, South Asian popula- tions. However, that has not always been the case for danchi. Housing ideals typically project highly specific visions of society, but as populations experience social, economic and even de- During the Japanese Economic Miracle of the 1960s to 1980s, mographic shifts, their relevance is modulated towards different seemingly endless economic growth created a burgeoning groups of people. What started as a solution to housing shortages middle class, and along with it, a need for varied, high-quality in the United Kingdom after the Second World War, and imported homes. While the Japanese Housing Corporation (now Urban into Japan as such, eventually became the embodiment of a Japa- Renaissance Agency, or ‘UR’) had been experimenting with New nese modernity. The typology and the image of modern living that Thaddeus Lee Towns since the mid 1950s, the danchi model was implement- danchi projected were sufficiently elastic to be able to accommo- ed in the early 1960s, delivering mass housing with modern date the aspirations of newly wealthy populations, whether that be amenities to an entire post-war generation of Japanese urban- the Japanese of the 1960s, or the new immigrants of the 1990s. ites. Boasting a variety of housing grades, from 1K (Room with An upcoming collaboration between Muji and UR to renovate adjoined kitchen) to 3LDK (three rooms, dining, kitchen), danchi Takashimadaira Danchi for young urbanites even offers a tantaliz- became part of a ‘housing ladder’ that served as an indicator of ing glimpse into the future of Japanese mass housing. For now, socioeconomic progress. In fact, due to its high standards of while the danchi has long departed from the ‘Japanese dream’, it construction and the privacy it afforded, these public-housing has instead become a vital part of that of new immigrants, and as units were often preferred by middle class families over the Japan looks to immigration reform in the near future, this role is set average house and thus became the image of modern living. to change once more. There was an implicit relationship between the danchi concept and the normative ‘course of life’ of postwar Japan. Sociologist Yukio Nishikawa alleges, for example, that the layout and size of mass-housing units helped determine the post-war nuclear family model and ensure its persistence through to the late Originally published in Paprika!, “Borders”, Sept 2016 1980s. As families progressed from generation to generation, there was an appropriate unit type for their changing composi- tions and the expected level of income from the family’s bread- winner, the salaryman. For a good two decades, danchi essen- tially succeeded where Pruitt-Igoe never had the chance to. By the late 1970s, however, a myriad of social issues came to be associated with danchi living, ranging from anomie to an escalation of violent crimes. In fact, roughly five miles from Shibazono, the Takashimadaira Danchi in Itabashi is an example 6 New Towns for Nigeria Archival resarch and long-form writing project for Portal 9 Critic: Todd Reisz Co-authored by Thaddeus Lee, Jacqueline Hall and Cecily Ng Archival Researcher: Thaddeus Lee This project follows the involvement of foreign experts in two major modernization projects in post-independence Nigeria: the construction of Kainji Dam in the 1960s and the creation of Abuja over a decade later as the new capital city of Nigeria.
Recommended publications
  • Katsura Imperial Villa: the Photographs of Ishimoto Yasuhiro
    Art in the Garden Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro Winter 2011 Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro This exhibition celebrates one of the most exquisite Harry Callahan and Aaron Siskind. He received the magnum opus 1955 exhibition titled The Family of THE MA OF MODERNISM: THE BOX architectural and garden treasures of Japan— Moholy-Nagy Prize awarded to top students of the Man at the Museum of Modern Art, New York. CONSTRUCTIONS OF DANIEL FAGERENG Katsura Imperial Villa in Kyoto—and one of its finest Institute for two consecutive years in 1951 and 1952. The box constructions of Daniel Fagereng were on living photographers, Ishimoto Yasuhiro, whose In 1966, Ishimoto returned again to Japan, where he view in conjunction with the Katsura photography 1953 images of Katsura introduced this unrivalled In 1953, Ishimoto returned to Japan to photograph became a professor at the Tokyo University of Art exhibition. The artist reinterprets the elements and masterpiece to the world. Katsura Detached Palace, and published the and Design. In 1969, he became a Japanese citizen. book, Katsura: Tradition and Creation in Japanese He visited Kyoto again in 1982, re-photographing components of traditional Japanese architecture in Born in San Francisco in 1921, and raised in Japan, Architecture, in 1960 with text by Walter Gropius Katsura in color to capture his own personal these mixed media constructions using light, line, Ishimoto returned to the U.S. at the age of 17 to and Tange Kenzo, two of the greatest architects of the vision of the richer, more complex character of and shadow as compositional elements.
    [Show full text]
  • Composition of Threshold in Japanese Contemporary Architecture Located
    計画系 696 号 【カテゴリーⅠ】 日本建築学会計画系論文集 第79巻 第696号,365-372,2014年 ₂ 月 J. Archit. Plann., AIJ, Vol. 79 No. 696, 365-372, Feb., 2014 COMPOSITION OF THRESHOLD IN JAPANESE CONTEMPORARY ARCHITECTURE LOCATED IN URBAN PARKS COMPOSITION都市公園に建つ現代日本の建築作品における閾の構成 OF THRESHOLD IN JAPANESE CONTEMPORARY ARCHITECTURE LOCATED IN URBAN PARKS Guillaume FAAS* and Yoshiharu TSUKAMOTO** 都市公園に建つ現代日本の建築作品における閾の構成 ファース ギョーム,塚 本 由 晴 Guillaume FAAS*, Yoshiharu TSUKAMOTO** ファース・ ギョーム, 塚本由晴 The aim of this study is to clarify the composition of threshold in Japanese contemporary architecture located in urban parks. “Threshold” is seen as a space which possesses the potential to provide people with a place to congregate, rest, and views to the vicinity. The principle of threshold is seen as the transitional space from the exterior to the interior in public architecture that can have different character by various arrangement of elements and open space according to the access circulation. First, the elements that compose the threshold are defined. Second, the arrangement of the threshold is examined. Third, the compositional diagrams of the threshold with the Volume are examined, and typologies of the threshold are established. From the comparison of these typologies four characteristics with tendencies are clarified: Isolating (the interior), Concentrating (the exterior, the interior, the exterior with depth), Dispersing (the interior, the interior with depth, the interior and of the exterior, the interior and the exterior with depth), Blurring (the interior and the exterior) Keywords: Japanese Contemporary architecture, Urban Park, Threshold, Composition, Arrangement, Typology. 現代日本建築作品, 都市公園, 閾,構成,配列,類型 1 Introduction of a door. The sill defines the limit between two distinct spaces, 1.1 Background and purpose which can be between an exterior and an interior, between two Public facilities do not only serve activities for people, but also exteriors or between two interiors.
    [Show full text]
  • Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
    A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs.
    [Show full text]
  • Watanabe, Tokyo, E
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed.
    [Show full text]
  • Faith and Power in Japanese Buddhist Art, 1600-2005
    japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them.
    [Show full text]
  • Japanese Spatial Culture, Nature and Architecture
    PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword by Kengo KUMA Edited by Salvator-John A. LIOTTA and Matteo BELFIORE PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword: Kengo KUMA Editors: Salvator-John A. LIOTTA Matteo BELFIORE Graphic edition by: Ilze PakloNE Rafael A. Balboa Foreword 4 Kengo Kuma Background 6 Salvator-John A. Liotta and Matteo Belfiore Patterns, Japanese Spatial Culture, Nature, and Generative Design 8 Salvator-John A. Liotta Spatial Layering in Japan 52 Matteo Belfiore Thinking Japanese Pattern Eccentricities 98 Rafael Balboa and Ilze Paklone Evolution of Geometrical Pattern 106 Ling Zhang Development of Japanese Traditional Pattern Under the Influence of Chinese Culture 112 Yao Chen Patterns in Japanese Vernacular Architecture: Envelope Layers and Ecosystem Integration 118 Catarina Vitorino Distant Distances 126 Bojan Milan Končarević European and Japanese Space: A Different Perception Through Artists’ Eyes 134 Federico Scaroni Pervious and Phenomenal Opacity: Boundary Techniques and Intermediating Patterns as Design Strategies 140 Robert Baum Integrated Interspaces: An Urban Interpretation of the Concept of Oku 146 Cristiano Lippa Craft Mediated Designs: Explorations in Modernity and Bamboo 152 Kaon Ko Doing Patterns as Initiators of Design, Layering as Codifier of Space 160 Ko Nakamura and Mikako Koike On Pattern and Digital Fabrication 168 Yusuke Obuchi Foreword Kengo Kuma When I learned that Salvator-John A. Liotta and Matteo Belfiore in my laboratory had launched a study on patterns and layering, I had a premonition of something new and unseen in preexisting research on Japan. Conventional research on Japan has been initiated out of deep affection for Japanese architecture and thus prone to wetness and sentimentality, distanced from the universal and lacking in potential breadth of architectural theories.
    [Show full text]
  • Downloads/2003 Essay.Pdf, Accessed November 2012
    UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy.
    [Show full text]
  • EDUCATING GORDON Recollections Accompanying an Exhibition of Professor Gordon Holden’S Student Drawings from 1964 to 1969
    EDUCATING GORDON Recollections Accompanying an Exhibition of Professor Gordon Holden’s Student Drawings from 1964 to 1969 Gordon Holden 1967 INTRODUCTION This document is a brief account of recollections that accompanied an Exhibition launched at Griffith University – Gold Coast on 20 May 2016. The exhibition consisted of original design and technical drawings that I made over the duration of my studies – I re-discovered these documents when moving house in 2015. In 1964 the Diploma in Architecture program at the Brisbane Central Technical College (later Queensland Institute of Technology [1965] and Queensland University of Technology [1989]) was recognised as satisfying the educational requirements for graduates after practice experience and further examination to become registered architects and members of the Institute of Architects. Predecessor Diploma in Architecture programs at the Central Technical College on the Gardens Point Campus dated from 1918. The Architecture program was led by prominent architect, Mr Charles Fulton. All subjects were taught by practicing architects, engineers, builders and quantity surveyors, many of whom were distinguished in their respective profession. Classes were held week nights from 6 to 9pm. In 1964 first year classes were accommodated in what is building “U” in the space that is now the QUT’s Vice Chancellor’s offices. In 1967 Architecture moved to a new building designed by Steve Trotter adjacent to older buildings that dated from about 1915, alongside the House of Parliament boundary. In 1964 entry level education to the Dip Arch was a Senior High School qualification. Subjects required for entry were English, two Mathematics, Physics and Geometrical Drawing and Perspective or Art (plus Chemistry at least at Junior High School level).
    [Show full text]
  • Long-Overdue Book Highlights Historic and Unpublished Collection of Japanese Art
    Long-overdue book highlights historic and unpublished collection of Japanese art “What it is about Japanese art that transcends time and place to remain so visually stimulating and spiritually rewarding—as true today as it has been for centuries?” Linda C. Harrison, Preface Beyond Zen is a unique and fascinating visual history of Japanese Buddhist art largely dating from the Edo period (1600–1868) to the present day, through one of the finest collections in the USA. The richly-illustrated text offers a concise introduction to diverse Japanese Buddhist practices and the central role art plays in them. It showcases magnificent and rare works of Japanese art—ornate and gold leafed paintings, textiles, ceramics, and sculptures—from The Newark Museum of Art’s collection that reflect Mahayana and Mantrayana Buddhist practices. The volume is organized in seven sections that emphasize the functionality of the art through windows of practice embraced throughout all periods of Japanese Buddhist history. The “Buddha, Buddhas, and Bodhisattvas” chapter introduces central divine figures prominent in Mahayana Buddhist art. The “Life and Death” section illustrates Japanese Buddhist promises of paradises and punishments of hells. The “Health and Wealth” portion features both peaceful and wrathful Buddhist deities that promote physical and mental health, as well as spiritual and material wealth, while fending off negativities that bring disaster. ”Extending Enlightenment” considers the evolution of art in Buddhism while the “Teachers and Students” chapter addresses the vital, venerated role of teachers and transmission of knowledge. “From Ascetic to Saint” explores the narrative origins of a four-part illustrated hagiography depicting the ascetic life of the Buddhist monk Tokuhon.
    [Show full text]
  • 03 Yasushi Sukenari 재교.Indd
    DEVELOPMENT AND SOCIETY Volume 45 | Number 1 | June 2016, 69-87 DOI 10.21588/dns/2016.45.1.003 Housing Estates as Experimental Fields of Social Research* YASUSHI SUKENARI | THE UNIVERSITY OF TOKYO This paper discusses researchers’ relationships with their research object and its transformation in empirical sociology by examining “danchi” (housing estates) studies conducted by Japanese sociologists. The Japanese housing policy system was quickly established in the early 1950s, and the reinforced concrete housing complexes stimulated journalistic interest. Most influential researchers in postwar Japanese sociology launched into research on these newly constructed housing estates. One reason was that social surveys with standardized questionnaires to individual respondents were compatible with the new housing form. Danchi became experimental fields of social research. Some early researchers emphasized the sparsity of neighbor relationships in danchi and the surviving kinship across geographical boundaries. However, the image of danchi as pictured by sociologists transformed around 1960. Studies of residents’ associations showed that danchi communities were being formed through cooperative solutions found for residents’ common problems. Whether or not a housing estate was formed as a community depended on how the residents related to the space. This change was also reflected in the relationships between the researchers and the respondents in that the distance between them under the standardized attitude and opinion survey was lost. The change in the image of housing estates in the 1960s can be said to overlap with a turning point in social research. Keywords: housing estate, history of social research, attitude and opinion survey, planned community * Earlier versions of this paper were presented at the XVIII ISA World Congress of Sociology 2014 and the SNU-UT Joint Sociological Forum 2014.
    [Show full text]
  • Issues of Authority in Japanese Architecture
    Issues of Authority in Japanese Architecture Karen M. Gerhart Japanese architecture has often been discussed in terms of its decorative appeal, inspired by its beauty of form, its technically proficient construction, and its agreeable materials. While the focus on the aesthetic qualities of buildings reflects our own contemporary enthusiasms, it unfortunately obscures some of the very different original purposes of Japanese architecture. In pre-modern Japan, architecture was the privilege of the elite and power-seekers and was generally undertaken for reasons other than aesthetics; building signified power and authority. As in Europe and elsewhere, the building of grand structures signaled control over architects and craftsmen, sufficient wealth, and the ability to command others to provide material and labor. Building was also about establishing control and legitimacy. Indeed, the first act new rulers generally undertook was to construct buildings to represent the ideals of their rule. For example, regional leaders founded important shrines like Ise and Izumo as visual symbols of the efficacy of their clan deities, the Japanese emperor sponsored monumental temples, exemplified by Tōdaiji, to show the vigorous support of continental Buddhas for the royal family and the nation, and the warrior elite constructed immense castles, such as Azuchi Castle, in support of its own quest for legitimacy. These varied purposes were expressed in many ways—through elevation, sheer size, by limiting access, through innovative technology, and through beauty in the form of fine materials and intricate decorations. I will discuss here a number of buildings in pre-modern Japan that were designed to exemplify the power and authority of their makers.
    [Show full text]
  • Social Capital Among Ageing Residents of Housing Complexes in Suburban Tokyo: the Case of Haraichi- Danchi and Oyamadai-Danchi in Ageo City
    PLANNING MALAYSIA: Journal of the Malaysian Institute of Planners VOLUME 16 ISSUE 1 (2018), Page 38 – 49 SOCIAL CAPITAL AMONG AGEING RESIDENTS OF HOUSING COMPLEXES IN SUBURBAN TOKYO: THE CASE OF HARAICHI- DANCHI AND OYAMADAI-DANCHI IN AGEO CITY Nadhirah Nordin1 & Hitoshi Nakamura2 1,2Graduate School of Engineering and Science SHIBAURA INSTITUTE OF TECHNOLOGY Abstract Globally, developed nations such as Japan are currently facing an ageing population. The health and social care system in the living environment for the elderly population in Japan must engender strong social ties and social networks that can connect the elderly people and promote active ageing. This research aims to identify the extent of social capital among the ageing population in Haraichi- danchi and Oyamadai-danchi, which are housing complexes located in Ageo City, a suburb of Tokyo. This article focuses on residents in the 60s and 70s age groups. A questionnaire survey was conducted and was divided into three parts which include the basic attributes of the residents, the elements of bonding social capital and bridging social capital. Then, cross-tabulations were done between the age groups and both the social capital categories. Next, chi-square and further post-hoc analyses were conducted to determine the strongest association between the variables. The results show a significant association between the 60s and 70s age groups for both bonding and bridging social capital. The variation of results may be influenced by the physical environment of the housing complexes in which they are currently living. Keyword: aging society, suburban housing complex, social capital 1Master’s Student at Shibaura Institute of Technology, Tokyo, Japan.
    [Show full text]