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Biting the Big Apple
Biting the Big Apple Curator Nicholas Baume talks to Fran Molloy lumnus Nicholas Baume has a new gallery space to curate: New York City. He has recently been art appointed Director and AChief Curator of the New York Public Art Fund, where he will guide the selection and installation of artworks by established and emerging artists in public spaces throughout the city. “The role does make me look at New York in a different way,” Baume says. “I’m really excited about it.” This is also the first time Baume has lived in New York, though his “Nicholas is like a son to me,” my lot in a professional direction, long association with the city’s cultural Kaldor says. “He is a brilliant young I felt that education for its own landscape started with a high school man who is very passionate about art.” sake was a very valuable thing.” art club trip in the early ’80s while an Baume and his two brothers were Baume has fond memories of his exchange student in Houston, Texas. similar in age and close friends with time at the University. “It was the first Graduating from the University Kaldor’s sons and spent a lot of time time I felt I was in an environment in 1987 with joint honours in Fine at the Kaldor home. But while his that nourished my intellectual Arts and Philosophy, Baume became brothers preferred the swimming and creative development. I loved an influential Australian curator, pool, Nicholas was drawn to Kaldor’s discovering the world of ideas.” exhibiting such artists as Andy extraordinary art collection. -
'Something Is Wrong with Our Army…' Command, Leadership & Italian
Journal of Military and Strategic VOLUME 14, ISSUE 1, FALL 2011 Studies ‘Something is wrong with our army…’ Command, Leadership & Italian Military Failure in the First Libyan Campaign, 1940-41. Dr. Craig Stockings There is no question that the First Libyan Campaign of 1940-41 was an Italian military disaster of the highest order. Within hours of Mussolini’s declaration of war British troops began launching a series of very successful raids by air, sea and land in the North African theatre. Despite such early setbacks a long-anticipated Italian invasion of Egypt began on 13 September 1940. After three days of ponderous and costly advance, elements of the Italian 10th Army halted 95 kilometres into Egyptian territory and dug into a series of fortified camps southwest of the small coastal village of Sidi Barrani. From 9-11 December, these camps were attacked by Western Desert Force (WDF) in the opening stages of Operation Compass – the British counter-offensive against the Italian invasion. Italian troops not killed or captured in the rout that followed began a desperate and disjointed withdrawal back over the Libyan border, with the British in pursuit. The next significant engagement of the campaign was at the port-village Bardia, 30 kilometres inside Libya, in the first week of 1941. There the Australian 6 Division, having recently replaced 4 Indian Division as the infantry component of WDF (now renamed 13 Corps), broke the Italian fortress and its 40,000 defenders with few casualties. The feat was repeated at the port of Tobruk, deeper into Libya, when another 27,000 Italian prisoners were taken. -
Leading Cultural Figures Attend Asia Society Art Gala, Launching Art Basel in Hong Kong
FOR IMMEDIATE RELEASE LEADING CULTURAL FIGURES ATTEND ASIA SOCIETY ART GALA, LAUNCHING ART BASEL IN HONG KONG GUESTS INCLUDED ROBERT AND CHANTAL MILLER, JULIA AND VICTOR FUNG & BASSAM SALEM THIS YEAR’S HONOUREES FEATURED BHARTI KHER, LIU GUOSONG, TAKASHI MURAKAMI & ZHANG XIAOGANG (Hong Kong, 15 May 2014) More than four hundred of the world’s most distinguished collectors, curators, gallerists and dignitaries gathered this evening to honor four exceptional contemporary artists at the Asia Society’s second annual Art Gala, hosted by Ms. S. Alice Mong and Dr. Melissa Chiu at their spectacular Hong Kong Center. Kicking off Art Basel in Hong Kong, the evening celebrated world-renowned artists Bharti Kher, Liu Guosong, Takashi Murakami and Zhang Xiaogang for their extraordinary contributions to contemporary art in Asia. Guests were also treated to a private viewing of the first major solo exhibition of Xu Bing’s work in Hong Kong, currently on display through 31 August 2014. Notable guests included artists Li Songsong, Mariko Mori, Michael Joo and Song Dong. International collectors attended, including Deddy Kusama, Basma Al Sulaiman, Maggie Tsai, Alexandra Prasetio, and Bharat and Swati Bhise. Gallerists present included Nick Simunovic of Gasgosian Gallery, one of the evening’s hosts, Rachel Lehmann, Emmanuel Perrotin, Arne Glimcher, Marcia Levine, and Jane Lombard and Lisa Carlson. Supporters of Asia Society included Robert and Chantal Miller, Hal and Ruth Newman, Mitch and Joleen Julis. Other guests included actress Lynn Hsieh, Nam June Paik’s Nephew, Ken Hakuta, Director of Art Basel, Marc Spiegler, Managing Director of Christie’s Asia, Rebecca Wei, and Curator of UBS Art Collection, Stephen McCoubrey. -
US-China Museum Directors Forum Press
News Communications Department Asia Society 725 Park Avenue New York, NY 10021-5088 AsiaSociety.org Phone 212.327.9271 Contact: Elaine Merguerian 212.327.9313; [email protected] E-mail [email protected] Asia Society To Bring Together American and Chinese Museum Directors at Forum in Hangzhou and Shanghai, November 19–21 Book Launch Event and Discussion for Making a Museum in the 21st Century To Be Held at Shanghai's Long Museum, November 19, 6:30 p.m. Asia Society will convene the second U.S.-China Museum Leaders Forum, a part of the U.S.- China Forum on the Arts and Culture and the Asia Society Arts and Museum Network, in Shanghai and Hangzhou, November 19–21, 2014, to continue a dialogue that began with the first such gathering in Beijing in 2012. Nearly thirty American and Chinese museum directors, as well as several American art foundation leaders and Chinese cultural philanthropists, will meet to discuss potential areas for partnership and projects for collaboration. Co-convened by Orville Schell, Arthur Ross director of the Center on U.S.-China Relations, Asia Society, and Melissa Chiu, director of the Hirshhorn Museum and Sculpture Garden, the U.S.-China Museum Leaders Forum aims to foster collaboration and exchange among museums in the two countries, first and foremost by enabling American museum leaders and their Chinese counterparts to connect on a personal level. The biennial Forum was initiated to address challenges faced by museums in China and ways to establish, operate, and sustain the thousands of new institutions the Chinese government plans to build in the next decade. -
Arts & Museum Summit
Arts & Museum Summit Asia Society Hong Kong Center November 21–22, 2013 What should museums of the twenty-first century look like? How should they display art and engage viewers? Is there a kind of disruption taking place within current thought that should be addressed? There is no doubt that most museum growth in the next few decades will be in Asia. Bringing together museum leaders from across Asia, Europe, and the United States, the Arts & Museum Summit explores the future of museums and navigates the challenges and opportunities in the cultural sector today; the developing museum ecology in Asia; and opportunities for professional development and partnerships among museums. Pre-registration online is required for the full program. The online registration will close on Thursday, November 14 so please plan accordingly. Thursday, November 21 3:30 p.m.–4:30 p.m. Registration 4:30 p.m.–6:00 p.m. Museum Leaders in Conversation: Making a Museum in the Twenty-first Century Leading museum professionals join in conversation on the future of museums in the twenty-first century. Free and open to the public. Please RSVP to [email protected] as seats are limited. Caroline Collier, Director, Tate National, London Glenn D. Lowry, Director, The Museum of Modern Art, New York Lars Nittve, Executive Director, M+, Hong Kong Wang Chunchen, Head of Curatorial Research, CAFA Art Museum, Beijing Moderated by Melissa Chiu, Museum Director and Senior Vice President, Global Arts and Cultural Programs, Asia Society Friday, November 22 8:00 a.m.–9:00 a.m. Registration 9:00 a.m. -
Chinese Contemporary Art-7 Things You Should Know
Chinese Contemporary Art things you should know By Melissa Chiu Contents Introduction / 4 1 . Contemporary art in China began decades ago. / 14 2 . Chinese contemporary art is more diverse than you might think. / 34 3 . Museums and galleries have promoted Chinese contemporary art since the 1990s. / 44 4 . Government censorship has been an influence on Chinese artists, and sometimes still is. / 52 5 . The Chinese artists’ diaspora is returning to China. / 64 6 . Contemporary art museums in China are on the rise. / 74 7 . The world is collecting Chinese contemporary art. / 82 Conclusion / 90 Artist Biographies / 98 Further Reading / 110 Introduction 4 Sometimes it seems that scarcely a week goes by without a newspaper or magazine article on the Chinese contemporary art scene. Record-breaking auction prices make good headlines, but they also confer a value on the artworks that few of their makers would have dreamed possible when those works were originally created— sometimes only a few years ago, in other cases a few decades. It is easy to understand the artists’ surprise at their flourishing market and media success: the secondary auction market for Chinese contemporary art emerged only recently, in 2005, when for the first time Christie’s held a designated Asian Contemporary Art sale in its annual Asian art auctions in Hong Kong. The auctions were a success, including the modern and contemporary sales, which brought in $18 million of the $90 million total; auction benchmarks were set for contemporary artists Zhang Huan, Yan Pei-Ming, Yue Minjun, and many others. The following year, Sotheby’s held its first dedicated Asian Contemporary sale in New York. -
Museum Leaders Gather in Hong Kong for First Asia Society Arts & Museum Summit, November 21-22, 2013
News Public Relations Department 725 Park Avenue New York, NY 10021-5088 www.AsiaSociety.org Phone 212.327.9271 Contact: Elaine Merguerian 212.327.9313; [email protected] Fax 212.517.8315 E-mail [email protected] Museum Leaders Gather In Hong Kong For First Asia Society Arts & Museum Summit, November 21-22, 2013 Recognizing Exponential Growth of Museums in Asia, Talks Focus on New Museum Models Hong Kong (November 21, 2013) — Museum leaders from across Asia, Europe, and North America gathered in Hong Kong today to explore ideas of new models for museums in the twenty-first century. Over 200 attendees are participating in the inaugural Asia Society Arts & Museum Summit, held at the Asia Society Hong Kong Center. The two-day event recognizes that the majority of new museums constructed in the next decade will be in Asia, where it has been estimated that over 3,000 new museums are being planned in China alone. Issues addressed at the summit include the challenges and opportunities in the cultural sector today; the developing museum ecology in Asia; and opportunities for professional development and partnerships among museums. “The Asia Society’s Arts & Museum Summit is designed to create powerful bonds between cultural leaders throughout Asia and America and build vital bridges of understanding through the arts,” says Asia Society President Josette Sheeran. “The Arts & Museum Summit will be held each year, building on Asia Society’s fifty-year history of fostering positive transformation in relations through arts and culture.” Where“The Asia and past America two Meet decades have seen enormous societal changes across Asia that have the potential to 725 Park Avenue New York,catalyze NY 10021 new-5088 thinking in the museum field. -
Curator Announced for the Honolulu Biennial's Third Edition
FOR IMMEDIATE RELEASE Curator Announced for the Honolulu Biennial’s Third Edition Dr. Melissa Chiu to curate the Honolulu Biennial 2021, a multi-venue exhibition across the city of Honolulu Photo by Greg Powers. Courtesy of the Hirshhorn Museum and Sculpture Garden. HONOLULU (October 15, 2019)––The Honolulu Biennial Foundation announces that the Honolulu Biennial 2021 will be curated by Dr. Melissa Chiu. The Honolulu Biennial, one of the largest major exhibition series in the world to focus on contemporary art practices of the Pacific, will take place February–April 2021. Its third edition will continue the Biennial’s mission to contribute to local and global dialogs by connecting perspectives, knowledge and creative expressions that are of the Pacific. First held in 2017, the Honolulu Biennial expanded for its second edition in 2019 to include works and performances from 47 artists and collectives across 12 iconic venues throughout Honolulu, including the Bishop Museum, Honolulu Museum of Art, Hawai’i State Art Museum, John Young Museum of Art at the University of Hawaiʻi at Manoa, Foster Botanical Garden, Aliʻiōlani Hale and McCoy Pavilion. HB19 was attended by nearly 115,000 visitors and generated an estimated $81.96 million for the state’s economy. In announcing the selection, Katherine Ann Leilani Tuider, Honolulu Biennial Foundation Executive Director and Co-founder, said: “We are excited to collaborate with Dr. Chiu on the third edition of the Honolulu Biennial. She brings significant insight, scholarship and passion. Dr. Chiu is key figure in building the global dialogue around contemporary art of the Asia-Pacific region, and we look forward to the conversations and connections she will advance for the Honolulu Biennial in 2021.” Jonathan Kindred, the Honolulu Biennial Foundation’s Board of Directors Chairman, noted: “We are extremely pleased to have Melissa join our team to lead the programming and presentation of HB21. -
Smithsonian Institution (SI) Hirshhorn Museum and Sculpture Garden Board of Trustees Meeting Minutes, 2013-2017
Description of document: Smithsonian Institution (SI) Hirshhorn Museum and Sculpture Garden Board of Trustees Meeting Minutes, 2013-2017 Requested date: 18-June-2017 Released date: 03-October-2018 Posted date: 15-October-2018 Source of document: Records Request Assistant General Counsel Smithsonian Institution Office of General Counsel MRC 012 PO Box 37012 Washington, DC 20013-7012 Fax: 202-357-4310 Email: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 0 Smithsonian Institution Office of General Counsel VIA US MAIL October 3, 2018 RE: Your Request for Smithsonian Records (request number 48730) This responds to your request, dated June 18, 2017 and received in this Office on June 27, 2017, for "a copy of the meeting minutes from the Hirschhorn (sic) Museum Board of Trustees, during the time period 2013 to present." The Smithsonian responds to requests for records in accordance with Smithsonian Directive 807 - Requests for Smithsonian Institution Information (SD 807) and applies a presumption of disclosure when processing such requests. -
Merry Christmas 20% Discount*
1 Catalogue 189 DECEMBER 2015 MERRY CHRISTMAS 20% DISCOUNT* * Discount does not apply to SIMMO, Legs Eleven or Randwick to Hargicourt 2 Glossary of Terms (and conditions) INDEX Returns: books may be returned for refund within 7 days and only if not as described in the catalogue. NOTE: If you prefer to receive this catalogue via email, let us know on CATEGORY PAGE [email protected] My Bookroom is open each day by appointment – preferably Aviation 3 in the afternoons. Give me a call. Espionage 4 Abbreviations: 8vo =octavo size or from 140mm to 240mm, ie normal size book, 4to = quarto approx 200mm x 300mm (or coffee table size); d/w = dust wrapper; pp = pages; vg cond = (which I thought was self explanatory) very good condition. Military Biography 6 Other dealers use a variety including ‘fine’ which I would rather leave to coins etc. Illus = illustrations (as opposed to ‘plates’); ex lib = had an earlier life in library Military General 8 service (generally public) and is showing signs of wear (these books are generally 1st editions mores the pity but in this catalogue most have been restored); eps + end papers, front and rear, ex libris or ‘book plate’; indicates it came from a Napoleonic et al 10 private collection and has a book plate stuck in the front end papers. Books such as these are generally in good condition and the book plate, if it has provenance, ie, is linked to someone important, may increase the value of the book, inscr = Naval 12 inscription, either someone’s name or a presentation inscription; fep = front end paper; the paper following the front cover and immediately preceding the half title page; biblio: bibliography of sources used in the compilation of a work (important Special Forces & Airborne 13 to some military historians as it opens up many other leads). -
Hilarie Mais CV 18 KW 2
! Hilarie Mais Born Leeds, England. Lives and works Sydney. Education 1979-80 Artist in Residence, State University of New York, Purchase, New York 1977-78 New York Studio School Fellowship, New York, USA 1975-77 Slade School of Fine Art, University College London, MA, London 1971-74 Winchester School of Art, UK. B.A., 1st Hons, Winchester 1968 Jacob Kramer School of Art, Leeds Awards 2011 Australia Council Visual Arts Board Fellowship 2000 Pollock-Krasner Foundation Grant 1999 VISY Art Prize 1994 The Blake Prize 1993 Australia Council Fellowship 1987 VA/CB Artist Grant 1977 Boise Scholarship, UCL London HFC Award, UCL London NYSS Fellowship , New York Studio School , New York 1973 Hampshire Art Travel Award Solo Exhibitions 2018 Hilarie Mais : TarraWarra Museum of Art, Victoria Hilarie Mais : Drill Hall University Gallery, ANU, Canberra 2017 Hilarie Mais : Museum of Contemporary Art , Sydney 2012 Hilarie Mais: identifying structures, William Wright Artists Projects, Sydney 2011 Hilarie Mais, John Buckley Gallery, Melbourne 2008 Hilarie Mais, Christine Abrahams Gallery, Melbourne 2007 Hilarie Mais, Sherman Galleries, Sydney 2006 Hilarie Mais: Other Nature, Galerie Düsseldorf, Perth 2005 Hilarie Mais: Divide, Sherman Galleries, Sydney 2004 Hilarie Mais: Survey of Works 1974–2004, Australian National University, Drill Hall Gallery, Canberra Hilarie Mais, Christine Abrahams Gallery, Melbourne 2002 In Side: An Exhibition in Two Parts, Sherman Galleries, Sydney 2001 Hilarie Mais, Christine Abrahams Gallery, Melbourne 2000 Weather, Sherman Galleries, -
Hirshhorn Sculpture Garden-Section 106 Review Comment And
Hirshhorn Sculpture Garden-Section 106 Review May 1, 2019 Carly Bond Historic Preservation Specialist Office of Planning, Design and Construction Smithsonian Facilities 600 Maryland Avenue SW Suite 5001 Washington, DC 20013-7012 Dear Ms. Bond, As an official consulting party to the National Historic Preservation Act Section 106 review now underway for the Hirshhorn Sculpture Garden in Washington, D.C., The Cultural Landscape Foundation (TCLF) is pleased to add the following remarks to the public record. As the Section 106 review is now in the initial phase of defining the federal undertaking that could adversely affect an historic landscape, we ask that the sculpture garden’s Period of Significance (POS), identified in the Determination of Eligibility (DOE), be expanded to include the period from 1977 to 1981, when important modifications to Gordon Bunshaft’s original design were made by the notable landscape architect Lester Collins, whose contributions to the garden were significant. This letter will elaborate on the legacy of Lester Collins as a landscape architect, placing his work at the Hirshhorn Sculpture Garden in context. It will then discuss TCLF’s unaddressed concerns regarding the various iterations of the South Mall Campus' Cultural Landscape Report (CLR). I. The Landscape Legacy of Lester Collins The 1977 redesign of the Hirshhorn Sculpture Garden represents a rare, extant, civic commission by Lester Collins (1914-1993), a preeminent postwar landscape architect and educator. Collins was trained in landscape architecture at Harvard University’s Graduate School of Design from 1940 to 1942, at a time when Walter Gropius chaired the Department of Architecture, promulgating ideas of European Modernism.