"The Argonautica."

Total Page:16

File Type:pdf, Size:1020Kb

P T4 Cornell University WM) Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924079597898 Cornell University Library reformatted this volume to digital files to preserve the informational content of the deteriorated original. The original volume was scanned bitonally at 600 dots per inch and compressed prior to storage using ITU Group 4 compression. 1997 BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Slenirg m. Sage 1891 /ftij .v..r|.^.r i.sJM.i'i.o'j.. BOSN'S CLASSICAL LIBRARY. APOLLONIUS RHODIUS. : "THE ARGONAUTICA" or APOLLONIUS EHODIUS. TEAJSfSLATED INTO ENGLISH PEOSE FEOM THE TEXT OP E. MEEKEL EDWARD P. COLERIDGE, B.A. K COLL. OKI EL, OXON. LONDON G-EOEGE BELL AND SONS, TOEK STEEET. COVENT GAKDEN. 1889. CHI5W1CK PRESS t— C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE. TABLE OF CONTENTS. PAGE I. Tkanslaioe's Pkeface II. Life of Apollonius Kuodius .... ix III. Two ANCIENT ArGDHENTS OF THE " ARGONAUTICA XV IV. Genealogical Tree of the jEolid.e . xix V. Route of the Argonauts XX VI. Apollonius's use of Possessive Adjectives and Per- sonal Pronouns XXJV VII. Translation of the Poem with Notes 1 PREFACE. IN the following translation I have adhered strictly to the text of Apollonius Rhodius as revised by E. Merkel from the Laurentian MS. (Leipzig, 1852, Teubner's small edition), without noticing any variant readings. As it would obviously be impossible to give reasons for adopting a particular reading out of several without add- ing greatly to the bulk of the book and running the risk of mystifying the reader, I have thought it advisable to adopt the plan of taking the best critical text which has hitherto appeared, and translating without any deviation from it. The footnotes added to the translation are of a some- what mixed nature—classical, mythological, geographical, and occasionally etymological—but all attempts at textual criticism have been avoided, as one could scarcely hope to exhaust the elaborate work on vexed questions in a short footnote, for which reason also the notes on etymology will be found few and brief. The short introductions to the poem and to each sepa- rate book are adaptations, more or less free, from the virodfiTsig prefixed by the Scholiasts. Wellauer's collation of the Scholia has been consulted throughout. SHORT LIFE OF APOLLONIUS RHODIUS, WITH A FEW REMARKS ON HIS " ARGONAUTICA/' APOLLONITJS RHODirS was born about b.c. 235, in the reign of Ptolemy Euergetes, either at Alexandria or at Naucratis. Strabo is in favour of the former, while Athenaeus and iElian declare for the latter place. He appears to have given himself up at an early age to literary pursuits, and his choice is scarcely to be wondered at when we reflect upon the age in which he lived and the literary atmosphere in which he found himseK. We are not expressly told whether it was choice or necessity that led him to select the career he did, but from the fact that the leading poet of that day took the young aspirant in hand and instructed him in his art, we may fairly infer that ApoUonius was a man of some standing and position in life. His studies, however, under his master Callimachus were not destined to do either pupil or teacher much credit ; no doubt he obtained some technical skUl in his art, but the tastes of Callimachus and ApoUonius were so diametrically opposed that the two poets quarrelled, and allowed their professional jealousy to go to such lengths that ApoUonius lampooned the style of his teacher, while CaUimachus was weak enough to retaliate in a studied X SHORT LIFE OF APOLLONIUS EHODITJS. retort tinder the title of " Ibis," the character of which poem, though lost to us, may be gathered from Ovid's poem of the same nam.e. Callimachus was the leading exponent of the strained and artificial poetry of his day. ApoUonius, with more true artistic instinct, revolted from the want of reality characteristic of most of his contemporaries, and having a genuine admiration for the straightforward simplicity of the Epic age, set himself to imitate Homer. Naturally he made many enemies among the host of poetasters who took their cue from the animosity shown to him by the " Laureate " of the Alexandrine court. Hence, when the " Argonautica " appeared, it was at once condemned as violating the accepted canons of style and composition, and partly, perhaps, owing to certain youthful crudities which were afterwards corrected. Great was the chagrin of the young poet at the reception of his work, and fierce was his anger against Callimachus. The position of the latter, however, was unassailable, and so ApoUonius, after a fruitless wordy warfare, determined to seek some new opening for his genius. Accordingly he bade farewell to ungrateful Alexandria, and retired to Rhodes, then the second great seat of literature, taking his poem with him. Possibly experience had taught him wherein his poem was deficient. At any rate, he revised the whole of it; and now, free from the cabals of jealous rivals, he received a fair verdict, and at once rose to fame. So popular, indeed, did he become on the reading of his poem, that the Ehodians, it is said, rewarded him with extraordinary honours, and conferred their franchise upon him. From SHORT LIFE OF APOLLONItTS EHODIUS. XI this incident in his career he came to he called " the Rhodian," a name which has clung to him for ever. It was only natural that in his hour of triumph he should long to have his merit acknowledged in his native city—in Ak 'andria, the gathering place of the old world's declining literature and art. Thither, therefore, he came, with his honours upon him, and whether it was that Callimachus and his followers were out of favour, or whether the Alexandrines had relented towards their ill- used poet, certain it is that he attained to great celebrity, and was advanced to valuable posts of trust. Henceforth he could afford to rest upon his hardly-won laurels, his " " period of Sturm und Drang was over ; he had passed through the fire, and it had done him no hurt—weighed in the balance he had not been found wanting. Of his life henceforth we learn but little, beyond what Suidas tells us as to his having become librarian in the vast royal museum at Alexandria, about B.C. 194. It may well be that this was so ; for the Ptolemies, in whose reigns Apollonius lived and wrote, were monarchs not unlikely to bestow such an important literary post upon a man of marked ability and studious habits. Assuming that Suidas is correct in his statement, we find plenty of internal evidence in the poem to suggest that the writer must have been a man of vast erudition, or have had at his command extensive stores of knowledge from which to draw his materials. During this period of his life the poet was not idle. Imbued to some extent with the spirit of his age, he produced works at a great pace ; epigrams, grammars, and the so-called Kriaetg, i.e. poems on the origin and XU SHOET LIFE OV APOLLONITTS BHODITJS. foundation of towns, but all these are lost to us save a few mutilated fragments and stray lines preserved in other writers. In the library at Alexandria he remained until his death in b.c. 181, happy enough, no doubt, amongst the endless treasxu-es of that vast repository of art and learning. Of his work that has come down to us, too little notice has been taken by English scholars ; for though his style at times bears too evident traces of laboured study, the structure of his poem is simple and straightforward. The mind is not burdened by a multiplicity of episodes, the descriptions are singularly beautiful, and the similes, which are abundant and varied, show the hand of a master, who, if he did sometimes imitate, had at least something graceful of his own to add to what he borrowed, and not infrequently paid back his loan with interest. The work found numerous commentators in ancient times, to whom we are indebted for the Florentine and Parisian Scholia. Moreover, ApoUonius was very popular among the Romans ; so much so that his poem was trans- lated by Publius Terentius Varro Atacinus, and was imitated by Valerius Flaccus and many others. EDITIONS. (i.) J. Lascaris. a.d. 1496. Quarto. Florence. Con- tains the Scliolia. (ii.) The Aldine edition, a.d. 1581. Octavo. Venice. Little more than a reprint of the Florentine edition. (iii.) Brunck. a.d. 1780. Quarto and octavo. Argen- torat. First really critical edition. (iv.) Beck. a.d. 1797. Octavo. Leipzig. Incomjilete. Text -with Latin translation and a few critical notes. (v.) Gr. Schiifer. a.d. 1810-13. 2 vols, octavo. Leipzig. A better edition, and the first containing Paris Scholia. (vi.) Wellauer. a.d. 1828. 2 vols, octavo. Leipzig. Still better. Contains readings of thirteen MSS. ; also the Scholia, and notes in Latin. (vii.) E. Merkel. a.d. 1852. Teubner, Leipzig. A careful revision of the Laurentine MS., with notes. There are, besides these editions of the actual text, certain German essays upon ApoUonius, but in England hitherto this author has received but scanty justice. ; THE ARGUMENT OF THE "ARGONAU- TICA," FROM THE GREEK OF THE SCHOLIASTS. TTHO, the daughter of Salmoneus, had two sons by Poseidon, Neleus and Pelias ; she afterwards wedded Cretheus, son of ^olus, and bore to him ^Eson, Pheres, and Amythaon.
Recommended publications
  • Summaries of the Trojan Cycle Search the GML Advanced
    Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. Summaries of the Trojan Cycle Search the GML advanced Sections in this Page Introduction Trojan Cycle: Cypria Iliad (Synopsis) Aethiopis Little Iliad Sack of Ilium Returns Odyssey (Synopsis) Telegony Other works on the Trojan War Bibliography Introduction and Definition of terms The so called Epic Cycle is sometimes referred to with the term Epic Fragments since just fragments is all that remain of them. Some of these fragments contain details about the Theban wars (the war of the SEVEN and that of the EPIGONI), others about the prowesses of Heracles 1 and Theseus, others about the origin of the gods, and still others about events related to the Trojan War. The latter, called Trojan Cycle, narrate events that occurred before the war (Cypria), during the war (Aethiopis, Little Iliad, and Sack of Ilium ), and after the war (Returns, and Telegony). The term epic (derived from Greek épos = word, song) is generally applied to narrative poems which describe the deeds of heroes in war, an astounding process of mutual destruction that periodically and frequently affects mankind. This kind of poetry was composed in early times, being chanted by minstrels during the 'Dark Ages'—before 800 BC—and later written down during the Archaic period— from c. 700 BC). Greek Epic is the earliest surviving form of Greek (and therefore "Western") literature, and precedes lyric poetry, elegy, drama, history, philosophy, mythography, etc.
    [Show full text]
  • The Argonautica, Book 1;
    '^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H.
    [Show full text]
  • Athenians and Eleusinians in the West Pediment of the Parthenon
    ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article.
    [Show full text]
  • The Evolution of Power and Politics in the Mycenaean World and Its Reflection in the Homeric Epic: the Iliad
    Near East University (NEU) Faculty of Economics and Administrative Sciences Department of International Relations The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic: the Iliad By: Nicolaie A. Şorodoc We certify that the thesis is satisfactory for the award of the Degree of Master of International Relations Examining committee: Prof. Dr. Levent Köker Faculty of Law, Department of Law, NEU Prof. Dr. Jouni Suistola Faculty of Economics and Administrative Sciences, Department of International Relations, NEU Assoc. Prof. Dr. Ali Efdal Özkul Faculty of Education, Department of History Teaching, NEU Approval of the Graduate School of Social Sciences Prof. Dr. Aykut Polatoğlu 1 Jury Report June, 2010 Student Info: Full Name Nicolaie Alin Şorodoc Faculty Economics and Administrative Sciences Institution Near East University Department International Relations Thesis Info: Title: The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic the Iliad Abstract: This study tries to go beyond the boundaries of present day issues and examine the evolution of power and politics of the Mycenaean people during the Bronze Age. At each stage, be it big-man leadership, chiefdom or state based society I examine how power and social complexity increases and what were the reasons behind such a phenomenon. I start with some few considerations regarding developments during the Neolithic and Early Bronze Age and then I jump to the question of the “coming of the Greeks.” I argue that any explanation of the political life shall start from early stages; it is only then that we might get a measured insight in respect to the workings of political and social institutions.
    [Show full text]
  • Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
    i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods.
    [Show full text]
  • Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
    Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia).
    [Show full text]
  • (Eponymous) Heroes
    is is a version of an electronic document, part of the series, Dēmos: Clas- sical Athenian Democracy, a publicationpublication ofof e Stoa: a consortium for electronic publication in the humanities [www.stoa.org]. e electronic version of this article off ers contextual information intended to make the study of Athenian democracy more accessible to a wide audience. Please visit the site at http:// www.stoa.org/projects/demos/home. Athenian Political Art from the fi h and fourth centuries: Images of Tribal (Eponymous) Heroes S e Cleisthenic reforms of /, which fi rmly established democracy at Ath- ens, imposed a new division of Attica into ten tribes, each of which consti- tuted a new political and military unit, but included citizens from each of the three geographical regions of Attica – the city, the coast, and the inland. En- rollment in a tribe (according to heredity) was a manda- tory prerequisite for citizenship. As usual in ancient Athenian aff airs, politics and reli- gion came hand in hand and, a er due consultation with Apollo’s oracle at Delphi, each new tribe was assigned to a particular hero a er whom the tribe was named; the ten Amy C. Smith, “Athenian Political Art from the Fi h and Fourth Centuries : Images of Tribal (Eponymous) Heroes,” in C. Blackwell, ed., Dēmos: Classical Athenian Democracy (A.(A. MahoneyMahoney andand R.R. Scaife,Scaife, edd.,edd., e Stoa: a consortium for electronic publication in the humanities [www.stoa.org], . © , A.C. Smith. tribal heroes are thus known as the eponymous (or name giving) heroes. T : Aristotle indicates that each hero already received worship by the time of the Cleisthenic reforms, although little evi- dence as to the nature of the worship of each hero is now known (Aristot.
    [Show full text]
  • Dissertation Master
    APOSTROPHE TO THE GODS IN OVID’S METAMORPHOSES, LUCAN’S PHARSALIA, AND STATIUS’ THEBAID By BRIAN SEBASTIAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Brian Sebastian 2 To my students, for believing in me 3 ACKNOWLEDGMENTS A great many people over a great many years made this possible, more than I could possibly list here. I must first thank my wonderful, ideal dissertation committee chair, Dr. Victoria Pagán, for her sage advice, careful reading, and steadfast encouragement throughout this project. When I grow up, I hope I can become half the scholar she is. For their guidance and input, I also thank the members of my dissertation committee, Drs. Jennifer Rea, Robert Wagman, and Mary Watt. I am very lucky indeed to teach at the Seven Hills School, where the administration has given me generous financial support and where my colleagues and students have cheered me on at every point in this degree program. For putting up with all the hours, days, and weeks that I needed to be away from home in order to indulge this folly, I am endebted to my wife, Kari Olson. I am grateful for the best new friend that I made on this journey, Generosa Sangco-Jackson, who encouraged my enthusiasm for being a Gator and made feel like I was one of the cool kids whenever I was in Gainesville. I thank my parents, Ray and Cindy Sebastian, for without the work ethic they modeled for me, none of the success I have had in my academic life would have been possible.
    [Show full text]
  • The 'Trial by Water' in Greek Myth and Literature
    Leeds International Classical Studies 7.1 (2008) ISSN 1477-3643 (http://www.leeds.ac.uk/classics/lics/) © Fiona McHardy The ‘trial by water’ in Greek myth and literature FIONA MCHARDY (ROEHAMPTON UNIVERSITY) ABSTRACT: This paper discusses the theme of casting ‘unchaste’ women into the sea as a punishment in Greek myth and literature. Particular focus will be given to the stories of Danaë, Augë, Aerope and Phronime, who are all depicted suffering this punishment at the hands of their fathers. While Seaford (1990) has emphasized the theme of imprisonment which occurs in some of the stories involving the ‘floating chest’, I turn my attention instead to the theme of the sea. The coincidence in these stories of the threat of drowning for apparent promiscuity or sexual impurity with the escape of those girls who are innocent can be explained by the phenomenon of the ‘trial by water’ as evidenced in Babylonian and other early law codes (cf. Glotz 1904). Further evidence for this theory can be found in ancient novels where the trial of the heroine for sexual purity is often a key theme. The significance of chastity in the myths and in Athenian society is central to understanding the story patterns. The interrelationship of mythic and social ideals is drawn out in the paper. This paper examines the punishment of ‘unchaste’ women in Greek myth and literature, in particular their representation in Euripides’ fragmentary Augë, Cretan Women and Danaë. My focus is on punishments involving the sea, where it is possible to discern two interrelated strands in the tales.1 The first strand involves an angry parent condemning an errant daughter to be cast into the sea with the intention of drowning her.
    [Show full text]
  • A HISTORY of the PELASGIAN THEORY. FEW Peoples Of
    A HISTORY OF THE PELASGIAN THEORY. FEW peoples of the ancient world have given rise to so much controversy as the Pelasgians; and of few, after some centuries of discussion, is so little clearly established. Like the Phoenicians, the Celts, and of recent years the Teutons, they have been a peg upon which to hang all sorts of speculation ; and whenever an inconvenient circumstance has deranged the symmetry of a theory, it has been safe to ' call it Pelasgian and pass on.' One main reason for this ill-repute, into which the Pelasgian name has fallen, has been the very uncritical fashion in which the ancient statements about the Pelasgians have commonly been mishandled. It has been the custom to treat passages from Homer, from Herodotus, from Ephorus, and from Pausanias, as if they were so many interchangeable bricks to build up the speculative edifice; as if it needed no proof that genealogies found sum- marized in Pausanias or Apollodorus ' were taken by them from poems of the same class with the Theogony, or from ancient treatises, or from prevalent opinions ;' as if, further, ' if we find them mentioning the Pelasgian nation, they do at all events belong to an age when that name and people had nothing of the mystery which they bore to the eyes of the later Greeks, for instance of Strabo;' and as though (in the same passage) a statement of Stephanus of Byzantium about Pelasgians in Italy ' were evidence to the same effect, perfectly unexceptionable and as strictly historical as the case will admit of 1 No one doubts, of course, either that popular tradition may transmit, or that late writers may transcribe, statements which come from very early, and even from contemporary sources.
    [Show full text]
  • The World's Desire
    The World's Desire H. Rider Haggard and Andrew Lang The World's Desire Table of Contents The World's Desire...................................................................................................................................................1 H. Rider Haggard and Andrew Lang.............................................................................................................1 i The World's Desire H. Rider Haggard and Andrew Lang To W. B. RICHMOND, A.R.A. PREFACE The period in which the story of The World's Desire is cast, was a period when, as Miss Braddon remarks of the age of the Plantagenets, "anything might happen." Recent discoveries, mainly by Dr. Schliemann and Mr. Flinders Petrie, have shown that there really was much intercourse between Heroic Greece, the Greece of the Achaeans, and the Egypt of the Ramessids. This connection, rumoured of in Greek legends, is attested by Egyptian relics found in the graves of Mycenae, and by very ancient Levantine pottery, found in contemporary sites in Egypt. Homer himself shows us Odysseus telling a feigned, but obviously not improbable, tale of an Achaean raid on Egypt. Meanwhile the sojourn of the Israelites, with their Exodus from the land of bondage, though not yet found to be recorded on the Egyptian monuments, was probably part of the great contemporary stir among the peoples. These events, which are only known through Hebrew texts, must have worn a very different aspect in the eyes of Egyptians, and of pre−historic Achaean observers, hostile in faith to the Children of Israel. The topic has since been treated in fiction by Dr. Ebers, in his Joshua. In such a twilight age, fancy has free play, but it is a curious fact that, in this romance, modern fancy has accidentally coincided with that of ancient Greece.
    [Show full text]
  • Download Horace: the SATIRES, EPISTLES and ARS POETICA
    +RUDFH 4XLQWXV+RUDWLXV)ODFFXV 7KH6DWLUHV(SLVWOHVDQG$UV3RHWLFD Translated by A. S. Kline ã2005 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non- commercial purpose. &RQWHQWV Satires: Book I Satire I - On Discontent............................11 BkISatI:1-22 Everyone is discontented with their lot .......11 BkISatI:23-60 All work to make themselves rich, but why? ..........................................................................................12 BkISatI:61-91 The miseries of the wealthy.......................13 BkISatI:92-121 Set a limit to your desire for riches..........14 Satires: Book I Satire II – On Extremism .........................16 BkISatII:1-22 When it comes to money men practise extremes............................................................................16 BkISatII:23-46 And in sexual matters some prefer adultery ..........................................................................................17 BkISatII:47-63 While others avoid wives like the plague.17 BkISatII:64-85 The sin’s the same, but wives are more trouble...............................................................................18 BkISatII:86-110 Wives present endless obstacles.............19 BkISatII:111-134 No married women for me!..................20 Satires: Book I Satire III – On Tolerance..........................22 BkISatIII:1-24 Tigellius the Singer’s faults......................22 BkISatIII:25-54 Where is our tolerance though? ..............23 BkISatIII:55-75
    [Show full text]