The Architecture of the Department of Defense: a Military Style Guide
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Lambertville Design Guidelines
Lambertville Design Guidelines September 2, 2009 Draft Lambertville Design Guidelines City of Lambertville Hunterdon County, NJ September 2, 2009 Lambertville City Council Prepared by Mosaic Planning and Design, LLC Hon. David M. DelVecchio, Mayor Linda Weber, PP, AICP Steven M. Stegman, Council President Beth Asaro Ronald Pittore With Assistance From Clarke Caton Hintz Wardell Sanders Geoffrey Vaughn, ASLA Lambertville Planning Board Brent Krasner, PP, AICP Timothy Korzun, Chairman This plan was funded by a generous grant from the Paul Kuhl, Vice-Chairman Office of Smart Growth in the Department of Com- Acknowledgements Hon. David M. Delvecchio, Mayor munity Affairs. Hon. Ronald Pittore, Councilman Paul A. Cronce Beth Ann Gardiner Jackie Middleton John Miller Emily Goldman Derek Roseman, alternate David Morgan, alternate Crystal Lawton, Board Secretary William Shurts, Board Attorney Robert Clerico, PE, Board Engineer Linda B. Weber, AICP/PP, Board Planner Lambertville Historic Commission John Henchek, Chairman James Amon Richard Freedman Stewart Palilonis Sara Scully Lou Toboz 1. Introduction .......................................................................................1 5.3 Street Corridor Design ......................................................17 5.3.1 Sidewalks & Curbs ...................................................................17 2. Overview of Lambertville .............................................................3 5.3.2 Street Crossings ........................................................................17 -
The Story of Fort Snelling and Its State Park Page 4
RAMSEY COUNTY Colorful, Contentious- St. Paul’s 100-Year-Old Neighborhood Press A Publication of the Ramsey County Historical Society Page 13 Summer, 1993 Volume 28, Number 2 Birth, Death, Reincarnation The Story of Fort Snelling and Its State Park Page 4 Old Fort Snelling in 1844. This water color and gouache painting by John Casper Wild shows the fort a few years before Minnesota became a territory. The many pitfalls in the effort to save, restore and rebuild the fort and create Fort Snelling State Park are de scribed by an active participant, in the article beginning on page 4. Minnesota Historical Society photograph of the original paint ing, which is in its collection. RAMSEY COUNTY HISTORY Executive Director PrisciUa.Famham Editor Virginia Brainard Kunz RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS William S. Fallon CONTENTS Chairman o f the Board Joanne Englund President 3 Letters John M. Lindley First Vice President 4 Birth, Death and Reincarnation— James Russell The Story of Fort Snelling and Its State Park Treasurer Samuel H. Morgan Sidney P. Abramson, Arthur Baumeister, Jr., Thomas Boyd, Marshall Hatfield, John 13 Colorful, Sometimes Contentious— Harens, Liz Johnson, Don Larson, Judge Margaret M. Marrinan, Dr. Thomas B. St. Paul’s 100-Year-Old Neighborhood Press Mega, Laurie Murphy, Richard T. Murphy, Sr., Eileen Roberts, Darrell Rooney, Mark Jane McClure Stein, Richard A. Wilhoit and Laurie Zenner. 20 Growing Up in St. Paul Albert Fuller and the Family Business EDITORIAL BOARD Liz Holum Johnson John M. Lindley, chairman; Thomas H. Boyd, Thomas C. Buckley, Charlton Dietz, 25 Books Thomas J. -
The London List
The London List YEARBOOK 2010 FOREWORD 4 GAZETTEER 5 Commemorative Structures 6 Commercial Buildings 12 Cultural and Entertainment 18 Domestic 22 Education 32 Garden and Park 36 Health and Welfare 38 Industrial 44 Law and Government 46 Maritime and Naval 48 Military 50 Places of Worship 54 Street Furniture 62 Transport Buildings 65 Utilities and Communications 66 INDEX 68 TheListed London in London: List: yearbookyearbook 20102010 22 Contents Foreword ....................................................................................4 Gazetteer ...................................................................................5 Commemorative Structures .......................................................6 Commercial Buildings ..................................................................12 Cultural and Entertainment .....................................................18 Domestic ............................................................................................22 Education ............................................................................................32 Garden and Park ............................................................................36 Health and Welfare ......................................................................38 Industrial ..............................................................................................44 Law and Government .................................................................46 Maritime and Naval ......................................................................48 -
Fred H. Schott & Associates
Fred H. Schott & Associates CIVIL AND STRUCTURAL ENGINEERS City of Lompoc January 11, 2013 Attn: Craig Dierling, P.E. 100 Civic Center Plaza Lompoc, CA Re: Structural Observation of Lompoc Theater, 112-118 North H Street, Lompoc, Ca. Dear Craig, On December 13, 2012, a site visit was performed for the Lompoc Theater to determine the existing conditions, structural sufficiency, and structural deterioration, then make recommendations to rehabilitate each roof structure to meet current code. Each area of the theater was examined and the following was found: The Fly-Tower roof structure has multiple holes in a large roof hatch which are allowing water and pigeons to get inside the stage area. Based on our previous inspection in 1993, the fly-tower roof has 1x6 straight sheathing boards which can not transfer shear loads. There is also no shear connection between the roof and the walls. The exterior concrete walls have a few minor cracks, but are in good shape. The beams beneath the stage floor appear to be undamaged and the majority of the ceiling beneath the stage does not have water damage so the joists are most likely not damaged either. Towards the north end of the stage, the ceiling beneath shows substantial water damage and mold growth. The joists at this location may be damaged also. The floor sheathing on the stage area has been exposed to weather and pigeon droppings, but appears to be solid. Further opening of the stage may expose mold or rotten wood. Figure 1: Holes in roof hatch above the stage. Figure 2: Framing beneath stage; small crack in basement wall. -
Download This Article
Common Threads Structural Issues in Historic Buildings By Craig M. Bennett, Jr., P.E. Charleston, South Carolina is blessed with historic structures. Eighteenth and nineteenth century houses, churches and civic buildings adorn every block. The city has ® interesting challenges for the structural engineer… the east coast’s largest earthquake, hurricanes, city-wide fires and poor soils have put buildings and their designers to the test. Because the primary structural materials found here, soil, masonry, timber and iron, are the same as those used everywhere over the last three centuries, struc- tural issues common to buildings in Charleston are found in historic buildings all over the nation. Buildings move due to consolidation of soils; masonry cracks; lime leaches out of mortar; timber creeps under stress and rots when faced with water intrusion and iron corrodes. The only threat not severe here is a regular freeze- thaw cycle. Copyright A look at a few of these historic structuresCopyright© and a comparison of their behavior with that of other buildings found around the southeast will show the similarities in the Pompion Hill Chapel, Huger, SC - 1763 issues the preservation engineer faces. Replacement of the failed trusses in 1751 - St. Michael’s had settled several inches and had been kind would have been appropriate from Episcopal Church, severely fractured. After 1989’s Hurri- a preservation standpoint, but exact cane Hugo, we had had to straighten the replacement timber members would Charleston, South Carolina top 50 feet, the timber spire. We were have, in time, failed under load like the Construction on the brick masonry for also aware that we had potential lateral original. -
Final-Portafolio-2017.Pdf
ó Pacific Curbing is the leading company for Pinellas & Hillsborough area decorative concrete landscape curbing. Our decorative, stamped curbing is on the cutting edge of landscape design. 11/11/2016 2 ó Concrete curbing is a professionally installed, permanent, attractive concrete border edging that provides great additions and solutions to any landscape and serves as a weed and grass barrier by outlining flowerbeds. Pacific Curbing decorative concrete curbing can be installed around trees, flowerbeds, sidewalks and just about anywhere you like. 11/11/2016 3 ó Concrete curbing can enhance your landscape, it is the half of price of bricks and is a permanent solution, increase curb appeal, decrease the time spent trimming around landscape beds and increase your property value. 11/11/2016 4 ó Rollers are a soft textures impresions on the concrete curbing for the angle mold 6x4. ó You can choose a natural looking like stone or you can choose something symetrical. ó Price per foot $5.75 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. ó PSI 3600 Ashlar Basketweave Brick Bone Cobblestone Flagstone H Brick Herringbone Offset bond Old stone Pebblestone Random Riverstone Running bond L Running bond Slate Spanish Texture Treebark Wood RAMDOM ROLLER RUNNING BOND ROLLER SLATE ROLLER FLAGSTONE ROLLER SPANISH TEXTURE SINGLE BRICK ó Stamps are deep impresions on the concrete curbing for the angle mold 6x4. ó They come on a symetrical designs. ó Price per foot $6 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. -
Inspire-Brochure-0220-Wac.Pdf
The Merits of Luxury Luxury is defined as a state of great comfort and elegance. The advantages of true luxury products increase over time. The more time you spend using them, the more you appreciate them. It comes at a price because it delivers both value and pleasure. Something of true quality will validate your choice every day that you enjoy it and every time that you look at it. It will bring you peace of mind as well as the pleasure of enjoying its enduring style and performance. Born of technology, Inspire® perfectly imitates noble materials while providing the distinct advantages of advanced manufacturing processes and product design without compromising aesthetics and performance. Unsurpassed Beauty and Superior Performance are the quintessential qualities that define Luxury, and precisely why discerning homeowners choose Inspire® Roofing Products for their homes. Choose nothing less than the best for your home. CLASSIC SLATE | CHARCOAL BLACK 2 3 CLASSIC SLATE | CUSTOM MIX «Luxury is not a necessity to me, but beautiful and good things are.» - Anais Nin Classic Color Mix slate program Elegance, Tradition, Inspire® by Boral Color Mix program allows Performance. you to choose up to five colors for a Classic Slate mix to create a roofing color palette that Inspire® Classic Slates’ textured surfaces and is uniquely yours. With Inspire® mixes, there is deckled edges are modeled from authentic never any need to shuffle tiles from multiple natural slates, imparting a controlled uniformity bundles prior to installation. Each bundle from that epitomizes natural slate roofing. Classic Slate Inspire Roofing Products comes factory-sorted delivers the appearance of a natural slate roof and ready for application. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
PDF of M. Flueger Article
A map of Fort Snelling by year’s end.⁴ They were built of wood, unlike drawn in the offices of First Lieutenant the more permanent stone dwellings before John Biddle, chief them. Within twenty-five years, nearly all of engineer officer of the these structures passed into memory—mostly Department of Dakota (1885). The lost barracks forgo*en—until recently. (e) are located on the So, who resided in these quickly constructed bluff overlooking the barracks? Initially, the troops of the Seventh Mississippi River. Courtesy of US Infantry, but the Twenty-Fi+h Infantry, National Archives, stationed at Fort Snelling from November 1882 no. 92-225-1054-1061. until May 1888, resided there the longest. Upon arrival, just under two hundred men moved into the barracks. This regiment was one of two segregated infantry regiments of soldiers under the command of white officers in the United States. There also were two segregated cavalry regiments.⁵ These troops became known as America’s legendary “buffalo soldier” regiments, com- prised of African Ameri can men. The Twen- ty-Fi+h was stationed at posts throughout Texas and New Mexico from 1870 to 1880, skirmishing with Native Ameri cans across the region. The regiment transferred to the Department of Dakota in 1880. Headquarters Company, Regimental Band, and Companies B, F, and I were stationed at Fort Randall, Dakota Territory, before their arrival at Fort Snelling. Company C was stationed at Fort Hale, Dakota Territory. The first group arrived at Fort Snelling This upheaval became the impetus for the on November 20, 1882, followed by Company F construction of new brick homes and an ad- on the twenty-first and Company C on the ministration building on Taylor Avenue, which twenty-third.⁶ would eventually be known as the Upper Post. -
Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork*
$UFKLWHFWXUDO Bork, R 2014 Dynamic Unfolding and the Conventions of Procedure: Geometric +LVWRULHV Proportioning Strategies in Gothic Architectural Design. Architectural Histories, 2(1): 14, pp. 1-20, DOI: http://dx.doi.org/10.5334/ah.bq RESEARCH ARTICLE Dynamic Unfolding and the Conventions of Procedure: Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork* This essay explores the proportioning strategies used by Gothic architects. It argues that Gothic design practice involved conventions of procedure, governing the dynamic unfolding of successive geometrical steps. Because this procedure proves difficult to capture in words, and because it produces forms with a qualitatively different kind of architectural order than the more familiar conventions of classical design, which govern the proportions of the final building rather than the logic of the steps used in creating it, Gothic design practice has been widely misunderstood since the Renaissance. Although some authors in the nineteenth and twentieth centuries attempted to sympathetically explain Gothic geometry, much of this work has been dismissed as unreliable, especially in the influential work of Konrad Hecht. This essay seeks to put the study of Gothic proportion onto a new and firmer foundation, by using computer-aided design software to analyze the geometry of carefully measured buildings and original design drawings. Examples under consideration include the parish church towers of Ulm and Freiburg, and the cross sections of the cathedrals of Reims, Prague, and Clermont-Ferrand, and of the Cistercian church at Altenberg. Introduction of historic monuments to be studied with new rigor. It is Discussion of proportion has a curiously vexed status in finally becoming possible, therefore, to speak with reason- the literature on Gothic architecture. -
1779 Soldiers, Sailors and Marines Kyllonen
1779 Soldiers, Sailors and Marines Kyllonen pation, farmer; inducted at Hillsboro on April 29, 1918; sent to Camp Dodge, Iowa; served in Company K, 350th Infantry, to May 16, 1918; Com- pany K, 358th Infantry, to discharge; overseas from June 20, 1918, to June 7, 1919. Engagements: Offensives: St. Mihiel; Meuse-Argonne. De- fensive Sectors: Puvenelle and Villers-en-Haye (Lorraine). Discharged at Camp Dodge, Idwa, on June 14, 1919, as a Private. KYLLONEN, CHARLEY. Army number 4,414,704; registrant, Nelson county; born, Brocket, N. Dak., July 5, 1894, of Finnish parents; occu- pation, farmer; inducted at La,kota on Sept. 3, 1918; sent to Camp Grant, Ill.; served in Machine Gun Training Center, Camp Hancock, Ga., to dis- charge. Discharged at Camp Hancock, Ga., on March 26, 1919, as a Private. KYLMALA, AUGUST. Army number 2,110,746; registrant, Dickey county; born, Oula, Finland, Aug. 9, 1887; naturalized citizen; occupation, laborer; inducted at Ellendale on Sept. 21, 1917; sent. to Camp Dodge, Iowa; served in Company I, 352nd Infantry, to Nov. 28, 1917; Company L, 348th Infantry, to May 18, 1918; 162nd Depot Brigade, to June 17, 1918; 21st Battalion, M. S. Gas Company, to Aug. 2, 1918; 165th Depot Brigade, to discharge. Discharged at Camp Travis, Texas, on Dec. 4, 1918, as a Private. KYNCL, JOHN. Army number 298,290; registrant, Cavalier county; born, Langdon, N. Dak., March 27, 1896, of Bohemian parents; occupation, farmer; inducted at Langdon on Dec. 30, 1917; sent to Fort Stevens, Ore.; served in Battery D, 65th Artillery, Coast Artillery Corps, to discharge; overseas from March 25, 1918, to Jan. -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome,