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filili

er review | gross indecen t film review | pay it toward

recipe for a mixtape | thi I gangsta - hard music review | gilles peterson, reflection eternal.

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taproot, p. 4A 2B Thursday, October 19,2000 Daily Nexus theater | review recipe INDECENCY f o r a ■ m taking the leadjindsay fanner m ixtape Today’s high-rated television courtroom dramas have The script would not be worth the cost of printing, nothing on the real-life courtroom drama of Oscar however, without the talent of the actors, especially Irwin The Top 10 Wilde. Appel, who is also an assistant professor of Dramatic Art Hardest Song! Eva Santa Barbara City College Theatre Group master- at UCSB. Appel’s performance as Oscar Wilde is breath­ hilly looks at the budding question of homosexual accep­ taking. His command of the character and the stage Sure, there are plenty of songs written by thugz and tance in society in “Gross Indecency: The Three Trials of make the plight of Wilde entirely believable. In addition, gangstaz, but what happens when rappers transcend these Oscar Wilde.” his supporting cast weaves an amazing web of English boundaries? They create something truly hard, son, and “Gross Indecency” recaptures the historic trial of the reality into the constant set. W ith no change in the set we're paying hommage to their skiliz. century where gay playwright Oscar Wilde (Irwin design, the actors and lighting technicians change the Appel) is tried in the English criminal courts under a setting to various places around London and the world. 1. Onyx, “Throw Ya Gunz” | The “Bald Hedz” blast fools, jack public decency law declaring intimate acts between The script and performance come together to ask how fools and cuss up a storm. males as punishable by two years of hard labor due to accepting society is of homosexuality. Wilde was charged 2. , “” | Cube rips Eazy-E, MC Ren and Dr. their “gross indecency.” It with gross indecency not Dre with lyrical disses and plenty of gay references. took three very public trials because he was the sole perpe­ 3. EPMD with K-Solo and Redman, “Headbanger” | To quote to finally convict Wilde for trator, but because authorities in Redman, “What you see is what you get/And what you're gettin’ these acts, and for having a a politics and religion could make is your ass kicked!" Now that's hard. harmful influence on young ART* an example of him. He made no 4. Geto Boys,“Die Motherfucker Die!” | Read the title, bitch! men through his actions attempts to disprove his homo­ 5. NWA, “100 Miles and Runnin'” | Before Dre was a smooved- and the content of his plays. sexuality, but instead fought out O.G., he and NWA were gangstaz on the run. Check how the The indecision of the juries that it not be seen as a crime or doctor nearly looses his voice. in the first two trials result­ as harmful to friends and confi­ 6. Dr. Dre and Ice Cube, “Natural Born Killaz” | This may be ed from the outspoken dants of the person charged. the hardest song ever. Dre and Cube are “on some murderin’ arguments of Wilde proclaiming that art is “neither Thus, the lack of fight from Wilde in the courtroom shit.” Pretty realistic for the biggest studio geez ever. moral nor immoral” and cannot be judged as such. started a much larger fight that spread from England to 7. Public Enemy, “By the Time I Get to Arizona” | Chuck D. Ultimately, Wilde, in his own subde terms, forced the other parts of the world, and is still being fought today. I makes actual murder threats to the governor of Arizona for aban­ jury not to judge the occurrence of the homosexual acts recommend you go back and learn about some of the doning the holiday for MLK. in question, but the criminality of such acts and their legal roots of homosexuality to see where one of the 8. Spice 1, “Strap On The Side” | Anyone who can say “fuck” influence on others. modern movements began, and there is no more enjoy­ over 8 times in a single chorus must be hard. Real hard. While the script itself commands attention from the able way than by seeing “Gross Indecency.” 9. Dr. Dre, “The Day the Ni**uz Took Over” | Dr. Dre pops up audience, the delivery of the script makes it a pleasure to “Gross Indecency: The Three Trials o f Oscar Wilde ” runs on our list again. He and Snoop “get their loot on” with the L A give such attention. Statements are taken from actual through Oct. 28, Thursday through Saturday, at 8 p.m. and Riots Theme Song. courtroom recordings or from memoirs and newspapers, Sunday, at 2 p.m. at the Garvin Theatre at SBCC West 10. Johnny Cash, “Folsom Prison Blues” | Here, lyrics seive all cited in the dialogue. The script blends recorded his­ Campus. t l 4 - 16 general. For tickets and information, call best: “/ shot a man in Reno, just to watch him die" tory and historical speculation beautifrdly. 965-5935.

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Why wait until fall 2001? A FILM BY DARREN ARONOFSKY You can start in January 2001. Just take the October (or earlier) LSAT and apply to us by November 16

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Accredited by the American Bar Association and SPECIAL ENGAGEMENTS START TOMORROW Member of the Association of American Law Schools • SANTA MONICA ▲ PASADENA laemmle’s Monica Laemmle’s Playhouse 7 . (6261844-650). . _ _ H Daily Nexus Thursday, October 19,2000 3B

EXPLORING MEXICAN CULTURE A S DAY OF THE DEAD word chefJ ill st. john

W ith a sly sense of wit and a sharp tongue to boot, into a safe space where she wasn’t judged, as well as hav­ from a love of the kitchen, a connection that Duarte- Ruby Nelda Perez invites us into Doña Rosita’s kitchen ing an outlet for her creative impulses. Perez went on to Clark and Perez both share. Not only serving as the cen­ for an evening of conversation, storytelling and making continue studying acting at Texas A&M University. ter to the show, but as the source of development of the peace with the family. character, the kitchen adds to the uniqueness of the show Arranged marriages, which may seem as far away as it breaks down the fourth wall between spectator and from reality as the absence of cell phones on campus, spectacle. The audience becomes a customer in the prove to be the central concern of Rosita, the character mom-and-pop-style restaurant run by Rosita, according played by Perez, in the one-woman show “Doña Rosita’s áá to Perez, providing an intimate atmosphere. Day of the Dead.” The show deals with issues such as “It’s a journey in resolving those conflicts with family reconciliation with the family and the break from and friends which sicken the heart,” Perez says. Mexican culture and tradition. In the play Rosita faces Although the issues may run deep, the element of making peace with her ailing father who forced her to comedy is not completely absent. Rosita is quick, intelli­ marry a man she didn’t love, a situation she retaliated gent and witty with a wicked sense of humor. against by getting a divorce, a truly taboo subject. “She’s contemporary and she’s in your face,” Perez Perez, who has been acting for 25 years, was born in says. Chicago but currently resides in . Perez’s Perez came upon this project through a collaboration introduction to acting came from what she describes as a with writer Rodrigo Duarte-Clark. The two met while “Doña Rosita’s Day o f the Dead" is showing tonight at 8 self-serving answer to the perils of adolescence. Perez they were both involved in the political theater group El p.m. in Campbell Hall. $12 - $16 students; $14 - $20 gen­ found acting to be therapeutic, as she was able to step Teatro de la Esperanza. The concept of “Rosita” emerged eral. For information, call 893-3535. 4B Thursday, October 19,2000 Daily Nexus

taping it and tapping it_ben ebyam

After having been friends since their early teens, gui­ played back at home with Papa Roach, and for some rea­ friends and our families and our girlfriends. After our tarist Mike DeWolf and vocalist Stephen Richards met son they treated us and Papa Roach real shitty. I don’t tour with Papa Roach, we were home for about two drummer Jarrod Montague and bassist Philip Lipscomb, know if they thought that we thought we were rock stars months, and we just hung out and played a lot of video and in late 1997 Taproot was born. Taproot initially gar­ or something, now that we went on tour around the games and stuff like that. nered attention when a nasty message appeared on one country. But they didn’t want to hook us up with all the Do you ever fin d touring to be real draining? I mean, of the band member’s answering machines from Limp stuff they usually do — you know, after the show there is you guys have a real active performance; you don't just get Bizkit’s . The incident — revolving around usually a certain amount of beer or pot, or whatever like up there andplay your CD? Taproot’s decision to sign with a label other than Durst’s that they give. We just got home and wanted to play, and We, yeah, um, I don’t know. We love playing. — quickly escalated into the kind of gossip rock maga­ they were giving us a hard time when we wanted to go to Definitely the best part about it is being able to play. In zines are made for, and thrust Taproot into the spotlight. the bathroom. fact, when we have to play four or five shows in a row Regardless of scandal, Taproot’s loud sounds are not to Some o f your music can come across as angry music, without a day off, we’ll be playing kind of, um, playing be overlooked. Artsweek chatted with the hard-rock which it has been classified as, but then a lot o f your lyrics are better shows. I guess we’re in better shape; playing each quad’s drummer. very uplifting. How would you classify yourself — would show for two hours, I think overall we are in better you say it is angry or it causes violence? shape. Artsweek: Igotta ask, how did you get the name Taproot? Um, I don’t think so. I would say, if you listen to the After you had that whole ordeal with Fred Durst, is there Montague: Well, actually one of the guys found it in lyrics it has a lot of positive lyrics. any chance o f you joining a Family Values tour or anything a thesaurus, and it sounded like a cool name, like a good You were going to the University o f Michigan when you like that? name for the band and everything. And our lead singer, met the band, right? Well, I don’t know, not right now, not that I know of. he is really into the Native American beliefs, so ... yeah. Yes, sir. Are there any hard feelings still there, a little tension?

How do you feel about Napster — you’ve advocated What do you think you would be doing bad you not met „Well ho,-notreallyWe just "Wanted td make sure1 we: Internet use a lot; do you think it has helped you or hurt you? them, i f you were not playing music? looked at all of our options and all of the labels. And-the I think for a lot of bands out there it can be really I’d be in medical school. thing is, as soon as he heard that we were even looking cool. For bands trying to get known. Once a band is at other options, that’s when he got all pissed off. We known, I don’t know. I mean we were able to get told him ahead of time that we were looking around. Zeppelin’s album like a month and a half before it came Have you been liking the tour with Incubus and The out, but then we all still went out and bought it when it ? came out. If you like it, go buy the CD. Oh yeah, I mean you couldn’t ask for a better bill; they

Who do you think is the greatest band o f all time — you are like two of our favorite bands, and when we come on, mentioned Zeppelin? everyone just goes crazy — it’s awesome. Um, well I gotta say the greatest band of all time is Any plansfor the next album ? Metallica. Do you have any plans o f going to school? Well, we’ve got five or six songs, but as long as this M etallica? I don’t know. I like school. I like learning and stuff one keeps selling, we’ll just have to wait and see. I would In my opinion. like that. I don’t miss pulling all-nighters and studying guess as early as late next year we’ll start recording What is the craziest or worst thing that’s happened to you for tests and stuff like that. I do enjoy learning; I try to another one. on the road? Have you ever been kicked out o f a clubfor your read a lot. I’ve started reading a lot more; more recently, A n y regrets? music or your lyrics, because they can be kind o f controver­ you know, I just like learning new information. Right No, none at all. sial? now, I’m just worrying about the band. I don’t know if None at all? Well. Probably the craziest thing was, as far as that I’m going to want to go back to medical school when I’m No, I’ve got the best job in the world here. goes, was at this place called Swanson’s — this club in 30 or 40.1 am halfway through my masters, so I’ll prob­ Ann Arbor — and we’d been playing there for about two ably finish that up. Taproot opens for Incubus and the Deftones this Friday at to three years. And then we got signed and went on the What do you guys do when you're not playing and tour­ the Santa Barbara Bowl at 6:30 p.m. Tickets are available road with Papa Roach and when we got back into town ing and recording and all that? through Ticketmaster. You can learn more about Taproot by with Papa Roach, that was the last day of the tour. We Usually we’re just at home hanging out with our checking out its website at .

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Have you been wondering how you can do some­ “With feet on both sides of the border/ we declare If you haven’t yet seen “Woven," now’s the time to This Sunday, Arts & Lectures brings us another criti­ thing good for other people while having a great that cappucino and poetry are no more!/ Long go. And if you’ve already participated in the group’s cally acclaimed flick; Régis Warner’s “East-West.” time for yourself? A.S. Program Board, Theta Chi and salsa and the spoken word!”Thus speaks the Taco improvesational theater antics, you’ll want to get Starring Sandrine Bonnaire and Catherine Deneuve, Alpha Phi are here to help, with their annual Rock Shop Poets, a group of Chicano poets devoted to back to the Center Stage Theater for another view­ this absorbing French dramam from the maker of M.S. , moe., a band that jams bluesy rock creating community empowerment through the arts. ing. Every show's different, and the group has taken “Indochine" is about the relocation of a French grooves, is headling this benefit show for multiple They deal with issues such as nationalism, gender, the show on the road and back, so anticipate some woman to the Soviet Union with her Russian-bom sclerosis. Gather up a group of friends and get to music, sexuality, the arts and poetry, all with culture impressive changes. Besides, there’s free beer husband as part, of Stalin's plan to entice expatri­ the «Hub in the UCen, 8:30 p.rrv. $16 students pre- > *

W hat is it that makes some movie titles memorable comes) forward, to three other people, and then these note, however, that this does not necessarily make it a and others so easy to forget? It probably has something three people will do the same, and so on and so forth. good film. The story is built entirely around “social ill­ to do with poetic meter, or maybe the difference between Trevor’s idealism makes the people around him reassess nesses,” a partial list that includes homelessness, alco­ visual and Conceptual words. Either way, there is obvi­ their abilities to overcome their struggles, and the “Pay It holism, drug addiction, child abuse, spousal abuse, ously some sort of mastery of language necessary to come Forward” plan spreads out of Las Vegas and teaches schoolyard violence and suicide. up with a title that won’t relegate your film to the cate­ America how to love again. Sha la la. O f course these issues are upsetting, and of course gory of “Hey, what was that one movie called ... ?”This There is going to be a lot of Oscar talk about this they are going to upset the audience. A person would mastery is something that whoever named the new Kevin movie, and, to a certain extent, it deserves it. You cannot have to have no soul to not shed a tear when Kevin Spacey Oscar-vehide lacks. In the past 24 hours, I’ve put together a cast that includes Kevin Spacey, Helen Spacey, in the midst of a crying jag, admits the reason he heard it referred to as “Play It Forward,” “Pay It Up,” Hunt and Haley Joel Osment, and not expect some is covered from head to toe with burn scars is that when “Something Forward Something” and “That one with amazing performances. Spacey is as exciting and sarcas­ he was a teenager, his father doused him with gasoline the kid who sees dead people.” tic as ever, and Osment proves that the caliber of his and set him on fire. Nonetheless, this scene is terribly The actual title, easily forgotten though it may be, is written, battered with such cringe-worthy lines as, “And “Pay It Forward.” It refers to a student’s response to a I remember wondering, why did the water smell so social science assignment: come up with a plan to change strange?" The child-abuse issue is handled in the same the world, and put that plan into action. The student is way that most of the film’s issues are handled: clumsily, Trevor, played by Haley Joel Osment (who indeed is the thrown in essentially for the purpose of making the audi­ kid who sees dead people), an exceptionally intelligent ence cry some more. The filmmakers responsible for “Pay seventh grader from a broken home in Las Vegas. The It Forward” rely on the fact that when bad things happen teacher who assigns the unusual piece of homework is to good people, i t ’s fucking depressing. Mr. Simonet (Kevin Spacey), an exceptionally intelligent W ith the exception of the acting, there is no subtlety burn victim who hides his lonely heart of gold behind his work in “The Sixth Sense” was no duke; the kid’s got a in this film. Everything bad that can possibly happen to hideous scars and misanthropic demeanor. While gift that sets him high above all other actors his own age, people happens, right up to its hardly necessary “surprise” Trevor’s classmates b.s. their way through the assignment even above plenty older ones. He plays Trevor with a ending (which, according to my trusty “Pay It Forward” with half-hearted promises to start recycling programs, blend of hopeful enthusiasm and tragic fatalism that is as press kit, Warner Brothers would appreciate my cooper­ Trevor comes to class with a unique proposal. His plan? heartbreaking as it is inspiring. ation in not revealing, but I’ll tell you this much: it’s sad). He will, help three people by doing something for them But what is really going to get people talking about “Pay It Forward” will make you cry, but it will cheat the thftjt, they gan’t do for themselves, and instead of paying this-film is just how much it preys-on the audience^ emo­ tears out of you with melodramatic situations rather than him back for the favor, they will pay the favor (here it tions. “Pay It Forward” is a tear-jerker. It is important to strong filmmaking.

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two-step of M.J. Cole’s “I See” to Andy context. The Automator and Kid Koala an occasional guest rhyme (which usually Bey’s retro-jazz “River Man,” Gilles spend the rest of the album setting up Del falls short of filling the shoe of a Kweli Petersen has documented the divergent with tracks that the wackest emcee would verse). Hi Tek solidifies his status as one expressions of electronic music, compiling have trouble screwing up. of the best producers walking the line the cold calculations of such electronics Nice call on this one, Pat. Remind me between underground and mainstream, sweetly imbued by the organics of jazz. to not trust your opinion next time we creating track after track of minimalistic [Jenne Raub] talk about music! [Trey Clark] samples and banging drums. Train o f Thought should be the anthem for anti- MTV-rap hip hoppers everywhere. [Trey Clark]

Gilles Peterson | The INCredible Sounds of Gilles Peterson | Epic

For those unfamiliar with Gilles Peterson, here’s a brief biography. Founder of Talkin’ Loud, the to break such legendary artists as Roni Size/Reprazent, he’s been producing and Deltron | Deltron 3030 | 75 Ark and HI Tek | Train of Thought | deejaying for a number of years, pioneer­ Rawkus ing the jazzy sounds of drum ‘n’ bass, Yo Pat! garage, and downtempo on radio shows Hey, you told me that Deltron 3030 It’s been a long time coming: Ever | King James Version | Sire and clubs in the U.K. INCredible Sounds was no good! W hat the hell are you talk­ since the ’96 “Fortified Live” b/w “2000 weaves together a smooth array of under­ ing about? I doubted you from the begin­ Seasons” 12”, Reflection Eternal (the real Harvey Danger (of “Flagpole Sitta” ground classics in a fashion similar to ning because I couldn’t believe that a full- name of the Kweli-Hi Tek combo when fame) tries too hard to fit into radio­ Portishead member Andy Smith’s 1998 album collaboration between Del the Rawkus isn’t trying to better market friendly mainstream pop-rock class. As a album The Document. While it doesn’t dig Funkee Homosapien, Dan the Automator them) has been one of the most result, its sophomore effort, King James as deep into the record bins of history as and Kid Koala could suck. Turns out I was enthralling groups to emerge from the Version, doesn’t have too much to offer much as Smith’s celebrated album, right. Deltron 3030 is ridiculously off the underground. Being tightly knit with and comes out dull. Peterson patches together luxurious beats hook! labelmate Mighty put the duo There are moments where the music ranging from the gospel-soul of Nu I am enamored right from the begin­ on the back burner, as Mos is probably the sounds interesting enough, and Sean Yorican Soul’s “I Am The Black Gold of ning. The first song, “3030,” is fantastic. most dynamic vocalist in hip hop. The Nelson spits out his words to create a the Sun” to the hip hop poetics of Sarah Del comes with his usual lyrics full of wait may pay off though: Mos Def is cer­ good harmony, but these moments are Jones and DJ Vadim on “Your scattered wordplay, only now they are tified gold and the Kweli-Mos Def Black rare. For the most part, the radio-clear Revolution.” applied to the Year 3030 concept. The Star group is successful. That equals high whine becomes too irritating. If The Document explored beat culture beat ... words cannot do it justice. With anticipation. The one noteworthy track is in a vertical, chronological trajectory, the divine buildup of choir and horn, it is Any thoughts of disappointment “Underground,” which soars musically INCredible Sounds explores the horizontal the Automator’s best single work to date. should be erased upon first listen to Train like a rock-epic. It’s supported by haunt- boundaries of electronic music in a truly Del spends the rest of the album deal­ o f Thought. Kweli lyrically carries a 70- ingly desperate vocals, perfectly fitting the comprehensive way. From the mellow ing with various subjects in a futuristic plus minute album without a lull and only striking song. Yet, it’s a cover song, per-1 LET'S PARTY!

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OPEN 24 HOURS Minutes from UCSB ORCH/DBOWL I V I I 5925 Calle Real, Goleta Hwy. 101 at Fairview • 967-0128 FOR INFO & COOL PICTURES - thewildcat.com iViYiY»Y»Y»'YtY*Y*Y* »Y iY tV » "i"ViV:Vt*''' iVlVi I'-mmii m i m i m Daily Nexus Thursday, October 19,2000 7B SOUND- SPUN LE* haps indicating the band would be best overused pop hook formula succeeds. The brad rnebldau places soul-searching questions, but it beats the sticking to cover songs as it has done drums pump out a rocking, funky rhythm hell out of Oops ... I D id I t Again. The before the radio mayhem. cushioned by melodic bass lines. This album’s tracks, named for the cities of The album ends the way it began: 'effective undercurrent pushes the songs their conception, create a collage of musi­ unremarkably. When it comes down to it, forward, almost making the listener forget cal snippets of life. Places manages to be a King James Version isn’t worth a listen. how bad the rest of the album sounds. jazz album that is both touchingly honest [Aidis Malinauskas] Throughout most of W ishville, over- and intensely thoughtful. During even the fuzzed guitars reappear to cover up boring lightest of moments, however, there are Catherine Wheel | Wishville | Columbia chord changes as they traverse the pre­ hints that hope and beauty are just illu­ dictable verse-chorus-verse pattern. sions shielding some dark, terrible truth. British rockers Catherine Wheel On “All of That,” however, the guitars Places has an almost schizophrenic quality attempt to create a pop-rock utopia on back off to put poignant lyrics in the spot­ to it, though, falling tantalizingly short of their new album, Wishville, but end up light. The melancholy lines “I have left this the revelations it seems to promise. [Eve sounding like a stagnant Oasis in Bush planet but I ’ll be back, I ’m delicious I am Rios] country. crap, I am all o f th a t” seem to summarize Mehldau | Places | Warner Bros Wishville is a hodgepodge of halfway Wishville’s overall quality: its most deli­ Beat Poem of the Week decent radio rock, peppered with several cious melodies and lyrics can only be “How do I define myself, then, and “Rule 1, don’t fuck with Mack. well-written tunes. “Gasoline” and found after searching through a pile of thereby find ‘meaning’ in my life?” Rule 2, don’t fuck with Mack. “Ballad of a Running Man” are some of overproduced musical excremeiit. [Adam Mehldau asks in the liner notes. Places So don’t fuck with Mack.” the only songs where Catherine Wheel’s Harmstead] might not provide the answer to such -CJ Mack

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