PPM Catalog 2017-2018
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
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INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
The Road to Literary Culture: Revisiting the Jurchen Language Examination System*
T’OUNG PAO 130 T’oung PaoXin 101-1-3 Wen (2015) 130-167 www.brill.com/tpao The Road to Literary Culture: Revisiting the Jurchen Language Examination System* Xin Wen (Harvard University) Abstract This essay contextualizes the unique institution of the Jurchen language examination system in the creation of a new literary culture in the Jin dynasty (1115–1234). Unlike the civil examinations in Chinese, which rested on a well-established classical canon, the Jurchen language examinations developed in close connection with the establishment of a Jurchen school system and the formation of a literary canon in the Jurchen language and scripts. In addition to being an official selection mechanism, the Jurchen examinations were more importantly part of a literary endeavor toward a cultural ideal. Through complementing transmitted Chinese sources with epigraphic sources in Jurchen, this essay questions the conventional view of this institution as a “Jurchenization” measure, and proposes that what the Jurchen emperors and officials envisioned was a road leading not to Jurchenization, but to a distinctively hybrid literary culture. Résumé Cet article replace l’institution unique des examens en langue Jurchen dans le contexte de la création d’une nouvelle culture littéraire sous la dynastie des Jin (1115–1234). Contrairement aux examens civils en chinois, qui s’appuyaient sur un canon classique bien établi, les examens en Jurchen se sont développés en rapport étroit avec la mise en place d’un système d’écoles Jurchen et avec la formation d’un canon littéraire en langue et en écriture Jurchen. En plus de servir à la sélection des fonctionnaires, et de façon plus importante, les examens en Jurchen s’inscrivaient * This article originated from Professor Peter Bol’s seminar at Harvard University. -
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On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture. -
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On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture. -
Indo-Europeans in the Ancient Yellow River Valley
SINO-PLATONIC PAPERS Number 311 April, 2021 Indo-Europeans in the Ancient Yellow River Valley by Shaun C. R. Ramsden Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Nine Commentaries on the Communist Party - Introduction
(Updated on January 12, 2005) Nine Commentaries on the Communist Party - Introduction More than a decade after the fall of the former Soviet Union and Eastern European communist regimes, the international communist movement has been spurned worldwide. The demise of the Chinese Communist Party (CCP) is only a matter of time. Nevertheless, before its complete collapse, the CCP is trying to tie its fate to the Chinese nation, with its 5000 years of civilization. This is a disaster for the Chinese people. The Chinese people must now face the impending questions of how to view the CCP, how to evolve China into a society without the CCP, and how to pass The Epoch Times is now publishing a special editori al series, on the Chinese heritage. The Epoch Times is “Nine Commentaries on the Chinese Communist Party.” now publishing a special editorial series, “Nine Commentaries on the Communist Party.” Before the lid is laid on the coffin of the CCP, we wish to pass a final judgment on it and on the international communist movement, which has been a scourge to humanity for over a century. Throughout its 80-plus years, everything the CCP has touched has been marred with lies, wars, famine, tyranny, massacre and terror. Traditional faiths and principles have been violently destroyed. Original ethical concepts and social structures have been disintegrated by force. Empathy, love and harmony among people have been twisted into struggle and hatred. Veneration and appreciation of the heaven and earth have been replaced by an arrogant desire to “fight with heaven and earth.” The result has been a total collapse of social, moral and ecological systems, and a profound crisis for the Chinese people, and indeed for humanity. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Sun Yatsen Seeking a Newer China (Library of World Biography Series) 1St Edition Download Free
SUN YATSEN SEEKING A NEWER CHINA (LIBRARY OF WORLD BIOGRAPHY SERIES) 1ST EDITION DOWNLOAD FREE David B Gordon | 9780321333063 | | | | | Sun Yat-sen The political institutions of modern China. The — Sino-Japanese War was a disastrous defeat for the Qing government, feeding into calls for reform. Although Charles Soong had been a personal friend of Sun's, he was enraged when Sun announced his intention to marry Ching-ling because while Sun was a Christian he kept two wives, Lu Muzhen and Kaoru Otsuki ; Soong viewed Sun's actions as running directly against their shared religion. Stanford University Press. His conversion to Christianity was Sun Yatsen Seeking a Newer China (Library of World Biography Series) 1st edition to his revolutionary ideals and push for advancement. Although he was a baptized Christian, he was first buried at a Buddhist shrine near Beijing called the Temple of Azure Clouds. Retrieved 7 May Part of the speech was made into the National Anthem of the Republic of China. He soon went to exile in Japan for safety but returned to found a revolutionary government Sun Yatsen Seeking a Newer China (Library of World Biography Series) 1st edition the South as a challenge to the warlords who controlled much of the nation. This full collaboration was called the First United Front. First United Front. In the midst of the chaos, Sun Yat-sen married his third wife, Soong Ching-ling m. ANU publishing. Myers Ramon Hawley. San Francisco District Office. Premier of the Kuomintang of China — Sun Yat-sen remains unique among 20th-century Chinese leaders for having a high reputation both in mainland China and in Taiwan. -
Annual Report 2020
0 2 0 2 t r o p e R l a u n n A Annual Report 2020 年報 0 2 0 2 報 年 Contents 2 CORPORATE INFORMATION 62 INDEPENDENT AUDITOR’S REPORT 4 FINANCIAL SUMMARY 67 CONSOLIDATED STATEMENT OF PROFIT OR LOSS AND OTHER COMPREHENSIVE INCOME 6 CHAIRMAN’S STATEMENT 68 CONSOLIDATED STATEMENT OF FINANCIAL POSITION 8 BUSINESS REVIEW AND OUTLOOK 70 CONSOLIDATED STATEMENT OF CHANGES IN EQUITY 20 MANAGEMENT DISCUSSION AND ANALYSIS 71 CONSOLIDATED STATEMENT OF CASH FLOWS 27 BIOGRAPHIES OF THE DIRECTORS AND 73 NOTES TO THE CONSOLIDATED FINANCIAL STATEMENTS SENIOR MANAGEMENT 30 DIRECTORS’ REPORT 156 FIVE-YEAR FINANCIAL SUMMARY 52 CORPORATE GOVERNANCE REPORT Corporate Information BOARD OF DIRECTORS AUDITOR Executive Directors Deloitte Touche Tohmatsu Mr. Ho Kuang-Chi (Chairman) Certified Public Accountants Ms. Zhao Yi 35/F, One Pacific Place 88 Queensway Non-executive Directors Hong Kong Ms. Chen Su-Yin Mr. Zhang Chi COMPANY’S WEBSITE www.xiabu.com Independent Non-executive Directors Ms. Hsieh Lily Hui-yun STOCK CODE Mr. Hon Ping Cho Terence Ms. Cheung Sze Man 520 Alternate Director HEADQUARTERS AND PRINCIPAL Ms. Li Jie (alternate to Mr. Zhang Chi) PLACE OF BUSINESS IN THE PRC Suncun Industrial Development Zone AUDIT COMMITTEE Huangcun Town Ms. Hsieh Lily Hui-yun (Chairman) Daxing District Mr. Zhang Chi (Ms. Li Jie as his alternate) Beijing Mr. Hon Ping Cho Terence PRC NOMINATION COMMITTEE CAYMAN ISLANDS PRINCIPAL SHARE REGISTRAR AND TRANSFER AGENT Mr. Ho Kuang-Chi (Chairman) Ms. Hsieh Lily Hui-yun Conyers Trust Company (Cayman) Limited Ms. Cheung Sze Man 2901 One Exchange Square Connaught Place Central REMUNERATION COMMITTEE Hong Kong Mr. -
Traditions and Transitions in Eighteenth-Century Qu Poetry the Case of Jiang Shiquan (1725-1785)
Linking Ancient and Contemporary Continuities and Discontinuities in Chinese Literature edited by Tiziana Lippiello, Chen Yuehong 陈跃红 and Maddalena Barenghi Traditions and Transitions in Eighteenth-Century Qu Poetry The Case of Jiang Shiquan (1725-1785) Tian Yuan Tan 陳靝沅 (School of Oriental and African Studies, London, UK) Abstract The 18th century marks a significant transitional period in the development of classi- cal Chinese theater. It witnessed the decline of the yabu or ‘elegant drama’ (referring to Kun-style theater) and the rise of the huabu or ‘miscellaneous drama’ (also known as luantan, ‘cacophonous strumming’, referring to all other styles of regional theater). It also signalled a shift of focus from the page to the stage, with increasing attention given to the performance aspects of theater as opposed to drama as a form of literary composition. Jiang Shiquan (1725-1785) serves as an illuminating case study for our understanding of this transitional period. On the other hand, he was renowned as a classical poet, a master of qu poetry, and the last major playwright in the Qing dynasty. Yet, on the other hand, one can see clearly in his works new trends and styles of writing responding to the rise of local theaters. Focusing on Jiang Shiquan’s works, this paper aims to explore the competing styles of qu poetry as well as the changing roles and self-perception of a playwright in 18th century China. Summary 1 Introduction. – 2 Hua 花 (Miscellaneous Drama) vs. Ya 雅 (Elegant Drama). – 3 Textuality vs. Visuality. – 4 Elite Theatre vs. Court Theatre. – 5 Conclusion.