Mirjana Vrbaski Cv

Total Page：16

File Type：pdf, Size：1020Kb

MIRJANA VRBASKI CV Mirjana Vrbaski was born in Montreal, Canada in 1978. Having spent the First 16 years oF her liFe in Serbia, she moved back to Canada in 1994. She studied English Literature at the University of Guelph in Ontario and Communications at McGill University in Montreal. At the age oF 27, aFter having worked in communications, she moved to the Netherlands to complete a Bachelor oF Photographic Studies at The Royal Academy of Art in The Hague. She now lives and works in Amsterdam. Mirjana’s work revolves around the portrait as a way of exploring innocence. EDUCATION 2010-2011 Fine Art Special Program, The Royal Academy oF Art, The Hague, NL 2006-2010 Bachelor oF Photographic Studies, The Royal Academy of Art, The Hague, NL 2002-2003 Communications, McGill University, Montreal, Canada 1996-2001 Bachelor oF Arts, English Literature, The University oF Guelph, Canada GROUP EXHIBITIONS (selection) 2011 Art Amsterdam, Amsterdam, NL 2011 “LaborOst”, V8 Verlag, Cologne, DE 2011 Art Rotterdam, Rotterdam, NL 2010 PhotoOFF, Paris, FR 2010 Portrait Pavilion, Voorschoten, NL with a.o. Rineke Dijkstra, Coos Breukel, Desiree Dolron, Hans Aarsman el al. 2010 The Photo Academy Award, Fotomuseum, The Hague, NL 2010 Selection out of Graduates, Amsterdams Centrum voor Fotografie, Amsterdam, NL 2010 “Best oF Graduates 2010”, Ron Mandos Gallery, Amsterdam, NL 2010 Graduation Exhibition, The Royal Academy oF Art, The Hague, NL 2010 “LaborOst”, Swiss Photo Award, Zurich, CH 2010 “Taylor Wessing Photographic Portrait Prize”, The New Art Gallery, Walsall, UK 2010 “Taylor Wessing Photographic Portrait Prize”, The Shipley Art Gallery, Gateshead, UK 2009 “Taylor Wessing Photographic Portrait Prize”, National Portrait Gallery, London, UK 2009 “Vision”, Amterdams Centrum Voor Fotografie, Amsterdam, NL with a.o. Bertien van Manen, Cuny Janssen, Annaleen Louwes, Judith Jockel et al. SOLO EXHIBITIONS 2009 “Long Days Journey into Night”, The Royal Theater, The Hague, NL 2008 “Long Days Journey Into Night”, The National Theater, The Hague, NL 2008 “Double Portrait oF Hedda Gabler”, The National Theater, The Hague, NL AWARDS 2010 Nomination, Ron Mandos Young Blood Award, NL 2010 Nomination, The Photo Academy Award, NL 2010 Nomination, Department Prize, The Royal Academy of Art, The Hague, NL 2009 4th Prize, Taylor Wessing Photographic Portrait Prize, National Portrait Gallery, UK PUBLICATIONS GUP International Photography Magazine, Amsterdam, 2011 Seven Verses of Emptiness, self-published, Amsterdam, 2010 LabOst, publ. Horst Kloever/photeur.net, Berlin, 2010 Studio Pure Presents 5, publ. Studio Pure, Belgrade, 2010 COLLECTIONS Bidwell Projects (USA), several private collectors (NL, IT) .

Copy Link

Recommended publications

Solo Exhibitions
BIOGRAPHY DESIREE DOLRON Born 1963 in Haarlem (NL) Lives and works in Amsterdam (NL) Solo Exhibitions 2018 Complex Systems, GRIMM, New York (US) 2017 Prelude: Forever Someone Else, GRIMM, Amsterdam (NL) Desiree Dolron, A Retrospective, Singer Museum, Laren (NL) 2016 I Will Show You Fear in a Handful of Dust, The Raven Foundation, Amsterdam (NL) 2015 Desiree Dolron, Solo for GRIMM at Paris Photo Los Angeles (US) Desiree Dolron, Paramount Pictures Studios, Los Angeles (US) 2013 Desiree Dolron, Solo Presentation for GRIMM at Art Basel, Hong Kong (CN) 2010 Desiree Dolron, Fototeca de Cuba, Havana (CU) 2009 Desiree Dolron, Fotografins Hus, Stockholm (SE) 2007 Hotel California, Wallraf-Richartz-Museum & Foundation Corboud, Cologne (DE) 2006 Desiree Dolron: Exaltation, Gaze, Xteriors, Instituut Néerlandais, Paris (FR) 2005 Retrospective, Fotomuseum Den Haag, The Hague (NL) 2004 Xteriors, Michael Hoppen Gallery, London (UK) 2003 Te dí todos mis sueños, Michael Hoppen Gallery, London (UK) 2002 Statement, Paris Photo, Paris (FR) Te dí todos mis sueños, Loerakker Gallery, Amsterdam (NL) Desiree Dolron, Les Rencontres Internationales de la Photographie, Arles (FR) Exaltation, Fototeca, Havana (CU) 2001 Xteriors, Loerakker Gallery, Amsterdam (NL) 1998 Behind the Eye, Groninger Museum, Groningen (NL) Gaze, Flatland Gallery, Utrecht (NL) 1995 Silence of the Eye Aschenbach Gallery, Amsterdam (NL) Silence of the Eye, Rijksmuseum, Public Space, Amsterdam (NL) Desiree Dolron, Stedelijk Museum het Domein, Sittard (NL) 1994 Selected Works, Galerie Serieuze
[Show full text]
Raoul De Keyser Born 1930 in Deinze, Belgium
This document was updated February 25, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Raoul De Keyser Born 1930 in Deinze, Belgium. Died 2012. EDUCATION 1963-1964 Academy of Fine Arts, Deinze, Belgium SOLO EXHIBITIONS 2021 Raoul De Keyser, David Zwirner, Hong Kong 2018 Raoul De Keyser: In Print. Zeefdrukken, Lithografieën, Linosneden, Etsen, Cultuurcentrum Strombeek Grimbergen, Grimbergen, Belgium [catalogue] Raoul De Keyser: Oeuvre, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent [itinerary: Pinakothek der Moderne, Munich] [catalogue] 2017 Archives Raoul De Keyser, Ghent University Library, Ghent [organized in collaboration with Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent] [catalogue] Raoul De Keyser: Release, Museum van Deinze en de Leiestreek, Deinze, Belgium Raoul De Keyser: Tegendraads, Zeno X Gallery, Antwerp 2015 Raoul De Keyser: Drift, David Zwirner, London [itinerary: David Zwirner, New York] Raoul De Keyser: Paintings 1967-2012, Inverleith House, Royal Botanic Garden Edinburgh [exhibition publication] 2013 Raoul De Keyser. 1963-1970, Museum van Deinze en de Leiestreek, Deinze, Belgium [catalogue] 2012 Raoul De Keyser: Hommage, Zeno X Gallery, Antwerp Raoul De Keyser: To Walk, Galerie Barbara Weiss, Berlin [catalogue] 2011 Raoul De Keyser: De dingen die ik zie/The Things I See, De Loketten, Flemish Parliament, Brussels [catalogue] Raoul De Keyser: FREEDOM, David Zwirner, New York 2010 Raoul De Keyser: Airy, Zeno X Gallery, Antwerp 2009 Raoul De Keyser:
[Show full text]
VNK Bibliografie 2010 (PDF)
Inleiding Ton Geerts In 2004 stelde Sophie van Steenderen een bibliografisch overzicht samen van publicaties door Nederlandse kunsthistorici op het gebied van de beeldende kunst (1850-heden), verschenen tussen 1998-2003. Haar lijst van maar liefst 3353 publicaties van zo’n 2000 auteurs was verreweg de omvangrijkste VNK-bibliografie ooit. Haar trof dan ook niets dan lof, onder andere van Jan van Adrichem die de inleiding tot haar bibliografie schreef. Van Adrichem merkte over Van Steenderens brede aanpak op dat niet alleen het aantal publicaties over beeldende kunst de laatste jaren enorm was toegenomen, maar dat vooral presentaties van actuele kunst vanwege hun nieuwswaarde relatief veel reacties opriepen, die op hun beurt ook weer reacties teweeg brachten. Bovendien werden al die teksten niet alleen door kunsthistorici geproduceerd maar ook door kunstenaars, kunsttheoretici, journalisten, critici, kunstsociologen en politici. Van Steenderens bibliografie is dus meer dan een overzicht van ‘kunsthistorische’ publicaties; het is een verzameling van publicaties over beeldende kunst in de ruime betekenis. Ik hoop niet dat bij Niels van Maanen de moed in de schoenen is gezonken toen hij de opdracht aanvaardde om het vervolg op deze bibliografie, namelijk die over de jaren 2004- 2009, samen te stellen. Van Maanen heeft zich opvallend beperkt. In de titel van de nieuwe bibliografie is expliciet vermeld dat het gaat om publicaties van Nederlandse of in Nederland werkzame kunsthistorici. Buitenlandse auteurs die over Nederlandse kunst schrijven zijn niet opgenomen. Alle auteurs moeten ook nog eens kunsthistoricus zijn. Andere beschouwers als filosofen, cultuurwetenschappers, literatuurwetenschappers, schrijvers, dichters en historici bleven buiten beschouwing, waarmee deze publicatie meer trofeeënkast is voor kunsthistorici.
[Show full text]
The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XXXVI, No. 9 September 2015 FALL AUCTION PREVIEW by Stephen Perloff Desiree Dolron: Xteriors II, 2001–2006 ($60,000–$80,000), at Christie’s FALL AUCTION PREVIEW continued Christie’s will hold three Photographs sales in Sugimoto’s Kegon Waterfall, 1977 ($120,000– Fall 2015. The sales include works for new and $180,000); Bernd & Hilla Becher’s Typology of seasoned collectors alike, featuring a first-ever Four Pitheads, c. 1975, four gelatin silver prints curated Evening Sale on October 5, a Day Sale ($80,000–$120,000); and Richard Misrach’s Un- following on October 6, and First Exposure, an titled, #213-04 from On the Beach, 2004, chromo- online-only sale, now open for bidding. In addi- genic print, printed 2007 ($70,000–$90,000). tion, Christie’s will present Patrick Demarchelier: Photographs 1975–2015, a private selling exhibi- tion of the legendary French fashion photographer from October 2–12. Photographs: The Evening Sale showcases 42 works and reflects a reinvigorated focus on the incredible breadth of offerings from the full his- tory of the medium, encompassing the early begin- nings, strong modernist and post-war periods, all the way through to rising contemporary stars. Leading the way in Christie’s Evening Sale is Ansel Adams’s Clearing Winter Storm, Yosemite National Park, c. 1940, gelatin silver mural print, printed c. 1962–63, and Irving Penn’s Gingko Leaves, New York, 1990, dye-transfer print, print- ed 1992, both estimated at $300,000–$500,000.
[Show full text]
Partnerships 2012-2013
Partnerships 2012-2013 Amsterdam Rotterdam Paris Brussels Antwerp Cologne Amsterdam and its romantic canals A romantic capital with the appeal of a village, Amsterdam is famous for its canals and museums. While etaining its human scale, this city has all the advantages of a metropolis: cultural activities, history and numerous museums. The most famous of these are the Rijksmuseum, the Van Gogh museum and the Stedelijk. Whether you’re on a bike or on foot, you’ll love delving into its alleyways and you’ll enjoy a really great stay there. VINCENT - The Van Gogh Museum in The Hermitage Amsterdam Hermitage Amsterdam Amstel 51 1018 Amsterdam Tel : +31 (0)20 530 74 88 www.hermitage.nl During its temporary stay in the Hermitage Amsterdam (while the building on Museumplein is temporarily closed to the public for essential renovation work) the Van Gogh Museum will exhibit works by Vincent van Gogh (1853- 1890) from its permanent collection in a completely new way. In this display of some 75 paintings, selected letters, objects and works on paper, visitors will follow Vincent van Gogh on a personal quest into the heart of his artistic identity. The themes that the artist himself identified as central to his development will form the basis of the exhibition "Vincent". Many major paintings will be included, such as Sunflowers, The Bedroom, Almond blossom, The potato eaters and The yellow house, in surprising combinations of early and late works. Van Gogh’s most famous and best loved paintings will be shown side by side with lesser known works in closely integrated thematic pairings.
[Show full text]
Catalogue Spring 2017
IDEA BOOKS / SUMMER 2017 Idea Books Nieuwe Herengracht 11 1 0 1 1 R K A m s t e r d a m The Netherlands tel +31 20 6226154 SPRING fax +31 20 6209299 e-mail [email protected] www.ideabooks.nl www.facebook.com/ideabooks.nl This catalogue is a selected list of new titles. Consult our website www.ideabooks.nl for the complete list. AND General Information Prices are in Euros and may change without notice. OF Titles marked with an asterisk (*) had not yet been published in March 2017. When ordering, please use Idea Codes. Contents Architecture 02 Art 20 Photography 33 Theory & Essays 45 Graphic Design 50 Interior & Product Design 53 Fashion & Textile 56 Performing Arts 58 Contemporary Style & Culture 59 Gift 60 Index 62 Representation 64 Graphic design: Experimental Jetset Art direction Idea series: Roger Willems Texts: Dutton R. Hauhart Printing: Coers en Roest, Arnhem ARCHITECTURE / PAGE 02 EL CROQUIS 187: SERGISON BATES El Croquis, El Escorial 2016 Based in London and Zürich, Sergison Bates architects has been active since 1996, and since gained international renown. This issue presents an overview of their output from the past dozen years, including private homes, urban housing, care facilities, office buildings, public libraries, and more. Among these are the Novartis Welcome Centre and Office Building in Shanghai, a university campus in London, a city library and public square in Mendrisio, and a hotel in Doha. 288 p, ills colour & bw, 25 x 34 cm, pb, Spanish/English ISBN 9788488386939 Euro 57,10 / Idea Code 16677 EL CROQUIS 188: THAM & VIDEGÅRD El Croquis, El Escorial 2017 Swedish architecture studio Tham & Videgård is the focus of this issue, which includes a conversation with the architects and Michael Meredith.
[Show full text]
Erwin Olaf (Hilversum, Holland, 1959)
Erwin Olaf (Hilversum, Holland, 1959). Solo exhinitions 2009 Dusk & Dawn. Galería Espacio Mínimo. Madrid Photography & Video: Rain, Hope, Grief, Fall, Et D’Autres Oeuvres - Institut Néerlandais, Paris, France Eye Candy 1984 - 2009 - Photomuseum Antwerp, Atwerp, Belgium Erwin Olaf : 50 Years (Retrospective), Domus Artrium, - Salamanca Ciudad de Cultura, Spain Erwin Olaf - Langhans Gallery, Prague, Czech Republic 2008 Still Living: Structure, Surface and Espression - SECCA, Winston-Salem, NC Hope, Rain, Grief & Fall - The Hague Museum of Photography, The Hague, The Netherlands Grief - Flatland Paris & Gallery Magda Danysz, Paris, France Erwin Olaf - Space E6, Shenzhen, China Human All Too Human - Fotografia Europea Reggio Emilia 2008, Reggio Emilia, Italy 2007 Grief - M+B Gallery, Los Angeles Grief - HASTED HUNT Gallery, New York Grief - Reflex New Art Gallery, Amsterdam Le Dernier Cri - Galerie Rabouan Moussion, Paris, France Elegance & Perversity - Shoalhaven City Arts Centre, Shoalhaven, Australia 2005 New videoworks Erwin Olaf, Gallery Espacio Minimo, Madrid Rain & Hope - HASTED HUNT Gallery, New York Elegance & Perversity - Australian Centre of Photography Sidney, Australia Fashion & Style in Photography - Museum of Modern Art, Moscow, Russia Imitation of Life - Modern Art Gallery of Bologna, Bologna, Italy Moving Targets - Montevideo, Dutch Media Arts Institute, Amsterdam, The Netherlands 2004 Silver, The Association of Photographers, Separation, London …., If ‘raining cats & dogs’, Sweden Imitation of live, GAM/Modern Art gallery
[Show full text]
“For the Art We Have Selected Also Expresses Something About Us”
“For the art we have selected also expresses something about us” Het narratief van banken bij hun kunstbeleid aan de hand van Rabobank, ING en ABN AMRO Masterscriptie Radboud Universiteit Nijmegen Begeleider: Dr. Jan D. Baetens Tweede lezer: Dr. Jeroen Goudeau Gloria Sundermann 2019 1 “For the art we have selected also expresses something about us” – Het narratief van banken bij hun kunstbeleid aan de hand van Rabobank, ING en ABN AMRO Inhoud 1 Introductie ...................................................................................................................... 1 1.1 Inleiding ................................................................................................................... 1 1.2 Methode ................................................................................................................... 8 1.3 Introductie van Rabobank, ING, ABN AMRO en hun kunstbeleid ...................... 12 2 Theoretisch kader ......................................................................................................... 13 3 De Rabobank en kunst: het perspectief van haar publicaties ....................................... 21 3.1 Externe bronnen ..................................................................................................... 22 3.1.1 Focus op het bedrijf ........................................................................................ 22 3.1.2 Focus op maatschappelijke verantwoordelijkheid .......................................... 25 3.1.3 Kunst als identiteitsconstructie ......................................................................
[Show full text]
DESIREE Dolronprelude
Prelude: Forever Someone Else DESIREE DOLRON GRIMM Keizersgracht 241 Oct 14 – Nov 18, 2017 Desiree Dolron, Dominican Republic, 2001 (2017) GRIMM is pleased to present a new solo exhibition by Desiree In stark contrast is a group of images taken that same year Dolron (NL, 1963) concentrating on photographs documenting (1997) from the Wigstock festival in New York City: groups of her extensive travels. The exhibition is a prelude to a larger celebrating drag queens with big hair and selfmade eccen- overview of this body of work that will be the subject of a new tric hats, Desiree happily posing with one of them in another monograph scheduled for publication in 2020. self-portrait. The title ‘Forever Someone Else’ refers to a booklet of selected Three individual, powerful images are shown on another poems by Fernando Pessoa (1888-1935), a writer, philosopher, wall; a speeding car, symbol of the American dream, taken mystic and astrologer who employed as many as 75 alter in Cuba (2002), a beautiful girl from the Dominican Republic egos that he referred to as heteronyms and which he deployed looking melancholically into the camera (2001) and a desert at will to disseminate various philosophical or theoretical landscape at night in California (1990); the blacks intense, the views. light subdued. This exhibition lifts the veil of a body of never previously ex- hibited work by Dolron. Included are various self-portraits in What unites all the exhibited images is that they are all about such distinct environments that each becomes like an alter dreams, of people in pursuit of happiness.
[Show full text]
ROMANTIKA a POETIKA V SOUČASNÉ FOTOGRAFII Institut Tvůrčí Fotografie ITF / 2010 / OPAVA
Radim Žůrek ROMANTIKA A POETIKA V SOUČASNÉ FOTOGRAFII Institut tvůrčí fotografie ITF / 2010 / OPAVA Slezská univerzita Filozoficko-přírodovědecká fakulta Institut tOpava 2012 Radim Žůrek ROMANTIKA A POETIKA V SOUČASNÉ FOTOGRAFII Romantic and Poetic in the Contemporary Photography Teoretická diplomová práce Obor: Tvůrčí fotografie Vedoucí práce: Prof. PhDr. Vladimír Birgus Oponent: MgA. Dita Pepe Opava 2012 2 ZADÁNÍ MAGISTERSKÉ PRÁCE Slezská univerzita v Opavě Studijní program: Filmové, televizní a fotografické umění a nová média Filozoficko-přírodovědecká fakulta v Opavě Obor: TF, Akademický rok: 20011/2012 Název tématu česky: Romantika a poetika v současné fotografii Název tématu anglicky: Romantic and Poetic in the Contemporary Photography Vedoucí práce: Prof. PhDr. Vladimír BIRGUS - ITF Zásady pro vypracování: Absence informací o současné fotografii v České republice mě donutila seskupit a představit autory nové generace. Značná část dnešní fotografie se začíná ubírat směrem k emocionál- nímu vyprávění. Mladí autoři preferují jednoduchost sdělení s vícevrstvou výpovědí, v rámci slušnosti estetizují a snaží se o formu, která není cizí běžnému divákovi. Tato fáze vývoje se u nás bohužel zatím moc neprojevila. V zemích jako je USA, Německo, Austrálie, Švýcarsko, Holandsko, Francie, Finsko, Čína, Japonsko, Korea a mnoha dalších, se již deset let pravidelně objevují fotografie s romantickým charakterem. Tato práce se snaží alespoň o malý příspěvek lidem, kteří se o tento typ fotografie zajímají. Seznam doporučené literatury: • Liesbrock,
[Show full text]
Desiree Dolron Complex Systems GRIMM 202 Bowery New York Feb 3 – Mar 11, 2018 Opening: Saturday Feb 3Rd 6Pm
Desiree Dolron, Complex Systems (2017), video still DESIREE DOLRON COMPLEX SYSTEMS GRIMM 202 Bowery New York Feb 3 – Mar 11, 2018 opening: Saturday Feb 3rd 6pm GRIMM is pleased to announce the presentation of Complex research, which employs the term to define the complex Systems (2017) by Desiree Dolron (NL, 1963) at our New York interactions between different components of the same group. gallery space. This exhibition marks the first solo presentation of the artist in the United States. The shapes assumed by the birds are proven to be the result of a defense mechanism system: in order to avoid attack by With her recent films and videos, Dolron adds a new dimension predators, a singular starling keeps track of seven others to her practice. Complex Systems situates itself in the broader simultaneously – in doing so, the starling is able to adapt to context of Dolron’s film and video work, such as Uncertain the changing flying directions of the entire flock, thus keeping TX (2016) and I will show you fear in a handful of dust (2016). the collective intact. The dichotomy between the individual and Consistent with themes in her past photographic series these the collective is at the core of Dolron’s interest in this natural new works share ‘transcendence’ as a common thread. phenomenon. Complex Systems investigates the relation between singular and shared intelligence, prompting questions Dolron’s work suggests a kind of otherworldly existence. concerning humanity, the psyche and the possible presence of Profound investigation combined with careful observation a collective unconscious. preludes the making of both Dolron’s photographs and films.
[Show full text]
Artland-Magazine-Dutch-Edition.Pdf
Index Antoine de Werd 4 Cyril van Sterkenburg 8 Edwin Oostmeijer 12 Eva Krook and Peter van Duinen 16 Ingrid Trijzelaar 20 Joan Dik 24 Manuela Klerkx 28 Menno Pijpers 32 Mette Samkalden 36 Nadine van den Bosch 40 Nienke van der Wal 44 Nina van Heuveln 48 Sam van Rooij 52 Sara Lang 56 Antoine de Werd Antoine de Werd in front of works by Yves Scherer. Yves by works of in front Antoine de Werd Location: The Hague Started collecting in year: 1988 Number of artworks in collection: Approx. 500 (including Tribal and antique pieces) Name of collection: Collection Antoine de Werd Instagram: @antoinedewerd Since collector and lawyer Antoine de Werd started collecting art almost thirty years ago, not a day has passed without some kind of involvement in art. For him, to live and work between art is simply a necessity. This passionate commitment is clearly reflected in his collection that fills every nook and cranny of his home. Mahdavi, standing golden riffle Lamp from Philippe Starck (Flos). Starck Philippe golden riffle Lamp from Mahdavi, standing India tables from B&B Italia, ceramic from sofa purple velvet (Techno), Borsani Osvaldo from Quistrebert Chairs pieces, tribal and Asian brothers. Capalino, Borden artlandapp.com 4 Artland Magazine Q How did you become an art collector? Q Describe your collection in three words. My interest in art in general was passed on to me by my Antoine de Werd in front of works by Yves Scherer. Yves by works of in front Antoine de Werd parents, while my love for contemporary art started in Contemporary.
[Show full text]