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Alkan Pivot: Goslavia
THE ~ALKAN PIVOT: GOSLAVIA RLES A .. BEARD AND GEORGE RADIN --t<'STUDY IN r;QVERNMENT AND )MINISTRATION . rhe Balkan··Pivoh i"UGOSLAVIA I A STUDY IN GOVERNMENT AND ADMINISTRAT_ION By CHARLES A. BEARD •ormer Director of the New York Bureau of Municipal Re· search, and GEORGE RADIN of theNew York Bar :; It was at Sarajevo, in Bosnia. that the Austrian Archduke fell in 1914. It was with Belgrade. in S~rbia that Austria began the nego tiations which culminated in the ~tisis that plunged half the world fhto war and destruction. Now .oth of these cities are in the King· om of the Serbs, Croats, and lovenes-a kingdom whose loca I.tion in the heart of the troubled ~alkans and whose heterogeneous racial and economic components make it still a likely source of com plications. ~ The most important phases of 'the Yugoslavia of to-day are ex :amined here by two men whose competence as observers and an aJystscannot be questioned. Their findings as to the country's natu ral resources, political organiza tion, economic situation and for ~ign relations are clearly set forth ~n.. this very readable book. THE MACMILLAN COMPANY f'UBUSHERS NEW YO~ THE BALKAN PIVOT: YUGOSLAVIA -3·~· Q THE MACMILLAN COMPANY NEW YOU:. • BOSTON • CHICAGO • DAU.III ATLANTA • SAN >'IIANCIBCO MACMILLAN & CO., Lntl'l'ZD LONDON·BOMBAY·CALCU'ftA JlBLBOUBNII THE MACMILLAN CO. OF CANADA.~ 'IOIION'l'O THE BALKAN PIVOT • YUGOSLAVIA A STUDY IN GOVERNMENT AND ADMINISTRATION BY CHARLES A. BEARD I'OUO:B DJIIEC'l'Oa OP 'I'RB :NEW TOut B1111BAV and GEORGE RADIN NEW YORK THE MACMILLAN COMPANY '1929 CoPYRIGHT, 1929, BY THE MACMILLAN COMPANY. -
Biografije-Kandidata
Drakulić, Sanja skladateljica, pijanistica (Zagreb, 16. lipnja 1963.) Studij klavira završila 1986. na Muzičkoj akademiji u Zagrebu (prof. P. Gvozdić), a usavršavala se u inozemstvu (J.–M. Darré, S. Popovici, R. Kehrer). Kompoziciju je počela učiti na MA u Zagrebu kod prof. Stanka Horvata, a nastavila u Moskvi. Studij kompozicije s poslijediplomskom specijalizacijom završila je na Moskovskom državnom konzervatoriju P. I. Čajkovski (A. Pirumov, J. Bucko), gdje je studirala i muzikologiju (E. Gordina) i orgulje (O. Jančenko) te bila asistent. Od 1995. radila je kao redovita profesorica na Visokoj školi za glazbenu umjetnost Ino Mirković u Lovranu, a potom je djelovala kao slobodna umjetnica. Od 2000. radi na Umjetničkoj akademiji Sveučilišta J. J. Strossmayera u Osijeku. Održava međunarodne tečajeve i seminare iz kompozicije i teorije (Europa, Amerika, Japan). Angažirana je u žirijima međunarodnih natjecanja. Piše za Cantus i druge novine. Bila je voditeljica Međunarodne glazbene tribine u Puli. Djela joj izvode priznati svjetski i hrvatski solisti i sastavi na međunarodnim festivalima suvremene glazbe, u koncertnim dvoranama Hrvatske, Bosne i Hercegovine, Njemačke, Rusije, Ukrajine, Italije, Njemačke, SAD–a i Japana. Kao pijanistica nastupa po Europi i Sjedinjenim Američkim Državama. Članica je Hrvatskog društva skladatelja, Saveza skladatelja Rusije i Britanske akademije skladatelja i pjesnika. Nagrade: Na Sveruskom natjecanju mladih kompozitora u Moskvi (1993.) osvojila je prvu nagradu s kompozicijom Pet intermezza za klavir solo. Dobitnica je Jeljcinove Predsjednikove stipendije za skladatelje i brojnih nagrada za skladbe: nagrade Ministarstva kulture Ruske Federacije, te hrvatske nagrade Ministarstva kulture RH za poticanje glazbenog stvaralaštva, Hrvatskog sabora kulture, festivala Naš kanat je lip, Matetićevi dani, Cro patria i drugih. -
County Elections in Croatia: on the Path to Genuine Regional Politics
LOKALNA DEMOKRACIJA 475 County Elections in Croatia: On the Path to Genuine Regional Politics Ivan Koprić * Daria Dubajić** Tijana Vukojičić Tomić*** UDK 352.075.31(497.5) 342.84:352(497.5) Original scientific paper / izvorni znanstveni rad Received / primljeno: 21. 7. 2014. Accepted / prihvaćeno: 17. 4. 2015. Croatian counties were tailored with little consideration for historical, natural, economic, social, and professional criteria. They are rather small in size and population and there are considerable differences between them. Subna- tional electoral system with proportional representation, blocked lists and five per cent threshold causes deperso- * Professor Ivan Koprić, Full Professor and Head of the Chair of Administrative Sci- ence at the Faculty of Law, University of Zagreb, Croatia, and president of the Institute of Public Administration (redoviti profesor i predstojnik Katedre za upravnu znanost Pravnog fakulteta Sveučilišta u Zagrebu, predsjednik Instituta za javnu upravu iz Zagreba, e-mail: [email protected]) ** Daria Dubajić, Assistant at the Chair of Administrative Science, Faculty of Law, University of Zagreb, Croatia (asistentica na Katedri za upravnu znanost Pravnog fakulteta Sveučilišta u Zagrebu, e-mail: [email protected]) *** Tijana Vukojičić Tomić, Lecturer at the Chair of Administrative Science, Faculty of Law, University of Zagreb, Croatia (predavačica na Katedri za upravnu znanost Pravnog fakulteta Sveučilišta u Zagrebu, e-mail: [email protected]) PUBLIC ADMINISTRATION AND COMPARATIVE CROATIAN Koprić, I., D. Dubajić, T. Vukojičić Tomić (2015) County Elections in Croatia ... HKJU – CCPA 15(2): 475–516 476 nalisation of local politics. In addition, only few political parties and their political agendas could be identified as regional. Political arena in the counties is still dominated by national parties and their organizational branches whi- le county elections are highly “nationalized” and subor- dinated to national elections. -
Framing Croatia's Politics of Memory and Identity
Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER WORKSHOP: War and Identity in the Balkans and the Middle East WORKING PAPER Author: Taylor A. McConnell, School of Social and Political Science, University of Edinburgh Title: “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Date: 3 April 2018 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Taylor McConnell, School of Social and Political Science, University of Edinburgh Web: taylormcconnell.com | Twitter: @TMcConnell_SSPS | E-mail: [email protected] Abstract This paper explores the development of Croatian memory politics and the construction of a new Croatian identity in the aftermath of the 1990s war for independence. Using the public “face” of memory – monuments, museums and commemorations – I contend that Croatia’s narrative of self and self- sacrifice (hence “KRVatska” – a portmanteau of “blood/krv” and “Croatia/Hrvatska”) is divided between praising “defenders”/“branitelji”, selectively remembering its victims/“žrtve”, and silencing the Serb minority. While this divide is partially dependent on geography and the various ways the Croatian War for Independence came to an end in Dalmatia and Slavonia, the “defender” narrative remains preeminent. As well, I discuss the division of Croatian civil society, particularly between veterans’ associations and regional minority bodies, which continues to disrupt amicable relations among the Yugoslav successor states and places Croatia in a generally undesired but unshakable space between “Europe” and the Balkans. 1 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER Table of Contents Abstract ................................................................................................................................................................... -
Zagrebact HOLDING D.O.O., Zagreb
ZAGREBaCT HOLDING d.o.o., Zagreb Unconsolidated fi nancial statements For the year ended 31 December 2012 Together with Independent Auditor's Reporl 一一 〕 Contents 〕 P 一 〕 a9 e for the unconsolidated financial statements 1´ lndependent Auditor's Report 2‐ 4 〕 Unconsolidated Statement of Comprehensive lncome 5 一 一 Unconsolidated statement of financial position 6-7 Unconsolidated statement of changes in shareholders' equity 8 Unconsolidated statement of cash flows 9-10 一 〕 Notes to the unconsolidated financial statements 11-114 】 . 〕一 ) ・】 ヽ 一 ^ 一 、 一 二 一 一 十 一 ( 一 Responsibility for the unconsolidated financial statements Pursuant to the applicable Accounting Act of the Republic of Croatia, the Management Board is responsible for ensuring that financial statements are prepared for each financial year in accordance with lnternational Financial Reporting Standards ("the lFRSs") as published by the lnternational Accounting Standards Board ("|ASB"), which give a true and fair view of the financial position and results of operations of the Company for that period. After making enquiries, the Management Board has a reasonable expectation that the Company has adequate resources to continue in operational existence for the foreseeable future. For this reason, the Management Board continues to adopt the going concern basis in preparing the unconsolidated financial statements. ln preparing those unconsolidated financial statements, the responsibilities of the Management Board of Company include ensuring that: . suitable accounting policies are selected and then applied consistently; . judgments and estimates are reasonable and prudent; . applicable accounting standards are followed, subject to any material departures disclosed and explained in the consolidated financial statements; and . the financial statements are prepared on the going concern basis unless it is inappropriate to presume that the Company will continue in business. -
The Current Great Gate of Kiev Built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock
The current Great Gate of Kiev built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock Nieweg Chart Pictures at an Exhibition; Картинки c выставки; Kartinki s vystavki; Tableaux d'une Exposition By Modeste Mussorgsky A Guide to Editions Up Date 2018 Clinton F. Nieweg 1. Orchestra editions 2. String Orchestra editions 3. Wind Ensemble/Band editions 4. Chamber Ensemble editions 5. Other non-orchestral arrangements 6. Keyboard editions 7. Sites, Links and Documentation about the 'Pictures' 8. Reference Sources 9. Publishers and Agents In this chart the composer’s name is spelled as cataloged by the publishers. They use Модест Мусоргский, Moussorgski, Musorgskii, Musorgskij, Musorgsky, Mussorgskij, or Mussorgsky. He was inspired to compose Pictures at an Exhibition quickly, completing the piano score in three weeks 2–22 June 1874. Movement Codes 1. Promenade I 2. Gnomus 3. Promenade II 4. The Old Castle 5. Promenade III 6. Tuileries: Children Quarreling at Play 7. Bydło 8. Promenade IV 9. Ballet of Unhatched Chicks 10. Samuel Goldenberg and Schmuÿle 11. Promenade V 12. The Market Place at Limoges - Le Marché 13. Catacombæ (Sepulcrum Romanum) 14. Cum Mortuis in Lingua Mortua 15. Hut on Fowl’s Legs (Baba-Yaga) 16. The Great Gate of Kiev Recordings: For information about recordings of all 606 known arrangements and 1041 recordings (as of August 2015), see the chart by David DeBoor Canfield, President, International Kartinki s vystavki Association. www.daviddeboorcanfield.org Click on Exhibition. Click on Arrangements. For the August 2018 update of 1112 recordings see Canfield in Sites, Links and Documentation about the 'Pictures' below. -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal). -
Narodni Dom Maribor LETNO POROČILO 2013
LETNO POROČILO 2013 Kulturno prireditveni center NARODNI DOM MARIBOR Ulica kneza Koclja 9, 2000 Maribor Direktor: Vladimir Rukavina KAZALO VSEBINE: 1 POSLOVNO POROČILO ........................................................................................................... 1 1.1 UVOD ....................................................................................................................................... 1 1.1.1 FIZIČNI KAZALCI POSLOVANJA ........................................................................................................... 3 1.1.2 FINANČNI KAZALCI POSLOVANJA ...................................................................................................... 4 1.1.3 OCENA USPEŠNOSTI DELA IN DOSEGANJA ZASTAVLJENIH CILJEV .................................................... 7 1.1.4 ČLOVEŠKI VIRI .................................................................................................................................... 9 1.1.4.1 ZAPOSLOVANJE IN ZAPOSLENI .................................................................................................. 9 1.1.4.2 DELO PO PROGRAMU JAVNIH DEL IN ŠTUDENTSKO DELO ..................................................... 12 1.1.4.3 IZOBRAŽEVANJE ...................................................................................................................... 13 1.1.5 OCENA VPLIVA POSLOVANJA NA DRUGA PODROČJA ..................................................................... 14 1.1.6 INVESTICIJSKO VZDRŽEVANJE IN POMEMBNEJŠE INVESTICIJE V LETU 2013 -
03Ož Ujak 2015
03OžUJAK 2015. Glazba stanuje u Lisinskom Još jedno proljeće u Lisinskom je pred nama poštovani posjetitelji! I ove godine dočekujemo ga s bujicom novih programa. Rascvjetala se koncertna sezona: Lisinski subotom slavi 15. rođendan Hrvatskog baroknog ansambla, njujorški Metropolitan otvara zastore za Rossinijev belkantistički biser „La donna del lago“ , svira Zagrebačka filharmonija, u Majstorskome ciklusu Simfonijski orkestar HRT-a, vraća nam se Svijet glazbe, uzavrela je Jazz pozornica Lisinskog … Oliver otkriva što znaći peta sreća za njega i njegovu vjernu publiku. Puno novih boja, mirisa i glasova donosi nam ovo proljeće, zavirite u naš kalendar i ne propustite niti jedan. Dulji su dani pred nama, ali mi se ne prestajemo radovati večerima u Lisinskom, zar ne? S poštovanjem, Dražen Siriščević ravnatelj 2 MAJSTORSKI CIKLUS Sezona 2014./2015. Četvrtak, 5. ožujka u 19.30 Velika dvorana Književnost i glazba Simfonijski orkestar HRT-a Daniel Blendulf, dirigent Jakob Kullberg, violončelo Petar Iljič Čajkovski: Simfonijska fantazija Oluja, op. 18 Srđan Dedić: Simfonijski stavak Richard Strauss: Don Quixote, za violončelo i orkestar, op. 35 Književna večer događa se na neočekivanom mjestu: simfonijskom koncertu. Glazbom se pripovijeda Oluja Williama Shakespearea. Nižu se, ispričane tonovima, fantastične pustolovine tragikomičnog Cervantesova junaka Don Quixota. Literaturu su preveli u partiture Čajkovski i Strauss, a njih će „čitati“ naglas Simfonijski orkestar HRT-a pod ravnanjem jedne od najvećih skandinavskih dirigentskih nada, Daniela Blendulfa. Solističku ulogu i personifikaciju karakternog junaka, viteza Don Quixotea preuzet će još jedan Skandinavac u strelovitom usponu, danski violončelist Jakob Kullberg. Inače glazbenik kojemu nesmiljena britanska kritika laska riječima kako „čudesno kontrolira liniju i svira čisto čak i najnespretnije pasaže“, bio je student profesora Valtera Dešpalja. -
GRY 2019 WCH Baku Mediab
37th FIG RHYTHMIC GYMNASTICS WORLD CHAMPIONSHIPS Baku (AZE), 16-22 September 2019 Competition Schedule As of SUN 15 SEP 2019 Start Estimated Date Event Details Time Finish Time MON 16 SEP Individual Qualifications & Team Ranking 12:00 13:20 Group A - Hoop & Ball 13:35 15:00 Group B - Hoop & Ball 16:00 17:20 Group C - Hoop & Ball 17:35 18:50 Group D - Hoop & Ball TUE 17 SEP Individual Qualifications & Team Ranking 10:00 11:20 Group C - Hoop & Ball 11:35 12:50 Group D - Hoop & Ball 14:00 15:20 Group A - Hoop & Ball 15:35 17:00 Group B - Hoop & Ball Apparatus Finals - Day 1 19:30 20:00 Individual Hoop Final 20:05 20:35 Individual Ball Final WED 18 SEP Individual Qualifications & Team Ranking 12:00 13:40 Group D - Clubs & Ribbon 13:55 15:40 Group C - Clubs & Ribbon 16:40 18:40 Group B - Clubs & Ribbon 18:55 20:50 Group A - Clubs & Ribbon THU 19 SEP Individual Qualifications & Team Ranking 09:00 11:00 Group B - Clubs & Ribbon 11:15 13:10 Group A - Clubs & Ribbon 14:10 15:50 Group D - Clubs & Ribbon 16:05 17:50 Group C - Clubs & Ribbon Apparatus Finals - Day 2 19:30 20:00 Individual Clubs Final 20:05 20:35 Individual Ribbon Final FRI 20 SEP Individual All-Around 14:30 17:25 Group B 17:40 20:35 Group A SAT 21 SEP Group All-Around Final & Qualification for Finals 14:30 16:10 Group A 16:30 18:10 Group B SUN 22 SEP Apparatus Finals 14:30 15:13 Group 5 Balls Final 15:15 15:45 Group 3 Hoops + 2 Pairs Of Clubs Final Note: Please check online for more details and the latest updates. -
REGENT 2-2011.Indd
Besplatni primjerak Your personal free copy HOTEL MAGAZINE • JESEN/ZIMA 2011./2012. • AUTUMN/WINTER 2011/2012 2011./2012. • AUTUMN/WINTER • JESEN/ZIMA MAGAZINE HOTEL LONGCHAMP.COM ZAGREB, GUNDULICEVA 3 USPJEŠNE HRVATSKE PRIČE Redakcijski kolegij za četvrti broj našega, ponovno izdanoga, magazina nije bio ništa manje buran od onoga što ste mogli vidjeti zadnjih dana zasjedanja Hrvatskog sabora. Ista količina histeričnih ispada, razmjena uvreda, optužbi na račun drugoga – ali s jednom velikom razlikom (i pritom mislim da ne umišljam previše) – mi smo stvar ipak priveli kraju. No pusti mo politi ku, u našemu magazinu slavimo “uspješne hrvatske priče”, ovaj put kroz individualna posti gnuća Vjekoslava Majeti ća, vlasnika Dok-ing grupe, svjetskog šampiona u ronjenju na dah Gorana Produkcija i kreati vno vodstvo I Producti on Čolaka, ali i globalnog fenomena poznati jeg pod imenom 2CELLOS. Zaključili smo da ima nade i za hrvatsku and creati ve management: DANIRA OREŠIĆ Fotograf I Photograph: HRVOJE SERDAR vinsku industriju, pa čak i usprkos lošim potezima Vlade RH u pristupnim pregovorima s Europskom Unijom Model I Model: NIKOLINA RAK TALIA MODELS kada je riječ o razvoju vinogradarstva. Mora da su “dečki” u Bruxellesu jako zadovoljni. Odjeća I Clothes: THE CORE Nakit I Jewellery: ZAKS Vrati mo se kući. Jednostavno smo se morali pohvaliti člankom o našem restoranu Bistro i njegovu izvrsnom Frizura I Hairstyle: SALON TEUTA ti mu, koji je imao veoma uspješnu godinu. A za kraj, moram se opravdati . Opet su me vješto nagovorili (zapravo prisilili) da se uhvati m pisanja, ovaj put o noćnom životu Zagreba. Zbog toga sve uobičajene isprike IMPRESSUM vrijede, pa čak i ona najjadnija: “Popio sam koju previše”. -
Vladimir Krpan 80 Plus 20.1.2018
VLADIMIR KRPAN 80 PLUS Učenici svojem Profesoru u povodu njegova 80. rođendana Martina Filjak, Katarina Krpan Srđan Filip Čaldarović, Maksim Mrvica Pedja Mužijević, Bruno Vlahek Vladimir Krpan glasovir Zagrebačka filharmonija Tonči Bilić, dirigent Subota, 20. siječnja 2018. u 19.30 sati Koncertna dvorana Vatroslava Lisinskog Wolfgang Amadeus Mozart 3 Uvertira operi Figarov pir, K. 492 Wolfgang Amadeus Mozart Koncert za dva glasovira i orkestar u Es-duru, K. 365 Allegro Andante Rondo: Allegro Martina Filjak, glasovir Pedja Mužijević, glasovir Francis Poulenc Koncert za dva glasovira i orkestar u d-molu, FP 61 Allegro ma non troppo Larghetto Finale: Allegro molto Bruno Vlahek, glasovir Srđan Filip Čaldarović, glasovir * * * Dmitrij Šostakovič Svečana uvertira u A-duru, op. 96 Antonín Dvořák – John Lenehan Koncert iz Novoga svijeta, za glasovir i orkestar Nikolaj Rimski-Korsakov – Sergej Rahmanjinov Bumbarov let iz 3. čina opere Priča o caru Saltanu, za glasovir Maksim Mrvica, glasovir Boris Papandopulo Pop-koncert, za dva glasovira i orkestar Nakladnik: Koncertna dvorana Vatroslava Lisinskog Za nakladnika: Dražen Siriščević, ravnatelj Katarina Krpan, glasovir Producentica programa: Martina Vukšić Vladimir Krpan, glasovir Urednica: Jelena Vuković Autorica teksta: Ana Vidić Lektorica: Rosanda Tometić Poslije koncerta s umjetnicima razgovara Gordana Krpan. Oblikovanje i grafička priprema: Daniel Ille Tisak: Intergrafika TTŽ d. o. o., Zagreb Naklada: 450 primjeraka Cijena: 20 kuna www.lisinski.hr VLADIMIR KRPAN 4 „Vladimir Krpan je dubinski pokrenutom snažnom i sveobuhvaćajućom 5 gestom otkrivao i s istraživačkim elanom uranjao u prostore duha otvorene prema naslijeđenim horizontima generacija svojih prethodnika koji su sudjelovali u europskom konceptu ideja glazbe i kulture od početka 20. stoljeća. Oživljavajući u svakom trenutku i trajno interpretirajući stratešku poziciju izvođača između djela, autora i publike, pridodao joj je snagom svog talenta simboličko značenje i sjaj te time produbio istovremeno svoju intimnu glazbenu, ali i javnu odgovornost.