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By Marsha Pollak, ASH, BSI 1 Accompanied with Photographs Taken by Hiroko Nakashima 2
1 Reichenbach and Beyond—The Final Problem revisited By Marsha Pollak, ASH, BSI 1 Accompanied with photographs taken by Hiroko Nakashima 2 Not everything went according to script and it was almost as if Moriarty and his minions somehow controlled the weather. But three years after their splendid gathering “Alpine Adventures – A. Conan Doyle and Switzerland” in Davos, Switzerland, The Reichenbach Irregulars put together another stellar program on Sherlock Holmes and his Alpine adventures. This time the gathering was in the heart of the Bernese Oberland, not in the town of Meiringen, but above it in Hasliberg-Reuti. The conference consisted 1 Marsha Pollak, ASH, BSI, is a long time Sherlockian and retired librarian from California. Following in the footsteps of John Bennett Shaw and Francine Swift, Marsha has guided the oldest profession-oriented scion for more than 30 years, The Sub-Librarians Scion of the Baker Street Irregulars in the American Library Association. As part of her work for the BSI Trust, she is responsible for the BSI Oral History Project and is Series Editor for the BSI Press Professions Series. She and her husband enjoy traveling. 2 Hiroko Nakashima is a member of the Japan Sherlock Holmes Club and lives in Shinjuku, Tokyo, Japan. She is a photographer as well as administrator in a Japanese IT company. She is a particular keen photographer when visiting Holmes and Doyle sites or when she attends Sherlockian events, for example in in London, Edinburgh, Dartmoor, Portsmouth or Undershaw. She has also been Switzerland, Italy, France and the Czech Republic. Hiroko sometime holds photo exhibitions in Japan and her pictures illustrate Japanese Sherlockian books. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Proto-Cinematic Narrative in Nineteenth-Century British Fiction
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor, -
2015 Jhws Treasure Hunt
2015 JHWS TREASURE HUNT “Mr. Sherlock Holmes” Category: Holmes’s personality 1. This author, while writing his own stories about a fatherly detective, went so far as to assert that Sherlock Holmes was not a man, but a god. Who? (1 pt.) Answer: G.K. Chesterton, author of the Father Brown mysteries ---See The Sherlock Holmes Collection, The University of Minnesota, USH Volume I, Section VI: The Writings About the Writings, Chesterson, G.K., Sherlock Holmes the God, G.K.’s Weekly (February 21, 1935), at lib.umn.edu, and numerous others. ---Full quote: “Not once is there a glance at the human and hasty way in which the stories were written; not once even an admission that they were written. The real inference is that Sherlock Holmes really existed and that Conan Doyle never existed. If posterity only reads these latter books, it will certainly suppose them to be serious. It will imagine that Sherlock Holmes was a man. But he was not; he was only a god.” 2. Holmes did not, perhaps, have a knowledge of women across the continents, but, according to Watson, Holmes did hold a position across several of them. How many continents and what position? (2 pts.) Answer: Three, position of unofficial adviser and helper to everybody who is absolutely puzzled ---W., p. 191, IDEN: I smiled and shook my head. "I can quite understand you thinking so," I said. "Of course, in your position of unofficial adviser and helper to everybody who is absolutely puzzled, throughout three continents, you are brought in contact with all that is strange and bizarre. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
Sherlock Holmes for Dummies
Index The Adventure of the Eleven Cuff-Buttons • Numerics • (Thierry), 249 221b Baker Street, 12, 159–162, 201–202, “The Adventure of the Empty House,” 301, 304–305 21, 48, 59, 213, 298 “The Adventure of the Engineer’s Thumb,” 20, 142 • A • “The Adventure of the Golden Pince-Nez,” 22, 301 “The Abbey Grange,” 22 “The Adventure of the Illustrious Client,” Abbey National, 162 24, 48, 194–195, 309 acting, Sherlock Holmes’s, 42. See also “The Adventure of the Lion’s Mane,” 24, 93 individual actors in roles “The Adventure of the Mazarin Stone,” Adler, Irene (character), 96, 280, 298 24, 159 “The Adventure of Black Peter,” 22 “The Adventure of the Missing Three- “The Adventure of Charles Augustus Quarter,” 22 Milverton,” 22, 137, 267 “The Adventure of the Noble Bachelor,” “The Adventure of Shoscombe Old 20, 308 Place,” 25 “The Adventure of the Norwood “The Adventure of the Abbey Grange,” 22 Builder,” 21 “The Adventure of the Beryl Coronet,” “The Adventure of the Priory School,” 22 20, 141 “The Adventure of the Red Circle,” “The Adventure of the Blanched 23, 141, 188 Soldier,” 24, 92, 298 “The Adventure of the Reigate Squire,” 20 “The Adventure of the Blue Carbuncle,” “The Adventure of the Retired 19, 141, 315 Colourman,” 25 “The Adventure of the Bruce-Partington “The Adventure of the Second Stain,” 22, 78 Plans,” 23 “The Adventure of the Six Napoleons,” “The Adventure of the Cardboard Box,” 22, 73 20, 97, 138, 189, 212 “The Adventure of the Solitary Cyclist,” “The Adventure of the Copper Beeches,” 21, 137, 140 20, 140 “The Adventure of the Speckled -
THE DISTRICT MESSENGER the Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 4L Sandford Road, Chelmsford CM2 6DE
THE DISTRICT MESSENGER The Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 4l Sandford Road, Chelmsford CM2 6DE no. 137 17th January 1994 We were privileged a couple of weekends ago to be among the unprecedented British contingent that attended the annual Sherlockian festivities in New York. The new investitures awarded by the Baker Street Irregulars included several to DM readers: Catherine Cooke ("The Book of Life"), Geoffrey Stavert ("The Shingle of Southsea"), Francine Swift ("The Wigmore Street Post Office"), T. Michelle Fromkin ("The Missing Three-Quarter"), Peter Crupe ("The Noble Bachelor") and Thom Utecht ("Arthur Charpentier"). Those are the ones I can remember at the moment; see the next issue of The Baker Street JourJournalnal for a full list. It's available on subscription from P.O. Box 465, Hanover, PA 17331, U.S.A., and it's a must among Holmesian periodicals. Tom Stix (“Wiggins” of the BSI) attended our Society's annual dinner at the Regent Hotel last Saturday and presented one further investiture, to our President, Tony Howlett ("John Hector McFarlane"). This represents a very graceful tribute, since Tom's own investiture (“Wiggins” is his title as head of the BSI) is "The Norwood Builder". (*An account of the dinner will appear in The Sherlock Holmes JournalJournal.*) Tony's, Catherine's and Geoffrey's investitures make the number of living British BSIs up to twelve - a Baker Street Dozen. Geoffrey is already being referred to among his friends as "Shingle". The place in New York to look for Holmesiana is still Otto Penzler's Mysterious Bookshop at 129 West 56th Street, but other sources are the long-established Murder Ink (now under new ownership, we're told) at 2486 Broadway, and the two branches of Foul Play, at 13 8th Avenue and 1456B 2nd Avenue. -
Review of Arthur Conan Doyle, Sherlock Holmes
Arthur Conan Doyle, Sherlock Holmes, DVD Box set, 4 discs, London: BBC/BFI, 2015. BFIV2040; £39.99 Reviewed by John Keefe (London Metropolitan University, UK) The Literary London Journal, Volume 12 Number 1–2 (Spring/Autumn 2015) The recent BBC TV Timeshift documentary How To Be Sherlock Holmes—The Many Faces of a Master Detective (2015) traced the history of these faces from Sidney Paget’s original illustrations and William Gillette’s stage adaptation (1899), the first screen version (1900), through the various cinema and television Holmes (including Eille Norwood 1921, Basil Rathbone 1939, Peter Cushing 1959, Jeremy Brett 1985) to the most recent (Robert Downey Jnr 2009, Benedict Cumberbatch 2010). Across these adaptations and characterisations, we see a figure who remains rooted in his Victorian origins, is regarded as both a genesis and a template of what has become the fictional detective, and is a reflection of the social-cultural preoccupations that inform each adaptation. In this last, we see a theme true of all such adaptations and translations, with each mirroring the period of making as well as that of the setting. Thus this release of the surviving thirteen episodes of the Douglas Wilmer-Nigel Stock series from the mid-1960s reverts to the Victorian settings of the original (in contrast to the modernising of Holmes in the Universal Studios series or Sherlock of 2010) but adds a knowing humour taken further by Billy Wilder’s film of 1970. Similarly, the imagery of Holmes familiar to us from the Paget illustrations and now our received idea of Holmes with his pipes, deerstalker hat and caped coat are here but at the same time are played with as mannerisms that seem ‘out-of-joint’ against a background of contemporary pop music, fashions and social satire. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
TEXTUAL ASPECTS of the HOLMES ICON Abstract
MORE THAN A “WASHED-UP HAS-BEEN”: TEXTUAL ASPECTS OF THE HOLMES ICON Abstract: This paper focuses on textual exemplars from the Sherlock Holmes stories in support of an argument that these texts are just as important in understanding Holmes as a cultural icon as are the visual exemplars found in printed materials, theater, motion pictures, and television. Following a brief summary of the visual exemplars, the author presents six textual examples from the Holmesian canon to support the central argument of this paper—that the "textual logo" or "emblematic wording" is as much a part of the Holmesian iconography as the essential images. In the end, the author concludes that the idea of Holmes as a cultural icon has moved beyond the bounds of the English-speaking world, i.e. is understood in a global context, and that this understanding is rooted in a robust iconography that includes both textual phrases and visual images. 1 MORE THAN A “WASHED-UP HAS-BEEN”: TEXTUAL ASPECTS OF THE HOLMES ICON Timothy J. Johnson University of Minnesota "Icon" is a tricky word, a moving target, yet fixed in mind and memory. The musician Bob Dylan, when labeled in this way, responded "I think that's just another word for a washed-up has-been."1 Actress Elizabeth Taylor said "Don't call me an icon, honey. An icon is something you hang in a Russian church. Call me Dame Elizabeth or call me an aging movie star."2 Even Wikipedia, that boon or bane of encyclopedic knowledge, has gotten into the act, defining a cultural icon as "an object or person that is regarded as having a special status as particularly representative of, or important to, or loved by, a particular group of people, a place, or a historical period. -
THE DISTRICT MESSENGER the NEWSLETTER of the SHERLOCK HOLMES SOCIETY of LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE
THE DISTRICT MESSENGER THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE no. l3l l8th May l993 Beware! We've recently seen the Wordsworth Classics edition of The Adventures of Sherlock Holmes on sale at £4.99. The publisher's price is £l.00. Anyone charging more is ripping you off. Similarly, the two Orbit video-tapes, Terror By Night and The Woman In Green should cost no more than £5.99 each - and by shopping around, you may find them priced as low as £3.99 each. The promised Arthur Conan Doyle medal is now available from Charles Hall (l2 Paisley Terrace, Edinburgh EH8 7JW), and very handsome it is. On the one side is a bas-relief bust of Sir Arthur, based on the famous portrait by Henry L. Gates, in the National Portrait Gallery; on the other is a full- length likeness of the Sherlock Holmes statue in Picardy Place. Designed by Charles, the medal is made by Alex Kirkwood & Son of Edinburgh to their usual impeccable standard; it's in bronze, measures about 2 inches across, and resembles the commemorative medals issued for Queen Victoria's jubilees. It comes in an elegant box. The price as originally announced was £l2.50 (see DMl28), and I don't think it's changed; you'll curse later if you miss out! The two latest titles in the series Match Wits With Sherlock Holmes are now out. For $4.95 (paperback) or $l4.95 (hardback) each, Murray Shaw re-tells The Adventure of the Dancing Men/The Three Garridebs and The Hound of the Baskervilles for younger readers in a way that the American Library Association summed up neatly: "With the humor and settings intact, young mystery lovers have access to re-creations of Sir Arthur Conan Doyle's famous Sherlock Holmes and his Victorian England..