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CINEMA D'autore Per Tutti
Centro Audiovisivi Rassegne tematiche Bolzano di film d’autore 01 CINEMA d’AutorE pEr tuttI Le Proposte | Le Novità | Le Ricorrenze Ogni mese il Centro Audiovisivi di Bolzano mette a disposizione questa brochure contenente le Proposte, le Novità e le Ricorrenze. Le Proposte Un’occasione per conoscere e imparare ad amare il grande cinema. Ogni mese viene proposto un tema diverso per suggerire attraverso la cinematografia d’autore spunti di riflessione e valorizzare il patrimonio della mediateca del Centro Audiovisivi di Bolzano. Le Novità La raccolta cinematografica è in costante crescita e comprende film a partire dalle origini della storia del cinema fino a oggi. Ogni mese si arricchisce di ulteriori 30 film di qualità che vengono messi a disposizione di tutti i cittadini interessati. Le Ricorrenze La ricorrenza della data di nascita di alcuni dei più famosi attori, attrici e registi della storia del cinema è occasione per ricordare ogni mese i capolavori che loro hanno realizzato. Invito tutti a rivedere, scoprire e riscoprire le loro opere nella mediateca. Buona visione! Christian Tommasini Vicepresidente della Provincia Assessore alla cultura italiana ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ LE proposte Viaggio nel cinema tra misteri e magie ANgeL-A Fr, 2005 Regia Fiabesco, 90’, b/n, sonoro Luc Besson Attori Jamel Debbouze, Rie Rasmussen, Gilbert Melki, Serge Riaboukine, Akim Chir, Eric Balliet, Loïc Pora André, delinquentello extracomunitario braccato da strozzini violenti, è soccorso da un angelo con sem- bianze di donna che non soltanto lo salva dal suicidio ma gli restituisce fiducia in sé stesso. Luc Besson dice che sono quattro i personaggi principali: Angela, André, Parigi e il bianconero. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Ciné Parvis 65
CINÉ PARVIS 65 ARGELÈS-GAZOST - Cinéma “LE CASINO” Tél. : 05.62.97.29.65 -°*°*°*°- CHICKEN LITTLE (2005 - 1H17 - USA - V.F.) Film d'animation de Mark Dindal avec Lorant Deutsch, Zach Braff, Claire Keim MERCREDI 04 JANVIER - 17H ----------------------------------------------------------------------- KING KONG (2005 - 3H - USA - V.F.) Film fantastique de Peter Jackson avec Naomi Watts, Adrien Brody, Jack Black MERCREDI 04 JANVIER - 21H ----------------------------------------------------------------------- FACTOTUM (2005 - 1H34 - USA - VO) Comédie dramatique avec Matt Dillon, Lily Taylor Scéance Coup de Coeur JEUDI 05 JANVIER - 20H30 ----------------------------------------------------------------------- HARRY POTTER ET LA COUPE DE FEU (2005 - 2H35 - USA - V.F.) Film fantastique de Mike Newell avec Daniel Radcliffe, Emma Watson, Rupert Grint VENDREDI 06 JANVIER - 21H ----------------------------------------------------------------------- LORD OF THE WAR (2005 - 2H00 - USA - V.O.) SORTIE NATIONALE Comédie dramatique avec Nicolas Cage , Ethan Hawkes SAMEDI 07 JANVIER - 21H ----------------------------------------------------------------------- ANGEL-A (2005 - 1H30 - France) Comédie de Luc Besson avec Jamel Debbouze, Gilbert Melki, Sara Forestier DIMANCHE 08 JANVIER - 17H - 21H ----------------------------------------------------------------------- COLLISION (2005 1H47 - USA - V.O.) Grand Prix - Deauville 2005 Comédie dramatique de Paul Haggis avec Sandra Bullock, Don Cheadle, Matt Dillon MARDI 10 JANVIER - 21H ----------------------------------------------------------------------- -
A.U.I. Trustee Scholarships Are Established
VOLUME 18, NUMBER 13 Published by the BNL Personnel Office JANUARY 20, 1965 BERA FILM SERIES PURPLE NOON A.U.I. TRUSTEE SCHOLARSHIPS ARE ESTABLISHED A scholarship program for the children of regular employees of Brookhaven National Laboratory and the National Radio Astronomy Observatory has been established by the Board of Trustees of Associated Universities, Inc. Dr. Maurice Goldhaber, Director, announced the creation of the A.U.I. Trustee Scholarships to all Brookhaven employees on January 18. Under the new program, up to ten scholarships each year will be made avail- able to the children of regular BNL employees. They will carry a stipend of up to $900 per year. For those who maintoin satisfactory progress in school, the scholor- ships will be renewoble for up to three additional years. Winners of the awards may attend any accredited college or university in the United States and may select any course of study leading to a bachelor’s degree. Thurs., Jan. 21 - lecture Hall - 8:30 p.m. The scholarships will be granted on o strictly competitive basis, independent Rene Clement (“Forbidden Games,” of financial need and the existence of other forms of aid to the student. Winners “Gervaise”) has here fashioned a highly will be selected on the basis of their secondary school academic records and gen- entertaining murder thriller, beautifully eral aptitude for college work as indicated by achievement and aptitude tests. photographed in color by Henri Decae The Laboratory will not be involved in the processing of applications or the (“400 Blows, ” “The Cousins,” “Sundays determination of scholarship winners. -
Copyright by Chantal Marie Tetreault 2004
Copyright by Chantal Marie Tetreault 2004 The Dissertation Committee for Chantal Marie Tetreault Certifies that this is the approved version of the following dissertation: Communicative Performances of Social Identity in an Algerian-French Neighborhood in Paris Committee: Joel Sherzer, Supervisor Elizabeth Keating, Co-Supervisor Deborah Kapchan Pauline Turner Strong Keith Walters Robert Fernea Communicative Performances of Social Identity in an Algerian-French Neighborhood in Paris by Chantal Marie Tetreault, M.A., B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2004 Dedication I dedicate this dissertation to my parents, Mary Kay and Marc Tetreault, for their love and support. Acknowledgements The completion of this dissertation was made possible through help from a variety of people that I would like to humbly acknowledge. I would first like to thank my dissertation supervisors, Joel Sherzer and Elizabeth Keating, as well as members of the dissertation committee, Deborah Kapchan, Pauline Turner Strong, Keith Walters, and Robert Fernea, for their generous support, inspiration, and patience. My deepest gratititude goes to the people who made this project possible by graciously allowing me to share their daily lives and by answering my many questions. Thanks also to folks who have helped along the way with writing advice, technical or emotional support, and friendship: Carol Cannon, Vânia Cardoso, Wai Fong Chiang, Scott Head, Travis Jordan, Liz Lilliott, Dana Maya Maynard, Christy Moore, Katie Sosnoff, Lauren Wagner, and Elana Zilberg. -
French Club Film Series
FRENCH CLUB FILM SERIES Spring 2019: “Feel Good French Films” Join the French Club this semester in viewing a variety of films, each one having a happy conclusion in its own way. Join French Club as we explore the differences between “feel good” films as we know them in the U.S. and how they’re interpreted differently in Francophone regions. Les demoiselles de Rochefort (1967) Tuesday, January 15, 6:00 pm, Radio & TV Building 251 2h 5m, rated G. Starring Catherine Deneuve, George Chakris, Françoise Dorléac. Two sisters leave their small seaside town of Rochefort in search of romance. Hired as carnival singers, one falls for an American musician, while the other must search for her ideal partner. (IMDb) Astérix & Obélix : Mission Cléopâtre (2002) Thursday, January 31, 6:00 pm, Radio & TV Building 251 1h 47m, rated PG. Starring Gérard Depardieu, Christian Clavier, Jamel Debbouze. Egyptian queen Cleopatra finds herself in a sticky predicament when she bets Roman Emperor Julius Caesar that she can have a new palace built for him within three months. To accomplish this, she demands that the architect Edifis to construct a palace covered in gold for Caesar or he will be eaten by crocodiles. To save himself from a watery fate, Edifis asks his Gaulish friends Getafix, Asterix, and Obelix to assist in building. Hijinks and inevitable laughter ensue. (Adapted from IMDb) Nos jours heureux (2006) Tuesday, March 5, 6:00 pm, Ernie Pyle Hall 126 1h 43m, not rated in the U.S. Starring Jean-Paul Rouve, Marilou Berry, Omar Sy. A genuine and often funny depiction of the relationships between counselors and children at a summer vacation camp. -
TIFF SCREENINGS Private Screenings (Buyers Only) Promoreel Screenings (Buyers Only)
LINE-UP 2014 PATHÉ INTERNATIONAL Press & Industry screenings Public screenings TIFF SCREENINGS Private Screenings (Buyers only) Promoreel Screenings (Buyers only) ESCOBAR: EVOLUTION FAR PRIDE SELMA MAN – MONKEY FROM MEN PARADISE LOST BUSINESS PRIVATE PROMOREEL P&I 1 FRIDAY Buyers only Buyers only 8:45AM 9:30AM 9:15AM 05/09 Scotiabank 11 TBLB 7* TBLB 6* PRIVATE PROMOREEL Public 1 Buyers only P&I 1 Buyers only SATURDAY 3:00PM 11:00AM 2:45PM 10:00AM Visa Screening 06/09 Cineplex Odeon Scotiabank 13 Cineplex Odeon Room/Elgin – Varsity #5 – Varsity #6 P&I 1 PRIVATE 8:45AM PROMOREEL Buyers only Scotiabank 4 Buyers only SUNDAY 3:00PM 10:00AM 07/09 Cineplex Odeon Public 2 Cineplex Odeon – Varsity #5 12:30PM – Varsity #6 Isabel Bader Theatre P&I 2 MONDAY 4:15PM 08/09 Scotiabank 10 TUESDAY Public 1 5:00PM 09/09 Winter Garden Theatre Public 2 9:00AM WEDNESDAY TBLB 1* 10/09 P&I 2 9:15AM Scotiabank 10 THURSDAY Public 1 9:30PM 11/09 Roy Thomson Hall Public 2 FRIDAY 11:30AM 12/09 Visa Screening Room/ Elgin SATURDAY Public 3 Public 3 3:00PM 4:00PM 13/09 Ryerson Theatre Scotiabank 1 *TBLB: Tiff Bell Lightbox **Cineplex Odeon – Varsity (55 Bloor St. West) New project 03 OFFICIAL SELECTION SPECIAL PRESENTATION Drama – 101 mins © Michaël Crotto VENICE OFFICIAL SCREENING Sunday 31/08 – 10.00PM Sala Grande LOIN DES HOMMES VENICE P&I SCREENINGS Saturday 30/08 – 7.30PM Sala Darsena (FAR FROM MEN) Saturday 30/08 – 9 .45PM Sala Volpi DIRECTOR CAST Saturday 30/08 – 1 0.00PM Sala Pasinetti Sunday 31/08 – 9.00AM Sala Volpi David Oelhoffen Viggo Mortensen (History -
Homenaje a La Naturaleza Y Al Arte
La actriz Crista Théret, en el papel de Andrée Heuschling, modelo de la última etapa del pintor Pierre-Auguste Renoir, en una escena de la película “Renoir”, de Gilles Bourdos. FOTO: GENTILEZA PRODUCCIÓN EL LITORAL www.ellitoral.com LUNES, 12 DE AGOSTO DE 2013 PRODUCCIÓN EL LITORAL ARGENTINO ® Homenaje a la naturaleza y al arte LAURA OSTI una joven desconocida llamada crueldad del conflicto bélico, con universal. Precisamente Jean, Andrée Heuschling, quien dice sus dolorosas consecuencias, y la luego del fin de la guerra, inicia a figura de Pierre-Auguste venir recomendada por la espo- exaltación de la vida y la belleza, su carrera como director, con Renoir es retratada aquí en sa del patrón para modelar para que sostiene casi imperativamen- Andrée (con quien se casa) como MUY BUENA Llos últimos años de su vida, él. Renoir sonríe ante la mentira te el patriarca de la familia. actriz fetiche, bajo el nombre de RENOIR cuando casi postrado por una con la que se presenta la mucha- En la villa de la Costa Azul, Catherine Hessling. • Idem, Francia, 2012. enfermedad reumática, se reclu- cha, quien ni siquiera sabía que transcurren los días en medio de Bourdos quiere captar la Dirección: Gilles Bourdos. ye en la Riviera francesa, en Côte su esposa había muerto, pero la una amable sensualidad y mien- atmósfera de Renoir y para ello Guión: Gilles Bourdos, Michel d’Azur, en una casa campestre, acepta como modelo para varias tras Jean se repone de su heri- debe prestar muchísima aten- Spinosa y Jérôme Tonerre. rodeado de mujeres que lo atien- de sus pinturas de este período. -
300 Greatest Films 4 Black Copy
The goal in this compilation was to determine film history's definitive creme de la creme. The titles considered to be the greatest of the great from around the world and throughout the history of film. So, after an in-depth analysis of respected critics and publications from around the globe, cross-referenced and tweaked to arrive at the ranking of films representing, we believe, the greatest cinema can offer. Browse, contemplate, and enjoy. Check off all the films you have seen 1 Citizen Kane 1941 USA 26 The 400 Blows 1959 France 51 Au Hasard Balthazar 1966 France 76 L.A. Confidential 1997 USA 2 Vertigo 1958 USA 27 Satantango 1994 Hungary 52 Andrei Rublev 1966 USSR 77 Modern Times 1936 USA 3 2001: A Space Odyssey 1968 UK 28 Raging Bull 1980 USA 53 All About Eve 1950 USA 78 Mr Hulot's Holiday 1952 France 4 The Rules of the Game 1939 France 29 L'Atalante 1934 France 54 Sunset Boulevard 1950 USA 79 Wings of Desire 1978 France 5 Seven Samurai 1954 Japan 30 Annie Hall 1977 USA 55 The Turin Horse 2011 Hungary 80 Ikiru 1952 Japan 6 The Godfather 1972 USA 31 Persona 1966 Sweden 56 Jules and Jim 1962 France 81 The Apartment 1960 USA 7 Apocalypse Now 1979 USA 32 Man With a Movie Camera 1929 USSR 57 Double Indemnity 1944 USA 82 Discreet Charm of the Bourgeoisie 1972 France 8 Tokyo Story 1953 Japan 33 E.T. the Extra-Terrestrial 1982 USA 58 Contempt (Le Mepris) 1963 France 83 The Seventh Seal 1957 Sweden 9 Taxi Driver 1976 USA 34 Star Wars Episode IV 1977 USA 59 Belle De Jour 1967 France 84 Wild Strawberries 1957 Sweden 10 Casablanca 1942 USA 35 -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide.