DOCSLIB.ORG

Suor Angelica

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Comisión directiva Presidente / Director general Frank Marmorek Secretario César Luis A. Garay Tesorero Enrique Rebagliati Vocales Juan Archibaldo Lanús Fernando Romero Carranza Revisor de cuentas Horacio C. M. Fernández Director de relaciones institucionales Horacio Oyhanarte Director de elencos Claudio Ratier Gerente de administración y finanzas Cecilia Cabanne Gerente de producción Alejandro Farías Gerente de comunicación y marketing Carla Romano Atención de socios Lorena Mangieri Edición de publicaciones Graciela Nobilo Prensa y difusión Patricia Casañas Buenos Aires Lírica es una asociación civil sin fines de lucro. Buenos Aires Lírica es miembro de OPERA America. Círculo de Amigos Amigos Protectores J.B y A.B Hedy Ritter Alejandro Cordero Juan Patricio O´Farrell Rafael Galanternik Amalia Sanjurjo de Vedoya Carlos González y Sra. Alfredo E Tiscornia Biaus IES Abroad Buenos Aires Gabriel Wiegers y Sra. Harry Ingham y Sra. Beatriz von Buch Felix Lanusse N.N. Frank Marmorek y Sra. Amigos Martín Abarrategui y Sra Inés Bacigalupo Mirta Adamovsky Eliana Badessich Carlos Adjoyan Diana Bajdacz de Gradel Lucila Agnese Rosendo Luis Baliarda Leticia Agusti Daniel Barindelli Beatriz Albert de Prudent Judith Barugel Edgardo Marcelo Alberti Susana de Bary Eduardo Alonso Renée Behar Jorge Álvarez Daniel Benisek Ana Álvarez María Teresa Berhongaray Isabel María de Alvear Juan Carlos Bernsau Alicia Sara Andriuolo Osvaldo Besasso Alicia Angió Blas Biondic Jorge Angió Miriam Biondic Susana Antequera Gino Bogani Eduardo Arabia Leda Bohcalie Kragozlu Meik Arango Zelmira Bollini Augusto Araoz Elizabeth Boote Manuela Araujo de Asencio Rosemary Boote de Cavanagh María Antonieta Arauz Berta Borensztein María Marta Arauz Monica Bort Marcelo Arias Osvaldo Héctor Bort Norberto Rafael Armando Elida Bragado Asbed Aryan Beatriz Brailovsky María Susana Arzeno Luis Eduardo Braun Amalia Ascarza de Benisek Adela de Braun Lynch Carlos Atan Cedric Bridger Luisa Atucha Graciela Bridger Magdalena Avendaño Beatriz Brinckmann ’ Juan Carlos Burghardt Guillermo Daglio Carlota I. Gershanik Juan Santiago Lasheras Shine Marisa Burghardt Miguel Ángel Damiano Zully Gianakis Ma. Cristina Lavandeyra de Sumay Nilda Cabezas Beatriz Davidson Mireia Girona Espi Isabel Llavallol de Pacheco Susana Haydeé Cabrera Lily De Benedetti Agustina González Balcarce Isabel López Almendros Gabriel Carlos Cabrera Alberto De Caro Estela González Bergez Marta Lugo de Palacio Elsa Cacchione Hugo De Francesco Adela González de Rojas Rosina Lussich de Ryan Francis Cahn Alba De La Torre Teresa González Fernandez Pablo Luiz Margarita Cahn Malena De Paula Irene González Godoy José Macaya Cecilia Camargo Edgardo De Simone Javier Goñi Marga Macaya Daniel Camdessus Hilda S. Della Bianca Sara Gorodich Gloria Mackinlay Liliana Camdessus Cecilia Devoto Angélica Gowland Mónica Mangudo Asunción Campos Julia Di Iorio Tomás Gowland Francisco Maradei Marcelo Candegabe Eliana Díaz Prebisch Juan Granica Nélida Marchese Marta Candegabe Néstor Dondero Martha Greco Clara Margulis Ana Cane Lilia Donovan Alicia Grevet Gloria Marolla Octavio Caraballo Dycasa S.A. María Inés Grosso Soto Julio Marolla Nancy Cardwell Beatriz E. Enz de Usarralde Elsa Guedes Adolfo Martignone Norma Carregal Mónica Erize Blanca Gulland Beatriz Martignone Cristina Casares de Bonadero Ramiro Esteverena Carlos Luis Herrera Marta Martineau María Elena Casasnovas Judith V. Faifman Marta Herrera René Martineau Luis Mario Castro Zulita Fellini Carina Herrera Gayol María Angelina Massini Juan Cavalieri Horacio Fernández María Irene Herrero Inés Mendez Renee Chaher de Chediack Josué Fernández Escudero Mary Hohenlohe María Mendez Casariego María Chammah Alicia Amalia Ferreirós Ezequiel Holodovsky Irene Mendiondo Susana Charlin Soldati Aldo Ferrer Monique Hoschet Elena Mignaquy Celina Coelho de Mesigos Mario Félix Ferreyra Blanca Igartúa Muriel Miller Celina Cofone Héctor Fiori Beatriz de Ingham María Elena Mitre Martha Colombo Guillermo Fiorito Dona Ini Patricia Moche Pablo Colombo Ana María Firpo Juan Carlos Irizar Nicole Moenaert Carlos Coppola Reni Fliess Julieta Irizar Renée Molina Andrés Cordero Aníbal Forchieri Elena Isabelo Ana María Montanaro Magdalena Cordero Beatriz Forte Guillermo Jacovella Víctor Hugo Morales y Sra Milagros Cordero de González Orcoyen Luis Cesar Forte Cintia Keledjian de Ferrer Rosa Moreda Victoria Cordero de Laplacette Adriana Freyvogel Eduardo Luis Kennel Pedro Moss Marta Cordero de O´Farrell Marlene Fuchs Cristina Khalouf Olga Muro de Nadal Soledad Cordero Rosa María Gaddini de Armando Roberto M. Kinsella Annabelle Nelson Alfredo Corti Miguel Angel Gallardo Julián Daniel Koslovsky Pablo Nersessian Pedro Ramón Cossio Marta Gancia Jasna Kostelac Cristina Nitka María de G. de Cossio César Luis Alberto Garay Laura Labate Alejandra María Nóbrega Agustín Costa Susana García Vega María Labougle Adela María Noel María Costa Alfredo Garofano Miguel Laharrague Carlos Nojek y Sra Carlos Cougnet Karin Gasser Jorge Landau Andrea O´Connor Philippe Cristelli Juan Raul Emilio Gear Juan Archibaldo Lanús Silvia Ohtake Marcela Cuan Alberto Gelly Cantilo y Sra Ignacio Laplacette Yayi Ortiz Eduardo D´Alessio y Sra Marta Beatriz Gerosa Jacqueline Lariviere Miguel Ortiz Basualdo ’ Rosa Otaño Beatriz Spaghi José María Pedraza Ian Stachnik Ana Pellegrini Leda Stachnik Juan Carlos Peña Beatriz Stein Ana Peralta Ramos Alicia Josefina Stratta Patricia Peralta Ramos Eduardo Suárez Battan Daniel Perazzo Noemi Sujov Silvina Pérez Moreno Supet S.A. Silvia Pérez San Martín Blanca Raquel Tamborenea Juan José Luis Piana Jorge Tanoira Silvia E. Piana María Cristina Teran Irma Piano de Alonso Marcelo Tournon Susana Piñero Ricardo Torres Mario Alberto Portela Gustavo Torrico Jorge Pozzo Robert W Trammell Jorge L. Propato Luisa Elena Ugarte Angélica Quintana Delia Ugarte de Riglos Estela Irene Ratto José Antonio Urgell Enrique Rebagliati Ethel Uribe Adriana Reil de Gamba Juan Carlos Ursi Celia Rial Juan M. Vacchino María Zulma Riccitelli Alejandra Valsecchi Miguel Riglos Hipólito Valverde y Sra Susana Riva Luisa Vara María Luisa Rivera Sorron Rubén Alberto Varan y Sra Enrique Rodríguez Hidalgo Mario Eduardo Vázquez Alejandro Rojas Lagarde Susana Velazco de Kennel Adriana Romero Mónica Villalobos Fernando Romero Carranza José Héctor Villalva Margot Sanchez Elias Patricia Vita Claudia Sanclemente Andrés von Buch María Sanclemente Dorotea von Erb Magdalena Santamarina de Moss Emilio Weinschelbaum Susana Santillan Sofia.G. Wyrouboff Alicia Savanti Ricardo Yomha Mónica Susana Schang Horacio Zanelli Bárbara Schmidt Jorge Zarattini Carlos O. Schmidt Silvia Zartmann Liliana Pinto de Schmidt Maud Zemborain Marina Lucila Scornik de Weinschelbaum María Ester Ziade Oscar Secco Juan Ramón Zimmermann Lilly Sielecky Miguel Zimmermann Inés Socas Alvear Abel Zubizarreta Esteban Sorter Estela Zweifel Susana Spada Reparto de Suor Angelica Suor Angelica Florencia Fabris PRESENTA La tía princesa Elisabeth Canis La abadesa Alicia Alduncín La ópera en un acto con música de La hermana celadora Vanina Guilledo Giacomo Puccini La maestra de las novicias Rocío Arbizu Hermana Genovieffa María Belén Rivarola y libreto de Hermana Osmina Elisa Calvo Giovacchino Forzano Hermana Dolcina Patricia Villanova La hermana enfermera Florencia Machado Las mendicantes Sabrina Cirera, Melina Biagetti La novicia Patricia Deleo Las conversas Ana Durañona, Sabrina Contestabile y el drama en un prólogo y dos actos con música y libreto de Ruggero Leoncavallo Reparto de Pagliacci Canio Luis Lima Nedda Florencia Fabris Tonio Omar Carrión Silvio Ernesto Bauer Beppe Fermín Prieto Dos campesinos Juan Feico, Fabián Frías Dirección musical Carlos Vieu Puesta en escena, diseño de Marcelo Perusso escenografía y vestuario Adaptación orquestal de Pagliacci Juan Casasbellas Diseño de iluminación Rubén Conde Preparadora musical Marcela Esoin Dirección del coro Juan Casasbellas Asistente de dirección musical Lucía Zicos Asistente de régie y stage manager Facundo di Stéfano Pianistas acompañantes y maestros internos Cecilia Fracchia, Ivan Rutkauskas, Marcela Esoin, Lucía Zicos Funciones Preparación idiomática Cristina Ferrajoli Viernes 9, martes 13, jueves 15 y sábado 17 de septiembre a las 20. Vestuarista asociada Mabel Falcone Domingo 11 de septiembre a las 18. Meritoria de vestuario Bárbara Schmidt Duración total aproximada del espectáculo: 2 horas 45 minutos Maestra de luces Gabriela Battipede Suor Angelica: 1 hora Sobretitulado Mariana Nigro Intervalo: 25 minutos. Pagliacci: 1 hora 20 minutos. Asistente de sobretitulado Javier Giménez Zapiola Orquesta Cornos Gastón Frosio Cristian Morabito Violines I Mauricio Marcelli (concertino) Trompetas Leonardo Ambadjian Alfredo Wolf Javier Lovato Juan de la Cruz Bringas Luis Isaia Florencia Argañaraz Leonardo Descalzo Trombones Pablo Fenoglio Valeria Matsuda Jorge Ramírez Caceres Violines II Fernando Morelli Tuba Pedro Pulzovan Anabella Fernandez Teresa Castillo Arpa Nina Ellegiers Flora Fermadjian Timbal Martín Diez Violas Gabriel Falconi Jorge Sandrini Percusión Gustavo Alfieri Delia Bru Eduardo Nicouleav Mariano Fan Celesta Matías Chapiro Violoncellos Carlos Nozzi Marisa Pucci Bandas internas Lidia Martin Piccolo / Flautín Stella Maris Marello Agustin Bru Piano Carola Costa Órgano Marcela Esoin Contrabajos Elian Ortiz Trompeta Luis Isaia Marco Cifuentes Santiago Bechelli Archivista Anselmo Livio Flauta I Jorge de la Vega Flauta II / Flautín Martin Auza Coro de Buenos Aires Lírica Oboe I Alejandro Lago Sopranos Elsa Aliboni Ruth Attaguile Oboe II / Corno inglés
Recommended publications
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26

    17.2. Cylinders, Ed. Discs, Pathes. 7-26

    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item

    VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item

    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette.
  • Arriva Un Bastimento Carico Di Artisti. Sulle Tracce Della Cultura Italiana Nella Buenos Aires Del Centenario

    Arriva Un Bastimento Carico Di Artisti. Sulle Tracce Della Cultura Italiana Nella Buenos Aires Del Centenario

    RiMe Rivista dell’Istituto di Storia dell’Europa Mediterranea ISSN 2035-794X numero 6, giugno 2011 Arriva un bastimento carico di artisti. Sulle tracce della cultura italiana nella Buenos Aires del Centenario Irina Bajini Istituto di Storia dell’Europa Mediterranea Consiglio Nazionale delle Ricerche http://rime.to.cnr.it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
  • Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip

    Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip

    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
  • Il Trittico Pucciniano

    Il Trittico Pucciniano

    GIACOMO PUCCINI IL TRITTICO PUCCINIANO Il trittico viene rappresentato per la prima volta al Teatro Metropolitan di New York il 14 dicembre 1918. Il tabarro - Luigi Montesanto (Michele); Giulio Crimi (Luigi), Claudia Muzio (Giorgetta); Suor Angelica - Geraldine Farrar (Suor Angelica), Flora Perini (Zia Principessa); Gianni Schicchi - Giuseppe de Luca (Gianni Schicchi), Florence Easton (Lauretta), Giulio Crimi (Rinuccio); direttore d'orchestra Roberto Moranzoni. La prima italiana ha luogo, meno d'un mese dopo, al Teatro Costanzi (odierno Teatro dell'opera di Roma) l'undici gennaio 1919, sotto la prestigiosa direzione di Gino Marinuzzi, fra gli interpreti principali: Gilda dalla Rizza, Carlo Galeffi, Edoardo de Giovanni, Maria Labia, Matilde Bianca Sadun. L'idea d'un "Trittico" - inizialmente Puccini aveva pensato a tre soggetti tratti dalla Commedia dantesca, poi a tre racconti di autori diversi - si fa strada nella mente del Maestro almeno un decennio prima, già a partire dal 1905, subito a ridosso di Madama Butterfly. Tuttavia, sia questo progetto sia quello d'una "fantomatica" Maria Antonietta (che, come si sa, non fu mai realizzata) vengono per il momento accantonati in favore della Fanciulla del West (1910). La fantasia pucciniana è rivisitata dall'immagine d'un possibile "trittico" nel 1913, proprio mentre proseguono - gli incontri con Gabriele D'Annunzio per una possibile Crociata dei fanciulli...... Infatti, proprio nel febbraio di quello stesso anno Puccini è ripreso dall'urgenza del "trittico": immediatamente avvia il lavoro sul primo dei libretti che viene tratto da La Houppelande, un atto unico, piuttosto grandguignolesco, di Didier Gold, cui il compositore aveva assistito, pochi mesi prima, in un teatro parigino: sarà Il tabarro, abilmente ridotto a libretto da Giuseppe Adami.
  • Enrico Caruso

    Enrico Caruso

    NI 7924/25 Also Available on Prima Voce ENRICO CARUSO Opera Volume 3 NI 7803 Caruso in Opera Volume One NI 7866 Caruso in Opera Volume Two NI 7834 Caruso in Ensemble NI 7900 Caruso – The Early Years : Recordings from 1902-1909 NI 7809 Caruso in Song Volume One NI 7884 Caruso in Song Volume Two NI 7926/7 Caruso in Song Volume Three 12 NI 7924/25 NI 7924/25 Enrico Caruso 1873 - 1921 • Opera Volume 3 and pitch alters (typically it rises) by as much as a semitone during the performance if played at a single speed. The total effect of adjusting for all these variables is revealing: it questions the accepted wisdom that Caruso’s voice at the time of his DISC ONE early recordings was very much lighter than subsequently. Certainly the older and 1 CAVALLERIA RUSTICANA, Mascagni - O Lola ch’ai di latti la cammisa 2.50 more artistically assured he became, the tone became even more massive, and Rec: 28 December 1910 Matrix: B-9745-1 Victor Cat: 87072 likewise the high A naturals and high B flats also became even more monumental in Francis J. Lapitino, harp their intensity. But it now appears, from this evidence, that the baritone timbre was 2 LA GIOCONDA, Ponchielli - Cielo e mar 2.57 always present. That it has been missed is simply the result of playing the early discs Rec: 14 March 1910 Matrix: C-8718-1 Victor Cat: 88246 at speeds that are consistently too fast. 3 CARMEN, Bizet - La fleur que tu m’avais jetée (sung in Italian) 3.53 Rec: 7 November 1909 Matrix: C-8349-1 Victor Cat: 88209 Of Caruso’s own opinion on singing and the effort required we know from a 4 STABAT MATER, Rossini - Cujus animam 4.47 published interview that he believed it should be every singers aim to ensure ‘that in Rec: 15 December 1913 Matrix: C-14200-1 Victor Cat: 88460 spite of the creation of a tone that possesses dramatic tension, any effort should be directed in 5 PETITE MESSE SOLENNELLE, Rossini - Crucifixus 3.18 making the actual sound seem effortless’.
  • ARSC Journal

    ARSC Journal

    HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote-­ Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be­ zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner­ baron--0 habet acht.
  • 12-15-2018 Trittico Eve.Indd

    12-15-2018 Trittico Eve.Indd

    GIACOMO PUCCINI il trittico conductor Il Tabarro Bertrand de Billy Opera in one act with a libretto by production Giuseppe Adami, based on the play Jack O’Brien La Houppelande by Didier Gold set designer Suor Angelica Douglas W. Schmidt Opera in one act with a libretto by costume designer Jess Goldstein Giovacchino Forzano lighting designers Gianni Schicchi Jules Fisher and Opera in one act with a libretto Peggy Eisenhauer by Giovacchino Forzano, based on revival stage directors a passage from the narrative poem Gregory Keller and J. Knighten Smit Divina Commedia by Dante Alighieri Saturday, December 15, 2018 8:30 PM–12:35 AM Last time this season The production of Il Trittico was made possible by a generous gift from Karen and Kevin Kennedy Additional funding for this production was received from the Gramma Fisher Foundation, general manager Peter Gelb Marshalltown, Iowa, The Annenberg Foundation, Hermione Foundation, Mr. and Mrs. William R. jeanette lerman-neubauer music director Miller, and M. Beverly and Robert G. Bartner Yannick Nézet-Séguin 2018–19 SEASON The 87th Metropolitan Opera performance of GIACOMO PUCCINI’S il tabarro conductor Bertrand de Billy in order of vocal appearance giorget ta Amber Wagner michele George Gagnidze luigi Marcelo Álvarez tinca Tony Stevenson* talpa Maurizio Muraro a song seller Brian Michael Moore** frugol a MaryAnn McCormick young lovers Ashley Emerson* Yi Li Saturday, December 15, 2018, 8:30PM–12:35AM 2018–19 SEASON The 81st Metropolitan Opera performance of GIACOMO PUCCINI’S suor angelica conductor
  • CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet

    CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet

    CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 9142. BA 28137. TOSCA: Vissi d’arte (Puccini). OBT and pamphlet. Just about 1-2. $50.00. CESARE ALESSANDRONI [b] 9127. U.S. Everlasting 33027. OTELLO: Credo (Verdi). In an Edison Orange repro- duction box. 2. $50.00. CORNELIUS BRONSGEEST [b] 9150. BA 26122. TANNHÄUSER: O du mein holder Abendstern (Wagner). Reproduction Edison orange box. Cons. ADELINA AGOSTINELLI 2. $50.00. JOHANNE BRUN [s]. 1874-1954. Her debut was at the Royal Danish Opera, 1896, as the Queen of the Night in The Magic Flute.
  • VERDI Also Available Simon Boccanegra

    VERDI Also Available Simon Boccanegra

    8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 12 VERDI Also Available Simon Boccanegra O GOB TIT BI 8.111334-35 8.111240-41 1 g 957 Recordin Tito Gobbi • Boris Christoff Victoria de los Angeles • Giuseppe Campora 8.111284-85 8.111332-33 Rome Opera House Chorus and Orchestra Gabriele Santini 8.110119-20 12 8.110119-20 bk Boccanegra_EU 12/12/08 1:42 PM Page 2 Great Opera Recordings pleads for death and Amelia is moved by his great love, whom he had thought dead. Boccanegra forgives him, seeking to heal old enmities. £ He returns, as a ghost, to avenge outrage. The lights & Shouts are heard outside and calls to arms, the start of begin to go out in the piazza outside. Boccanegra, Giuseppe the rebellion against the Doge, who bids Gabriele join his however, is relieved at Fiesco’s appearance and can friends. The latter demurs, now loyal to Boccanegra and announce peace between them. He tells him that his own VERDI rewarded with the hand of Amelia. daughter and Fiesco’s grand-daughter is Amelia Grimaldi. (1813 - 1901) Act 3 ¢ Fiesco weeps at the revelation. He hears in Boccanegra’s words the voice of Heaven. Boccanegra * From the Doge’s palace Genoa can be seen, seeks to embrace him, the father of his beloved Maria. Simon Boccanegra illuminated as for a festival. The shouts of the crowd are Fiesco tells Boccanegra of the poison. The latter is Opera in a Prologue and Three Acts heard, praising the Doge. growing weaker and collapses onto a seat, as Amelia, Text by Franceso Maria Piave as modified by Arrigo Boito ( A captain of the bowmen gives Fiesco back his sword Gabriele, ladies, gentlemen, senators and pages with and tells him he is free.
  • The Hyechra Club

    The Hyechra Club

    THE HYECHRA CLUB The narrator has had a lively interest in The Hyechka Club since its beginning and believes that its history merits recording and dmu- menting in The Chronicles of OkZuhoma, Members of the Club in the past have been interested and its members today are interested in building and supporting a city and a state as cultural centers in which to rear patriotic and Clod-fearing children worthy of the loftiest ideals. Instead of a brief history, this band of music lovers is entitled to a fdsized, two volume publication to report ad* quately all that they have given to the education of young people along cdtural lines and to the wealth of Tulsa and the State of Oklahoma as expressed in the leadership and influence of the known and unknown contributors. Looking over the names of world famous artists that have appeared on its early programs and in its annual Spring Festivals, the words of Warner Van Valkenburg are a fitting tribute and introduction even to this brief history of Tulsa's pioneer organization of music lovers :l "I AM MUSIC. "I am the hymns of the Christian Martyrs in the catacombs; I am the songs of thanksgiving of the kneeling Pilgrime; I am the fugues of Bach, and the oratorios of Handel and Haydn; I am the magic flute of Momrt; I am the immortal symphonies of Beethoven; I am the throbbing mee- sages of Schubert and Schumann; I am the nocturnes of Chopin and the folk melodies of Dvorak; I am the rhapsodies of Linzt and the music- dramas of Wagner; I am the voice of Peter Tchaikowski, crying in the wilderness; I am Brahms and Richard Straues, and Verdi, fulfilling the command of destiny; yea I have breathed upon the harps of MacDowell and Cadman, and have sung of a new world in the west.
  • Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott

    Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott

    Martin Abendroth Sinfonie Orchester, dir. Felix Günther Die Zauberflöte Mozart 1929, Berlín 52434 In diesen heiligen Hallen Hom. A 8030 5101 52435 O Isis und Osiris Hom. A 8030 5101 Bessie Abott, Enrico Caruso, Louise Homer, Antonio Scotti orchestra Rigoletto Verdi 20.2.1907, New York A 4259 Bella figlia dell´amore HMV DO 100 6823 Jerzy S. Adamczewski Orkiestra symfoniczna, dir. Olgierd Straszyński Halka Stanisław Moniuszko / Włodzimierz Wołski 1955±, Varšava WA 1489 Racitativ i ariaJanusza Muza 1717 P 1321 Auguste Affre, Etienne Billot Orchestre Faust Gounod x.5.1907, Paříž XP 3362 Duo du 1er Acte – 2 Disque Odeon 60329 X 40 Werner Alberti klavír Martha Flotow x.9.1905, Berlín xB 675 Mag der Himmel euch vergeben Odeon Record 34296, 1/10 okraj X 15 Postillion von Lonjumeau Adam x.9.1905, Berlín Bx 679 Postillionslied Odeon Record 34296, 1/10 okraj X 15 Orchester Troubadour Verdi x.2.1906, Berlín 1001 Ständchen Hom. B. 838 P 11261 14.5.1906, Berlín 1701 Stretta Hom. B. 838 P 11261 Bajazzo Leoncavallo x.7.1912, Berlín 14281 Nein, bin Bajazzo nichr bloss! Beka B. 3563 P 10964 14285 Hüll´ dich in Tand Beka B. 3563 P 10964 Odeon-Orchester, dir. Friedrich Kark Troubadour Verdi x.9.1906, Berlín Bx 1641 Ständchen Odeon Record 50152 X 65 Lohengrin Wagner x.9.1906, Berlín Bx 1659 Nun sei bedankt, mein lieber Schwann Odeon Record 50161 X 65 Frances Alda, Enrico Caruso, Josephine Jacoby, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Martha Flotow 7.1.1912, New York A 11437 Siam giunti, o giovinette HMV DM 100 5420 A 11438 Che vuol dir cio HMV DM 100 5420 A 11439 Presto, presto andiam HMV DM 104 5422 A 11440 T´ho raggiunta sciagurata HMV DM 104 5422 Frances Alda, Enrico Caruso, Marcel Journet Victor Orchestra, dir.