STAFF PUBLICATIONS April 2015 – March 2016

SUSANNA AVERY-QUASH MORWENNA BLEWETT ALLISON GOUDIE Senior Research Curator (History of Collecting) Assistant Restorer Harry M. Weinrebe Curatorial Assistant ‘Botticelli and Victorian Art Collecting’, in Mark ‘Incident Preparedness at the National Gallery: ‘Verso una storia popolare del Sarto di Moroni Evans and Stefan Weppelmann (eds), Botticelli Developing a Grab Bag for Rapid Response in Gran Bretagna’, in M. Cristina Rodeschini Reimagined, exh. cat., Gemaldegalerie, Berlin; to a Corrosive Attack’, Studies in Conservation, (ed.), Giovanni Battista Moroni: Il Sarto, exh. cat., Victoria and Albert Museum, 2015, vol. 60, no. 6 (2015), pp. 393–417 (with Accademia Carrara, Bergamo 2015, pp. 33–9 pp. 68–74 Lynne Harrison and David Peggie) ‘Picture Notes’, in Xavier Bray, Goya: The Portraits, ‘The Art of Conservation II: Sir Charles Eastlake ‘Sebastian Isepp Painting Restorer, London exh. cat., The National Gallery, London 2015, and Conservation at the National Gallery, & ’, of Art and pp. 242–53 London’, The Burlington Magazine, CLVII Archaeology, , Magazine, Book reviews: Amy Freund, Portraiture and Politics (December 2015), pp. 846–54 no. 71 (Spring 2016) in Revolutionary France (Pennsylvania University ‘William Hazlitt’s Account of “Mr Angerstein’s ‘When Cultural Property is Just Property: How Press, 2014); Richard Taws, The Politics of the Collection of Pictures”’, Tate Papers, no. 24 English Law Approaches Damage to Movable Provisional: Art and Ephemera in Revolutionary (Autumn 2015): http://www.tate.org.uk/ versus Immovable Cultural Property’, Art, France (Pennsylvania University Press, 2013), research/publications/tate-papers/24/william- Antiquity and Law, vol. XX, no. 4 (2015) Oxford Art Journal, vol. 38, no. 2 (June 2015), hazlitts-account-of-mr-angersteins-collection- ‘Institutional Restorers, Cultural Plunder, and pp. 288–92 of-pictures New Collections’, in Tanja Baensch, Kristina “Boxall is interested only in the Great Masters Kratz-Kessemeier and Dorothee Wimmer (eds), LYNNE HARRISON ... Well, we’ll see about that!” , Museen in Nationalsozialismus: Akteure-Orte- Paintings Conservator Federico Sacchi and Cremonese Art at the Politik, Cologne, Weimar and Vienna 2016, ‘Incident Preparedness at the National Gallery: National Gallery’, Journal of the History of pp. 147–68 Developing a Grab Bag for Rapid Response to Collections (with Silvia Davoli): first published a Corrosive Attack’, Studies in Conservation, vol. online, September 2015: doi:10.1093/jhc/fhv028 CAROLINE CAMPBELL 60, no. 6 (2015), pp. 393–417 (with Morwenna Exhibition review: Beauty and Power – Plymouth’s The Jacob Rothschild Head of the Curatorial Department Blewett and David Peggie) Greatest Gift – The Cottonian Collection (Plymouth ‘Botticelli and the Bottega’, in Mark Evans and City Museum and Art Gallery, 2015), Journal of Stefan Weppelmann (eds), Botticelli Reimagined, CATHERINE HIGGITT the History of Collections, May 2015: doi:10.1093/ exh. cat., Gemäldegalerie, Berlin; Victoria and Principal Scientific Officer jhc/fhv009 Albert Museum, London, 2015–16, pp. 24–9 ‘Tools for Eternity: Pre-Columbian Workbaskets “A Gallery of Art”: Fresh Light on the Art Exhibition review: Carpaccio (Palazzo Sarcellini, as Textile Production Toolkits and Grave Collection of Sir Charles Eastlake (1793–1865)’, Conegliano), The Burlington Magazine, vol. Offerings’, British Museum Technical Research The British Art Journal, vol. XV, no. 3 CLVII (June 2015), pp. 433–5 Bulletin, vol. 9 (2015), pp. 65–86 (with Karen (Spring 2015), pp. 11–37 Exhibition review: Ornament and Illusion: Carlo E. Price, Thibaut Devièse, Colin McEwan Book review: Guillaume Faroult, Monica Crivelli of Venice (Isabella Stewart Gardner and Bill Sillar) Preti and Christoph Vogtherr (eds), Delicious Museum, Boston), The Burlington Magazine, ‘The Admonitions Scroll: Condition, Treatment Decadence: The Rediscovery of French Eighteenth- vol. CLVIII (February 2016), pp. 161–2 and Housing 1903–2014’, British Museum Century Painting in the Nineteenth Century Technical Research Bulletin, vol. 9 (2015), pp. (Ashgate, 2014), Journal of the History of JILL DUNKERTON 25–43 (with Joanna Kosek, Jin Xian Qiu, Collections, vol. 28, issue 1 (March 2016), Senior Restorer Keisuke Sugiyama, Carol Weiss, David Saunders, pp. 155–7: doi:10.1093/jhc/f hv005 ‘Developments in the Technique of Jacopo Janet Ambers and Caroline Cartwright) Bassano’s Works in the National Gallery, RACHEL BILLINGE London’, in Jacopo Bassano, i figli, la scuola, HELEN HOWARD Research Associate, Conservation l’eredità, Atti del Convegno Internazionale di Studio, Scientific Officer – Inorganic Analyst ‘The Technique of the Wilton Diptych’, in Dillian Bassano del Grappa, Museo Civico – Padova, Contributions to ‘ after 1540: Technique Gordon, The Wilton Diptych, London 2015, pp. Università degli Studi, Archivio Antico del Bo, 30 and Style in his Later Works’, and ‘Catalogue’, 94–108 (with Ashok Roy, Martin Wyld and marzo – 2 aprile 2011, Bollettino del Museo Civico, National Gallery Technical Bulletin, Titian’s Painting ) 30–4 (2009–13), Naples 2014, III, pp. 752–65, Technique from 1540, vol. 36 (2015), pp. 6–39 and ‘Artists’ Underdrawing and the Workshop Transfer figs pp. 901–7 (with Marika Spring) pp. 40–115 (Jill Dunkerton and Marika Spring, Process’, in Tarnya Cooper, Aviva Burnstock, ‘Titian after 1540: Technique and Style in his with contributions from Rachel Billinge, Helen Maurice Howard and Edward Town (eds), Later Works’, and ‘Catalogue’, National Gallery Howard, Gabriella Macaro, Rachel Morrison, Painting in Britain 1500–1630, Oxford 2015, pp. Technical Bulletin, Titian’s Painting Technique from David Peggie, Ashok Roy, Lesley Stevenson 138–45 1540, vol. 36 (2015), pp. 6–39 and pp. 40–115 and Nelly von Aderkas) Contributions to ‘Titian after 1540: Technique (with Marika Spring, with contributions from and Style in his Later Works’, and ‘Catalogue’, Rachel Billinge, Helen Howard, Gabriella SIÂN HUNTER DODSWORTH National Gallery Technical Bulletin, Titian’s Painting Macaro, Rachel Morrison, David Peggie, Ashok Adult Learning Programmer Technique from 1540, vol. 36 (2015), pp. 6–39 and Roy, Lesley Stevenson and Nelly von Aderkas) ‘Partnerships and Plurality: Community pp. 40–115 (Jill Dunkerton and Marika Spring, Partnerships and Evolving Practices’, in with contributions from Rachel Billinge, Helen SUSAN FOISTER K. McSweeny and J. Kavanagh (eds), Howard, Gabriella Macaro, Rachel Morrison, Director of Public Engagement (and Deputy Director) Museum Participation: New Directions for David Peggie, Ashok Roy, Lesley Stevenson and ‘Distinctive or Different? English Artistic Practices Audience Collaborations, London 2016 Nelly von Aderkas) in a European Context’, in Tarnya Cooper, (with L. Cruickshanks) Aviva Burnstock, Maurice Howard and Edward Town (eds), Painting in Britain 1500–1630, ANNA KOOPSTRA Oxford 2015, pp. 204–15 Simon Sainsbury Curatorial Assistant, Paintings before 1500 Catalogue entries in Susie Nash (ed.), Late Medieval Panel Paintings II: Material, Methods, Meanings, London 2015

1 THE NATIONAL GALLERY REVIEW OF THE YEAR 2015–2016 NATIONAL GALLERY STAFF PUBLICATIONS

RACHEL MORRISON CHRISTOPHER RIOPELLE MARIKA SPRING Scientific Officer – Organic Analyst Curator of Post-1800 Paintings Head of Science Contributions to ‘Titian after 1540: Technique Delacroix and the Rise of Modern Art, exh. cat., ‘Developments in the Technique of Jacopo and Style in his Later Works’, and ‘Catalogue’, The National Gallery, London 2015 (with Bassano’s Works in the National Gallery, National Gallery Technical Bulletin, Titian’s Painting Patrick Noon) London’, in Jacopo Bassano, i figli, la scuola, Technique from 1540, vol. 36 (2015), pp. 6–39 and ‘Los retratos italianos, 1806–1824’ and individual l’eredità, Atti del Convegno Internazionale di Studio, pp. 40–115 (Jill Dunkerton and Marika Spring, entries on eight portraits, in Vincent Pomarède Bassano del Grappa, Museo Civico – Padova, with contributions from Rachel Billinge, Helen and Carlos G. Navarro (eds), Ingres, exh. cat., Università degli Studi, Archivio Antico del Bo, 30 Howard, Gabriella Macaro, Rachel Morrison, Museo Nacional del Prado, Madrid 2015, marzo – 2 aprile 2011, Bollettino del Museo Civico, David Peggie, Ashok Roy, Lesley Stevenson pp. 187–213 30–4 (2009–13), Naples 2014, III, pp. 752–65, and Nelly von Aderkas) ‘La belleza extraña de Ingres’ (Ingres’s Strange figs pp. 901–7 (with Jill Dunkerton) Beauty), in Historia de la belleza: De Fidias a ‘High resolution Fourier domain Optical HARRIET O’NEILL Picasso, Fundación Amigos, Museo Nacional Coherence Tomography at 2 microns for painted Vivmar Curatorial Assistant (to March 2016) del Prado, Madrid 2015, pp. 209–28 objects’, in Luca Pezzati; Piotr Targowski Contributions to and Peter Book review: Marnin Young, Realism in the Age (eds), Proceedings of SPIE 9527, Optics for Arts, Schade, The Sansovino Frame, exh. cat., of Impressionism: Painting and the Politics of Time Architecture, and Archaeology V, vol. 9527, 952705 The National Gallery, London 2015 (Yale University Press, 2015), The Art Newspaper, (2015): http://dx.doi.org/10.1117/12.2185071 March 2016 (with H. Liang, C.S. Cheung, J.M.O. Daniel, DAVID A. PEGGIE Book review: Christoph Vogtherr, Monica Preti M. Tokurakawa, W.A. Clarkson) Scientific Officer – Organic Analyst and Guillaume Faroult (eds), Delicious Decadence: ‘Titian after 1540: Technique and Style in his Contributions to ‘Titian after 1540: Technique The Rediscovery of French Eighteenth-Century Later Works’, and ‘Catalogue’, National Gallery and Style in his Later Works’, and ‘Catalogue’, Painting in the Nineteenth Century (Ashgate, 2014), Technical Bulletin, Titian’s Painting Technique from National Gallery Technical Bulletin, Titian’s Painting The Art Newspaper, September 2015 1540, vol. 36 (2015), pp. 6–39 and pp. 40–115 Technique from 1540, vol. 36 (2015), pp. 6–39 and (with Jill Dunkerton, with contributions from pp. 40–115 (Jill Dunkerton and Marika Spring, ANNE ROBBINS Rachel Billinge, Helen Howard, Gabriella with contributions from Rachel Billinge, Helen Associate Curator of Post-1800 Paintings Macaro, Rachel Morrison, David Peggie, Ashok Howard, Gabriella Macaro, Rachel Morrison, ‘Akseli Gallen-Kallela: In the Wake of Dream and Roy, Lesley Stevenson and Nelly von Aderkas) David Peggie, Ashok Roy, Lesley Stevenson Reality’, in Keys to a Passion, exh. cat., Fondation ‘The Conservation History of Titian’s Diana and and Nelly von Aderkas) Louis Vuitton, Paris 2015, pp. 94–7 Actaeon and Diana and Callisto’, National Gallery ‘Incident Preparedness at the National Gallery: Technical Bulletin, Titian’s Painting Technique Developing a Grab Bag for Rapid Response to ASHOK ROY from 1540, vol. 36, (2015), pp. 116–23 (with a Corrosive Attack’, Studies in Conservation, vol. Director of Collections (to February 2016) Jacqueline Ridge) 60, no. 6 (2015), pp. 393–417 (with Morwenna Editor and contributor, National Gallery Technical Blewett and Lynne Harrison) Bulletin: Titian’s Painting Technique from 1540, vol. LETIZIA TREVES 36, National Gallery Company, London 2015 Curator of Italian and Spanish Paintings 1600–1800 NICHOLAS PENNY Catalogue entries in Sandro Bellesi and Anna Director (to August 2015) PETER SCHADE Bisceglia (eds), Carlo Dolci 1616–1687, exh. cat., The Sansovino Frame, exh. cat., The National Head of Framing Palazzo Pitti, Galleria Palatina, Florence 2015, Gallery, London 2015 (with Peter Schade and The Sansovino Frame, exh. cat., The National nos 17 (pp. 196–7), 18 (pp. 198–9) and 61 Harriet O’Neill) Gallery, London 2015 (with Nicholas Penny (pp. 300–1) and Harriet O’Neill) Catalogue entry in Michel Hilaire and Nicola CHLOË REDDAWAY Spinosa (eds), L’Âge d’or de la peinture à Naples, Howard and Roberta Ahmanson Fellow JENNIFER SLIWKA de Ribera à Giordano, exh. cat., musée Fabre, in Art and Religion Howard and Roberta Ahmanson Fellow Montpellier 2015, no. 7, pp. 288–9 Book review: Natasha O’Hear and Anthony in Art and Religion (to August 2015) O’Hear, Picturing the Apocalypse: The Book of Visions of Paradise: Botticini’s Palmieri Altarpiece, MARJORIE E. WIESEMAN Revelation in the Arts over Two Millennia (Oxford exh. cat., The National Gallery, London 2015 Curator of Dutch and Flemish Paintings 1600–1800 University Press, 2015), Art and Christianity Vermeer and : The Masters of the Enquiry, 84 (Winter 2015) 17th Century Dutch Golden Age, exh. cat., ‘St Peter’s Church, Martley and St Edburga’s Kyoto Municipal Museum of Art; Mori Arts Church, Leigh’, in Glory, Azure and Gold: Centre Gallery, Tokyo; Fukushima Prefectural Twelve Stained-Glass Windows by Thomas Denny, Museum of Art 2015 (with Jeroen Giltaij London 2015 and Taco Dibbits) Transformations in Person and Paint: Visual Theology, Historical Images, and the Modern Viewer, MATTHIAS WIVEL Turnhout 2016 Curator of 16th-Century Italian Paintings ‘How to Read a Painting’, Church Times Catalogue entry in Enrico Maria dal Pozzolo and (Lent supplement), 18 March 2016 Lionello Puppi (eds), Splendori del Rinascimentio a Venezia: Schiavone tra Parmigianino, Tintoretto e Tiziano, exh. cat., Museo Correr, Venice 2015, pp. 364–6 Exhibition review: Florence – Portraits à la Cour des Médicis (Musée Jacquemart-André, Paris), The Burlington Magazine, vol. CLVIII (January 2016), pp. 56–7

2 THE NATIONAL GALLERY REVIEW OF THE YEAR 2015–2016 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS April 2015 – March 2016

PAUL ACKROYD DENISE KING Restorer Director (from August 2015) Photography and Imaging Manager Visiting Lecturer and External Examiner, To July 2015 Member of the Committee and Events Liaison Conservation and Technology Department, Museo Nacional del Prado, Deputy Director of Officer, Association for Historical and Fine Art Courtauld Institute of Art Collections and Research Photography Visiting Lecturer, Stichting Restauratie Atelier Limburg, Maastricht From August 2015 MATTHEW MORGAN Ex-officio Adult Learning Officer SUSANNA AVERY-QUASH Expert Advisor to the DCMS referring cases to Trustee, The Upper Room Senior Research Curator (History of Collecting) the Reviewing Committee on the Export of Associate Lecturer, Birkbeck College, Member of the Advisory Board for Tate Works of Art University of London, Department Britain’s AHRC project, ‘Mural Art in Member of the Board of Electors to the Slade of Media and Cultural Studies 20th-Century Britain’ Professorship of Fine Art, University of Oxford Governor, All Saints School, Fulham External Examiner for BA (Hons) Creative Member of the Advisory Board of the Arts Management & MA Arts and Cultural Government Art Collection ORLAGH MULDOON Management, University of Plymouth Programmer for Schools and Teachers Senior Research Fellow, Humanities Research Trusteeships and Memberships Part-Time Assistant Lecturer in History of Art, Institute, University of Buckingham Non-Executive Director of the National Gallery Oxford Brookes University Fellow of the Society of Antiquaries Company External peer reviewer for The Paul Mellon Trustee of The Burlington Magazine (from DEBORAH MYERS Centre’s journal ‘British Art Studies’ June 2015) Head of Development Member of the Working Group for the National Member of the International Advisory Board Member of the Planned Giving Committee, Museums Directors’ Council established to of the State Hermitage Museum UJIA examine the issues surrounding the spoliation Member of the Comitato Scientifico Board Member, Finchley Federation of works of art during the Holocaust and Fondazione De Vito World War II BRITTA NEW JONATHAN FRANKLIN Assistant Restorer CHRISTINA BRADSTREET Librarian Visiting Lecturer, Conservation of Easel Courses and Events Programmer Member of the Art Libraries Section Standing Paintings course at the Stichting Restauratie Honorary Secretary of the Association Committee, International Federation of Library Atelier Limburg (SRAL), Maastricht, of Art Historians Associations and Institutions (University of Amsterdam) Panel Member of the Association of Art Member of the International Advisory Board Historians, Events Advisory Committee LYNNE HARRISON for the Climate4wood research project, Paintings Conservator Rijksmuseum & Eindhoven University of CAROLINE CAMPBELL Consultant / Contributor to the Getty Research Technology. The Jacob Rothschild Head of the Curatorial Department Project, Ancient Panel Paintings Examination, Mid-Career Participant, Panel Paintings Board Member, Department of Conservation Analysis and Research (APPEAR) Initiative, Getty Foundation and Technology, Courtauld Institute of Art Council Member, Society for Renaissance GILL HART DAVID A. PEGGIE Studies Head of Adult Learning Scientific Officer – Organic Analyst Trustee for King Street Housing Member of the Committee, Users’ Group for RACHEL CRADDOCK Member of a What Next? chapter Mass Spectrometry and Chromatography Young People’s Programmer Member of the Women’s Cultural Leadership (MaSC) Member of the Council, Engage (National Network (WCLN) Association of Gallery Education) NICHOLAS PENNY CATHERINE HIGGITT Director (to August 2015) ALAN CROOKHAM Principal Scientific Officer Ex-officio Research Centre Manager Member of the Committee, Users’ Group for Expert Advisor to the DCMS referring cases to Convenor, Archives and Society Seminars, Mass Spectrometry and Chromatography the Reviewing Committee on the Export of Institute of Historical Research, (MaSC) Works of Art University of London Member of the Staffordshire Hoard Research Member of the Board of Electors to the Slade Member, Committee for Art and Design Project Advisory Panel Professorship of Fine Art, University of Oxford Archives (CADA), ARLIS UK & Ireland Member of the Advisory Board of the Member, National Cataloguing Grants LARRY KEITH Government Art Collection Programme Panel, The National Archives Head of Conservation and Keeper, and Interim Director of Collections Trusteeships and Memberships JILL DUNKERTON External Examiner, Conservation of Easel Trustee of the Francis Haskell Memorial Fund Senior Restorer Paintings postgraduate course, Courtauld Trustee of the Bridget Riley Art Foundation Member of the Advisory Committee for the Institute of Art (2011) cleaning of Titian’s Jupiter and Antiope (La Vénus Member of the Board of Studies, Conservation of Trustee of the Heritage Conservation Trust du Pardo) and The Ship of Fools by Hieronymous Easel Paintings postgraduate course, Courtauld (2008) Bosch, Musée du Louvre, Paris Institute of Art Trustee of The Burlington Magazine Foundation Member of the Advisory Committee for External Examiner, Hamilton Kerr Institute, (1993) the cleaning of the Ghent Altarpiece, University of Cambridge Member of the Consultative Committee of The Sint Baafskathedraal, Ghent Conservation Advisor, Heritage Conservation Burlington Magazine (1987) Trust Member of the Editorial Policy Committee of Member of the International Commission for The Burlington Magazine the restoration of Leonardo’s Saint Jean Baptiste, Member of the Governing Board of the Musée du Louvre, Paris Courtauld Institute of Art (2008) Member of the Rubens Ceiling Advisory Board, Member of the Courtauld Remuneration Banqueting House, Whitehall Committee (2008)

3 THE NATIONAL GALLERY REVIEW OF THE YEAR 2015–2016 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

Member of the Courtauld Gallery and Academic RUPERT SHEPHERD Committee (2008) Collection Information Manager Member of the Bizot Group (2008) Member of the Steering Committee, ArtUK Member of the Advisory Board of Prospettiva sculpture project Member of the Comité Scientifique of Arthena Member of the Advisory Group, ResearchSpace (2008) Fellow of the Society of Antiquaries of London Member of the Dal Pozzo Catalogue Advisory Committee MARIKA SPRING Member of the Consultative Committee of Head of Science The Sculpture Journal Member of the International Board of Studies, Member of the International Committee for the Department of Conservation and Technology, publication of Canova’s letters and writings Courtauld Institute of Art Member of the Editorial Board of the Sculpture Member of the Advisory Committee for Publication Project (VISTAS) (2013) the cleaning of the Ghent Altarpiece, Sint Member of the Council of The British School Baafskathedraal, Ghent at Rome (2010) Member of the Scientific Committee of HAYLEY TOMLINSON Arte Veneta (2014) Assistant Restorer Member of the International Consulting Council Member of the British Association of Committee for Commentari d’arte (2014) Paintings Conservator-Restorers Fellow of the Society of Antiquaries of London (2003) LETIZIA TREVES Fellow of the American Academy of Arts Curator of Italian and Spanish Paintings 1600–1800 and Sciences (2007) Member of ARTES Fellow of the British Academy (2010) Auckland Castle Trust, Spanish Advisory Panel Honorary Fellow of Saint Catherine’s College, Cambridge (2009) MARJORIE E. WIESEMAN Honorary Fellow of King’s College, London Curator of Dutch and Flemish Paintings 1600–1800 (2013) Visiting Lecturer, Central Saint Martins College Honorary Fellow of Balliol College, Oxford of Art and Design (2014) Member, CODART (Curators of Dutch and Flemish Art) CHLOË REDDAWAY Executive Committee, ALCS (Association for Howard and Roberta Ahmanson Fellow Low Country Studies) in Art and Religion Member, Committee for Low Countries Studies Visiting Research Fellow, Research Centre for in London Arts and the Sacred at King’s College London Editor, ‘Arts and the Sacred’ series, Brepols RICHARD WRAGG Research group member: Duke Initiatives Archivist in Theology and the Arts research project, Editor, Archives and Records Association, Theology, the Arts, and Modernity ARC Magazine AHRC network meeting ‘Reimagining Religion Member of the Archives and Records Association and Belief for Public Policy and Practice’, Registration Scheme Committee Gladstone’s library, May 2015 Membership Secretary for The Association Judge, Art and Christianity Enquiry/ Mercers’ for Manuscripts and Archives in Company award, November 2015 Research Collections Committee Member, Trialogue Conference Alumna Associate of the Westminster Abbey Institute (WIA) Warburg/NG collaborative MA: supervision/marking Westminster College, Cambridge, MA Visual Art and Pastoral Theology: teaching/marking Westcott House: supervision/marking Southern Theological Education and Training Scheme, ‘The Creative Arts in Christian Ministry and Mission’: module author/ supervision/marking

ASHOK ROY Director of Collections (to February 2016) Member of the Advisory Council, Hamilton Kerr Institute, University of Cambridge Member of Department of Paintings Conservation Visiting Committee, The Metropolitan Museum of Art, New York Trustee of the Wallace Collection, London

4 THE NATIONAL GALLERY REVIEW OF THE YEAR 2015–2016