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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
European Championship Adults Bucharest 2019
European Championship Adults Bucharest 2019 2019.05.31 - 2019.06.02 10 Calea Piscului, sector 4, Bucharest, Romania ROU European Championship Adults Bucharest 2019 ROMANIA 2019.05.31 - 2019.06.02 10 Calea Piscului, sector 4, Bucharest, Romania Participation Count # Code Country Male Entries Female Entries Total Entries Total Athletes 1 AUT AUSTRIA 10 5 15 19 2 AZE AZERBAIJAN 6 0 6 6 3 BEL BELGIUM 14 4 18 18 4 BUL BULGARIA 6 1 7 6 5 CRO CROATIA 7 2 9 9 6 DEN DENMARK 0 2 2 2 7 FRA FRANCE 16 15 31 30 8 GER GERMANY 17 17 34 37 9 GRE GREECE 9 6 15 14 10 HUN HUNGARY 11 3 14 13 11 ISR ISRAEL 10 4 14 14 12 ITA ITALY 16 6 22 21 13 MDA MOLDOVA, REPUBLIC OF 9 0 9 9 14 MNE MONTENEGRO 11 7 18 14 15 NED NETHERLANDS 6 6 12 13 16 NOR NORWAY 1 0 1 1 17 POL POLAND 15 13 28 27 18 POR PORTUGAL 4 1 5 3 19 ROU ROMANIA 25 10 35 33 20 RUS RUSSIAN FEDERATION 22 15 37 36 21 SRB SERBIA 2 0 2 2 22 SLO SLOVENIA 1 1 2 2 23 ESP SPAIN 10 5 15 16 24 SUI SWITZERLAND 4 0 4 5 25 UKR UKRAINE 7 3 10 10 Totals: 239 126 365 360 Printed: 2.6.2019 1 / 1 European Championship Adults Bucharest 2019 ROMANIA 2019.05.31 - 2019.06.02 10 Calea Piscului, sector 4, Bucharest, Romania Tournament Participation (Entries) AUSTRIA ID Sex Family Name Given Name Category Female Becirovic Mirnesa ADULTS JU-JITSU DUO WOMEN Female Becirovic Mirneta ADULTS JU-JITSU DUO WOMEN Female Bergen Cornelia ADULTS SHOW WOMEN Female Bergen Cornelia ADULTS JU-JITSU DUO WOMEN Female Brauneis Andrea ADULTS SHOW WOMEN Female Brauneis Andrea ADULTS JU-JITSU DUO WOMEN Female Feichtlbauer Bianca ADULTS JU-JITSU FIGHTING -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights. -
European Jiu-Jitsu IBJJF Championship 2016
Last Update: 01/20/2016 01:00 (UTC) Dublin, Edinburgh, Lisbon, London European Jiu-Jitsu IBJJF Championship 2016 WHITE / Juvenile 1 / Male / Feather CheckMat Ali Al-jasim Roger Gracie Kevin Patrick Omari Teampact Itay Lipszyc Total: 3 WHITE / Juvenile 1 / Male / Light Barreto Jiu-Jitsu Finland Aapo Viljam Kainulainen CheckMat Stefan Mar Thorarinsson Gracie Barra Diamandis Vasileios Chondronikolas Qatar BJJ Henri Charles Mickael Duchateau Renzo Gracie Israel Shaked Bar Soul Fighters BJJ Ido Gueron Total: 6 WHITE / Juvenile 1 / Male / Middle Atos Jiu-Jitsu Bashar Abdel Rahman Barreto Jiu-Jitsu Finland Paulo Estudillo Lestelä Gracie Barra Mohamad Baillot Pound for Pound Team Miguel Maria Ferreira Mariz Ruivo Soul Fighters BJJ Ron Karavani Total: 5 WHITE / Juvenile 1 / Male / Medium Heavy CheckMat Hamza Antero Rostedt Infight Japan Jiu-Jitsu Willian Pegoraro Saio Malicia Team Ismael Boulehien PRBJJ Ronny Carvalho Juan Garcia Diaz Rio Grappling Club Greece Vasileios Stavridis Total: 5 WHITE / Juvenile 1 / Male / Heavy FN Fight.Co Europe Christian Yanis Albert Jorge Santos Brazilian Jiu-Jitsu Aivis Arvils Kerans Total: 2 WHITE / Juvenile 1 / Male / Super Heavy Gracie Barra Mário Heribrendo Rocha Simba Nova União Morten Berg Zenith BJJ Mario Marinov Naydenov Total: 3 WHITE / Juvenile 1 / Male / Ultra Heavy Icon Jiu-Jitsu Team Théo Igor Gilbert Michel Faucher Total: 1 WHITE / Juvenile 1 / Female / Feather Brasa CTA Heidi Katariina Tiiro Brazilian Power Team International Debora Rodrigues de Moraes Icon Jiu-Jitsu Team Marta Maria Pinto Neves Farinha -
Engagement: Coptic Christian Revival and the Performative Politics of Song
THE POLITICS OF (DIS)ENGAGEMENT: COPTIC CHRISTIAN REVIVAL AND THE PERFORMATIVE POLITICS OF SONG by CAROLYN M. RAMZY A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Carolyn Ramzy (2014) Abstract The Performative Politics of (Dis)Engagment: Coptic Christian Revival and the Performative Politics of Song Carolyn M. Ramzy A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Music, University of Toronto 2014 This dissertation explores Coptic Orthodox political (dis)engagement through song, particularly as it is expressed through the colloquial Arabic genre of taratil. Through ethnographic and archival research, I assess the genre's recurring tropes of martyrdom, sacrifice, willful withdrawal, and death as emerging markers of community legitimacy and agency in Egypt's political landscape before and following the January 25th uprising in 2011. Specifically, I explore how Copts actively perform as well as sing a pious and modern citizenry through negations of death and a heavenly afterlife. How do they navigate the convergences and contradictions of belonging to a nation as minority Christian citizens among a Muslim majority while feeling that they have little real civic agency? Through a number of case studies, I trace the discursive logics of “modernizing” religion into easily tangible practices of belonging to possess a heavenly as well as an earthly nation. I begin with Sunday Schools in the predominately Christian and middle-class neighborhood of Shubra where educators made the poetry of the late Coptic Patriarch, Pope Shenouda III, into taratil and drew on their potentials of death and withdrawal to reform a Christian moral interiority and to teach a modern and pious Coptic citizenry. -
European Open Jiu-Jitsu Championship 2013 Resultados Parciais
Última Atualização: 18/10/2013 20:38 (UTC) Dublin, Edinburgh, Lisbon, London European Open Jiu-Jitsu Championship 2013 Resultados Parciais Resultados das Academias Adult Male 1 - Alliance - 114 2 - Team Lloyd Irvin - 71 3 - Gracie Barra - 64 Adult Female 1 - CheckMat - 71 2 - Alliance - 68 3 - Gracie Barra - 44 Juvenile 1 - Gracie Barra - 27 2 - Frontline Academy - 16 3 - Icon Jiu-Jitsu Team - 15 Master and Senior 1 - Gracie Barra - 245 2 - Alliance - 156 3 - CheckMat - 131 Novice 1 - Gracie Barra - 42 2 - Nova União - 31 3 - CheckMat - 30 Resultados dos Atletas Por Categoria BRANCA / Juvenil 1 / Masculino / Pena Primeiro - Abdulrahman Waleed Abdulla Mohamed Altamimi - UAE Jiu-jitsu Team Segundo - Nadav Mandil - MMA Israel BJJ BRANCA / Juvenil 1 / Masculino / MeioPesado Primeiro - Joshua Aman Manczak - CheckMat Segundo - Gabriel Fangerau - Gracie Barra Terceiro - Matheus Santos Moraes - Icon Jiu-Jitsu Team Terceiro - Felipe De Sa Pantaleao Pagliusi - Icon Jiu-Jitsu Team BRANCA / Juvenil 2 / Masculino / Pena Primeiro - Dorel Troitsa - MMA Israel BJJ Segundo - Erick Nicold Cueto Vasquez - Association Aranha BRANCA / Juvenil 2 / Masculino / Médio Primeiro - Alejandro Ruiz Dominguez - Gracie Barra Segundo - Ruslan Khayrullin - Icon Jiu-Jitsu Team Terceiro - Ivan Vlad Bogdan - Absoluto BJJ BRANCA / Juvenil 2 / Masculino / Pesadíssimo Primeiro - Carlos Alberto Correia Nóbrega - Nova Geração Madeira Segundo - Eric Jasper Bergmann - Gracie Barra BRANCA / Adulto / Masculino / Galo Primeiro - Aslan Abdoulaev - MB Academy Segundo - Joel Pereira -
My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8. -
5,000-Year-Old Echoes of Humanity: Baalbek, Lebanon a Smithsonian Folkways Lesson Designed By: Carolyn J
5,000-year-old Echoes of Humanity: Baalbek, Lebanon A Smithsonian Folkways Lesson Designed by: Carolyn J. Fulton Tacoma Public Schools, Tacoma, Washington Summary: Students will compare and contrast two types (folk and art) music found in Lebanon, sing and play a simple song in Arabic, and dance the national dance called the Dabke. Suggested Grade Levels: 3-5, 6-8, 9-12 Country: Lebanon Region: The Middle East Culture Group: Lebanese Genre: Folk Music and Modern Art Music Instruments: Voice, body percussion, Orff Instruments, Recorders Language: English and Arabic Co-Curricular Areas: Geography, History, Physical Education National Standards: 1, 2, 3, 6, 8, 9 Prerequisites: None Objectives: Students will listen and compare two contrasting pieces of music from Lebanon for timbre, melodic and rhythmic differences. Students will sing, play on instruments, and move to traditional Lebanese music. Material: Maps of World, Mediterranean, and Lebanon Afif Bulos Sings Songs of Lebanon, Syria, and Jordan” FW08816 (excerpt “Tafta Hindi,” tract 101) Download the PDF liner notes for information. Arabic and Druse Music,” FW04480, excerpt “Druse Festival,” (tract 205) Download the PDF liner notes for information. The Baalbek Folk Festival, MON71383, download both sections of music and the PDF liner notes with explanation of the program. Body percussion, Voice, Orff Xylophone (or suitable substitutes) and Recorder Lesson Segments: 1. Listen to 5,000 year-old Echoes from Baalbek, Lebanon and Compare! (National Standards 6, 8, 9) 2. An Ancient Song Sung Our Way (National Standards 1, 8, 9) 3. An Ancient Song Played on Our Instruments (Standards 1, 2, 8, 9 ) 4. -
Habibi - a Multi Dialect Multi National Arabic Song Lyrics Corpus
Proceedings of the 12th Conference on Language Resources and Evaluation (LREC 2020), pages 1318–1326 Marseille, 11–16 May 2020 c European Language Resources Association (ELRA), licensed under CC-BY-NC Habibi - a multi Dialect multi National Arabic Song Lyrics Corpus Mahmoud El-Haj School of Computing and Communications Lancaster University United Kingdom [email protected] Abstract This paper introduces Habibi the first Arabic Song Lyrics corpus. The corpus comprises more than 30,000 Arabic song lyrics in 6 Arabic dialects for singers from 18 different Arabic countries. The lyrics are segmented into more than 500,000 sentences (song verses) with more than 3.5 million words. I provide the corpus in both comma separated value (csv) and annotated plain text (txt) file formats. In addition, I converted the csv version into JavaScript Object Notation (json) and eXtensible Markup Language (xml) file formats. To experiment with the corpus I run extensive binary and multi-class experiments for dialect and country-of-origin identification. The identification tasks include the use of several classical machine learning and deep learning models utilising different word embeddings. For the binary dialect identification task the best performing classifier achieved a testing accuracy of 93%. This was achieved using a word-based Convolutional Neural Network (CNN) utilising a Continuous Bag of Words (CBOW) word embeddings model. The results overall show all classical and deep learning models to outperform our baseline, which demonstrates the suitability of the corpus for both dialect and country-of-origin identification tasks. I am making the corpus and the trained CBOW word embeddings freely available for research purposes. -
47Soul: Balfron Promise Review – High-Energy Shamstep and Cheerful Protest Tunes
47Soul: Balfron Promise review – high-energy shamstep and cheerful protest tunes Robin Denselow Jan 25, 2018 There has long been a link between music and resistance in Palestine, with hip-hop playing a major role in recent years. The best known exponents, DAM, are still angry and active (their new single – a treatment of Jerusalem – begins with the Blake/Parry anthem and veers off into a furious rap reaction to US president Donald Trump’s policies) but the band likely to have more crossover appeal in the UK are their label colleagues 47Soul. Formed in Jordan five years ago, with members from Palestine and Jordan, they specialise in a style they call shamstep, a cheerfully wide-screen fusion of electronic hip-hop and traditional dabke dance music, mixed in with a dash of reggae, with sturdy melodies and chanting vocals from the four singers. They play synthesisers, drum machines, guitars and Arabic percussion, and are impressive live performers, as they proved at 2016’s Womad. This is high-energy music with a message that’s delivered in both Arabic and English. For the last two years, they have been living in London, and their first full-length album is a reflection on problems in the UK as well as the Middle East. Balfron Promise (Cooking Vinyl) refers in part to the Balfour Declaration, just over a century ago, and also to the Balfron Tower in Tower Hamlets, where they once lived, and from where longstanding tenants were evicted as the block was gentrified. So the theme of the driving, half-spoken Moved Around or the angry and chanting Mo Light is that of homelessness, on both a national and local level. -
Buradan Iyi Oldu
FOLKLOR AKADEMİ DERGİSİ Folklore Academy Journal 2018 Cilt:1 Sayı:2 e-ISSN: 2651-253X Sahibi/Owner Çocuk ve Gençlik Edebiyatı Yazarları Derneği adına Bican Veysel YILDIZ Baş Editör/Chief Editor Prof. Dr. Işıl ALTUN (Kocaeli Üniversitesi) Editörler/Editors Prof. Dr. Hanife Dilek BATİSLAM (Çukurova Üniversitesi) Doç. Dr. Sibel TURHAN TUNA (Muğla Üniversitesi) Dr. İsmail ABALI (Iğdır Üniversitesi) Dr. Çiğdem AKYÜZ (Gazi Üniversitesi) Dr. Şakire BALIKÇI (Mardin Artuklu Üniversitesi) Dr. Erhan SOLMAZ (Uşak Üniversitesi) Yayın Kurulu/Editorial Board Doç. Dr. Abdullah ACEHAN (Dumlupınar Üniversitesi) Dr. Zülfikar BAYRAKTAR (Bandırma On Yedi Eylül Üniversitesi) Dr. Özgür ERGÜN (Kocaeli Üniversitesi) Bican Veysel YILDIZ (Çocuk ve Gençlik Edebiyatı Yazarları Birliği) Sabri KOZ (Yapı Kredi Yayınları) Redaksiyon/Dizgi M. Tekin KOÇKAR Ersin ÇELİK BU SAYININ HAKEMLERİ Prof. Dr. H. Dilek BATİSLAM Çukurova Üniversitesi Türkiye Prof. Dr. Işıl ALTUN Kocaeli Üniversitesi Türkiye Prof. Dr. Juan Bernardo PINEDA Zaragoza Üniversitesi İspanya Doç. Dr. Necdet Yaşar BAYATLI Bağdat Üniversitesi Irak Doç. Dr. Sibel TURHAN TUNA Muğla Sıtkı Koçman Üni. Türkiye Dr. Abdulhakim TUĞLUK Iğdır Üniversitesi Türkiye Dr. Abuzer KALYON Gazi Üniversitesi Türkiye Dr. Alim Cengiz KORAY Hatay Mustafa Kemal Üni. Türkiye Dr. Çiğdem AKYÜZ Gazi Üniversitesi Türkiye Dr. Demet AYDINLI GÜRLER Cumhuriyet Üniversitesi Türkiye Dr. Emin ONUŞ Doğu Akdeniz Üni. Kıbrıs Dr. Erdal ADAY Dumlupınar Üniversitesi Türkiye Dr. Erhan SOLMAZ Uşak Üniversitesi Türkiye Dr. İsmail ABALI Iğdır Üniversitesi Türkiye Dr. Yaprak Pelin ULUIŞIK Gazi Üniversitesi Türkiye Dr. Yıldız ULUSOY Kocaeli Üniversitesi Türkiye Tasarım ACT Reklam Ajansı , Eskişehir Folklor Akademi Dergisi, dört ayda bir elektronik ortamda yayımlanan uluslararası ve hakemli bir dergidir. Dergide yayımlanan yazıların sorumluluğu yazarına ait olup yayın hakları ise Folklor Akademi Dergisi’ne aittir.