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Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
Baseball, Hitchcock Themes Meld in Bartman Movie? Busfield Likes the Idea
Baseball, Hitchcock themes meld in Bartman movie? Busfield likes the idea By George Castle, CBM Historian Posted Friday, October 18th, 2013 The confluence of two longtime Holly- wood genres – a baseball movie and a Hitchcockian tale of the wrong man falsely accused and trying to prove his innocence – could come together if things ever broke right for Timothy Bus- field. Such a finished product was on the mind of a too-curious man with a digital re- corder asking actor-director Busfield if the Steve Bartman story would transfer well to the silver screen. “That’s a great story,” Busfield said. “He does an instinctual thing that may or may not cost them the World Series op- Timothy Busfield (right) stops by the party for CSN Chicago's "5 Outs" documentary. With him is CSN portunity. That’s more of a baseball Chicago public relations chief Jeff Nuich. movie I would rather make.” How do you put Bartman and Busfield together in the first place? Well, on the way to his own business meeting in an adjoining room, the three-decade Hollywood veteran happened to walk through the cocktail party end of Comcast SportsNet Chicago’s preview showing of “5 Outs,” the 90-minute documentary on the 2003 Cubs. The encounter with Busfield took place on the 10th anniversary of Bartman’s date with destiny – and ignominy. And the luckless Bartman along with the star-crossed Game 6 of the ’03 Cubs-Miami Marlins NLCS was a big chunk of the show. In the sub- ject of real and potential baseball movies, the Bartman saga sounded appealing. -
The New Television Masculinity in Rescue Me, Nip/Tuck, the Shield
Rescuing Men: The New Television Masculinity In Rescue Me, Nip/Tuck, The Shield, Boston Legal, & Dexter A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Pamela Hill Nettleton IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Mary Vavrus, Ph.D, Adviser November 2009 © Pamela Hill Nettleton, November/2009 i Acknowledgements I have had the extreme good fortune of benefitting from the guidance, insight, wit, and wisdom of a committee of exceptional and accomplished scholars. First, I wish to thank my advisor, Mary Vavrus, whose insightful work in feminist media studies and political economy is widely respected and admired. She has been an inspiring teacher, an astute critic, and a thoughtful pilot for me through this process, and I attempt to channel her dignity and competence daily. Thank you to my committee chair, Gilbert Rodman, for his unfailing encouragement and support and for his perceptive insights; he has a rare gift for challenging students while simultaneously imbuing them with confidence. Donald Browne honored me with his advice and participation even as he prepared to ease his way out of active teaching, and I learned from him as his student, as his teaching assistant, and as a listener to what must be only a tiny part of his considerable collection of modern symphonic music. Jacqueline Zita’s combination of theoretical acumen and pragmatic activism is the very definition of a feminist scholar, and my days in her classroom were memorable. Laurie Ouellette is a polished and flawless extemporaneous speaker and teacher, and her writing on television is illuminating; I have learned much from her. -
Complete Press
SUPERHERO (Based on a true story) A film by Langley McArol Press Kit LM Entertainment Presents A From the Broken Heart Production Running Time: 20 minutes Rated PG Aspect Ratio: 1.77 HD Production Company: Distribution: From the Broken Heart Langley McArol (910) 620-1010 LM Entertainment [us] [email protected] CAST Tammy Arnold......................................................................Isabelle Champion/ Mighty Celestial Peter Jurasik.........................................................................Principal Steinberg Rayce Gibson.........................................................................Jeremy Champion Skyler Narotsky.............................................................................Charlie Luther Caitlyn Brarens....................................................................................Stephanie Audra Glyn Smith...........................................................................Mrs. Johnson Langley McArol.................................................................................D.H. Doctor Tina F. Wanner.................................................................Stunt Actor/ Villain #1 Jeff Sandor........................................................................Stunt Actor/ Villain #2 John Gilbert.......................................................................Stunt Actor/ Villain #3 CREW DIRECTED BY.....................................................................................Langley McArol PRODUCED BY........................................................................................Dino -
Screenplay by Michael Brandt & Número De Título: 835395 Derek Haas Madrid : Universal Pictures Iberia, D.L
Autores y obras anónimas A 15/01/2008 1 1. Drama 2. Cine francés I. Truffaut, François (1932-1984) A todo gas 2 [DVD-Vídeo] = 2Fast2Furious / directed 791.43(086.8) by John Singleton ; screenplay by Michael Brandt & Número de Título: 835395 Derek Haas Madrid : Universal Pictures Iberia, D.L. 2003. -- 1 835395 3959135 ALM Paterna "Campame VID DVD disco (DVD-Video) (c.a.103 min.) : son. col. DOS Intérpretes: Paul Walker, Tyrese, Eva Mendes Para menores de 13 años Idiomas: inglés, castellano 5 Subtítulos: inglés, castellano, portugués El imperio del fuego [DVD-Vídeo] / guión de Gregg Chabot, D.L. M 33994-2003 Kevin Peterka y Matt Greenberg ; dirigida por Rob Bowman 1. Cine de acción I. Título II. Singleton, John [S.l.] : Buena Vista Home Entertainment, [2003?]. -- 1 791.43(086.8) disco (DVD-Vídeo) (ca. 98 min.) : son., col Número de Título: 646910 Int.: Matthew McConaughey, Christian Bale No recomendada a menores de 13 años 646910 4196850 ALM Paterna "Campame VID Idiomas: inglés y español DVD ATO Subtítulos: inglés, español, portugués y árabe 1. Cine de acción I. Título 791.43(086.8) 2 Número de Título: 642631 4 Caminos [DVD-Vídeo] / Erreway ; dirigida por Ezequiel Crupnicoff 642631 4500258 ALM Paterna "Campame VID DVD Barcelona : Planeta junior, D.L. 2006. -- 1 disco IMP (DVD-Vídeo) (90 min.) : son., col Incluye: Extras : Making off y trailer Autorizada para todos los públicos 6 Idioma: castellano La liga de los hombres extraordinarios [DVD-Vídeo] / 1. Cine infantil I. Crupnicoff, Ezequiel producida por Don Murphy y Trevor Albert ; guión de James 791(086.8) Dale Robinson ; dirigida por Stephen Norrington Número de Título: 937061 [S.l.] : Twentieth Century Fox, cop. -
“Advanced Dialogue Class”
Handout for David Freeman’s “Advanced Dialogue Class” Draft: May 20, 2014 [email protected] (310) 394-0361 Don’t miss the next “Beyond Structure” Screenwriting and Development Master Class Los Angeles – June 14-15 $100 off if you fly in! www.beyondstructure.com Some notes regarding the “Advanced Dialogue Teleconference” In advance of the teleconference, please watch each clip, and then read the script sample that goes with it. Then move on to the next clip, etc. We won’t be pausing during the teleconference to watch the clips. It’s not easy finding scripts for individual television episodes. The samples were gathered where I could find them. Some are in good shape, some are not. For some I have dialogue transcripts only. However, the script selections are good enough, and that’s what counts. P. 1 Before class, please see the clips, either before or after reading each script sample in this handout pack. One good way to do it is to go back and forth –– first see a clip, and then read that same script sample in this handout pack. We live in a time when the art of writing dialogue has evolved to a very high level. There are many styles of dialogue. One isn’t better than the other –– it’s a matter of what’s appropriate for any given script. Some shows and films have “talky” dialogue: • When Harry Met Sally • ThirtySomething • Gilmore Girls The vast majority of films and TV shows have “medium talky” dialogue –– not talking, not spare with dialogue. And then some films have very spare dialogue : • Unforgiven • Pan’s Labyrinth • Wall-E If one can master talky dialogue, it’s easy to “step down” to medium or spare dialogue. -
Court Leaves Breathalyzer Ban Intact Hit by Left and Right
Budding entrepreneur buys up Rumson property, B1 GREATER RED BANK EATONTOWN Condofever Behind the hit man LONG BRANCH Housing density rise prompts Jeweler Margolies indicted Today's Forecast: evaluation in Sea Bright. for hiring Donald Nash. Sunny, warm into tomorrow Page B1 Page A5 I Compile westhT on A2 The Daily Register VOL. 106 NO. 14 YOUR HOMETOWN NEWSPAPER . SINCE 1878 TUESDAY, JULY 19, 1983 • 25 CENTS Court leaves breathalyzer ban intact „ •. a_-—,,,.,,„,, ..w.,. •• , j.^ i . .... T • ...i.mju—-• •-• • - •*!•»- "•••• •:••——-^r— ' ' TRENTON (AP) - A state ap- pects' behavior, said Deputy At- people pressing the lawsuit, Under state law, a reading show- 15 years — you're talking about a lot day and reserved decision peals court yesterday left intact a torney General Boris Maczula, who claimed that two models of a widely ing 0.1 percent blood alcohol is of people who could want their fines Two other courts have agreed ban on using breathalyzer results as argued against barring the use of used Smith & Wesson blood alcohol grounds for a drunken driving con- back," Moore said. that the breathalyzers are un- evidence in drunken driving cases the devices. detecting machine are unreliable viction. "If this court allows this reliable. Highlands Municipal Court while it considers a Monmouth Hundreds of drunken driving because radio waves alter readings. Moore said he wants to make the (challenge) to become a class fic- Judgp Ronald Horan threw out County suit charging that the ma- cases are stalled or are going to Moore said that the same lawsuit a class action that would tion, I guess that could be the end of breathalyzer evidence in a drunken chines are too unreliable for use by trial without scientific evidence as a phenomenon that causes fuzz on a ban the use of breathalyzer results, breathalyzer evidence," Maczula driving case April 7 after an expert police. -
PETER JURASIK and JOEL “MOJO” MOEN!
2 Welcome! ValleyCon 35: The Fargo Entertainment Expo is designed to be an event for all ranges of interest in popular culture, highlighting the sci-fi, fantasy, horror and related genres. We just want everyone to have a great weekend and celebrate the fun in entertainment! There are events for all levels, from film and video presentations, panels and workshops or just browsing and meeting our fantastic guests: GEORGE R.R. MARTIN, PETER JURASIK and JOEL “MOJO” MOEN! This year we are celebrating many landmark events including the 70th anniversary of BATMAN, the upcoming release of a new iteration of SHERLOCK HOLMES with a look at the 50th anniversary of the Hammer Studios classic version of HOUND OF THE BASKERVILLES, We also have our biggest year of programming for the FARGO FANTASTIC FILM FESTIVAL VII with over 50 films entered! There are some of the filmmakers here so please, check out the film schedule! We also have a HUGE Gaming and tournament schedule so partake thru the weekend! I just want to thank everyone who helped this year, especially Chuck Lang, Leah McGregor, Dagan McGregor, Alissa Franck, Krista Arendes, Stacy Atkinson, Dan Hillstrom, Lew Dailey, Roz Corwin, Sam Swalley, Steve Eldred and especially Rich Early of Paradox Comics! We have many others to thank from our organization to many outside of it so please forgive me if I leave anyone out. We especially want to mention our generous sponsors and supporters: Spirit Halloween Superstore, FUNIMATION, Games By James, The Asylum (film), KVRR-TV, Go Radio, NDSU, MSUM Comics Club, SITE ON SOUND, Dave Jacobs, SHOWBIZ SOFTWARE, and many, many more! Last but not least is the guy who started it all well over 30 years ago, Rudy Sigmund. -
The Hollywood President Society's Conception of the Presidency As
The Hollywood President Society’s Conception of the Presidency as Portrayed in Movies and Television Jennifer K. Koons Advisor: Professor Leonard Steinhorn Spring 2008 Capstone General University Honors 1 Table of Contents Introduction 1 Idealizations 4 Statesman 5 Common Man 9 Intellectual/Educated 11 Principled 17 Independent 22 Self-Reflective 24 Inverse Idealizations 28 Puppets/Incompetents 29 Power-Hungry 32 Unfaithful 33 Dishonest 36 Irresponsible 38 Bigotry 39 Situations 41 Different From/Rejection of the Status Quo 41 Political Outsider as More Favorable than the Political Insider 41 Congress as the Enemy 49 Elections: How Presidents and Candidates Behave 58 Leadership Opportunities 67 Crisis: How to Respond 67 2 Domestic Policy 73 Foreign Policy 75 Challenges of the Job 80 Rise of the Staff 80 President/Vice-President Relations 85 Family: How to Interact and Integrate with the Job 90 Conclusion 94 Bibliography 100 3 Introduction England and France have their kings and queens, Austria and China their emperors and empresses, Russia its tsars and tsarinas, and the Vatican its popes. In the history of the countries around the world, it is the political leaders who get the attention and history is often measured by their reigns. Chinese history is measured by the dynasty in control at the time; England has eras dedicated to rulers and families; and the “Louis” at the time measures French history. In America, we have the presidency, our highest political office. Since the Founding Fathers, particularly George Washington, rejected the idea of a king, we have presidents to mark the passage of our history. The ceremony and protocol that has built up around the office, in order to compete with foreign leaders and legitimize the power of the country, has made the office more constant than the person holding the title, meaning the person in the job has to fit the office, not the other way around. -
2.11: the Leadership Breakfast
The West Wing Weekly 2.11: The Leadership Breakfast [Intro Music] HRISHI: You’re listening to The West Wing Weekly. My name’s Hrishikesh Hirway. JOSH: And my name’s Joshua Malina. HRISHI: Today on the show we’re talking about Season Two, Episode Eleven. It’s called “The Leadership Breakfast”. JOSH: The story was by Paul Redford, this one was written by Aaron Sorkin [laughter] I can’t think of another joke to make about the fact that he writes them all [laughter] and it was directed by Scott Winant. A very good director, I know came up, in early Thirtysomething, he directed and produced a lot of early Thirtysomethings. HRISHI: He’s not the first Thirtysomething director to come through. JOSH: That’s true, we’ve had Ken Olin. HRISHI: Mm-hmmm. Here’s a synopsis of the episode from TV Guide: “With Congress reconvening, the White House is planning a leadership breakfast ‘to encourage bipartisan co-operation.’ But first, Toby must meet with Ann Stark, the senate majority leader’s new chief of staff to go over details, and there are plenty of devils in those details. Ann’s boss, it appears, has presidential ambitions. ‘They’re coming after us,’ Toby tells Leo. Meanwhile, Sam wants to move the press corps to new quarters across the street, and Leo, Sam, and Donna embarrass themselves in front of an influential columnist.” JOSH: There it is. What did you think of this episode? HRISHI: I really liked it. I think it’s a great one. What did you think? JOSH: I totally agree.