BOOKS from AAEL on DISPLAY at SCIENCE Fall 2010: Science & Illustration

Total Page:16

File Type:pdf, Size:1020Kb

BOOKS from AAEL on DISPLAY at SCIENCE Fall 2010: Science & Illustration Fall 2010: Science & Illustration These books from the Art, Architecture, and Engineering Library will be on display through 2010. Check one out today! BOOKS FROM AAEL ON DISPLAY AT SCIENCE Inside/out : the best of National Geographic diagrams and cutaways / [prepared by the Book Division]. G 3 .N37 I571 1998 http://mirlyn.lib.umich.edu/Record/003340280 Visions of nature : the art and science of Ernst Haeckel / Olaf Breidbach. N 5265 .H34 B74 2006 http://mirlyn.lib.umich.edu/Record/005403763 The physician's art : representations of art and medicine / Julie V. Hansen & Suzanne Porter ; with a foreward by Martin Kemp. N 8223 .H36 1999 http://mirlyn.lib.umich.edu/Record/004084482 The ingenious machine of nature : four centuries of art and anatomy : text / by Mimi Cazort, Monique Kornell and K.B. Roberts. NC 760 .C39 1996 http://mirlyn.lib.umich.edu/Record/003163728 1 History and bibliography of artistic anatomy : didactics for depicting the human figure / Boris Röhrl. NC 760 .R651 2000 http://mirlyn.lib.umich.edu/Record/004174230 American illustration 1890-1925 : romance, adventure & suspense / Judy L. Larson. NC 975 .G5411 1986 http://mirlyn.lib.umich.edu/Record/000871305 Illuminations : images by Oriole Farb Feshbach for the poem "Asphodel, that greeny flower" by William Carlos Williams / foreword by Stanley Kunitz ; introduction by Amy Clampitt. NC 975.5 .F44 A25 1991 http://mirlyn.lib.umich.edu/Record/003000630 Arresting design : illustration in the marketplace / Alain Lachartre with Franc̦oise Aveline ; [translation from the French by Alison Culliford]. NC 998.6 .F7 L33 2006 http://mirlyn.lib.umich.edu/Record/005589958 Splendid pages : the Molly and Walter Bareiss collection of modern illustrated books / Julie Mellby ; with contributions by Walter Bareiss ... [et al.]. NE 890 .M451 2003 http://mirlyn.lib.umich.edu/Record/004295947 French book art \ livres d'artistes : artists and poets in dialogue : May 5 - August 19, 2006 / the New York Public Library. NE 892 .F8 N48 2006 http://mirlyn.lib.umich.edu/Record/005570444 2 Illustrating science : standards for publication / prepared by the Scientific Illustration Committee of the Council of Biology Editors. Q 222 .C681 1988 http://mirlyn.lib.umich.edu/Record/000924969 Designs for life / a collaborative project conceived and directed by Paul Liam Harrison. Q 222 .D47 2009 http://mirlyn.lib.umich.edu/Record/007540745 Images of science : a history of scientific illustration / Brian J. Ford. Q 222 .F671 http://mirlyn.lib.umich.edu/Record/002710409 The Guild handbook of scientific illustration / edited by Elaine R.S. Hodges ... [et al.] Q 222 .G851 http://mirlyn.lib.umich.edu/Record/004330448 Illustrating for science / George V. Kelvin. Q 222 .K451 1992 http://mirlyn.lib.umich.edu/Record/003251229 Picturing knowledge : historical and philosophical problems concerning the use of art in science / edited by Brian S. Baigrie. Q 222 .P53 1996 http://mirlyn.lib.umich.edu/Record/003078203 The scientific image : from cave to computer / Harry Robin ; historical foreword by Daniel J. Kevles. Q 222 .R631 http://mirlyn.lib.umich.edu/Record/002615305 3 The art and science of William Bartram / Judith Magee. QH 31 .B23 M34 2007 http://mirlyn.lib.umich.edu/Record/005582821 John Abbot : birds, butterflies and other wonders / Pamela Gilbert. QH 46.5 .G55 1998 http://mirlyn.lib.umich.edu/Record/004014975 Nature through science and art / Susie Gwen Criswell ; foreword by Judith Gradwohl. QH 54.5 .C741 1994 http://mirlyn.lib.umich.edu/Record/003945429 The artist in the service of science = Der Künstler im Dienst der Wissenschaft = L'artiste au service de la science / editor = Herausgeber = réalisation, Walter Herdeg. QH 318 .A78 1973 http://mirlyn.lib.umich.edu/Record/004371285 Scientific illustration : a guide to biological, zoological, and medical rendering techniques, design, printing, and display / Phyllis Wood ; with chapter on computer graphics by Patrick McDonnell. QH 318 .W661 1994 http://mirlyn.lib.umich.edu/Record/002937868 A handbook of biological illustration / Frances W. Zweifel. QH 318 .Z97 1988 http://mirlyn.lib.umich.edu/Record/001091364 4 The Duchess of Beaufort's flowers / Gloria Cottesloe and Doris Hunt ; foreword by the Duke of Beaufort. QK 98.16 .G7 C681 1983 http://mirlyn.lib.umich.edu/Record/000420200 Ocean flowers : impressions from nature / edited by Carol Armstrong & Catherine de Zegher. QK 98.16 .G7 O28 2004 http://mirlyn.lib.umich.edu/Record/004923333 Arthur Harry Church : the anatomy of flowers / David Mabberley. QK 98.2 .C58 M33 2000 http://mirlyn.lib.umich.edu/Record/004145620 The art of flowers / Jack Kramer ; photography by Eric Strahan. QK 98.2 .K731 2002 http://mirlyn.lib.umich.edu/Record/004282927 Botanical illustration in watercolor / Eleanor B. Wunderlich. QK 98.24 .W861 1991 http://mirlyn.lib.umich.edu/Record/003945439 Treasures of botanical art : icons from the Shirley Sherwood and Kew collections / Shirley Sherwood and Martyn Rix. QK 98.3 .S54 2008 http://mirlyn.lib.umich.edu/Record/005924989 The bird illustrated, 1550-1900 : from the collections of the New York Public Library / introduction by Roger Tory Peterson ; text by Joseph Kastner ; with commentaries by Miriam T. Gross ; [photographs by Philip Pocock]. QL 674 .K371 http://mirlyn.lib.umich.edu/Record/001840119 5 Birds : the art of ornithology / by Jonathan Elphick. QL 674.4 .E461 2005 http://mirlyn.lib.umich.edu/Record/005036722 Illustration: its technique and application to the sciences, by Carl D. Clarke ... R 836 .C62 http://mirlyn.lib.umich.edu/Record/001558113 The digital biomedical illustration handbook / Mike de la Flor. R 836 .D41 2004 http://mirlyn.lib.umich.edu/Record/004918164 History of medical illustration, from antiquity to A.D. 1600 / preface by F. N. L. Poynter ; [translated from the German by Graham Fulton-Smith]. R 836 .H5673 http://mirlyn.lib.umich.edu/Record/001558114 History of medical illustration : from antiquity to 1600 / Robert Herrlinger. R 836 .H5673 1970 http://mirlyn.lib.umich.edu/Record/000024695 The fabric of the body : European traditions of anatomical illustration / K.B. Roberts and J.D.W. Tomlinson. R 836 .R631 1992 http://mirlyn.lib.umich.edu/Record/002525138 Illustrated history of landscape design / Elizabeth Boults and Chip Sullivan. SB 472.45 .B68 2010 http://mirlyn.lib.umich.edu/Record/007507473 6 Technical illustration and graphics / Jan Mracek. T 11.8 .M71 http://mirlyn.lib.umich.edu/Record/000274531 The machines of Leonardo da Vinci and Franz Reuleaux : kinematics of machines from the Renaissance to the 20th century / by Francis C. Moon. TJ 139 .M66 2007 http://mirlyn.lib.umich.edu/Record/005646476 The various and ingenious machines of Agostino Ramelli : a classic sixteenth-century illustrated treatise on technology / translated from the Italian and French with a biographical study of the author by Martha Teach Gnudi ; technical annotations and a pictorial glossary by Eugene S. Ferguson. TJ 144 .R313 1987 http://mirlyn.lib.umich.edu/Record/000922222 Envisioning science : the design and craft of the science image / Felice Frankel. TR 692 .F731 2002 http://mirlyn.lib.umich.edu/Record/004276424 Beauty of another order : photography in science / Ann Thomas ; with essays by Marta Braun ... [et al.] TR 692 .T491 1997 http://mirlyn.lib.umich.edu/Record/004023940 Have books, will travel! MLibrary Traveling Libraries Group: Stephanie Grimm (AAEL) Rebecca Hill, Lori Tschirhart (Science Library) 7 Want to be a scientific illustrator for the Library? 8 .
Recommended publications
  • Biological Illustration: Kekkon6 Localization and Biological Pacemakers
    Biological Illustration: Kekkon6 localization and biological pacemakers A Major Qualifying Project Report Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science In Interdisciplinary Biological Illustration By Daniel Valerio October 25, 2012 APPROVED BY: Jill Rulfs, PhD Biology WPI Major and Academic Advisor Abstract Illustrations have helped mankind understand the world we inhabit since antiquity. Today biological illustration helps us to understand the biological world. This project demonstrates my abilities as an artist and knowledge as a scientist. As biological illustrator, I have done this by illustrating for two projects. One pertains to localization of Kekkon6, a transmembrane protein, in Drosophila melanogaster. The other relates to developing biological pacemakers with the use of stem cell implants. Acknowledgements I first would like to thank Jill Rulfs, my academic advisor and head of the committee of professors supporting my interdisciplinary individually created Biological Illustration major. Thank you for guiding me through my time here at WPI. And for encouraging me to embrace my passion for biology and the arts with the realization of this Biological Illustration major. And thank you for your endless help and support pertaining to this MQP. I would also like to thank Joe Duffy and Glenn Gaudette for extending interest in my MQP proposal and allowing me to work with you. Your support and reassurance in my abilities and direction as an artist and a scientist were fundamental in this project. To Joe Farbrook, thank you for teaching me everything you have as my professor and allowing me to grow as an artist.
    [Show full text]
  • Art and Science in Visualization Victoria Interrante
    Art and Science in Visualization Victoria Interrante 1 Introduction Visualization research and development involves the design, implementation and evaluation of techniques for creating images that facilitate the understanding of a set of data. The first step in this process, visualization design, involves defining an appropriate representational approach, determining the vision of what one wants to achieve. Implementation involves deriving the methods necessary to realize the intended results – developing the algorithms required to create the desired visual representation. Evaluation, or the objective assessment of the impact of specific characteristics of the visualization on application-relevant task performance, is useful not only to quantify the usefulness of a particular technique but, more powerfully, to provide insight into the means by which a technique achieves its success, thus contributing to the foundation of knowledge upon which we can draw to create yet more effective visualizations in the future. In this chapter, I will discuss the art and science of visualization design and evaluation, illustrated with case study examples from my research. For each application, I will describe how inspiration from art and insight from visual perception can provide guidance for the development of promising approaches to the targeted visualization problems. As appropriate I will include relevant details of the algorithms developed to achieve the referenced implementations, and where studies have been done, I will discuss their findings and the implications for future directions of work. 1.1 Seeking Inspiration for Visualization from Art and Design Visualization design, from the creation of specific effective visual representations for particular sets of data to the conceptualization of new, more effective paradigms for information representation in general, is a process that has the characteristics of both an art and a science.
    [Show full text]
  • Art and Science: the Importance of Scientific Illustration in Veterinary Medicine
    International Journal of Veterinary Sciences and Animal Husbandry 2021; 6(3): 30-33 ISSN: 2456-2912 VET 2021; 6(3): 30-33 © 2021 VET Art and science: The importance of scientific www.veterinarypaper.com Received: 19-02-2021 illustration in veterinary medicine Accepted: 21-03-2021 Andreia Garcês Andreia Garcês Inno – Serviços Especializados em Veterinária, R. Cândido de Sousa 15, 4710-300 Braga, DOI: https://doi.org/10.22271/veterinary.2021.v6.i3a.357 Portugal Abstract The importance of illustration in veterinary is usually overshadowed by its use in human medicine and forget. Nonetheless, it is important to recognize the importance of illustration in the development of veterinarian, as this is also a profession based on observation. Through history there are several examples of how illustration help to increase and share the knowledge in veterinary sciences. There is no doubt that illustration is an important tool in learning. That makes scientific illustration an important and irreplaceable tool, since they have the ability of takes scientific concepts, from the simplest to the complex, and bring it to life in an attractive and simplified way. Keywords: art, science, scientific illustration, veterinary medicine Introduction Biological illustration, has many branches being one of the medical illustrations. It is a form of illustration that helps to record and disseminate knowledge regarding medicine (e.g., anatomy, [1, 2] virology) . Usually, medical illustration is associated with human medicine, with the great anatomical illustrations of Da Vinci and Andreas Vesalius coming to mind [3, 4], but illustration also has an important role in veterinary medicine. Maybe, illustration has been used longer in veterinary than in human medicine but never is referenced its importance [3].
    [Show full text]
  • Anatomical Illustration Is Positioned at the Point Where Science Meets
    Author: Nina Czegledy Description of Academic Affiliations: KMDI, University of Toronto Studio Arts, Concordia University, Montreal Moholy Nagy University of Art and Design Women at the threshold of art and medicine Key words: anatomical art, pioneer women, education, bio-medical tools In the beginning of the 20th century faith in progress and scientific discovery had a principal influence on scientists and artists. Revolutionary discoveries appeared in the sciences and in the arts a new awareness of a deep rootedness in nature and its processes became evident (1). As a result a conviction that a scientific spirit forms part of a new synthesis emerged in various disciplines (2) including a renewed interest and re-evaluation of scientific visualization (3). Scores of scientific discoveries, radical art activities and numerous technological inventions that we take for granted today, were drafted in this period. While major scientific discoveries such as the theory of quantum physics and the theory of relativity are dating from the first decade of the twentieth century – innovation and change was felt across all domains from economics to socio-political structures - including the first wave of feminism (4). Nevertheless it took decades to press forward for equal professional opportunities for women and even today a century later major discrepancies remain in vital professions. Key medical advances originating from Canada included the world’s first mobile transfusion unit developed Norman Bethune, Wilder Penfield’s surgical treatment of epilepsy in Montreal and most importantly the discovery of Insulin by Nobel prize winners Frederick Banting, Charles Best, JB Clip and JJR Macleod at the University of Toronto (5).
    [Show full text]
  • By Phillip Thurtle. University of Minnesota Press, Posthurnanities
    BIOLOGY IN THE GRID: Uncovering these differencesis GRAPHIC DESIGN AND THE politically important but also re­ ENVISIONING OF LIFE quires understanding how grids by Phillip Thurtle. University of are ordered. Thisinvolves asking Minnesota Press, Posthurnanities questions such as "What are the Volume 46, Minneapolis, MN, 2018. specific values that grids are in­ 272 pp, illus. Trade, paper. tended to support?" Understand­ ISBN: ISBN: 978-1517902773; 1517902770. ing life in the grid also demands Reviewed by Amy Ione, TheDiatrope the use of imagination. In this Institute, Berkeley, CA. Email: ione@ way we see how grids can be used diatrope.com. to reorder lives to be less oppres­ sive and more creative. Strangely, I https:/ doi.org/io.1162/leon_r_01898 it is through a study of the most As I began Phillip Thurtle'swell­ monotone and bureaucratic of researched Biology in the Grid: terms, "regulation;' that we see Graphic Design and the Envisioning of how closely bound the impulse to Life, I wondered how his "envision - control and the desire to imagine ing of life" would intersect with the coexist through envisioning. (p. 6) abundant evidence that a complex array of grids have served as a foun­ Thurtle, a biologist who specializes dational element in art, architecture in the cultural and conceptual basis and design production throughout of biology, uses a bifurcated research history. A few examples that quickly strategy to bring together the value of come to mind include those used standardization and the value of envi­ to construct perfectly proportioned sioning what lies beyond the kind of Egyptian and Aztec temples, Islamic accepted tropes that standardization and Buddhist art, Chuck Close's reinforces.
    [Show full text]
  • The Intersection of Arts and Sciences
    The Intersection of Arts and Sciences September 11th, 2012 Written by Elyssa Monzack, Postdoc at NIDCD, FelCom Career Development Subcommittee, with contributions from Pabak Sarkar, Postdoc at NIAAA, FelCom Career Development Subcommittee Felcom’s Career Development Seminar, “The Intersection of Arts and Sciences,” offered an opportunity for NIH Fellows to learn how to blend an interest in the arts with a scientific background from experts who have utilized their scientific skills to produce, render, explain and restore art. The first speaker was Mr. Wyatt Channell, who is a Senior Producer at Science Channel (part of Discovery Communications). Mr. Channell, who has a B.A. in English from the University of Maryland-College Park, began by noting that colleagues with Ph.D.s are scarce in the television industry, where being a compelling storyteller and communicating ideas in the most engaging way possible are the most valued qualities. Mr. Channell says that although he may not understand all the science, he understands enough to determine how to present scientific ideas to a general audience. To ensure factual accuracy, Discovery relies on the outside companies with which they work and contract to produce and ensure accuracy of the content, using vetted experts. Overall, Mr. Channell views his work not as artistry, but rather, the development of a commercial product to be consumed. The artistic component, he said, exists in presenting science and creating a story that is engaging and entertaining as well as informative. It came as a surprise to many in the audience that television networks like Discovery do not create their scientific programs in-house.
    [Show full text]
  • The Association of Medical Illustrators
    Vol.AMI 56, Issue 4, Winter 2016 NEWS Jennifer Fairman "Z-Ring Stabilization and Constriction Rate Modulation of the ZapA-ZapB-MatP Protein Network" LIFETIME ACHIEVEMENT AWARD Marcia Hartsock Receives AMI 2015 Lifetime Achievement Award at IN THIS ISSUE: the Cleveland Clinic Presented by Bill Andrews and Gary Schnitz Lifetime Achievement Award . 1 Techniques . 9 The purpose of the Lifetime Achieve- The AMI Lifetime Achievement Award 2016 Budget . .12 ment Award is to acknowledge and honor is the highest honor awarded by the Artists' Rights . 15 a medical illustrator who has been a Association of Medical Illustrators to an Winning Ways . 17 Professional AMI Member for at least 30 individual who has dedicated his or her continuous years, and whose life, work professional life as a medical illustrator. In Up & Coming . 34 and other accomplishments have signifi- doing so, this individual has engaged with 2016 Annual Meeting . 43 cantly contributed to the profession. fellow illustrators, not only to support the and much more . ideals of the profession, but also to insure AMINEWS FROM THE NEWSLETTER TEAM Happy holidays from the Newsletter team! and Jeff Day’s Comics Rx peers into the Committee Chair & Co-Editors fantastic team at Booster Shot Comics. Jodi Slade & Shizuka Aoki We have a bounty of new faces and new Wendy Beth Jackelow reviews the Layout Artist articles this winter, so a lot to be thank- passionate and insightful Do No Harm: Jackie Meyer ful for. We close out 2015 and celebrate Stories of Life, Death, and Brain Surgery Editorial Review Board our Lifetime Achievement Award Winner by Henry Marsh.
    [Show full text]
  • Download Joanne's Résumé
    JOANNE HADERER MüLLER, MA, CMI 66 Sargent Street, Melrose, Massachusetts 02176 [email protected] www.haderermuller.com 781.662.0688 DEGREES & CERTIFICATIONS Certified Medical Illustrator—The Board of Certification of Medical Illustrators, 2005–present Master of Arts: Medical & Biological Illustration—The Department of Art as Applied to Medicine, The Johns Hopkins University School of Medicine, Baltimore, Maryland, USA, 2000 Bachelor of Arts: Commercial Art—Millersville University, Millersville, Pennsylvania, USA, 1998—Summa cum laude PROFESSIONAL BACKGROUND positions Founding Partner, Creative Director—Haderer & Müller Biomedical Art, LLC; Melrose, Massachusetts, April 2004–present Project management, client interaction, consultation, and production of visual communication solutions including biomedical illustration, instructional design, and graphic design for clients in the fields of science, medicine, healthcare, and business Chair, Board of Governors—Association of Medical Illustrators; July 2013–present Coordination and direction of approximately 30 committees in their work to advance a 5-year strategic plan improving the educational impact, professional standing, and visibility of this international association; Ongoing business and communications decisions; Board leadership Founding Partner—Haderer & Müller Ilustração Biomédica Lda.; Lisbon, Portugal, September 2000–September 2004 Establishment and operation of the first studio in Portugal to provide biomedical illustration, design, and anaplastology services to clients
    [Show full text]
  • Graduate Program Brochure
    The Johns Hopkins University School of Medicine Medical & Biological Illustration Graduate Program The Medical & Biological Illustration (MBI) The Profession graduate program provides broad interdisciplinary There is a growing need for clear accurate visuals to communicate the education and training in medical illustration. This 22-month latest advancements in science and program meets both the scholarship requirements of the University medicine. E!ective medical illustration for a Master of Arts degree and the visual communication needs of can teach a novel surgical procedure, explain a newly discovered molecular today’s health science professionals. mechanism, describe how a medical device works, or depict a disease As part of the Department Art as Applied to Medicine in the Johns Hopkins pathway. Through their work, medical University School of Medicine, students in the MBI program have easy access to all illustrators bridge gaps in medical and healthcare communication. the facilities of the world renowned Johns Hopkins Medical Institutions. The integral connection between the MBI graduate program and the medical illustration services Graduates of the Johns Hopkins Medical provided by faculty of the Department allows students to mentor with practicing and Biological Illustration program have Certified Medical Illustrators (CMI), to use the most technologically advanced a strong history of high employment production equipment, and to observe faculty members as active illustrators in the rates with some students receiving job o!ers prior to graduation. The Hopkins community. graduates from 2016-2020 had an employment rate of 94% within Medical illustration training at Johns Hopkins formally began in 1911 under the the first 6 months. leadership of Max Brödel with an endowment from Henry Walters.
    [Show full text]
  • JENNIFER E. FAIRMAN, CMI, FAMI Curriculum Vitae for Academic Promotion the Johns Hopkins University School of Medicine
    JENNIFER E. FAIRMAN, CMI, FAMI Curriculum Vitae for Academic Promotion The Johns Hopkins University School of Medicine (Typed Name) Jennifer Elizabeth Fairman (Date of this version) June 10, 2016 ✦ DEMOGRAPHIC AND PERSONAL INFORMATION CURRENT APPOINTMENTS Assistant Professor Founder and Principal Certified Medical Illustrator Certified Medical Illustrator The Johns Hopkins University School of Medicine Fairman Studios, LLC Department of Art as Applied to Medicine PERSONAL DATA 1830 East Monument Street, Suite 7000 108 Woodlawn Road Baltimore, MD 21205 Baltimore, MD 21210 Phone : 410-955-3213 Phone : 781-647-7510 Fax : 410.955.1085 Fax : 240-597-0366 [email protected] [email protected] EDUCATION AND TRAINING :: Undergraduate 1995 Bachelor of Science Biological Science (Pre-medical track) University of Maryland, College Park, MD 1995 Bachelor of Arts Studio Art (German Language, Minor) University of Maryland, College Park, MD :: Graduate 1999 Master of Arts Medical & Biological Illustration Johns Hopkins University School of Medicine Baltimore, MD Masters Thesis: “Prosauropod and Iguanid Jaw Musculature: A Study on the Evolution of Form and Function” Preceptor: David Weishampel, PhD Professor, Functional Anatomy and Evolution Faculty Advisor: Timothy H. Phelps, FAMI Associate Professor, Art as Applied to Medicine 2016 - Master of Professional Studies Business of Art and Design Candidate (anticipated Dec 2017) Maryland Institute College of Art, Baltimore, MD :: Postgraduate 2007-2014 Continuing Professional Studies Maryland Institute College of Art, Baltimore, MD 2010-2011 Leadership Program for Women Faculty Johns Hopkins School of Medicine, Baltimore, MD Jennifer E. Fairman, CMI, FAMI - CV 06/01/2016 2016 FORMAT 2 PROFESSIONAL EXPERIENCE 05/1991 to 01/1992 Exhibits Assistant The Virginia Living Museum, Newport News, VA Illustrated mammals, birds and plants for education, exhibits and museum newsletter.
    [Show full text]
  • John M. Daugherty, MS CMI FAMI Education M.S. Medical And
    John M. Daugherty, MS CMI FAMI Curriculum Vitae Program Director/Clinical Assistant Professor Biomedical Visualization University of Illinois at Chicago 1919 W. Taylor Street, Suite 250 (MC 530) Chicago, IL 60612 312.996.4975 [email protected] Education 1978–1980 M.S. Medical and Biological Illustration University of Michigan 1976–1977 Herron School of Art, Indianapolis 1975–1976 Indiana University (Pharmacology) 1971–1975 B.A. Chemistry and Psychology Indiana University Certification 1994–current Certified Medical Illustrator The Board of Certification of Medical Illustrators Professional Experience 2011-current Program Director, Biomedical Visualization Department of Biomedical and Health Information Sciences Biomedical Visualization Graduate Program The University of Illinois at Chicago 2005-2010 Associate Program Director, Biomedical Visualization Department of Biomedical and Health Information Sciences Biomedical Visualization Graduate Program The University of Illinois at Chicago 1989–current Owner of Highlight Studios Sole proprietor of medical illustration studio 1988–current Clinical Assistant Professor/Associate Graduate Faculty Department of Biomedical and Health Information Sciences Biomedical Visualization Graduate Program The University of Illinois at Chicago 1988–1991 Manager of Illustration Studios Department of Biomedical Visualization The University of Illinois at Chicago 1981–1988 Coordinator of Biomedical Illustration Department of Anatomy and Neurobiology Colorado State University Instructor Department of Anatomy and
    [Show full text]
  • Ernst Heinrich Philipp August Haeckel 16 Feburary 1834 to 09 August 1919
    ARTICLE-IN-A-BOX Ernst Heinrich Philipp August Haeckel 16 Feburary 1834 to 09 August 1919 Ernst Haeckel was born in Potsdam (near Berlin), the residence of the Prussian kings in the period preceding the unification of Germany in 1871. His family was highly educated: his father, Karl, was a jurist by training and served in the Prussian court, his mother, Charlotte, was the daughter of a well-known jurist, and his elder brother, Karl, too, was a lawyer. One year after his birth, Haeckel’s family moved from Potsdam to Merseburg, then the capital of Saxony, about 170 km to the south-west of Potsdam. His father was in charge of schools and ecclesiastical affairs at Merseburg, and Haeckel spent the next seventeen years in this relatively small town. At home, the young Ernst benefited from an intellectually rich atmosphere. His father was very fond of philosophy, natural sciences, geology, and travelogues, and often dis- cussed these interests with him. His mother was a great admirer of classical German poetry, especially that of Goethe and Schiller, and instilled a love for poetry in her son that he main- tained throughout his life. He also developed an early passion for sketching and painting, and by his teens, was a fairly proficient artist. His tutor, Karl Gude, introduced him to a wide array of themes in biology ranging from Linnaean classification to the quasi-evolutionary specula- tions of the comparative morphologist Lorenz Oken. In particular, Haeckel read and recalled being greatly inspired by the travelogues written by Alexander von Humboldt and Charles Dar- win (The Voyage of the Beagle, in German translation), as well as Matthias Jakob Schleiden’s book on plants and their life.
    [Show full text]