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7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial
7. Conclusion : Telefilm, Cross-Media Migration, and the Demise of the Film Serial Abstract The conclusion offers an outlook past the 1940s. It places film serials in the context of the shifting cinema landscape in the 1940s and 1950s and the rise of television. The chapter compares the viewer address of film serials to television’s programming in terms of a ‘segmented flow’ and argues that film serials imagined and practiced a televisual mediality before the advent of TV. Serials and television thus became convergent media, which counters the prevalent notion that television killed film serials. The chapter further stresses the adaptability of the film-serial form to varying exhibition and distribution contexts, which helps to explain their continuous reappearance in the multiple ‘new media’ in the second half of the twentieth century and in the digital culture of the twenty-first century. Keywords: television programming, televisual flow, post-WWII film history, independent film production The present moment is an arbitrary one to end a study of film serials. Al- though the heyday of their production is well in the past, serials that were thought to be lost continue to reappear in archives or in private collections. Online fan groups like the serialsquadron.com offer increasing numbers of serials on DVD. Other enthusiasts make them available on youtube or upload them to archive.org, and scholars like Richard Koszarski are making an effort to locate ‘new’ film serials. In the final months of writing, for instance, Pathe’s The House of Hate (1918) was located in Russia, digitalized, and translated back into English. -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-06-2017 Grit 2/6 Mon 2/7 Tue 2/8 Wed 2/9 Thu 2/10 Fri 2/11 Sat 2/12 Sun Grit 06:00A The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC Movie: Outlaw Justice Movie: McLintock! 06:00A 06:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC TV-14 V; 1999 TV-PG V; 1963 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: The Last Days Of Frank & Jesse 08:00A 08:30A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; James 08:30A TV-PG D, L, S, V; 1986 09:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: Ten Wanted Men 09:00A CC 09:30A Zane Grey Theatre: -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Copyright by Avi Santo 2006
Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable. -
The Lone Ranger & the Silver Sword
The Lone Ranger & The Silver Sword Ikkyu study by Nicki Ehrlich “You don’t have to be a genius to learn this, but you can’t be too dumb, either.” 1 “A good student learns to observe with an open mind.”2 Sometimes what starts as a seemingly silly notion evolves into an idea worthy of serious study. I hadn’t physically trained in martial arts for almost seventeen years. And then at the age of 47, which I still considered young, but all my peers described as “almost 50,” I reconnected with Aikido. The Japanese language had, at one time, echoed in my head daily, like a second tongue, though I heard mostly works connected to the art and philosophy of Karate. Here, Aikido was using many of the same works, but also some new ones. And the moment I heard these two, “tanto” and “ki musubi,” my western-TV-series-loving psyche had nowhere to run but back to black & white TV and: “A fiery horse with the speed of light, a cloud of dust and a hearty ‘Hi Yo Silver!’ The Lone Ranger. ‘Hi Yo Silver, away!’ With his faithful Indian companion, Tonto, the daring and resourceful masked rider of the plains, led the fight for law and order in the early west. Return with us now to those thrilling days of yesteryear. The Lone Ranger rides again!”3 In Aikido “tanto” is the word for “knife.” Not a real knife, but a wooden one, tanto is used to practice defense techniques with those worthy opponents who may dare try using the thing on you. -
SERIALS - Available in DVD Format
SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic -
September 2006
The Old Radio Times The Official Publication of the Old-Time Radio Researchers September 2006 Over 1,450 Subscribers Number 10 Contents How Groucho and his Brothers Left Their Marx on Network Radio Special Features Robert Jennings and Wayne Boenig Marx & Co. 1 The Marx Brothers, and especially the best Bobby Benson 5 known Marx brother, Groucho, had a long and Lost Movies, Pt. 2 7 distinguished career in show business that Researchers Hub 11 spanned two thirds of the Twentieth Century, Aces High 14 and left an indelible mark on the worlds of vaudeville, Broadway theater, movies, radio, Radio Junkie 18 and television. Radio in 1943 20 In addition to being stars together or singly Ex-Lax 23 in all those varied formats, the Marx Brothers Claybourne 26 also exerted an enormous influence thruout the whole of show business during the years they Regular Features were active. Their original vaudeville appearance was shaped by legendary Treasury Report 22 vaudevillian Al Shean of “Gallagher and Crossword 25 Shean.” They were close personal friends with Librarian’s Shelf 27 personalities as varied as Jack Benny, Bob Hope, George S. Kaufman, George Jessell, isn’t exactly the Medici Family for show Buy-Sell-Trade 30 Irving Thalberg, George Burns and Eddie business, at least it is a considerably Letters to the Editor Cantor. In addition Marx family ties were interlinked legacy whose show business 30 interwoven throughout the world of influences are still being felt on down into this Sushi Bar 33 entertainment. Sadye Marx, a cousin, married new century. Jack Benny and became Mary Livingstone. -
Complete Radio Programs and Highlights for Today
- CompleteComplete RadioRadio Programs and Highlights for Today CHICAGO FREQUENCIES sito-N-22041-N-720 VsMBI-1110Wat131-1110 PH-114- 4:15-W.O-N-Novelly4:15W-G-NNoveity Shop.Shop. MD-56OTI-560WJJD-1160WJJD-1180 worth-45.9WGNII-45.9 WIND-CaliforniaWINDCalifornia Harmonies. VTLL-580580 W.I0L-1340WJOL-1340 and 08.998.0 WbfAQ-PortiaWMAQPortia Faces Faces Llie Life (1,111[Ms 77MAQ-6700-670WJOB-1230W.10/3-1230 WDLM-99.7WDLM-09.7 W.LID-BobWJJDBob McLane McLane Quintet.Quintet. ABBMBM-780 780 WEDC-1240 WEFAI WEFM--45.1 - -45.1, WILLPreviewWILL-Preview ofof Tomorrow.Tomorrow. VAIT-820AIT-820 WSBC-1240 and 98.5 4:25WLSLullaby4:25-WIS-Lullaby Time.Time. 77ENR-890-890 4:30W-0-11Baker's4:30-W.G.N-Bakees Spotlight.Spotlight. WCRW-1240WCM.W-1240 WBEZ-44.5 WBEZ-44.5 WMAQ--JustWMAQJuat Plain Plain Bill Bill [N].(M. ALS-890890 W8tR0-1280WMR0-1280 WBBM-99.3WBBM-99.3 WBBM-Ilint Hunt.hunt. 7/AAP-950AAY-950 WGES-1390 WEAW-104.3 WLS-NewsWLSNews reports.report'. ACP1,-1000CFI.-1000 WHFC-1450WHFC-1450 WY.FIS-100.1WEHS-100.1 WIND-News;WINDNews. TommyTommy Dorsey. [15IM] IodlcatesIndicates MISS.MRS. [NI (NI NBC. NBC. (Cl[C] CBS WCFL-News;WCFLNews: Melodies to Remember. and (A)[A) ABC. WJJDTonlghtWJJD-TOnIght in in Chicago. Chinks°. 4:45-W-G-M-Adventure4:45-15-G-NAdventurc Parade.Parade. progrimsgrams art listed in central standard timetime. WMAQFrontWMAQ-FrOnt PagePage Farrell IN WBBM-GoldWARMGold Coast.Coast WIND-BennyWINDBenny Goodman.Goodman. MORNING WENR4-DickWE:Ht.-Dick Tracy [Al.[A]. 5:30-W-G-N-Farm5:30-w-o-N-rarm hour hour andand news. -
Hughes' Budget Up
-.-T Wettiier Distribution 7 *au femysfctat » Oe»*> to*»y *** Mtgbt:*)!)! MUM. Today It* mta. M*.*, kw t. tte 21,800 . Us, tomorrov, cloudy with • nigh to the SM. Wednesday, fair- DIAL SH I-0010 and cold. See Weather, page t ««Ur. Unit anon* rrUw. B««md «ut »MUP RED BANK, N. J., MONDAY, FEBRUARY 11, 1863 VOL. 85, NO. 163 it ill Btlt ui U. MdlUontl MlUlo* Olfleu. 7c PER COPY PAGE ONE City Manager Fired Bowen to Demand Hearing LONG BRANCH- City Manager Richard J. left the city yesterday for a two-week business Bowen was to be in his office at the city hail trip. And Mr. Jones couldn't be reached for annex today. But it may be his last visit there comment. la ait official capacity. '.'".".• ' • One thing that will be held up, undoubtedly, • i He was fired by IU vote of City Council by jytr, Bowen's firing will be introduction of Saturday. Though he will demand a public the 1963 city budget. Council completed work hearing and another vote by the council with-, on Mr. Bowen's recommended budget last week in 30 days, he is not hopeful of returning to: and the manager planned to put all Informs-. the $13,000-a-year job he assumed 18 months ' tion on paper over the weekend and present it ago. ' •'••••••• ^ •... : . • -•:,. for formal drafting by City Auditor Armour His visit today will be merely to pick up- Hulsart. personal belongings. In removing Mm -from "But I've been suspended," Mr. Bowen office, council made" no arrangements- for a pointed, out. -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Proposition 187 and the Ghost of James Bradley Thayer
UCLA Chicana/o Latina/o Law Review Title Proposition 187 and the Ghost of James Bradley Thayer Permalink https://escholarship.org/uc/item/3k34813c Journal Chicana/o Latina/o Law Review, 17(1) ISSN 1061-8899 Author Sklanksy, David A. Publication Date 1995 DOI 10.5070/C7171021065 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PROPOSITION 187 AND THE GHOST OF JAMES BRADLEY THAYER DA vID A. SKLANSKJy Provoked by the ugliness of Proposition 187 - California's recent anti-immigration initiative - the ghosts of at least three fully documented Americans could be excused for returning briefly to say "I told you so." One is James Madison, who fa- mously warned against forms of democracy that fail to check popular prejudices and resentments.' A second is Fred Allen, who somewhat less famously dismissed California as "a wonder- ful place to live - if you happen to be an orange."'2 The third is James Bradley Thayer, the least familiar of the three today, but arguably the most influential law professor in American history. His grounds for claiming vindication are the subject of this essay. I. But first some background. Thayer taught at Harvard Law School from 1874 until his death in 1902.3 This was a formative period in American legal education. Thayer's colleagues at Harvard included Christopher Columbus Langdell, John Chip- man Gray, James Barr Ames, and, briefly, Oliver Wendell Holmes, Jr.;4 in the words of a later, not atypical admirer, Thayer "was one of the giants at the Harvard Law School during its t Acting Professor of Law, UCLA School of Law. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p.