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Composer/Songwriter/Producer 1989
FRANK FITZPATRICK [email protected] 310.453.6853 Composer/Songwriter/Producer 1989 - Present Santa Monica-based Music Producer, Songwriter and Film Composer providing award-winning original music, creative direction, production services and multi-media content for Film, Television and Advertising. Select Film & Television Credits FILM CAST CREDITS Hurricane Season Forest Whitaker, Isaiah Washington Songwriter/Producer Soul Men Sam Jackson, Bernie Mac, Isaac Hayes Songwriter/Producer Jump In! Kiki Palmer, Corbin Bleu Composer/Songwriter/Producer Proud Family Movie Arsenio Hall, Omarian, Lisa Raye Composer/Songwriter/Producer Scary Movie 3 & 4 Leslie Nielson, Charlie Sheen, Latifah Music Supervisor/Songwriter Queen of the Damned Aalyiah, Stuart Townsend Music Supervisor/Songwriter In too Deep Omar Epps, LL Cool J, Stanley Tucci Music Supervisor/Songwriter Love Song Monica, Christian Kane Composer/Songwriter/Producer Stanley’s Gig Faye Dunaway, Marla Gibbs Composer/Songwriter/Producer Lani Loa: The Passage Angus McFadden, Leo Akana Composer/Songwriter/Producer The Players Club Jamie Fox, Ice Cube, Bernie Mack Composer/Supervisor/Producer Pirates of Silicon Valley Noah Wyle, Anthony Michael Hall Composer Friday Chris Tucker, Ice Cube, Nia Long Composer/Music Supervisor Nuns on the Run Eric Idle, Robbie Coltrane Composer/Music Supervisor Bad Company Lawrence Fishburne, Ellen Barkin Music Supervisor/Songwriter Raising Cain John Lithgow, Steve Bauer Music Supervisor Heartbreak Hotel David Keith, Tuesday Weld Music Supervisor/Songwriter -
Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
February 2019 NASFA Shuttle
Te Shutle February 2019 The Next NASFA Meeting is Saturday 16 February 2018 at Willowbrook Madison normal 3rd Saturday, except: d Oyez, Oyez d • 23 March—a week late (4th Saturday) to avoid MidSouthCon All meetings are currently scheduled to be at the church, with The next NASFA Meeting will be 16 February 2019, at the the Business Meeting starting at 6P. However, as programs for regular meeting location and the regular time (6P). See the map the year develop, changes may be made to the place, the start below, at right for directions to Willowbrook Baptist Church time, or both. Stay tuned. (Madison campus; 446 Jeff Road). See the map on page 2 for a SHUTTLE DEADLINES closeup of parking at the church as well as how to find the In general, the monthly Shuttle production schedule (though meeting room (“The Huddle”), which is close to one of the a bit squishy) is to put each issue to bed about 6–8 days before back doors toward the north side of the church. Please do not the corresponding monthly meeting. Submissions are needed as try to come in the (locked) front door. far in advance of that as possible. FEBRUARY PROGRAM Please check the deadline below the Table of Contents each The February Program will be a talk by Glenn Taylor, man- month to submit news, reviews, LoCs, or other material. ager of the Huntsville Regional Traffic Management Center of JOINING THE NASFA EMAIL LIST the Alabama Department of Transportation. The topic is AL- All NASFAns who have email are urged to join our email DOT’s Intelligent Transportation System, the goal of which is list, which you can do online at <tinyurl.com/NASFAEmail>. -
Original Athletes in 1924 Film
29 June 2012 BFI UNCOVERS “CHARIOTS OF FIRE” ORIGINAL ATHLETES IN 1924 FILM Harold Abrahams in the lead in Running – A Sport That Creates Both Bodily and Mental Health (1924). Photo credit: courtesy of BFI National Archive A routine search for footage in the BFI National Archive has uncovered an all-but-forgotten film Running - A Sport That Creates Both Bodily and Mental Health (1924) featuring two of Britain’s most famous Olympic athletes, Harold Abrahams and Eric Liddell, made legendary by their portrayal in Hugh Hudson’s Oscar-winning film Chariots of Fire. With Olympic fever sweeping the nation and a July nationwide re-release for Chariots of Fire along with the release of new film Fast Girls this is a timely reminder of Britain’s great Olympic heritage and a chance to see two of Britain’s greatest Olympic running heroes. This rarely-seen documentary footage will feature in a 4 minute extract on the BFI’s YouTube channel today. www.YouTube.com/BFIFilms The film’s full title is Running - A Sport That Creates Both Bodily and Mental Health (1924): Juvenile Races at a Country Sports Meeting, and scenes from the 1924 Olympics with W.M.Cotterell, Harold Abrahams, E.H. Liddell, D.G. Lowe, H.B.Stallard, G.M.Butler and D.McLeod Wright. 19 minutes approx @ 16 fps dir. John Betts Bryony Dixon, curator, Silent Film, BFI National Archive said: “How incredibly timely to come across the real Harold Abrahams and Eric Liddell in this beautiful quality footage with less than a month to go before the 2012 Olympics.” The film has been in the BFI National Archive collections since 1938 and was viewed by producer David Puttnam and scriptwriter Colin Welland when they were researching the Chariots of Fire story 40 years later. -
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949). -
25C Seniors Take a "Magical Mystery Tour
25C Graduation Section In This Issue: Volume 11, Issue 28 Serving Lowell Area Readers Since 1893 Wednesday. May 27.1987 Seniors take a "Magical Mystery Tourf t This year's Senior nighl party boarded buses for bowling at the again boarded the buses for the was titled. The Magical Mys- Kentwood Bowling Cenier. At trip to Deer Run Golf Club, and tery Tour", and it proved to be about 11:30 the seniors found breakfast. The party finally came just that. Nearly 150 Lowell themselves disembarking the to an end at 6:30 a.m. High School seniors boarded buses at the Michigan Athletic This year's party was chaired buses at 5:30 Friday afternoon Center on Burton St. Here the by Dwight and Joanne Frcy, for parts unknown. The annual group swam, participated in Roger and Kathy Southland. Ron party is staged by the parents of numerous sports and tried their Pawloski and Vem and Gay L.H.S. seniors in an effort to luck at a Las Vegas style casino. Nauta. Dr. Robert Reagan congratulate them, as well as Winners at the gaming tables chaired the acquisition of prizes, show them a good time in an received chips that could be used and told us that 180 merchants, environment free from drugs and at an auction featuring Au- manufacturers and individuals alcohol. ctioneer Tom Nagy. About sixty donated to this worthwhile The first stop for the group prizes were auctioned off. in- cause. He asked that we please was Geribee's Party Place in cluding TV's and other nice pass along the thanks of the com- Grandville. -
Wooster, OH), 1998-11-05 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1991-2000 "The oV ice" Student Newspaper Collection 11-5-1998 The oW oster Voice (Wooster, OH), 1998-11-05 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1991-2000 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1998-11-05" (1998). The Voice: 1991-2000. 207. https://openworks.wooster.edu/voice1991-2000/207 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1991-2000 by an authorized administrator of Open Works. For more information, please contact [email protected]. TTze Wooster While the student leaders are enthusiastic ",.Y(he : : catch us online at general student body does not exhibit much interest "HE" in student government unless a major issue arises, www.woostet.eduvoice from the Collrge'j 1992 accreditation report by ths ICE North Central Asinrintitm of Collrm and St hnritl Volume CXV, Issue 9 America's;0Oldest Weekly College Newspaper Thursday, November 5, 1998 Turnover in Facility talks objectives "Liberal arts core" sent back to EPC Admissions Herring. He said that the EPC docu- Dan Shortrjdce ment was similar to information News Editor which had been "leaked" to the fac- Caitun Pine ulty in the spring, and that the cen- ' Staff Writer Cm Monday night, the faculty dis- tral debate was between "giving cussed and generally rejected the more of a smattering than we are High turnover in the student visit "Objectives for a Liberal Arts Core" now . -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
View , 82, (Winter 2002): 191-207
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Collegiate Symbols and Mascots of the American Landscape: Identity, Iconography, and Marketing Gary Gennar DeSantis Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES COLLEGIATE SYMBOLS AND MASCOTS OF THE AMERICAN LANDSCAPE: IDENTITY, ICONOGRAPHY, AND MARKETING By GARY GENNAR DeSANTIS A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 ©2018 Gary Gennar DeSantis Gary Gennar DeSantis defended this dissertation on November 2, 2018. The members of the committee were: Andrew Frank Professor Directing Dissertation Robert Crew University Representative Jonathan Grant Committee Member Jennifer Koslow Committee Member Edward Gray Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii I dedicate this dissertation to the memory of my beloved father, Gennar DeSantis, an avid fan of American history, who instilled in me the same admiration and fascination of the subject. iii TABLE OF CONTENTS Abstract ............................................................................................................................................v 1. FITNESS, BACK-TO-NATURE, AND COLLEGE MASCOTS -
Read Ebook {PDF EPUB} up by R.E.M. up by R.E.M
Read Ebook {PDF EPUB} Up by R.E.M. Up by R.E.M. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660c7973f8a24e2c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Real Reason R.E.M. Broke Up. Regardless of what your opinion about R.E.M. is, there's no denying that they shaped the face of alternative rock for years. Heck, they've basically been every kind of alternative rock band themselves. They spent their formative years as cult favorite college rockers. Then, they started attracting more and more attention until they were making music with genuine mainstream appeal. Between 1991 and 1992 alone, they released the folk- inspired Out of Time and the baroque Automatic For The People, making them easily the most successful band to attack the audiences of the early grunge era with both mandolins ("Losing My Religion") and string arrangements (A good chunk of Automatic ). -
Innovations at Cannes
Innovations at Cannes By Ron Holloway Fall 2000 Issue of KINEMA CANNES: INNOVATIONS IN THE CERTAIN REGARD, DIRECTORS’ FORTNIGHT AND CRITICS WEEK For the third year in a row, an entry in Un Certain Regard was awarded the increasingly important prize of the Fondation GAN pour le cinéma (worth FF 200,000 in French distribution aid) by an independent international jury. Consequently this Cannes sidebar is now viewed by many as a ”backup festival” to the Competition in the official program. For the second year in a row under the new management ofMarie- Pierre Macia, the Quinzaine des Réalisateurs (Directors’ Fortnight) continued to distance itself from the prior policies of Pierre-Henri Deleau (three decades on the job) by formulating a programming image that was even more actor-and-personality oriented than last year’s event. And for the first time in 16 years, the Semaine de la critique (Critics Week) finds itself under new management: José María Riba was elected by the Paris-based critics to replace Jean Roy on the job. UN CERTAIN REGARD VIEWS Two years ago, in 1998, the Fondation GAN pour le cinéma awarded its prize for the first time to Darezhan Omirbaev’s Tuer à gages (Killer, Kazakhstan-France). In 1999, it went to Jasmin Dizdar’s Beautiful People (UK). This year, the jury, headed by actress Jane Birkin, gave its prize to Rodrigo Garcia’s Things You Can Tell Just by Looking at Her (USA), a collection of five vignettes about intertwined relationships shared by a group of men and women. Herewith some random comments on seven other films from around the world that were selected for programming in the Certain Regard, regarded by many festival directors as a fertile hunting-ground for entries to programme in their own competitions: Le premier du nom (First of the Name, France-Switzerland), Sabine Franel Sabine Franel, better known as a film editor, has collaborated in the past with Portuguese master Mañoel de Oliveira (Les Cannibales, 1988 Cannes entry), João Canjo, Claude Weisz, and Emil Weisz. -
John Williams John Williams
v8n01 covers 1/28/03 2:18 PM Page c1 Volume 8, Number 1 Original Music Soundtracks for Movies & Television Trek’s Over pg. 36 &The THE Best WORST Our annual round-up of the scores, CDs and composers we loved InOWN Their WORDS Shore, Bernstein, Howard and others recap 2002 DVDs & CDs The latestlatest hits hits ofof thethe new new year year AND John Williams The composer of the year in an exclusive interview 01> 7225274 93704 $4.95 U.S. • $5.95 Canada v8n01 issue 1/28/03 12:36 PM Page 1 CONTENTS JANUARY 2003 DEPARTMENTS COVER STORY 2 Editorial 14 The Best (& the Worst) of 2002 Listening on the One of the best years for film music in recent Bell Curve. memory? Or perhaps the worst? We’ll be the judges of that. FSM’s faithful offer their thoughts 4 News on who scored—and who didn’t—in 2002. Golden Globe winners. 5 Record Label 14 2002: Baruch Atah Adonei... Round-up By Jon and Al Kaplan What’s on the way. 6 Now Playing 18 Bullseye! Movies and CDs in By Douglass Fake Abagnale & Bond both get away clean! release. 12 7 Upcoming Film 21 Not Too Far From Heaven Assignments By Jeff Bond Who’s writing what for whom. 22 Six Things I’ve Learned 8 Concerts About Film Scores Film music performed By Jason Comerford around the globe. 24 These Are a Few of My 9 Mail Bag Favorite Scores Ballistic: Ennio vs. Rolfe. By Doug Adams 30 Score 15 In Their Own Words The latest CD reviews, Peppered throughout The Best (& the Worst) of including: The Hours, 2002, composers Shore, Elfman, Zimmer, Howard, Film scores in 2002—what a ride! Catch Me If You Can, Bernstein, Newman, Kaczmarek, Kent and 21 Narc, Ivanhoe and more.