This Article First Appeared in Fdtimes April 2020 Issue 101
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Jon Fauer ASC www.fdtimes.com April 2020 Issue 101 Technique, Technology and Art in Motion Picture Production Worldwide Canon EOS C300 Mark III Canon CINE-SERVO 25-250 Panasonic LUMIX DC-S1H Apple ProRes RAW and Atomos Ninja V Cooke Tour 2020 DENZ FDC-LPL Blackmagic Pocket Cinema Camera Reports Focus Puller at Work ARRI OCU-1 & Master Grips on Location ARRI EF Mount, ERM FUJINON Premista Around the World Mole 20K & LED Spacelites Hunters, Rexer, SIGMA, RED Codex Dock & Reader for ARRI Teradek Bolt 4K Cover Photo by Ron Batzdorff www.fdtimes.com Art, Technique and Technology On Paper, Online, and now on iPad Film and Digital Times is the guide to technique and technology, tools and how-tos for Cinematographers, Photographers, Directors, Producers, Studio Executives, Camera Assistants, Camera Operators, Grips, Gaffers, Crews, Rental Houses, and Manufacturers. Subscribe It’s written, edited, and published by Jon Fauer, ASC, an award-winning Cinematographer and Director. 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Address ____________________________________________ Phone: 1-570-567-1224 City ________________________________________________ Toll-Free (USA): 1-800-796-7431 State or Province ______________________________________ Fax: 1-724-510-0172 Email via website: fdtimes.com/contact Country _____________________________________________ Mailing address: Film and Digital Times Subscriptions Zip or Postal Code______________________________________ PO Box 922 Phone ______________________________________________ Williamsport, PA 17703 USA Fax________________________________________________ Editorial offices in New York City Email_______________________________________________ Contents: April 2020 Issue 101 Introduction, Part 1: Film in Coronavirus Times .............................................. 4 Jamie Cluer, Assembly Supervisor and Service Manager .............................. 93 Part 2: Working in this Town Again ............................................................... 5 Cooke Clean Room...............................................................................94-95 Canon EOS C300 Mark III Super35 Camera .................................................. 6 Marking the Focus Scale ......................................................................96-97 Canon EOS C300 Mark III with CINE-SERVO 25-250mm T2.95-3.95 ............. 7 Projection ................................................................................................. 98 Canon EOS C300 Mark III Super35 Camera .............................................8-14 Delivery .................................................................................................... 99 Steve Holleran on EOS C300 Mark III and CINE-SERVO 25-250 Zoom .......... 15 New: Cooke S7/i Full Frame Macro 1:1 60mm, 90mm, 150mm Primes ..... 100 Steve Holleran on Canon EOS C300 Mark III ..........................................16-17 ERM Wireless Range Extenders for ARRI ................................................... 101 Steve Holleran on CINE-SERVO 25-250 ...................................................... 18 ARRI EF Mount with LBUS for ALEXA Mini, Mini LF..............................102-103 Steve Holleran on Boneyard Ballet .............................................................. 19 Lenses and Mounts for Large Format ARRI ALEXA LF and Mini LF ............. 103 Steve Holleran on Boneyard Ballet .............................................................. 21 ARRI OCU-1 Operator Control Unit ............................................................ 104 Gods of Focus: Dennis Scully ..................................................................... 22 ARRI Master Grips ................................................................................... 105 Dennis Scully: What’s on the Camera ......................................................... 23 ARRI OCU-1 and Master Grips Around the World ................................106-107 Dennis Scully .......................................................................................24-25 ARRI Master Grips Around the World ........................................................ 108 Canon EOS C300 Mark III .....................................................................26-27 Mole LED Spacelites ............................................................................... 109 Boneyard Ballet Frames ........................................................................28-31 Mole 20K LED......................................................................................... 109 Canon EOS C300 Mark III Specifications ................................................32-33 DENZ FDC-LPL Flange Focal Depth Tester ................................................ 110 Canon EOS C300 Mark III Formats. ............................................................ 34 DENZ FDC Multi ...................................................................................... 111 Resolution, Bit Depth, Max FPS, Slow & Fast, etc. ........................................ 34 Hunters, Rexer, SIGMA, RED .............................................................112-114 Sensor Modes .......................................................................................... 35 Gods of Focus: Michael Burke on Hunters ................................................. 115 Frame Rates ............................................................................................. 35 Michael Burke on Hunters ....................................................................... 116 Recording Times ....................................................................................... 35 Hunters Equipment List ....................................................................117-119 Canon CINE-SERVO 25-250 mm T2.95-3.95 Zoom ..............................36-39 FUJINON Premista Production Stills from Around the World ........................ 120 Canon CINE-SERVO 25-250mm T2.95-3.95 Specs .................................... 40 Paolo Sodi - Director / Cinematographer .................................................. 121 Canon CINE-SERVO 25-250mm T2.95-3.95 Image Coverage...................... 41 David Dellaria - Cinematographer ............................................................. 122 Aperture Ramping Explained ...................................................................... 41 Patrick Longman - Aerial Cinematographer ............................................... 123 Teradek Bolt 4K ...................................................................................42-43 Bill Bennett, ASC - Cinematographer ....................................................... 124 Apple ProRes RAW with Panasonic LUMIX DC-S1H and Atomos Ninja V ........ 44 AJ Bleyer - Director ................................................................................ 125 Panasonic LUMIX DC-S1H Firmware Version 2.0 ......................................... 45 Jeff McCoy - Owner, Industrial Digital ...................................................... 126 Panasonic LUMIX DC-S1H ......................................................................... 46 Corey Koniniec - Cinematographer / Motion State Co-Owner ..................... 127 Panasonic LUMIX DC-S1H, Atomos Ninja V & Apple ProRes RAW ................. 47 Mohd Abudin Abdullah,