Cinematography DELIVERY GUIDE Version 1
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The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION
The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION BILL HURTER Amherst Media® PUBLISHER OF PHOTOGRAPHY BOOKS ABOUT THE AUTHOR Bill Hurter started out in photography in 1972 in Washington, DC, where he was a news photographer. He even covered the political scene—including the Watergate hearings. After graduating with a BA in literature from American University in 1972, he completed training at the Brooks Institute of Photography in 1975. Going on to work at Petersen’s PhotoGraphic magazine, he held practically every job except art director. He has been the owner of his own creative agency, shot stock, and worked assignments (including a year or so with the L.A. Dodgers). He has been directly involved in photography for the last thirty years and has seen the revolution in technology. In 1988, Bill was awarded an honorary Masters of Science degree from the Brooks Institute. He has written more than a dozen instructional books for professional photographers and is currently the editor of Rangefinder magazine. Copyright © 2008 by Bill Hurter. All rights reserved. Front cover photograph by Fuzzy Duenkel. Back cover photograph by Bruce Dorn. Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt Editorial Assistance from: John S. Loder ISBN-13: 978-1-58428-223-5 Library of Congress Control Number: 2007926869 Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, me- chanical, photocopied, recorded or otherwise, without prior written consent from the publisher. -
A Person Who Creates Still Photographic Images for the Publicity of Films and Television Programs and Other Photography: Producing Still Images
BA Still Photography Still photography refers to unit still photographer: a person who creates still photographic images for the publicity of films and television programs and other photography: producing still images. The liberalization, globalisation and opening up of economy has led to the setting up of a host of 24X7 news channels as well as a large number of entertainment channels. Further, with the mindset of Indian masses undergoing sea change, the working in the entertainment Industry is no more a limitation. More and more young men and women are taking to entertainment industry. Courses of Film and Television is driven by the singular desire to create New Media Communicators using cinema and television as a means of dialogue with their world. We aim to provide a global platform for quality media and film professionals. Eligibility Criteria: 10+2 or equivalent in any stream To earn a BA (Hons) in Still Photography, a student has to earn a minimum of 90 credits. Minimum 24 credits are to be earned from Still Photography subjects and the remaining can be taken from any stream. Every student has to attain a minimum of D grade in all courses; a student may however, and repeat or change any course being offered. Notwithstanding, every student must acquire the desired number of credits. The detailed course structure under different categories is given in succeeding pages. Brief description of the course content follows thereafter. Codes Subject Name Credit 16A.101 Creative Writing 4 16A.102 Still Photography 4 16A.103 Media Appreciation -
Teacherfight
#teacherfight Eric Edwards goes bare knuckles (and back to school) for the new Warner Bros. comedy, Fist Fight by Ted Elrick photos by Bob Mahoney 74 Schoolyard brawls have been the stuff of cinematic conflict dating back to classics like The Blackboard Jungle, Rebel Without a Cause and Three O’Clock High. But Fist Fight takes the premise into a new realm when mild- mannered English teacher Charlie Day (It’s Always Sunny in Philadelphia, Horrible Bosses) causes intimidating history teacher Ice Cube (Barbershop, Ride Along, Boyz N the Hood) to get fired on the last day of the school year. Cube’s character (Mr. Strickland) challenges Day (Mr. Campbell) to a fight, after school, and word goes viral as all gather to see the “adults” settle their differences. Rounding out the seasoned cast for this New Line/Warner Bros. comedy are Christina Hendricks (Mad Men), Tracy Morgan (30 Rock), Jillian Bell (Workaholics), Dean Norris (Breaking Bad), and Dennis Haysbert (24).75 Director Richie Keen has honed his comedic sensibilities over “I wanted many years on sitcoms, including multiple episodes of It’s Always Sunny in Philadelphia. He says the script for Fist Fight read like an R-rated John Hughes movie. “I grew up in the Chicago suburbs the feel to where they filmed all of [Hughes’] movies, and I just idolized that guy. I would sneak on the set as a kid when they were filming Ferris Bueller,” Keen recalls. be a little Keen says that once he dug deeper into the script, he envisioned a prison-riot movie with undertones of High Noon. -
Puma Video Rate Card 2009
PUMA VIDEO RATE CARD – June 2021 All quoted prices are exclusive of insurance & VAT. The prices quoted on the rate card are p/day guidelines. Please contact us for a more tailored quote. Items marked with * will not be discounted. 6K/5K/4K CAMERAS: BODY ONLY (no tripod, no lens) DAILY RATE: 1. RED EPIC DRAGON 6K/SCARLET-W 5K: camera R 7000.00 Red VF/monitor, V-lock batteries, 4 x RED mini mags, 2. Z-Cam E2-F6 & E2-S6 (EF/PL) 6K camera, 10-bit colour, 12 bit ProRes RAW R 2800.00 Cage, 2 x 256GB C-Fast Cards, NP-F batteries, http://www.z-cam.com 3. SONY PXW-FX9 FULL FRAME 4K camera R 5500.00 3 x 64GB XQD cards, SmallRig Camera top plate & handle, Zacuto VCT Pro Shoulder plate, Sony FE PZ 28-135 mm f/4 G OSS Zoom Lens, Batteries, 4:2:2 10-bit internal 4. SONY FS-7 / FS7 II SUPER-35 4K camera R 4000.00 3 x 64GB XQD cards, Wooden camera top plate, Smallrig VCT Shoulder plate, Batteries Sony E PZ 18-110mm f/4.0 G OSS zoom lens 5. SONY FS-5 SUPER-35 4K camera R 3000.00 2 x 64 SD cards & reader, Wooden Camer top plate, Smallrig VCT Shoulder plate,Batteries 6. SONY PXW-X70 4K 1”CMOS Sensor HANDY-CAM R 1100.00 DSLR Full Frame (35MM) & APS-C: 4K, UHD, HD (incl. cards, batteries) 1. CANON EOS 5D MK IV 4K DSLR CAMERA BODY (Cage optional) R 850.00 2. -
The Complete Guide to Digital Night and Low-Light Photography Free
FREE THE COMPLETE GUIDE TO DIGITAL NIGHT AND LOW-LIGHT PHOTOGRAPHY PDF Tony Worobiec | 144 pages | 30 Jul 2010 | DAVID & CHARLES | 9780715338551 | English | Newton Abbot, United Kingdom Night photography - Wikipedia Cameras are complicated. It took a ton of trial and error to improve my photography. When I managed to work it all out, I started taking some pretty spectacular images. Product links on ExpertPhotography are referral links. If you use one of these and buy something, we make a little bit of money. Need more info? See how it all works here. As beginner photographers, we tend to be visual learners. I collaborated with an illustrator friend of mine, and together we made these images. Learning how exposure works will help you to take control of your camera and take better photos. They also cause alterations in depth of fieldmotion blurand digital noise. Once you understand how each one works, you can start diving into manual mode. This is where you take control back from your camera. The exposure triangle is a great way to remember the three settings. When combined, they control the amount of light captured from any given scene. This will help you to understand that changing one setting will need a change in the others. That is if you are photographing the same scene with the same exact lighting conditions. Read here for all the information you need on the exposure triangle. Exposure happens in three steps. We will start with the aperture. This is the hole inside the lens, through which the light passes. The wider the aperture, the more light is allowed in and vice versa. -
Rental Catalog Lighting • Grip
RENTAL CATALOG LIGHTING • GRIP SAMYS.COM/RENT TABLE OF CONTENTS STROBE LIGHTING PROFOTO ....................................................................................................................1 BRONCOLOR ..............................................................................................................6 GODOX VIDEO LIGHT ............................................................................................... 10 POWER INVERTERS .................................................................................................. 10 QUANTUM FLASHES & SLAVES ................................................................................. 11 SOFT LIGHTS ............................................................................................................12 BRIESE LIGHTING & ACCESSORIES ...........................................................................13 LIGHT BANKS ............................................................................................................14 POCKET WIZARD REMOTE TRIGGERS .......................................................................15 METERS EXPOSURE METERS ..................................................................................................16 CONTINUOUS LIGHTING LED / TUNGSTEN / HMI .............................................................................................18 HMI LIGHTING ...........................................................................................................19 LED LIGHTS ...............................................................................................................21 -
The Still Photographer
_____________________________________________________________________________ ______ The Still Photographer (Stills/Portrait Photographer) by Kim Gottlieb-Walker, Doug Hyun, Ralph Nelson, David James, Melinda Sue Gordon and Byron Cohen Duties The Still/Portrait Photographer's primary job is to interpret the project in single frames which accurately represent the story, production value, stars, and feeling of the show. These images are used to publicize, entice, and seduce the potential audience into watching the show. Whenever the public is exposed to images other than video or film regarding a show, they must be shot by the unit still photographer. The still person will work both during actual filming/taping, during rehearsals, on or off the set. He or she will shoot available light but is also capable of doing fully lit shoots with either his own lighting or in conjunction with production. More specifically, the still photographer takes production stills that the publicity department can use to promote the film or television show in press kits and various print media and the increasingly important DVD stills galleries. This includes characteristic shots of each scene, shots which show the actors acting together, shots which give a feeling of the look and atmosphere of the show, good character shots of the actors, shots of the director directing, special effects being rigged, special make-up being created, anything which could be supplied to the regular or genre press or used later on the DVD to promote interest in and expand knowledge about a production. But beyond that, because the Still Photographer is the only person on the set authorized to take photographs, he or she may, if time allows, serve some of the photographic needs of the crew. -
Production Inventory
Production Equipment. BRAND ITEM/DESCRIPTION RENT/DAY RENT/WEEK QNTY NOTES CAMERAS. video Each unit includes 1x BP-A30 Battery, Charger, and AC 3 Canon EOS Cinema C300 MK II $300 $900 Adapter Each unit includes 3 x BP-975 Battery, 1 x Charger, and Canon EOS Cinema C300 MK I $100 $300 2 AC Adapter still photography Canon 5D Mark IV $100 $300 1 Includes 1 x LP-E6N Battery and LC-E6 Charger LENSES. $450 $1,350 Canon EF 16-35 F/2.8 L II USM $50 $150 1 Canon EF 24-70mm f/2.8L II 77mm $50 $150 1 Canon EF 24-105 F/4 L IS II USM $50 $150 1 - - - - - Canon EF 70-200 F/2.8 L IS II USM $50 $150 1 Zeiss EF 21mm F/2.8 ZE T Distagon $50 $150 1 Zeiss EF 50mm F/2 Makro Planar $50 $150 1 Zeiss EF 85mm F/1.4 Planar T ZE $50 $150 1 Zeiss EF 100mm F/2 Makro-Planar T ZE $50 $150 1 CAMERA ACCESSORIES. media SanDisk 32 GB CF Cards $1 $4 10 SanDisk 64GB CF Cards $3 $9 2 SanDisk 256GB CFast 2.0 Cards $20 $60 1 Page 1 of 12 Production Equipment. BRAND ITEM/DESCRIPTION RENT/DAY RENT/WEEK QNTY NOTES SanDisk 128GB CFast 2.0 Cards $14 $41 1 SanDisk 64GB CFast 2.0 Cards $8 $24 1 filters $50 $150 B+W 49mm Circular Polarizer $5 $15 1 B+W 62mm Circular Polarizer $5 $15 1 Heliopan 67mm Circular Polarizer $5 $15 1 Nikon 72mm Circular Polarizer $5 $15 1 Nikon 77mm Circular Polarizer $5 $15 1 B+W 77mm Circular Polarizer $5 $15 1 B+W 82mm Circular Polarizer $5 $15 1 Tiffen 82mm Variable ND $5 $15 1 Tiffen 77mm Graduated 0.6 ND $5 $15 1 Tiffen 82mm Graduated 0.6 ND $5 $15 1 B+W 72mm UV Haze $5 $15 1 B+W 77mm 010 UV Haze $5 $15 1 B+W 82mm UV Haze $5 $15 3 Nikon 62mm A2 Warm $5 $15 1 Hoya 72mm Skylight (1B) $5 $15 1 batteries Anton Bauer AB Gold-Mount Battery $20 $60 4 Anton Bauer AB Gold-Mount Dual Charger $20 $60 3 Canon BP-975 Battery for C300 $5 $15 6 Canon BP-955 Battery for C300 $3 $9 2 Canon CG-935 Charger $3 $9 2 Page 2 of 12 Production Equipment. -
A Guide to Working Effectively on the Set for Each Classification in the Cinematographers Guild
The International Cinematographers Guild IATSE Local 600 Setiquette A Guide to Working Effectively on the Set for Each Classification in The Cinematographers Guild Including definitions of the job requirements and appropriate protocols for each member of the camera crew and for publicists 2011 The International Cinematographers Guild IATSE Local 600 Setiquette A Guide to Working Effectively on the Set for each Classification in The Cinematographers Guild CONTENTS Rules of Professional Conduct by Bill Hines (page 2) Practices to be encouraged, practices to be avoided Directors of Photography compiled by Charles L. Barbee (page 5) Responsibilities of the Cinematographer (page 7) (adapted from the American Society of Cinematographers) Camera Operators compiled by Bill Hines (page 11) Pedestal Camera Operators by Paul Basta (page 12) Still/Portrait Photographers compiled by Kim Gottlieb-Walker (page 13) With the assistance of Doug Hyun, Ralph Nelson, David James, Melinda Sue Gordon and Byron Cohen 1st and 2 nd Camera Assistants complied by Mitch Block (page 17) Loaders compiled by Rudy Pahoyo (page 18) Digital Classifications Preview Technicians by Tony Rivetti (page 24) News Photojournalists compiled by Gary Brainard (page 24 ) EPK Crews by Charles L. Barbee (page 26) Publicists by Leonard Morpurgo (page 27) (Unit, Studio, Agency and Photo Editor) Edited by Kim Gottlieb-Walker Third Edition, 2011 (rev. 5/11) RULES OF PROFESSIONAL CONDUCT by Bill Hines, S.O.C. The following are well-established production practices and are presented as guidelines in order to aid members of the International Cinematographers Guild, Local 600, IATSE, function more efficiently, effectively, productively and safely performing their crafts, during the collaborative process of film and video cinematic production. -
MJS Rental Equipment.Numbers
On-Site Equipment/Grip Rental pricing Studio: $800/day Soft Boxes & Umbrellas Day Week Elinchrom 74" OCTA BANK w/ $55 $160 Profoto Adapter Elichrom 17"X17" reflector (Hardbox) $15 $50 with removable grid and frost Profoto 4’ strip light $10 $30 Chimera CHP2BL Pro II Soft-Box for $10 $30 Flash. 54”X72” Photoflex Multidome Q3 $9 $27 Photoflex Stripdome Q3 $9 $27 Photoflex Octodome $9 $27 Umbrellas (We have 2) $4 $12 Total Stands Grip and Misc. Day Week Sandbags, each (Free to use with full $3 $9 day rental of studio) Apple Boxes-Assorted, each: (Free $4 $12 to use with full day rental of Studio) ‘C’ Stands W/Arm-Assorted, each (5 $5 $15 included with full day rental of studio) (We have a total of 13 available) Baby Jr. Roller Triple Riser w/Arm $5 $15 (ea) (we have 3 available) Stands Grip and Misc. Day Week Regular Tall Light Stands $4 $12 Foba 10ft Camera stand (Free to use $50 $150 with 8hr rental of Studio) Calumet Rolling Boom Stand $10 $30 Photek Background Stand set $10 $30 Pocketwizard Plus III and other $10 $30 Pocketwizard Tranceivers. Matthews Auto Pole $8 $25 Apple Display 27-inch (2560 x 1440) $100 $300 Commercial Refrigerator/Freezer $6 $18 (each) (Free to use with full day rental of Studio) V-Flats (free to use) $0 $0 AC extension cords (Free to use) Total $0 Profoto Lighting Day Week ACUTE2 2400 GENERATOR (No $40 $135 built-in poketwizard) PROFOTO D4 2400R (built in $55 $165 PocketWizard) ACUTE 2/D4 HEAD W/Standard $25 $75 zoom reflector. -
In House Equipment List
IN HOUSE EQUIPMENT LIST LIGHTING+GRIP Profoto 7a 2400 Packs $70/each Profoto Pro 7 Heads $30/each Profoto reflectors included Profoto grid kit + grid reflector $25/each Large 40’ C stand $8/each Small 20’ C stand $6/each Medium roller $15/each Low roller $15/each Mini boom $20/each Super boom $30/each Autopole sets $12/set Autopole extensions $5/section Small Softbox 2x3 $20/each Medium Softbox 3x4 $25/each Large Softbox 4x6 $30/each Profoto Beauty Dish $35/each Includes grid, 1/3 stop diffusion 1 stop diffusion Elinchrom 7’ Octabank $65/each Elinchrom 5’ Octabank $50/each DP light $20/each Tota light $20 each Reel EFX Fan $50/each Photek Medium Silver Umbrella with sock $15/each Profoto Medium Silver Umbrelaa $10/each Profoto Medium White $10/each Large Silver/White Umbrella $15/each Profoto Head Extension $20/each Pocket Wizard III Transciever $15/each [email protected] 646.668.0307 SHIO INC 195 MORGAN AVENUE #313 BROOKLYN NY 11237 IN HOUSE EQUIPMENT LIST DIGITAL CAPTURE Mac Pro + Eizo ColorEdge CG 246 $350/day 2.4GHz 12-Core Intel 500 GB SSD/ 1TB HD 32gb ram MacbookPro 2.6Mhz i7 $200/day 1TB SSD 16gb Ram Eizo ColorEdge CG246 $150/day Eizo ColorEdge CG223 $125/day *satellite available Canon EOS-5D Mk III digital body $135/day *with grip package $150/day Canon EF 24-70mm I USM $30/day Canon EF 100mm II USM IS $40/day 15' Tethering Cable USB 2.0 $15/set 15' Tethering Cable USB 3.0 $15/set 15' Tethering Repeater $15/set [email protected] 646.668.0307 SHIO INC 195 MORGAN AVENUE #313 BROOKLYN NY 11237 IN HOUSE EQUIPMENT LIST MISC GRIP -
Tear-Out Checklist
Tear-Out Checklist Be Prepared Director’s “Perfect Shoot” Checklist Standard Filming Procedures o Film site has been scouted and is available & ready o Storyboard & script reviewed and in hand o o Props for the scene(s) are available (as needed) o Talent is prepped, practiced, and ready to go o All equipment required for the shoot has been obtained (as necessary), this includes specialty equipment (i.e. extra lighting, truck, dolly, etc.) o Tape is in the camera & cued to blank area before recording oration f o Camera is in the record mode o Camera is stabilized (normally with a tripod) for a steady shot Per o Camera is positioned correctly in relation to the target and background g o Cameraman is using the “rule of thirds” to align all visual elements on screen (background and foreground) o Background looks good o Microphones & headphones are plugged in and working (as required) o o Sound is good Tear Alon o Target is well lit without any backlighting problems o Lights & reflectors are used to light foreground/background (as needed) o Lighting is good o o While filming, use your shotsheet to assure you are getting all the shots you need o o Cameraman is viewing through the camera’s LCD screen while filming o Cameraman hits RECORD & assures talent does a 5 second verbal countdown (5, 4, 3, 2, 1, pause, start talking) o Cameraman “leads” the target with the camera (remember “look-room” & “lead-room”) o o Cameraman double checks the filmed scene to assure it is good prior to leaving the shoot location o Camera, microphones, & other equipment