Alleluia, Sing to Jesus Amazing Grace Ave Maria Be Not Afraid Be Still

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Alleluia, Sing to Jesus Amazing Grace Ave Maria Be Not Afraid Be Still

Hymns Alleluia, Sing to Jesus How Great Thou Art Prayer of St. Francis Amazing Grace I Am the Bread of Life Seed, Scattered and Sown Ave Maria I Am the Living Bread Taste and See Be Not Afraid I Have Loved You The King of Love My Be Still, My Soul I Heard the Voice of Jesus Shepherd Is Behold the Lamb Let There Be Peace on The Supper of the Lord Blest Are They Earth To Jesus Christ, Our Bread for the World Lift High the Cross Sovereign King Bread of Life (Cooney) Lord of All Hopefulness Ubi Caritas Bread of Life (Farrell) Lord, You Have Come We Have Been Told Eye Has Not Seen Loving and Forgiving We Remember Faith of Our Fathers Mary’s Song We Walk By Faith For All the Saints Now We Remain We Will Rise Again Gift of Finest Wheat O God, Our Help in Ages You Are Mine Give Me Jesus Past You Are Near Hail Mary: Gentle Woman O God, You Search Me Ye Watchers and Ye Holy Here at This Table On Eagle’s Wings Ones Here I Am, Lord One Bread, One Body Holy God, We Praise Thy Our Blessing Cup Name Praise to the Lord How Can I Keep From Pie Jesu Singing Precious Lord, Take My How Firm a Foundation Hand Psalms Psalm 16: Shelter Me, O God Psalm 42: I Thirst For You Psalm 16: You Are My Inheritance Psalm 63: My Soul Thirsts Psalm 23: Shepherd Me, O God Psalm 90: In Every Age Psalm 23: The Lord Is My Shepherd Psalm 103: The Lord Is Kind and Merciful Psalm 25: To You, O Lord Psalm 116: The Name of God Psalm 27: The Lord Is My Light Psalm 131: Like A Child Rests Songs of Farewell Come to His/Her Aid (Song of Farewell: Old Hundredth) Go Forth In Peace I Know That My Redeemer Lives Song of Farewell (Sands) .

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THE COMPANION TO THE EDINGTON MUSIC FESTIVAL & beauty came like the setting sun A FESTIVAL OF MUSIC WITHIN THE LITURGY 19–26 AUGUST 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 1 The Priory Church of Saint Mary, Saint Katharine and All Saints Edington, Westbury, Wiltshire THE COMPANION TO THE EDI NGTON MUSIC FESTIVAL Sunday 19 to Sunday 26 August 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 2 Contents Introduction page 3 Festival and general information page 8 Festival participants page 12 Orders of service, texts and translations page 14 Cover Photo credit: British Cemetery at Courcelette at Sunset © Paul Reed Designed and typeset by Nick Flower Researched and edited by Peter Roberts & Tom Bennett Proofread by Ian Aitkenhead Printed in England by Caligraving Ltd 2 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 3 Introduction Richard Pinel Welcome to the 63rd Edington Festival of Music within the Liturgy. After several momentous years that have, amongst other things, seen the commissioning and installation of a ﬁne new organ in the Priory Church, the 60th Festival, and two changes of Director, we look forward to a ‘business as usual’ festival this year. Entitled ‘Beauty came like the setting sun’, this year’s festival commemorates the centenary of the end of World War One, referring to the works of several prominent war poets. Some festival-goers will be aware that Siegfried Sassoon has a connection to this area—his family lived in the nearby village of Heytesbury. Each day during the festival is marked by reference to a particular poem that will be the focus of the sermon for that day.
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Parry US 8/5/09 16:32 Page 12
572104bk Parry US 8/5/09 16:32 Page 12 Here God made holy Zion’s name, And did the countenance divine And here he gave them rest. Shine forth upon our clouded hills? Oh, may we ne’er forget what he hath done, And was Jerusalem builded here PARRY Nor prove unmindful of his love, Among these dark satanic mills? That, like the constant sun, On Israel hath shone, Bring me my bow of burning gold! Choral Masterpieces And sent down blessings from above. Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Songs of Farewell C.H. Parry (from Judith) Bring me my chariot of fire! I will not cease from mental fight, @ Jerusalem Nor shall my sword sleep in my hand, Manchester Cathedral Choir And did those feet in ancient time Till we have built Jerusalem Walk upon England’s mountains green? In England’s green and pleasant land. Christopher Stokes And was the Holy Lamb of God On England’s pleasant pastures seen? William Blake (1757-1827) 8.572104 12 572104bk Parry US 8/5/09 16:32 Page 2 Sir Charles Hubert Hastings Parry (1848–1918) for He is our help and our shield. His grace from above. Songs of Farewell Praise Him who hath taught you He delivered the poor in his affliction, To sing of His love. Sir Hubert Parry came from a family of some which remained dominant. Above all, in London he the fatherless and him that hath none to help him. O praise ye the Lord! distinction.
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9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57
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View/Download Liner Notes
HUBERT PARRY SONGS OF FAREWELL British Choral Music remarkable for its harmonic warmth and melodic simplicity. Gustav Holst (1874-1934) composed The Evening- 1 The Evening-Watch Op.43 No.1 Gustav Holst [4.59] Watch, subtitled ‘Dialogue between the Body Herbert Howells (1892-1983) composed his Soloists: Matthew Long, Clare Wilkinson and the Soul’ in 1924, and conducted its first memorial anthem Take him, earth, for cherishing 2 A Good-Night Richard Rodney Bennett [2.58] performance at the 1925 Three Choirs Festival in late 1963 as a tribute to the assassinated 3 Take him, earth, for cherishing Herbert Howells [9.02] in Gloucester Cathedral. A setting of Henry President John F Kennedy, an event that had moved Vaughan, it was planned as the first of a series him deeply. The text, translated by Helen Waddell, 4 Funeral Ikos John Tavener [7.41] of motets for unaccompanied double chorus, is from a 4th-century poem by Aurelius Clemens Songs of Farewell Hubert Parry but only one other was composed. ‘The Body’ Prudentius. There is a continual suggestion in 5 My soul, there is a country [3.52] is represented by two solo voices, a tenor and the poem of a move or transition from Earth to 6 I know my soul hath power to know all things [2.04] an alto – singing in a metrically free, senza Paradise, and Howells enacts this by the way 7 Never weather-beaten sail [3.22] misura manner – and ‘The Soul’ by the full his music moves from unison melody to very rich 8 There is an old belief [4.52] choir.
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Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op.
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Exegesis of the Psalms “Selah”
Notes ! 147 BIBLE STUDY METHODS: PSALMS The Psalms are emotional. At times, God speaks too, but most of what we read are man’s words directed toward heaven. All these words are completely inspired by God. Our issue is to determine how they function as God’s Word for us. The Psalms are not: • doctrinal teaching - No! • biblical commands on our behavior - No! • illustrations of biblical principles - No! They provide examples of how people expressed themselves to God (rightly or wrongly). They give us pause to think about (1) God, and (2) our relationships to God. They ask us to consider the “ways of God.” Exegesis of the Psalms Separate them by types. Understand their different forms and their different functions. The New Testament contains 287 Old Testament quotes. 116 are from Psalms. The 150 Psalms were written over a period of about 1000 years. Moses wrote Psalm 90 in 1400B.C. Ezra wrote Psalm 1 and Psalm 119 about 444 B.C. Our task is to view the Psalms through the lens of Salvation History. “Selah” The Psalms are poetry and songs. The music is lost to us. “Selah” was intended to signal a musical pause. It’s not necessary to read it out loud. It’s a signal to pause and meditate. Though the Psalms are different from each other, they all emphasize the spirit of the Law, not the letter. Do not use them to form doctrines, independent of New Testament writings. The Psalms are emotional poetry. They often exaggerate through the emotions of their writers. The language is picturesque.
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Songs of Farewell and Other Choral Works Choir of New College Oxford Robert Quinney
PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 1 Acknowledgements The Choir of New College Oxford gratefully acknowledges the generous support of Eugene Ludwig, which made this recording possible. The work of the choir is also supported by the Friends of New College Choir: see www.newcollegechoir.com for information on how to join. The edition of the Songs of Farewell used in the recording was edited by Robert Quinney from the autograph manuscripts in the Bodleian Library. It is published by Oxford University Press, ISBN: 9780193518469 Robert Quinney gratefully acknowledges the assistance and advice of Martin Holmes, Alfred Brendel Curator of Music at the Bodleian Libraries. Images Cover: Friedrich, Caspar David (1774-1840), Wanderer über den Nebelmeer, 1818 (oil on canvas) © Bridgeman Images Design: Larisa Afric Producer and Engineer: Adrian Hunter Recorded in the chapel of New College, Oxford, 10-14 July 2017 s a New College Oxford 2018 www.newcollegechoir.com NCR 1394 2 PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 3 PARRY Songs of Farewell and other choral works Choir of New College Oxford|Robert Quinney 1. Parry: Hear my words, ye people 14.27 Solo quartet: Oscar Bennett (treble), Edward Beswick (alto), Andrew Bennett (tenor), George Robarts (bass) Baritone: Daniel Tate, Organ: Timothy Wakerell Mendelssohn: Sechs Sprüche 2. i Weihnachten 01.32 3. ii Am Neujahrstage 02.31 4. iii Am Himmelfahrtstage 01.37 5. iv In der Passionszeit 01.28 6. v Im Advent 01.40 7. vi Am Karfreitag 01.50 Parry: Songs of Farewell 8.
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Lect 19-Psalms
Lecture 19: Psalms 23 Contents for Lecture 19b VI. The Canonical Approach 23 A. General Features That All Interpreters Affirm 23 B. Gerald Wilson 25 C. John Walton 25 D. Paul House 28 E. Evaluation of Canonical Approaches 29 VII. The Portrait of the Anointed King (= Christ) in the Psalms 31 A. An Overview 31 B. The Anointed One as All-Conquering King 31 C. The Anointed One as Suffering Servant 37 D. Some Sample Journey’s into Reading the Psalms as Direct Messianic Prophecy 39 E. What about “I’m a Sinner” Psalms? 42 VIII. The Portrait of Yahweh in the Psalms 48 A. Yahweh Stands in Focus through the Doxologies Concluding Each “Book” 48 B. Overview of the Usage of the Name and Titles of God 48 C. Yahweh in the Introduction (Pss 1–2) 49 D. Yahweh in the Conclusion (Pss 146–150) 49 E. Yahweh in the Body––An Overview 49 F. Summary 50 IX. Guided Reading for the Psalms 51 A. Key Psalms 51 B. Questions 51 VI. The Canonical Approach A. General Features That All Interpreters Affirm 1. The Five “Books” (mirroring the Pentateuch) each with a concluding doxology: a. Book 1: Pss. 1–41, doxology Ps. 41:13 b. Book 2: Pss. 42–72, doxology Ps. 72:18–19 c. Book 3: Pss. 73–89, doxology Ps. 89:52 d. Book 4: Pss. 90–106, doxology Ps. 106:48 e. Book 5: Pss. 107–150, doxology Pss. 146–150 2. The Psalms do witness intentional groupings. a. Grouping due to attribution: i. Book 1 is almost fully attributed to David, and most of Book 2 is as well; the final statement in 72:20 about the prayers of David being ended suggests that Books 1–2 may have been the first psalter.
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Psalm 13; Psalm 137; Psalm 90:12 July 23, 2017 Pastor Steve Richards
Breathe: 3. Dealing with disappointment, anger, and pain Psalm 13; Psalm 137; Psalm 90:12 July 23, 2017 Pastor Steve Richards Two weeks ago, when I displayed this photo of a calendar [picture of wall calendar completely filled with appointments], I heard from a lot of people that their calendar looks like this, or if not the calendar, then their lives. And what surprised me was how many retired people told me they do not have room for anything else. I don’t want your life to look like this. I want you to have room to breathe. But I think we’ve forgotten how or never really learned how to breathe. Life is better when we breathe, but when something other than God drives us, it pulls us away from what matters most. So, I suggested a breathing exercise, and last week, Tami repeated the exercise. Some of you told me you were reluctant to do it: To relax, to close your eyes in a dark room, to breathe deeply – you’re asleep, but trust me you would not be the first person to fall asleep in this place! Breathe, just breathe. Here’s the problem: stuff happens. Things outside our realm of control happen to us – a medical condition, an injury, a relationship is in trouble, as one of your kids is going to bed she mentions needing a costume for her classroom presentation the next morning, your work increases or you lose your job and you can’t find the one you want, a tree falls on your house or the car dies.
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NUMBERING OUR DAYS Psalm 90 7/27/08 Psalm 90 Is the Oldest of All
NUMBERING OUR DAYS Psalm 90 7/27/08 Psalm 90 is the oldest of all the Psalms It states that it is “A Prayer of Moses, the man of God.” Psalm 90 was most likely written during the 38 years that Israel wandered in the wilderness of Sinai following their rebellion and refusal to go into the promised land at Kadesh-Barnea. (Numbers 13-14) Now we find them trekking around the desert going nowhere Awaiting the death of all those who had been over twenty years old at the time That would be well over a million people who would not now be allowed to go into the land and enjoy God’s blessings. Every morning there was a report of more casualties. Every day an average of 87 more people died Every time they broke camp they left a new cemetery full of fresh graves. As Moses reflected upon what was going on and about life in general he penned this Psalm. The first thing he notes is that: 1. God Is Eternal 90:1-2 Throughout human history Before the creation of the world From every lasting to ever lasting, You are God. Psalm 102:24-27 I say, "O my God, do not take me away in the midst of my days, Your years are throughout all generations. 25 "Of old You founded the earth, And the heavens are the work of Your hands. 26 "Even they will perish, but You endure; And all of them will wear out like a garment; Like clothing You will change them and they will be changed.
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Psalms-Quiet-Times.Pdf
Psalms 90-106 Over the next 20 days, let us rest in the book of Psalms. The collection of Book 4 (Psalms 90-106) follows a myriad of exilic and post-exilic laments. In response to the devastation of Jerusalem, Psalm 90 begins recalling that God has been their “dwelling place through all generations.” At the centre of these Psalms is a celebration of God’s reign as King, ending with two Psalms retelling Israel’s history. These quiet times use a fairly standard method of Bible reading with a series of questions to have in mind as you read and reflect. The aim of these questions is to keep your mind and heart engaged throughout, rather than just going through the motions. The standard questions we will ask are: What stands out? What questions do you have? How does the reading point to Jesus? What could you pray? Who could you encourage? You may come to the end of a reading and think, ‘wow, I cannot figure out how that points to Jesus and I have no idea how the passage would help me encourage anyone’. That’s fine! The standard questions we will use may not fit every passage. However, they are important to ask none the less, as they keep us open to the Spirit’s leading as we read. I also like to recommend the Australian Christian band “Sons of Korah” as a wonderful companion to this series. They have composed beautiful versions of Psalm 91, 92, 93, 94, 95, 96, 97, 99, 100, 103. You can listen to their music on Spotify, Itunes & Youtube.
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Shabbat Parashat Vayiggash December 15, 2018 - 7 Tevet 5779
Jews have always been a community drawn together by virtue of Torah. No matter where you may be, we welcome you to the Ziegler community through Today's Torah e-mail. Shabbat Parashat Vayiggash December 15, 2018 - 7 Tevet 5779 By: Rabbi Elliot Dorff Rector and Distinguished Professor of Philosophy American Jewish University Gaining Meaning and Joy from Each Day Torah Reading: Genesis 44:18 - 47:27 Haftarah Reading: Ezekiel 37:15 - 28 “Jacob answered Pharaoh: ‘The years of my sojourn [on earth] are one hundred and thirty. Few and hard have been the years of my life, nor do they come up to the life spans of my fathers during their sojourns.” (Genesis 47:9) The Torah has made abundantly clear that Jacob was not exaggerating when he describes his life as “hard.” His troubled relationships with his father, brother, wives, and sons have all made that description of his life undoubtedly accurate. His own actions caused some of that difficulty, but there is no second-guessing his claim that his life was hard, lacking the warm and supportive family relationships that we all crave. It is a bit ironic, then, that Jacob also complains that his life span has not reached that of his fathers. One would think that if his life were hard, he would not want to continue it much longer. The number of 130 years that he claims to have lived is clearly based on a different mode of calculating years than we use today, but however long that was did not compare, he grumbles, to the life span of his fathers, and that too is a source of displeasure.
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