Disco Wonderland: a Night at Studio 54
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Cheers, and Thanks for the Memories
AUGUST 2021 ISSN 2652-8738 LOCALLY OWNED & LOCALLY MADE ISSUE 15 CHEERS, AND THANKS FOR THE MEMORIES One family has been so entrenched in the bayside community for more than five decades, it’s hard to imagine the area without them. So it’s with more than a tinge of sadness that we say goodbye to the McDonald family, as they hand over the lease of The Manly Hotel to its new custodians, Endeavour Group. A chapter in Manly’s history is about to close as Sandy, Jenny, and Doug McDonald hand over the lease to The Manly Hotel’s new licensees after 51 years. This is more than just a bricks and mortar pub; it’s an iconic institution where milestone memories have been made, careers forged and friendships endured. “Working at The Manly, where everybody knows Sandy, Jenny and Doug, is like being a part of an even bigger family than the McDonald clan,” said Janet Moore, niece to Jenny, Sandy and Doug McDonald. “A strong, community-minded spirit is in everything we do and it has been a privilege to get to know the locals who feel so at home at The Manly.” Janet recalls many happy memories of the extended family celebrations that have taken place at the pub over the last 51 years. “The first big one would have been Doug’s 21st back in 1970, and 49 years later it was time to celebrate Doug’s 70th. How time flies!” Endeavour will take the reins on October 1, which marks the start of the group’s new 50-year lease. -
Songs by Artist
Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da -
Motivating Your Mind Inspiring Your Spirit
Motivating your Mind Inspiring your Spirit Motivating your Mind Inspiring your Spirit 2019 e-book Wishing you an inspiring 2019 from Kevin Cottam Dear Reader This e-book has been created from the generosity of 90 Australian, New Zealand, German, Irish, Canadian, American, Asian, South African and United Arab Emirates based authors and industry experts we have known in the MICE* industry starting in the 1980's. Our 2019 e-book writers have over 2,600 years of business experience and 3,850 years in helping others. As colleagues and industry friends, they are innovative, responsible, intelligent and exceptionally talented in their areas of expertise. E-book Purpose Since 2009, our e-books have been created for clients, customers and global readers to enjoy. I trust the stories; insights and case studies can help your business or enhance your personal and professional education. Contributing writers are invited based on their immeasurable value as topic experts and character attributes they have displayed over many years. I deeply appreciate their knowledge and spirit of collegiality in giving to this year's e-book. As a complimentary gift and value added resource from this alliance of contributors, this e-book is FREE. Share it with colleagues, business contacts, friends and those you feel will enjoy the IQ and EQ stories to enhance their knowledge. You can send the e-book via e-mail, a link, through your social media posts, blogs or your mobile device. Download it to your e-reader or lap top to read stories while travelling on a plane, metro train, bus or on your next vacation. -
Sean Mcculloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums
Sean McCulloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums Utter and complete reinvention isn’t the only way to destroy boundaries. Oftentimes, the most invigorating renewal in any particular community comes not from a generation’s desperate search for some sort of unrealized frontier, but from a reverence for the strength of its foundation. The steadfast metal fury of PHINEHAS is focused, deliberate, and unashamed. Across three albums and two EPs, the Southern California quartet has proven to be both herald of the genre’s future and keeper of its glorious past. The New Wave Of American Metal defined by the likes of As I Lay Dying, Shadows Fall, Unearth, All That Remains, Bleeding Through, and likeminded bands on the Ozzfest stage and on the covers of heavy metal publications has found a new heir in PHINEHAS. Even as the NWOAM owed a sizeable debt to Europe’s At The Gates and In Flames and North America’s Integrity and Coalesce, PHINEHAS grab the torch from the generation just before them. The four men of mayhem find themselves increasingly celebrated by fans, critics, and contemporaries, due to their pulse-pounding brutality. Make no mistake: PHINEHAS is not a simple throwback. PHINEHAS is a distillation of everything that has made the genre great since bands first discovered the brilliant results of combining heavy metal’s technical skill with hardcore punk’s impassioned fury. SEAN MCCULLOCH has poured his heart out through his throat with decisive power, honest reflections on faith and doubt, and down-to-earth charm since 2007. -
METRO in Focus 「The Dark Side to Being a Star in a Pop Brand」
12 METRO Tuesday, June 3, 2014 METRO in focus AKB48 are a Japanese girl band with a revolving roster of 140 The band play a members across gig at their own The band has several teams theatre The dark side to sold more than 30m almost every day records The group’sroup’s firstfirst 23 singleses all went to being a star in No.1 in thethe JapaneseJapanese charts.harts. 18 Auditions to join of themm have sold AKB48 are held moree than 1m1m twice ccopiesopies a pop brand a year T WAS a bloody intrusion into the world A week ago, two members of Japanese pop of bright and shiny pop that – in the eyes group AKB48 were injured by an attacker of Japanese teen fans – was akin to the armed with a saw at a meet and greet for stars of One Direction or Little Mix fans. But what makes this girl band – which being put in the firing line. has 140 members – so successful and so ITwo members of girl band AKB48 – Rina controversial? ROSS McGUINNESS reports... Kawaei, 19, and Anna Iriyama, 18 – were injured by an attacker wielding a saw during a meet and greet. and creepy J-Pop phenomenon – so carefully They were treated for wounds to their head contrived, it makes Simon Cowell’s stable of and hands and a 24-year-old was arrested on manufactured pop acts look like free-wheel- AKB is short for Akihabara, suspicion of attempted murder. ing rock ‘n’ rollers. the area of Tokyo where But as the group’s young followers got over Let’s start with the band’s latest single – their theatre is based. -
Songs by Title
Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus -
Hamokara: a System for Practice of Backing Vocals for Karaoke
HAMOKARA: A SYSTEM FOR PRACTICE OF BACKING VOCALS FOR KARAOKE Mina Shiraishi, Kozue Ogasawara, and Tetsuro Kitahara College of Humanities and Sciences, Nihon University shiraishi,ogasawara,kitahara @kthrlab.jp { } ABSTRACT the two singers do not have sufficient singing skill, the pitch of the backing vocals may be influenced by the lead Creating harmony in karaoke by a lead vocalist and a back- vocals. To avoid this, the backing vocalist needs to learn to ing vocalist is enjoyable, but backing vocals are not easy sing accurately in pitch by practicing the backing vocals in for non-advanced karaoke users. First, it is difficult to find advance. musically appropriate submelodies (melodies for backing In this paper, we propose a system called HamoKara, vocals). Second, the backing vocalist has to practice back- which enables a user to practice backing vocals. This ing vocals in advance in order to play backing vocals accu- system has two functions. The first function is automatic rately, because singing submelodies is often influenced by submelody generation. For popular music songs, the sys- the singing of the main melody. In this paper, we propose tem generates submelodies and indicates them with both a backing vocals practice system called HamoKara. This a piano-roll display and a guide tone. The second func- system automatically generates a submelody with a rule- tion is support of backing vocals practice. While the user based or HMM-based method, and provides users with is singing the indicated submelody, the system shows the an environment for practicing backing vocals. Users can pitch (fundamental frequency, F0) of the singing voice on check whether their pitch is correct through audio and vi- the piano-roll display. -
Mary Poppins Musical Dominates Helpmann Awards Show
BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true 2 August 2011 Last updated at 05:15 ET The musical production of Mary Poppins dominated this year's Helpmann Awards in Australia, winning eight of the 12 categories it was nominated in. The show's stars, Matt Lee and Verity Hunt-Ballard, both won acting prizes. The Walt Disney production also took the coveted best musical award. Geoffrey Rush and Cate Blanchett each won a prize and Andrew Lloyd Webber's Love Never Dies won three. The awards took place at the Sydney Opera House on Monday night. 'Weird and unexpected' Hunt-Ballard was named best female for playing the famous nanny with magical powers. Lee, who was named best male, for playing Bert in the Disney show said it was "weird and unexpected" to beat theatre legend Anthony Warlow. Speaking to Australian website News.com at the ceremony he said: "I performed at the first Helpmann Awards 10 years ago as the third chorus boy on the left. "To receive one of these awards in a category with someone I've looked up to my entire life is 1 of 2 8/2/2011 10:27 AM BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true crazy." The production, based on the 1964 film, also won best choreography, sound design, direction and musical direction. Poppins' Philip Quast also won best male musical supporting actor, while the only award for Hairspray went to Esther Hannaford for best female supporting actor. -
Year of Publication: 2006 Citation: Lawrence, T
University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Catalogo De Canciones 23/02/2015 15:28:34
CATALOGO DE CANCIONES 23/02/2015 15:28:34 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN92987 £1 FISH MAN ONE POUND FISH IN80017 101 DALMATIONS CRUELLA DE VIL IN80018 10CC DONNA IN92379 10CC DON'T TURN ME AWAY IN80019 10CC DREADLOCK HOLIDAY IN92380 10CC FEEL THE LOVE IN92381 10CC FOOD FOR THOUGHT IN92382 10CC GOOD MORNING JUDGE IN80020 10CC I'M MANDY IN80021 10CC I'M NOT IN LOVE IN92383 10CC LIFE IS A MINESTRONE IN92384 10CC ONE TWO FIVE IN92385 10CC PEOPLE IN LOVE IN92386 10CC SILLY LOVE IN80023 10CC THE THINGS WE DO FOR LOVE IN80024 10CC WALL STREET SHUFFLE IN92387 10CC WOMAN IN LOVE IN80025 1910 FRUITGUM CO SIMON SAYS IN80026 1927 COMPULSORY HERO IN80027 1927 IF I COULD IN89409 1927 THAT'S WHEN I THINK OF YOU IN80028 1999 MAN UNITED SQUAD LIFT IT HIGH (ALL ABOUT BELIEF) IN80029 2 EVISA OH LA LA LA IN80030 2 PAC FEAT DR DRE CALIFORNIA LOVE IN80031 2 UNLIMITED NO LIMIT IN80032 21ST CENTURY GIRLS 21ST CENTURY GIRLS IN91367 2ND BAPTIST CHURCH (LAUREN RISE UP JAMES CAMEY) IN92842 2PAC CHANGES IN92841 2PAC DEAR MAMA IN92399 3 DOORS DOWN HERE WITHOUT YOU IN89406 3 DOORS DOWN KRYPTONITE IN90644 30 SECONDS TO MARS CLOSER TO THE EDGE IN91291 30 SECONDS TO MARS FROM YESTERDAY IN90160 30 SECONDS TO MARS KINGS AND QUEENS IN91290 30 SECONDS TO MARS THE KILL IN93248 30 SECONDS TO MARS UP IN THE AIR (CLEAN VERSION) IN93249 30 SECONDS TO MARS UP IN THE AIR (EXPLICIT VERSION) IN91498 38 SPECIAL HOLD ON LOOSELY IN26754 3OH! 3 FEAT KATY PERRY STARSTRUKK IN89722 3OH!3 DON'T TRUST ME IN90099 3OH!3 FEAT KATY PERRY STARSTRUKK Page 1 CODIGO INTERPRETE TITULO IN90533 -
Tickets on Sale for the 6Th AACTA Awards Presented by Presto Kitty
MEDIA RELEASE Strictly embargoed until 12:01am Friday 7 October 2016 Tickets on Sale for the 6th AACTA Awards presented by Presto Kitty Flanagan and Tom Gleeson to host AACTA Awards Luncheon presented by Blue Post alongside musical act Swing on This The Australian Academy of Cinema and Television Arts (AACTA) has today announced its full ScreenWeek program – Australia’s biggest annual celebration of screen achievement. Taking place in Sydney from Sunday 4th – Wednesday 7th December, the AACTA ScreenWeek program of events includes AACTA’s two annual major Awards events and three days of Meet the Nominees events. The announcement comes with the official release of tickets to the 6th AACTA Awards presented by Presto | Luncheon presented by Blue Post on Monday 5 December and the 6th AACTA Awards presented by Presto | Ceremony & Official After Party on Wednesday 7 December, both held at The Star Event Centre in Sydney. Tickets are available for general public and industry, and are on sale now from www.aacta.org. AACTA has also announced comedians Kitty Flanagan and Tom Gleeson as hosts of the 6th AACTA Awards Luncheon presented by Blue Post. “Honestly, it’s just an honour to be nominated to read out the nominations,” said Kitty of her role as Luncheon host. They’ll be hosting with the same flair that saw them present a stand-out segment at last year’s dinner, with Tom saying, “Some call what I do hosting, I call it giving the industry some harsh feedback.” Joining Kitty and Tom at the Luncheon will be stars of stage and screen, Swing on This.