DOCSLIB.ORG

Score Catalogue 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Universal Edition Scores www.universaledition.com wien | london | new york UNIVERSAL EDITION SCORES Composer / Arranger Title Instrumentation Kind of Edition Language UE_No Euro Code NEW STUDY SCORES SERIES Bartók Béla Cantata profana The Magic Deer for tenor, bartione, choir SATB and orchestra New Study Scores Series German; English UE34300 31,95 nn Bartók Béla Dance Suite for orchestra New Study Scores Series UE34308 19,95 nn Music for Stringed Instruments, Percussion and Bartók Béla for strings, percussion and celeste New Study Scores Series UE34129 23,95 nn Celeste Bartók Béla Piano Conerto No. 1 for piano and orchestra New Study Scores Series UE34307 52,95 nn Bartók Béla String Quartet No. 2 op. 17 for string quartet New Study Scores Series UE34309 18,95 nn Bartók Béla String Quartet No. 3 for string quartet New Study Scores Series UE34310 17,95 nn Bartók Béla String Quartet No. 4 for string quartet New Study Scores Series UE34311 19,95 nn Bartók Béla String Quartet No. 5 for string quartet New Study Scores Series UE34312 22,95 nn The Miraculous Mandarin A Ballet in 1 Act. Libretto Bartók Béla for orchestra New Study Scores Series UE34110 46,95 nn by Menyhért Lengyel 5 Orchestral Songs After postcard texts by Peter Berg Alban for medium voice and orchestra New Study Scores Series UE34123 15,95 nn Altenberg Berg Alban 7 frühe Lieder for high voice and orchestra New Study Scores Series German UE35547 24,95 nn Berg Alban Chamber Concerto for piano and violin with 13 wind instruments New Study Scores Series UE34116 32,95 nn Berg Alban Der Wein Konzertarie mit Orchester for soprano and orchestra New Study Scores Series German; French UE34125 27,95 nn Berg Alban Lulu Suite Symphonic Pieces from the Opera "Lulu" for orchestra and colotura soprano New Study Scores Series German UE34115 41,95 nn Lyric Suite Neuausgabe 2005 George Perle (inkl. Berg Alban for string quartet New Study Scores Series UE34296 18,95 nn der "geheimen Gesangsstimme") Berg Alban String Quartet op. 3 for string quartet New Study Scores Series UE34799 17,95 nn Berg Alban Violin Concerto for violin and orchestra New Study Scores Series UE34119 18,95 nn Berg Alban; Büchner Georg 3 Bruchstücke aus "Wozzeck" for Orchestra New Study Scores Series German; English UE35548 24,95 nn [Text] Berio Luciano Canticum novissimi testamenti for 8 voices SSAATTBB, 4 clarinets and saxophone quartet New Study Scores Series Italian UE34819 51,95 nn Berio Luciano Eindrücke for orchestra New Study Scores Series UE34124 33,95 nn Berio Luciano Folk Songs for mezzo-soprano and 7 instruments New Study Scores Series UE34112 14,95 nn Armenian; Azeri; Berio Luciano Folk Songs for mezzo-soprano and orchestra New Study Scores Series UE35542 22,95 nn English; French; Italian Birtwistle Sir Harrison Silbury Air for chamber ensemble New Study Scores Series UE34313 29,95 nn Boulez Pierre Derive 1 for 6 instruments New Study Scores Series UE34818 26,95 nn Boulez Pierre Le Marteau sans maître Poèmes de Renè Char for alto and 6 instruments New Study Scores Series UE34133 26,95 nn Pli selon Pli - No. 3 Improvisation II Portrait of Boulez Pierre for soprano, 2 pianos, 3 harps and 3 percussionists New Study Scores Series UE34303 36,95 nn Mallarmé Boulez Pierre sur Incises for 3 Pianos, 3 Harps and 3 Percussionists New Study Scores Series UE34302 61,95 nn Feldman Morton Instruments II for instrumental ensemble New Study Scores Series UE34793 34,95 nn Feldman Morton Neither Oper in 1 Akt for solo soprano and orchestra New Study Scores Series UE34140 52,95 nn Feldman, Morton Violin and Orchestra for violin and orchestra New Study Scores Series UE34127 29,95 nn Haas Georg Friedrich in vain for 24 instruments New Study Scores Series UE34805 51,95 nn Jenufa Oper in 3 Akten aus dem mährischen Janácek Leos stage work New Study Scores Series German; English; Czech UE34808 86,95 nn Bauernleben Janácek Leos Káta Kabanová Opera in 3 Acts stage work New Study Scores Series German/Czech UE35539 74,95 nn Mša Glagolskaja (Glagolitic Mass) First Edition and Janácek Leos for solists, mixed choir, organ and orchestra New Study Scores Series Old Church Slavonic UE34298 42,95 nn final version Janácek Leos Taras Bulba Rhapsody for orchestra New Study Scores Series UE34137 24,95 nn Janácek Leos The Cunning Little Vixen Opera in 3 Acts stage work New Study Scores Series UE34126 92,95 nn Janácek Leos Zàrlivost (Jealousy) Overture from "Jenufa" (1895) for orchestra New Study Scores Series UE34803 27,95 nn Kodály Zoltán Dances of Galánta for orchestra New Study Scores Series UE34121 19,95 nn 1 UNIVERSAL EDITION SCORES Composer / Arranger Title Instrumentation Kind of Edition Language UE_No Euro Code NEW STUDY SCORES SERIES...continued Kodály Zoltán Dances of Marosszek for orchestra New Study Scores Series UE34804 28,95 nn Mahler Gustav Adagio from the 10th Symphony for orchestra New Study Scores Series UE34320 20,95 nn Mahler Gustav Das klagende Lied (Song of Lamentation) for soli, mixed choir and orchestra New Study Scores Series German UE34801 46,95 nn Mahler Gustav Das klagende Lied (Song of Lamentation) for soli, mixed choir and orchestra New Study Scores Series German UE34802 27,95 nn Mahler Gustav Das Lied der Erde (The Song of the Earth) for tenor, alto (baritone) voices and orchestra New Study Scores Series German UE34800 22,95 nn Mahler Gustav Des Knaben Wunderhorn Vol. 1 Orchesterlieder for voice and orchestra New Study Scores Series UE34131 23,95 nn Mahler Gustav Des Knaben Wunderhorn Vol. 2 Orchesterlieder for voice and orchestra New Study Scores Series UE34132 23,95 nn Lieder eines fahrenden Gesellen (Songs of a Mahler Gustav for voice and orchestra New Study Scores Series German UE34810 15,95 nn Wayfarer) - medium Mahler Gustav Lieder nach Texten von Friedrich Rückert for medium voice and orchestra New Study Scores Series UE34122 17,95 nn Symphony No. 1 Based on the text of the Critical Mahler Gustav for orchestra New Study Scores Series UE34314 19,95 nn Edition Mahler Gustav Symphony No. 2 "Ressurection" C minor for soli, mixed choir and orchestra New Study Scores Series German UE34315 36,95 nn Symphony No. 3 Based on the text of the Critical Mahler Gustav for alto, sa choir, boys choir and orchestra New Study Scores Series German UE34316 27,95 nn Edition Symphony No. 4 Based on the text of the Critical Mahler Gustav for soprano solo and orchestra New Study Scores Series German UE34317 17,95 nn Edition Symphony No. 8 "Symphony of a Thousand" Eb for 8 soloists (2 S, 2 A, T, Bar, B), boys choir, choirs Mahler Gustav New Study Scores Series German; Latin UE34318 28,95 nn major ssaattbb and orchestra Mahler Gustav Symphony No. 9 D major for orchestra New Study Scores Series UE34319 27,95 nn Totenfeier (Funeral Rites) Symphonic Poem C Mahler Gustav for orchestra New Study Scores Series UE34798 15,95 nn minor Mahler Gustav / Riehn Songs on the Death of Infants (Kindertotenlieder) for medium voice and orchestra New Study Scores Series UE34113 15,95 nn Rainer Martin Frank Deuxième Ballade for flute, string orchestra, piano, timpani and percussion New Study Scores Series UE34796 29,95 nn Le Vin herbé After 3 chapters of "Le Roman de Martin Frank for 12 singers, 7 string instruments and piano New Study Scores Series UE34130 48,95 nn Tristan et Iseut" Martin Frank Petite symphonie concertante for harp, cembalo, piano and 2 string orchestras New Study Scores Series UE34114 42,95 nn Martin Frank Requiem for 4 Soloists, mixed Choir, Orchestra and grand Organ New Study Scores Series Latin UE35544 44,95 nn Messiaen Olivier Oiseaux exotiques for piano and small orchestra New Study Scores Series UE34301 41,95 nn Pärt Arvo Berliner Messe for mixed choir (SATB) and strin orchestra New Study Scores Series Latin UE35554 39,95 nn Pärt Arvo Cantus in Memory of Benjamin Britten for string orchestra and bell New Study Scores Series UE35536 12,95 nn Pärt Arvo Fratres for chamber ensmble New Study Scores Series UE34174 16,95 nn Pärt Arvo Fratres for string quartet New Study Scores Series UE34807 15,95 nn for choir ssaa/ttbb/satb, prepared piano, stringorchestra Pärt Arvo Te Deum New Study Scores Series Latin UE34183 36,95 nn and tape Rihm Wolfgang Gesungene Zeit for violin and orchestra New Study Scores Series UE34139 23,95 nn Rihm Wolfgang IN-SCHRIFT for orchestra New Study Scores Series UE34299 33,95 nn Rihm Wolfgang Tutuguri – Poème dansé for grand orchestra, choir registered on tape and speaker New Study Scores Series UE34809 74,95 nn Schönberg Arnold 1. Kammersymphonie for 15 solo instruments New Study Scores Series UE35552 49,95 nn Schönberg Arnold 1. Kammersymphonie for orchestra New Study Scores Series UE35555 49,95 nn Schönberg Arnold 6 Orchestral Songs op. 8 for voice and orchestra New Study Scores Series German UE34794 54,95 nn Schönberg Arnold Pelleas und Melisande Symphonic Poem for orchestra New Study Scores Series UE34134 46,95 nn Pierrot lunaire Based on the text of the Critical Schönberg Arnold for speaker and 5 instrumentalists New Study Scores Series German UE34806 35,95 nn Edition op. 21 Variations after the Arnold Schönberg Complete Schönberg Arnold for orchestra New Study Scores Series UE34820 33,95 nn Edition Vol. 13 op. 31 Schönberg Arnold; George Streichquartett Nr. 2 op. 10 F# minor for Soprano and string quartet New Study Scores Series German UE35543 21,95 nn Stefan Anton [Text] 2 UNIVERSAL EDITION SCORES Composer / Arranger Title Instrumentation Kind of Edition Language UE_No Euro Code NEW STUDY SCORES SERIES...continued for 7 wind Instruments, 11 strings, harp, celeste, Schreker Franz Chamber Symphony New Study Scores Series UE34138 27,95 nn harmonium, piano, timpani and percussion Stockhausen Karlheinz Kontra-Punkte for 10 instruments New Study Scores Series UE34135 25,95 nn Strauss Richard Concerto for Violin and Orchestra for violin and orchestra New Study Scores Series UE34136 25,95 nn Strauss Richard Concerto No.
Recommended publications
  • Einem Gottfried

    Einem Gottfried

    EINEM VON GOTTFRIED Compositore austriaco (Berna 24 I 1918 - Waldviertel 12 VII 1966) Dapprima autodidatta, Gottfried von Einem studiò con Boris Blacher e sviluppò in seguito un equilibrato linguaggio musicale. Nel 1938 iniziò la sua carriera come istruttore di canto all'Opera di Berlino e come assistente al Festival di Bayreuth. Durante il nazionalsocialismo venne più volte arrestato. Dopo la guerra Einem rivestì varie funzioni sia al Festival di Salisburgo, sia alle Festwochen di Vienna. Dal 1963 al 1972 insegnò alla Musikhochschule di Vienna, dal 1964 fu membro della Akademie der Kunste di Berlino e dal 1965 al 1970 presidente dell'Akademie fur Musik austriaca. 1 DANTONS TOD Di Gottfried von Einem (1918-1996) libretto proprio e di Boris Blacher, dal dramma di Georg Büchner (La morte di Danton) Opera in due atti e sei quadri Prima: Salisburgo, Felsenreitschule, 6 agosto 1947 Personaggi: Georges Danton (Bar); Julie, sua moglie (Ms); Camille Desmoulins e Jean Hérault de Séchelles, deputati (T); Lucille, moglie di Camille (S); Maximilien Robespierre (T); Saint-Just (B); Simon, suggeritore (B); due becchini (T); una dama (S); una popolana (A); uomini e donne del popolo In Dantons Tod non si saluta solo un esordio teatrale particolarmente felice, tanto da decretare all’autore fama subitanea, ma anche l’inizio della consuetudine salisburghese (mai più abbandonata) di inserire ogni anno nel Festival un’opera contemporanea in ‘prima’ assoluta. Il soggetto di Büchner venne scelto sull’onda emotiva suscitata dal fallito attentato a Hitler nel 1944; ad approntare la versione ridotta fu Boris Blacher, maestro di Einem e futuro dedicatario dell’opera.
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood

    Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood

    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
  • Avra Xepapadakou

    Avra Xepapadakou

    Avra Xepapadakou University of Crete Maria Antonietta: Pavlos Carrer’s last Italian opera and second European attempt1 In the summer of 1873, Pavlos Carrer agrees with his friend, poet Conte Giorgio D. Roma,2 to work together on the libretto of a new opera based on the “episode of the French Revolution concerning Marie Antoinette”.3 The choice of the subject raises questions, since it forms the only exception among the five Greek national operas that Pavlos Carrer composes from 1868 until the end of his life.4 The composer does not state, his sources, therefore we do not know whether he and Roma studied the history of the French Revolution and, consequently, drew the inspiration for their libretto from it or worked on a literary text. Further below, we will examine that both may be the case. The composer describes vividly the carefree, summer days when both of them, living in Zante, worked together for the creation of the opera’s libretto, while talking and laughing until midnight. Roma, as Carrer explains, was so enthusiastic with the new opera that his “pen was running too fast”. Many times the composer was obliged to make cuts at the “extremely and beyond any rule lengthy lyrics”, driving the librettist to express his strong opposition: 1 An earlier version of this paper was presented at the Conference The Ionian Opera and Musical Theatre until 1953, University of Athens-Dept. of Theatre Studies, Athens State Orchestra & Athens Concert Hall, 23-24 April 2010 and was published in its Proceedings, pages 134-144. 2 More about Carrer’s librettist in De Viasis, Spyridon.
  • Zemlinsky's Mermaid

    Zemlinsky's Mermaid

    Zemlinsky’s Mermaid: a new critical edition Antony Beaumont One of the most fascinating works from the orchestral repertoire of the 20th century is being reborn. Antony Beaumont is working on a new critical edition and surprises us with an as yet unknown scene. In 1976, the orchestral score of an untitled piece by Zemlinsky came to light in a private Viennese collection. Four musicologists involved at that time in Zemlinsky research (Alfred Clayton, Peter Gülke, Keith Rooke and Horst Weber) independently identified it as Part I of The Mermaid, and confirmed that a folder in the Zemlinsky Collection at The Library of Congress contained the autograph score of the remaining two movements. Once the two manuscripts had been brought together and collated, the work was performed – for the first time in 75 years – by the Austrian Youth Orchestra conducted by Peter Gülke. Like all other early champions of The Mermaid, Gülke was obliged to conduct from a facsimile of the autograph score: a challenging task at the best of times, exacerbated in this instance by Zemlinsky’s diminutive handwriting, numerous erasures, corrections and other blemishes. These problems also affected the performing materials. Newly copied for the occasion, they have since been updated several times. It was announced that Gülke would prepare a new edition of the score, but the project came to nothing. As a stopgap, Universal Edition prepared a handwritten copyist’s score of Parts II and III. With regard to legibility, this score was a distinct improvement, but unfortunately it was marred by numerous errors and omissions.
  • ©Copyright 2013 Jan Hengge

    ©Copyright 2013 Jan Hengge

    ©Copyright 2013 Jan Hengge Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Richard Block, Chair Eric Ames Brigitte Prutti Program Authorized to Offer Degree: Germanics University of Washington Abstract Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge Chair of the Supervisory Committee: Associate Professor Richard Block Department of Germanics This dissertation examines pertinent issues of today’s terrorism debate in frequently overlooked earlier representations of revolutionary and state violence. At the center of this debate is the state of exception through which the sovereign legitimizes the juridical order by suspending preexisting civil laws. As recent theorists have argued, this has become the paradigm for modern nation states. Walter Benjamin contends, however, that a permanent state of exception has existed since the Baroque and has subjected its victims to an empty eschaton, an end without messianic redemption and devoid of all meaning. As long as the order of the sovereign is based on the dialectical relationship between law- making and law-preserving violence, this state will persevere and the messianic promise will not come to fruition. Thus Benjamin conceives of another category of violence he calls “pure violence,” which lies outside of the juridical order altogether. This type of violence also has the ability to reinstate history insofar as the inevitability of the state of exception has ceased any historical continuity.
  • EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The

    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The

    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos.
  • Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood

    Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood

    /JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr.
  • INFORMATION to USERS This Manuscript Has Been Reproduced

    INFORMATION to USERS This Manuscript Has Been Reproduced

    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE COMPLETED SYMPHONIC COMPOSITIONS OF ALEXANDER ZEMLINSKY DISSERTATION Volume I Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Robert L.
  • Die Seejungfrau Zemlinsky

    Die Seejungfrau Zemlinsky

    Zemlinsky Die Seejungfrau NETHERLANDS PHILHARMONIC ORCHESTRA MARC ALBRECHT Cover image: derived from Salted Earth (2017), cling to them. Has Zemlinsky’s time come? photo series by Sophie Gabrielle and Coby Baker Little mermaid in a fin-de-siècle https://www.sophiegabriellephoto.com garment Or is the question now beside the point? http://www.cobybaker.com In that Romantic vein, the Lyric Symphony ‘I have always thought and still believe remains Zemlinsky’s ‘masterpiece’: frequently that he was a great composer. Maybe performed, recorded, and esteemed. His his time will come earlier than we think.’ operas are now staged more often, at least Arnold Schoenberg was far from given to in Germany. In that same 1949 sketch, Alexander von Zemlinsky (1871-1942) exaggerated claims for ‘greatness’, yet he Schoenberg praised Zemlinsky the opera could hardly have been more emphatic in composer extravagantly, saying he knew the case of his friend, brother-in-law, mentor, not one ‘composer after Wagner who could Die Seejungfrau (Antony Beaumont edition 2013) advocate, interpreter, and, of course, fellow satisfy the demands of the theatre with Fantasy in three movements for large orchestra, after a fairy-tale by Andersen composer, Alexander Zemlinsky. Ten years better musical substance than he. His ideas, later, in 1959, another, still more exacting his forms, his sonorities, and every turn of the 1 I. Sehr mäßig bewegt 15. 56 modernist critic, Theodor W. Adorno, wrote music sprang directly from the action, from 2 II. Sehr bewegt, rauschend 17. 06 in surprisingly glowing terms. Zemlinsky the scenery, and from the singers’ voices with 3 III.
  • Journal of the Conductors Guild

    Journal of the Conductors Guild

    Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F.
  • SELECTED WORKS for CELLO Molly Leigh Jones, Doctor of Mu

    SELECTED WORKS for CELLO Molly Leigh Jones, Doctor of Mu

    ABSTRACT Title of Dissertation: VOICES FROM THE HOLOCAUST, REMEMBERED: SELECTED WORKS FOR CELLO Molly Leigh Jones, Doctor of Musical Arts, 2018 Dissertation directed by: Dr. Eric Kutz, Assistant Professor of Cello, School of Music During the Holocaust, many prominent Jewish composers’ lives and careers were cut short in their prime. Their music was banned and they had to abandon their homes and emigrate in order to survive. Tragically, many were shipped off to concentration camps where they were murdered. These composers were stripped of all possible advantages. As a result, their music often fell into obscurity. I chose to explore the lives and works of six of these composers: Hans Gál, Hans Krása, Gideon Klein, Erwin Schulhoff, James Simon, and Alexander Zemlinsky. Through my dissertation, I hope to promote their compelling music and bring some measure of justice to the tragedy of lives and careers cut short by the Holocaust. VOICES FROM THE HOLOCAUST, REMEMBERED: SELECTED WORKS FOR CELLO by Molly Leigh Jones Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctorate of Musical Arts 2018 Advisory Committee: Dr. Eric Kutz, Chair Professor Leslie Felbain, Dean’s Representative Dr. James Fry Professor Robert DiLutis Professor Craig Kier Dr. Irina Muresanu © Copyright by Molly Leigh Jones 2018 Preface The initial spark of motivation for this project came while I was preparing for my University of Maryland lecture recital. I wanted to discuss and perform a piece that was not in the common repertoire.
  • Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000

    Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000

    O Z A W A Dl R ECTOR BOSTON ^SYMPHONY # E S T R A M 1 i! kff^^f y-^fflfe 1 ^WVIi 19 9 9-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill. you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,200,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext 410. LONGYEAR, a/ Lr/sner Jiili BROOKLINE pssf^te. "-J ' jjmgr^^8PL'ti n-^a >/:i LlEii'••*' ^^ ^^^v SSi^Ty^f-vg^^i^fe jSP&^j : HE^Sg^^ • .^^^^.*y£^\&?* .TV ,.->< VH) 11. |1»W mm DBD CORTLAND Hammond SOTHEBYSI PROPERTIES INC. RESIDENTIAL International Realty Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Vincent M. O'Reilly, Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis George Krupp Robert P. O'Block Diane M. Austin, Nina L. Doggett Ed Linde ex-ojficio ex-ojficio Nancy J. Fitzpatrick R. Willis Leith, Jr. Peter C. Read Gabriella Beranek Charles K. Gifford Mrs. August R. Meyer Hannah H. Schneider Jan Brett Avram J. Goldberg Richard P. Morse Thomas G. Sternberg James F. Cleary Thelma E.