Brunswick Heads
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Newsletter Week 6 Term 2 Friday 31 May 2019
Newsletter Week 6 Term 2 Friday 31 May 2019 2019 Senior Dramatic Production – Richard III In this issue BGSEntrepreneurship Newsletter | Lead Article GPS Cross Country Last chance for tickets Executive Director – Advancement and Community Relations Heather Hamilton Building on Brisbane Grammar School's philanthropic heritage Since Brisbane Grammar School's foundation in 1868, the School has developed and inspired generations of well- rounded boys who have succeeded at home and abroad. From our early beginnings, it was through the generosity of our community that BGS derived the ability to provide an outstanding education for boys. This tradition of generosity continues to this day thanks to our community of parents, Old Boys, staff, volunteers and donors. Over the past few years, the BGS community has rallied together to support Campaign 2020, with the goal to raise $20M by 2020 for our Bursary Fund, which enables boys in financial need to attend Brisbane Grammar School. Our aspirations for a sustainable Bursary Fund, with the capacity to provide needs-based bursarial support for 10% of the student population (170 boys), is close to being achieved. With $14.5M raised, we are moving into the final phase of this campaign – Our 2020 Vision – with $5.5M to go. In 2018, BGS provided bursarial assistance for 44 boys without having to draw on either the School’s operational budget or the capital of the fund. The entire community supported this endeavour, with contributions from parents, Old Boys and staff vital to the continued growth of the fund. I extend a heartfelt thanks to the P&F Auxiliary for their generous ongoing support, pledging $500,000 for a bursary in perpetuity, and to our 332 parent and Old Boy donors who continue to support BGS initiatives. -
PETER HELLIAR Comedian/Writer/Director/Broadcaster/Presenter
PETER HELLIAR Comedian/Writer/Director/Broadcaster/Presenter Peter Helliar has been one of Australia’s favourite comedians since his first appearance on our TV screens as a core cast member on the Logie Award winning Rove back in 1999. Pete has performed stand up for more than twenty years, selling out shows right across the country, where he makes the difficult business of being funny look dead easy. Now the Gold Logie Nominee is making people laugh four nights a week on Network Ten’s The Project, the beloved show where the news is delivered differently. A man of many talents, Peter created and co-produced two series of the award winning It’s A Date for ABC TV, and How to Stay Married for Network Ten which premiered in 2018 and will return in 2020. He has directed episodes of both shows. He is also the author of the much loved children’s book series, Franky Fish which is published by Hardie Grant/Egmont. In 2018, Frankie Fish was voted one of Australia’s Top 50 kids books in the annual Better Reading Top 50 Kids Books poll and Frankie Fish and the Sonic Suitcase was shortlisted for the ABIAs for Book of the Year for Younger Children in 2018. Peter Helliar used to be Strauchanie and his French accent has not improved. “Give Peter Helliar a stage, a microphone, some bright lights and a captive audience and he shows why he is one of the nation’s favourite comedians” Sunday Mail “Wonderful… a bizarre revelation” The Age, Melbourne “Peter Helliar makes the difficult business of being funny look dead easy. -
Tim Blake Interview EXCLUSIVE: Joey Molland Remembers the Glory Days
EXCLUSIVE: Tim Blake Interview EXCLUSIVE: Joey Molland remembers the glory days of Apple EXCLUSIVE: Cyrille Verdeaux and the Amazonian chieftain EXCLUSIVE: Behind the scenes of the Psychedelic Warlords EXCLUSIVE: The naked performance artist takes on Paypal. Will she win? We certainly hope so. 2 magazine, which would cover the music and culture (and the attendant lifestyle and politics) that interested me, and I realised then that now I was being given the chance. As I have always admitted, I am growing up in public and that I have no real long term plan with any of the things that I do, except to seize the opportunities that I can, and basically make it up as I go along, going in whatever direction the Fates send me. Which is basically how I live my life. So this new advancement is allowing me to produce something that is far more like a magazine than it was before. I am very much an old fashioned sort of fellow, and don’t really like many new fangled things. E-books are a particular gripe of mine—I have an e-book reader (mainly because they were incredibly cheap at Asda) and I use it mostly for reading pdfs of technical journals in bed, or reading So welcome to the first issue of the new look Gonzo P.G. Wodehouse novels whilst I am travelling Weekly. somewhere, but for me at least the e-book has only a very limited appeal. I am always amazed at how fast technology advances and how we can all do things now that E-magazines, however, are an entirely different would have been unthinkable even five years ago. -
Gonzo Weekly #137
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Princess Diana intensely, and encouraged the (probably apocryphal) story that a friend of mine queued for eleven hours in order to write surreal stoned drivel in the book of condolences in Exeter Cathedral. I also got sacked from my position at the BBC for claiming (on air) that her death had been the result of a conspiracy by Interflora, who seemed to have been the only people to benefit. Five years later when it all happened again I was less cynical, but refused to join in the grief for a lady of 101 to whom I was not related, despite the fact that she had lived an extraordinary life and achieved some extraordinary things. Over the lifespan (so far) of this magazine we have seen the deaths of many luminaries, and tried to celebrate their lives in these pages. Dear Friends, Two in particular Welcome to another issue of the best magazine in spring to the world put together for free by a bunch of social mind: Daevid outcasts, and edited by a fat bloke and his small Allen (earlier kitten. However, I think that last sentence qualifies this year) and it all a bit. Mick Farren (in 2013). I In 1999, and again in 2002, when much loved knew both public figures died, there was a great outpouring personally, of public grief, here in the UK at least, amongst and whilst large sectors of the population. -
Daevid Allen Live at the Roundhouse 1971 Mp3, Flac, Wma
Daevid Allen Live At The Roundhouse 1971 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Live At The Roundhouse 1971 Country: UK Released: 2012 Style: Experimental, Psychedelic Rock, Free Improvisation, Poetry MP3 version RAR size: 1191 mb FLAC version RAR size: 1834 mb WMA version RAR size: 1226 mb Rating: 4.4 Votes: 154 Other Formats: VOC MP4 MP2 MP3 AIFF VOX MPC Tracklist 1 Introduction 0:26 2 What Do You Really Want? 4:16 3 Prostitute Poem: Rational Anthem 3:48 4 Poet For Sale 8:41 5 Love Is A Careless Sea 4:10 6 I Am Your Animal 4:58 7 Capt. Shaw And Mr Gilbert 3:05 8 I Am Your Fantasy 5:04 9 Fred The Fish 2:52 10 Death Of Rock 10:20 Companies, etc. Phonographic Copyright (p) – Gonzo Multimedia Copyright (c) – Gonzo Multimedia Manufactured By – www.keyproduction.co.uk Pressed By – Sony DADC UK Ltd. Credits Bass – Hugh Hopper Drums – Robert Wyatt Guitar, Voice [Spoken Word], Tape [Tape Loops] – Daevid Allen Saxophone [Sax] – Elton Dean Violin [Uncredited] – Gerry Fields Voice [Spoken Word And Vocal Improv (Space Whisper)] – Gilli Smyth Notes Artist credits as from front cover & CD; spine & back sleeve have Daevid Allen & Friends. The violinist is not named on the cover ["Mystery violinist"] but it is well documented that it was Gerry Fields. Barcode and Other Identifiers Barcode: 5060230862682 Mastering SID Code: IFPI LY34 Mould SID Code (Variant 1): IFPI AEW39 Mould SID Code (Variant 2): IFPI AEW04 Matrix / Runout: www.keyproduction.co.uk HST115CD 01 Related Music albums to Live At The Roundhouse 1971 by Daevid Allen Various - Canterbury Tales Daevid Allen & Euterpe - Good Morning Hopper / Dean / Tippett / Gallivan - Cruel But Fair / Mercy Dash Gong Avec Daevid Allen - Continental Circus Goddess T - Electric Shiatsu Daevid Allen's University Of Errors - Jet Propelled Photographs Daevid Allen, Microcosmique - Five Semitones - Tones For Healing And Meditation Gong - The World Of Daevid Allen And Gong Daevid Allen - Banana Moon Daevid Allen - Opium For The People / Alien In New York. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Brisbane Music Family Tree 2005
Overseas Bands Texas Tea Common bandmember Tripod (QLD) Kate Jacobson, THe Pop Star International Pug Butterfly Benjamin Dougherty (Vegas Kings), Greg Hilliard Strontium Cowboy Bob (Vaginabillies, Massage units Rescue Jon Ryan The Grates Prix Divers Heavyweight Dirtcatchers, Gin Club etc.) Michael Elliot, Roland Bisshop Dog Alana Skyring, Rober Lukins, Kate Jacobson, Sugadust champion Greg Hilliard Patience Hodgeson, Patience Hodgeson Interstate Bands Evelyn Golding, Blood idols/ Greg Hilliard Gail Hardgraves John Patterson METROSEXUALS Mirko (Sekiden) Common bandmember bantha fodder THE SLIGHT Matthew Lobb THe Mess hall Angus Chapman, PARADE Trevor Ludlow Cec Condon Paul Coleman (Van Lustbader) Alana Skyring, Turtlebox PEOPLE Nick Naughton Holster = band Conan Thorogood, Ed Henty, is defunct Roland Bisshop OF EARTH Robert Lukins Lee Griffin, Burnside the Winters Jason Cassidy, Patrick McDermott, Clifton Robert Lukins, Kate Bradley Xavier Poropat (Eat Laser Scumbag, The B-sides Alana Skyring, Partkertron etc) Alana Skyring, Ed Henty, = hub John Swingle, Ian Campbell Kilgore Stag Conan Thorogood, Damian Radford Trevor Ludlow, Clone Dan Baebler, John Patterson Trout Jason Cassidy Jason Cassidy, Joss Berrett Maureen Hansen, Roshambo Greg Charles Suzi Hansen, STANding 8 Tony Giacca ZOMBIE Computor Tim Brennan , Teen Period John Lowery, Mexico City David McCormack, Angus Chapman, counts Collective Crime Boss Mark Lowery Jason Cassidy, Bre O’Neil, Will Cec Condon, Bob Moore Paul Coleman, John Patterson, Alana Skyring, Fowles, Tam Patton,Tom Beaumont, Simon Raditch, James Straker Mark Perry Lee Fletcher, D-KO Blonde Ben Dougherty, Greg Hilliard, Michael Elliot John Patterson Kris Swales, Roland Bisshop, Walter Gentle Ben & Cobra Cunningham Simon Dennes, Formoso his sensitive side Evelyn Golding, Joss Berrett, Greg Brady, Ben Corbett, Arbuckle Simon Lilley. -
Nomader Daevid Allen Lag Din Egen Marijuanamarsj
Nr. 189 (2/10) Fritenketank Kr. 30,– Daevid Allen Lag din egen Marijuanamarsj Hav- nomader Den store miljøbesvergelsen Pengevask • Okkupasjonsnytt • Fattig Jævels Kjøkken 2 2/10 Frie og foraktet Utstøtt og utnyttet “folk”. Ja, det er sant at en del sigøynere har drevet gått av andre nordmenn? Rrom, sigøyner, romaní, Sinti – kjært barn har mange tigging og tyveri, men det er ikke fordi de er sigøy- Kanskje det rett og slett er ubehaget ved å bli navn. Dette er ikke noen enhetlig gruppe, men folk nere: slik er det alltid blandt de fattige og desperate konfrontert med fattigdom i våre egne gater som som deler språk og livsstil i varierende grad. De har nederst på samfunnsstigen. De aller fleste sigøynere ligger bak. Skammen over å være så jævlig rike sin opprinnelse i nord- og sentral-India, hvor de flyk- prøver å livnære seg som løsarbeidere (ikke minst sjøl, mens vi klager på matprisene og stemmer tet fra muslimske invasjoner på 1000-tallet, og nådde bidrar de til å holde det franske jordbruket i drift), Fremskrittspartiet? Tiggerne har blitt beskyldt for Europa omlag 300 år seinere. Uten land eller nettverk og har som EU-borgere faktisk full rett til å være i å bare late som de er fattige. Men hvem gidder vel i nye land ble de nødt til å innta en reisende livsstil, Frankrike. Og uansett kommer de kjapt tilbake igjen dra til et kaldt, fremmed land for å tigge på gata som kramkarer og løsarbeidere der de fikk sjansen. etter utvisningen; i Romania finnes ingen jobber til og bo under kummerlige forhold hvis de ikke må? Sigøynerne har stort sett bekjent seg til den domi- dem og diskrimineringen er ennå verre. -
Token Bios Micf05v22
ROVE MCMANUS BIOGRAPHY Rove McManus moved from his native Perth to pursue a career as a stand up comedian in Melbourne in 1995. After hundreds of gigs and a stint on community television Rove landed a chance to show off in front of the nation with nine late night episodes of his own tonight show, rove on Channel Nine in 1999. When Nine decided that they didn’t want another series the Ten Network gave Rove and his production company, Roving Enterprises, another shot with ten episodes in late 2000. Rove Live is now a high profile fixture on the Ten Network’s prime time schedule as well as on TV3 in New Zealand. In 2002 Rove was nominated for the Gold Logie and Rove Live won the Logie for Most Popular Light Entertainment Program. In 2003 Rove took out three Logies, including Most Popular Presenter, Most Popular Light Entertainment/Comedy Program and the coveted Gold Logie for most popular personality on Australian television. He repeated the trick in 2004 and 2005, picking up all three awards including the Gold Logie in each year. Roving Enterprises has produced a number of programs apart from Rove Live, including the sketch comedy program Skithouse and the AFL Football program, Before The Game. Roving has also produced the ARIA Awards since 2002. In 2005 Roving produced Seriously Forty, celebrating forty years of the Network Ten which Rove co-hosted with Bert Newton. Rove returned to his roots in 2005 with a national tour of his brand new show Rove McManus Stands Up performing to more than 35,000 across Australia and New Zealand. -
We Get Around! VASE in Social Media
Hello All! Hope this finds you well. We have updates for you regarding some places where you can hear and play through permanent installations of VASE equipment. There is also the opportunity to get your own VASE rig at end of year special prices and also take advantage of the government’s new incentives for small businesses. Read on and catch up with all that is going on in our world then be sure and let us know what is going on in yours! We Get Around! In addition to the musicians who use VASE and take gear along to their gigs, VASE is more and more becoming the standard for use in venues and clubs. In Brisbane, VASE’s home town, you will find backlines in The Triffid, The New Globe Theatre, Lefty’s Old Time Music Hall, Sonny’s House of Blues and Brooklyn Standard, giving musicians who appear a chance to play through VASE gear. And now The Tote in Melbourne will boast a VASE backline. Richard Stanley, who is in charge of Tote Band Booking, is a vintage VASE owner himself, owning a 60W four Channel PA head, a Bassman 120 and a 6 x 12” speaker cabinet. He contacted VASE wanting to provide backline for two band rooms, upstairs and downstairs. We’re using the occasion to show off some of the changes we’ve made Celebrating their fifth aniversary of the Tote’s reopening lately: second beer Wednesday June 10th, there will be a huge party, with two garden, etc and it would local bands, local dignitaries, press, radio and friends of the pub attending. -
Distinction? the IRCAM, Progressive Rock, and Class at the End of Modernization
Distinction? The IRCAM, Progressive Rock, and Class at the End of Modernization Jonathyne Briggs Emory University The postwar economic miracle, famously termed "les trentes glorieuses" by Jean Fourastie, recreated French society through rapid modernization. For Henri Mendras, this transformation led to the "second French revolution," the disappearance of the social structures of class that had been embedded in France since the nineteenth century. Mendras argued that in the brief span of thirty years, class had been eclipsed by new social constellations of identity, including youth, gender, and ethnicity.1 In his monumental work Distinction, Pierre Bourdieu countered that despite any leveling in economic capital during the postwar era, the dominant bourgeois class cultivated cultural capital to insure its position in society.2 Class maintained a powerful charge in France due to the ability of social elites to dictate cultural norms, so that modernization only reinforced class divisions in the postwar era and any social changes were superficial.3 For Bourdieu, class differentiation continued 1 Henri Mendras and Alistair Cole, Social Change in the Fifth Republic: Towards a Cultural Anthropology of Modern France (New York: Cambridge University Press, 1991). 2 Pierre Bourdieu, Distinction: A Social Critique of the Judgment of Taste, trans. Richard Nice (Cambridge, MA: Harvard University Press, 1984). 3 Kristen Ross makes a similar charge in her Fast Cars, Clean Bodies: Decolonization and the Remaking of French Society (Cambridge, MA: M.I.T. Press, 1995), although she factors in race as well. 450 Distinction? 451 to replicate itself as elites consolidated and reinforced their control of cultural codes necessary for legitimate culture to dictate the link between taste and class position. -
Riverboats 2020 Program
BERNARD FANNING When tickets sold out to this year’s They picked up 18 ARIA Awards across Riverboats Music Festival in record time it their seven albums, and reigned over the was largely attributed to the Powderfinger music charts until their extraordinary legacy, and the pulling power of its former career ended in 2010. frontman Bernard Fanning as the festival’s headline act. “We were by no means an overnight success,” says Fanning. “It all felt pretty But the talented singer-songwriter whose gradual. “ remarkable musical story spans more than 30 years, is quick to deflect the link. “We were, for a long time, just one foot in front of the other. And then it all kind of “I certainly can’t take credit for that,” clicked around Double Allergic where we laughs Fanning. “There’s a pretty found a little bit more of our natural state. good lineup and I think when the right We stopped being so influenced by other combination of bands come together people around us, and just started doing people tend to jump on it.” our own thing. It’s no coincidence that we found our voice and people found us at And while he will be bringing his old the same time.” Powderfinger compadre Ian Haug (Hoggy) along to help out on guitar duties While Double Allergic was Powderfinger’s alongside his current band The Black Fins, breakthrough album in 1996, they were he was eager to make one thing clear. all still working part-time jobs to pay the bills. “It’s not a Powderfinger concert,” he says.