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Monday 24 June 2019 Monday 24 June 2019 Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 8am – Registration 9am 9am – Welcome to Country/ Conference Welcome 9.30 AM1 KEYNOTE - PROF JOCELYNE GUILBAULT 9.30 – 10.30 10.30 – Morning Tea 11am AM2 Driessen Tollett Kato O'Dair Marx PANEL PANEL “Look what you made me do”: Transnational Acceptance of Jazz Festivals Playlists and power: the Popular Musicianship from a when affect becomes Feminist Punk: Pussy in Postwar Japan Spotification of popular lifespan perspective Adil (org) Santaella / Holas & López problematic in popular music Riot in the Age of Ward, Aleisha music Stewart-Monro Raja Halid / Pek (org) / Cuttriss fandom Trump How international radio Lepa What’s yours is mine, what’s Adaptation, / Garrido / Zeiner-Henriksen Coates broadcasts affected the The ABC_DJ music branding mine is yours: Crafting songs Continuity and Bendrups / Analysing the popular: corporeal Untypical Girls: experience of jazz in 1920s- recommender - Algorithmic imbued with the legacy of Change in Malaysian Hayward / engagement in the experience of Gender, Age, and 1930s New Zealand prediction of shared others Popular Music; Panel Castellano music Punk Solis meaning attributions Turner, E 1:Continuities of Popular music, Kraugerud Dobre Billström What Jazz in North towards popular music Representations of time and Tradition, Religion Power and the Intimacy and extimacy in record Politics of resistance, Queensland Can Tell Us titles space in resistance music and Ethnicity Negotiation of production hope and belonging: About Global Modernity: Ruth Encarnacao Identity in the Tonelli feminist Afro-Indigenous Meaning of streaming. Writing about old albums – Hispanic World Post-Ironic Affect in Pop and communities, Connections in the Black Chances and risks of a new ways to make a historical turn Rock perspectives and Pacific music listening technology at 33 1/3rpm practices of music in Fry Tofalvy a Swedish context Jazz, National Parks, and the Genre similarity based on Werner Debate over a "New" country of origin? The Feminism and anti- National Identity representation of spatial racism in Swedish inequality in Spotify’s popular music algorithmic recommendation system 1pm – Lunch 2pm PM1 PLENARY 2pm – 4pm 4pm – Afternoon tea 4.30 PM2 Attfield Vuletic Rietveld Erraught Anderton Cashman 4.30pm Staying in the ‘Ends’: Working- The Politics of Rotterdam Termination The Automation of Taste From Woodstock to the Isle of Music scenes in – 6pm Class Humour in UK Grime as Protest in the Source: Gabber House from Klein Wight: narrative influences regional areas: The Deliberate Exclusion Eurovision Song a Harbour City Network Timed Ensembles: and the countercultural popular music space Neilson Contest Quader Musical Performance and carnivalesque in the of Central Lin, Angel Composition in the Queensland Hevi Humour: Theorising Metal Rapping the City, Digital DIY in the Central Interconnections of Apps mediation of music festivals Deane Comedy Rapping the Hong Sydney independent music and Devices on film The Working Men’s García-Peinazo Kong Identity: The scene Przybylski McGee Club and the Spatial Intertextual flamenco ayeos and protest rap of MC Whiting Dead Air: What broadcast The Revival of the Revival or a Turn in the North of jaleos as musical signs in Yan The Social and Cultural and streaming radio Swing Dance Continuum? The England recorded popular song: parody, Élise Imray Papineau Value of Small Live Music failures tell us about the Transnational Lindy Hop O'Hanlon authenticity and (internal) Punk, politics & Venues in Melbourne, future of music distribution Community at the Herräng The sound of the Others piety: responses Australia Dance Camp ‘new’ Melbourne? from the Seinen Immigration and underground to Steely Dan’s hip nostalgia: music in a rapidly rising radicalism elements of pre-1960s jazz in changing city Aja and Gaucho’ Tuesday 25 June 2019 Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 AM1 Nunes McConnell Størvold Jiang Zemke Ballantine 9am – The space of dance music micro- The Politics of Insult: Reading the Anthropocene Cassette Tape Recorder in “Crazy the medulla Music and the 10.30 labels in 21st century Portugal: Music, Conflict, and closely: Music Analysis and 1980’s China oblongata”: masculinity, political: Popular three case studies Conciliation in the the Environment Kaitajärvi-Tiekso mental health and hip hop music against Elliott Gambia Gadir The two do-it-yourself Doyle populism ‘This Is Our Grime’: Kayne Music for the Greater Good: turns in music production “I just threw my last bottle at Dunkel & Schiller Encountering and Translating Golden Pagodas and Enacting the social justice Düster the jukebox…”: male brooding, Popular Music as a the Strangeness of Lisbon’s Platinum Albums: we theorize Encountering Cassettes in bathos and recorded Medium for the Batida Scene Investigating Copyright Hoad & Wilson the Digital Age: Context, interiority in country music’s Mainstreaming of Guerra and Musical Artists in There Goes Gravity: Flat Practices and Discourses classic period. Populist Ideologies in From Punk to Funk: Theoretical Myanmar Earth Music McCoy Europe Turns in Brazil and Portugal Homan Death is not the end: Jones, PK National music export mourning rituals in the digital ‘If want to follow me, schemes: Sounds realm you’ve got to play Australia pinball ...’ : populist demagogy vs counter-demagogic popular music 10.30 – Morning tea 11am AM2 Giuffre Alonso-Minutti Heloísa Bruel Caballero Parra PANEL PANEL 11am – Playing along with baby – when “Don’t Rape Your Sous le ciel de Paris: Creativity, digital The album compilations as a 1pm and how does ‘music for Bandmate!”: Sounding Memory and nomadism of convergence and simulacra legacy for cultural heritage in Adil / Shazlin / Bennett / pleasure’ become a shared Resiliency and French song, in Brazil in remastering music the popular tropical music in Hazlin & Ong / Yusof Draganova / experience between caregivers Solidarity Across the Scott-Maxwell Davies, R Colombia Adaptation, Green / Jiang and children Border Pop as art, pop as exotica: That’s perfect, let’s do it Astorga de Ita Continuity and Music scenes, Mullen Klimentou cross-border flows of again’: observing “Back at home in the prairy / Change in Malaysian memory and Slogans, Prayers and Mantras : ‘I Can’t Shake This Indonesian alternative performance in the vocal in which I live”: A spatial study Popular Music; Panel emotional Popular Song as Role Play and Little Feeling’, so I had popular music acts into booth of Mexican Leeward music. 2: Adaptation to geographies the Experience of Singing Along it covered up: Brand Grieve Castillo Croes Conter Diversity and Change Ogawa New, tattoo cover ups, Australian contemporary The sound engineer, Timbre as affect in Brazilian Body/Emotion Management and (im)permanence ‘art’/performance contexts technology and his/ her role indie rock: a semiotic through Music and Emotional Bowman Know as subject of art. approach Labor: Towards Theory of Jackie Shane: Any The Extended Concept of Seay & Pratt Braae Groove and Society Other Way Live Performance and a New The Record Producer as a Analysing Musical Theatre: The Ptatscheck Johnson Conceptual Order between Nexus Facilitator: Language of Distance in The “The Way You Make Me Feel” – Reassigning jazz the Center and the Understanding New Spaces Last Five Years Potentials of Feelings and gender Periphery: A Case Study of and New Musical Emotions in Popular Music the Korean Ensemble Conversation Studies Jambinai Tuesday 25 June 2019 Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 1pm – Lunch 2pm PM1 Gunn Lucas Pereira Goold & Foran PANEL PANEL PANEL 2pm – Beyond the Bronx: Exploring Turning metal Māori: Musical activism in Gringa The changing nature of the 4pm new cultural dynamics across Te Reo Māori and the Music event: migrant artist within the recording Alabarces & Bordolli (org); Strong / Baker / Qian / Ya-Hui / international breakdancing international success musical- mediatic practices technology space. Two Presenters: Herrera / Linehan Cantillon / Fung / Lee events of Alien Weaponry in São Paulo/Brazil and their perspectives on the shift in / Marra; Discussant: Reitsamer Chinese TV O'Grady Allmark political senses artistic control Alabarces Popular Music and Music Idol ‘Nights on [Insert Place]:’ Shakaya, Gender, Viteri Foran & Gifford Football and Popular Music: the Archival Turn Shows, Relocated and Dislocated Place Indigeneity and the A Latin American perspective Improvising with the Commemorations, Audiences, Within the Bee Gees Music R&B influence in for the study of popular machine - a performer Celebrations and Fandom at Intimacy, Barjolin-Smith Australia music and media perspective on real time Stadiums and Global Events, I Pseudo- Glocalization of surf music: The Waksman Bertho interaction and II; Panel 1: Singer Fans democratic Floridian strand Mothership Localities under Kärki system Media Taton Disconnections: Race construction: the relations Sounds of Singularity: AI Company The Iloilo 'Dinagyang' Sound: and Arena Rock in the between groups of choro in Voices, Popular Music and Popular Musical Invasives in 1970s the interior of São Paulo Creativity Philippine Festival Musics Stratton Ulhôa Hidaka The Whiteness of Rock The waltz and women's Formatting the Market: The "sentimental education" in MIDI Data Distribution the Diário do Rio de Janeiro Industry in Japan in the 1990s 4pm – 4.30 PM2 KEYNOTE - MYKAELL RILEY 4.30 – 6pm TUESDAY EVENING FROM 7.30PM - FILM
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