Monday 24 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 8am – Registration 9am 9am – Welcome to Country/ Conference Welcome 9.30 AM1 KEYNOTE - PROF JOCELYNE GUILBAULT 9.30 – 10.30 10.30 – Morning Tea 11am AM2 Driessen Tollett Kato O'Dair Marx PANEL PANEL “Look what you made me do”: Transnational Acceptance of Jazz Festivals Playlists and power: the Popular Musicianship from a when affect becomes Feminist Punk: Pussy in Postwar Japan Spotification of popular lifespan perspective Adil (org) Santaella / Holas & López problematic in popular music Riot in the Age of Ward, Aleisha music Stewart-Monro Raja Halid / Pek (org) / Cuttriss fandom Trump How international radio Lepa What’s yours is mine, what’s Adaptation, / Garrido / Zeiner-Henriksen Coates broadcasts affected the The ABC_DJ music branding mine is yours: Crafting songs Continuity and Bendrups / Analysing the popular: corporeal Untypical Girls: experience of jazz in 1920s- recommender - Algorithmic imbued with the legacy of Change in Malaysian Hayward / engagement in the experience of Gender, Age, and 1930s New Zealand prediction of shared others Popular Music; Panel Castellano music Punk Solis meaning attributions Turner, E 1:Continuities of Popular music, Kraugerud Dobre Billström What Jazz in North towards popular music Representations of time and Tradition, Religion Power and the Intimacy and extimacy in record Politics of resistance, Queensland Can Tell Us titles space in resistance music and Ethnicity Negotiation of production hope and belonging: About Global Modernity: Ruth Encarnacao Identity in the Tonelli feminist Afro-Indigenous Meaning of streaming. Writing about old – Hispanic World Post-Ironic Affect in Pop and communities, Connections in the Black Chances and risks of a new ways to make a historical turn Rock perspectives and Pacific music listening technology at 33 1/3rpm practices of music in Fry Tofalvy a Swedish context Jazz, National Parks, and the Genre similarity based on Werner Debate over a "New" country of origin? The Feminism and anti- National Identity representation of spatial racism in Swedish inequality in Spotify’s popular music algorithmic recommendation system 1pm – Lunch 2pm PM1 PLENARY 2pm – 4pm 4pm – Afternoon tea 4.30 PM2 Attfield Vuletic Rietveld Erraught Anderton Cashman 4.30pm Staying in the ‘Ends’: Working- The Politics of Rotterdam Termination The Automation of Taste From Woodstock to the Isle of Music scenes in – 6pm Class Humour in UK as Protest in the Source: Gabber House from Klein Wight: narrative influences regional areas: The Deliberate Exclusion Eurovision Song a Harbour City Network Timed Ensembles: and the countercultural popular music space Neilson Contest Quader Musical Performance and carnivalesque in the of Central Lin, Angel Composition in the Queensland Hevi Humour: Theorising Metal the City, Digital DIY in the Central Interconnections of Apps mediation of music festivals Deane Comedy Rapping the Hong Sydney independent music and Devices on film The Working Men’s García-Peinazo Kong Identity: The scene Przybylski McGee Club and the Spatial Intertextual flamenco ayeos and protest rap of MC Whiting Dead Air: What broadcast The Revival of the Revival or a Turn in the North of jaleos as musical signs in Yan The Social and Cultural and streaming radio Swing Dance Continuum? The England recorded popular song: parody, Élise Imray Papineau Value of Small Live Music failures tell us about the Transnational Lindy Hop O'Hanlon authenticity and (internal) Punk, politics & Venues in Melbourne, future of music distribution Community at the Herräng The sound of the Others piety: responses Australia Dance Camp ‘new’ Melbourne? from the Seinen Immigration and underground to Steely Dan’s hip nostalgia: music in a rapidly rising radicalism elements of pre-1960s jazz in changing city Aja and Gaucho’ Tuesday 25 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 AM1 Nunes McConnell Størvold Jiang Zemke Ballantine 9am – The space of dance music micro- The Politics of Insult: Reading the Anthropocene Cassette Tape Recorder in “Crazy the medulla Music and the 10.30 labels in 21st century Portugal: Music, Conflict, and closely: Music Analysis and 1980’s oblongata”: masculinity, political: Popular three case studies Conciliation in the the Environment Kaitajärvi-Tiekso mental health and music against Elliott Gambia Gadir The two do-it-yourself Doyle populism ‘This Is Our Grime’: Kayne Music for the Greater Good: turns in music production “I just threw my last bottle at Dunkel & Schiller Encountering and Translating Golden Pagodas and Enacting the social justice Düster the jukebox…”: male brooding, Popular Music as a the Strangeness of Lisbon’s Platinum Albums: we theorize Encountering Cassettes in bathos and recorded Medium for the Batida Scene Investigating Copyright Hoad & Wilson the Digital Age: Context, interiority in country music’s Mainstreaming of Guerra and Musical Artists in There Goes Gravity: Flat Practices and Discourses classic period. Populist Ideologies in From Punk to : Theoretical Myanmar Earth Music McCoy Europe Turns in Brazil and Portugal Homan Death is not the end: Jones, PK National music export mourning rituals in the digital ‘If want to follow me, schemes: Sounds realm you’ve got to play Australia pinball ...’ : populist demagogy vs counter-demagogic popular music 10.30 – Morning tea 11am AM2 Giuffre Alonso-Minutti Heloísa Bruel Caballero Parra PANEL PANEL 11am – Playing along with baby – when “Don’t Rape Your Sous le ciel de Paris: Creativity, digital The compilations as a 1pm and how does ‘music for Bandmate!”: Sounding Memory and nomadism of convergence and simulacra legacy for cultural heritage in Adil / Shazlin / Bennett / pleasure’ become a shared Resiliency and French song, in Brazil in remastering music the popular tropical music in Hazlin & Ong / Yusof Draganova / experience between caregivers Solidarity Across the Scott-Maxwell Davies, R Colombia Adaptation, Green / Jiang and children Border Pop as art, pop as exotica: That’s perfect, let’s do it Astorga de Ita Continuity and Music scenes, Mullen Klimentou cross-border flows of again’: observing “Back at home in the prairy / Change in Malaysian memory and Slogans, Prayers and Mantras : ‘I Can’t Shake This Indonesian alternative performance in the vocal in which I live”: A spatial study Popular Music; Panel emotional Popular Song as Role Play and Little Feeling’, so I had popular music acts into booth of Mexican Leeward music. 2: Adaptation to geographies the Experience of Singing Along it covered up: Brand Grieve Castillo Croes Conter Diversity and Change Ogawa New, tattoo cover ups, Australian contemporary The sound engineer, Timbre as affect in Brazilian Body/Emotion Management and (im)permanence ‘art’/performance contexts technology and his/ her role : a semiotic through Music and Emotional Bowman Know as subject of art. approach Labor: Towards Theory of Jackie Shane: Any The Extended Concept of Seay & Pratt Braae Groove and Society Other Way Live Performance and a New The as a Analysing Musical Theatre: The Ptatscheck Johnson Conceptual Order between Nexus Facilitator: Language of Distance in The “The Way You Make Me Feel” – Reassigning jazz the Center and the Understanding New Spaces Last Five Years Potentials of Feelings and gender Periphery: A Case Study of and New Musical Emotions in Popular Music the Korean Ensemble Conversation Studies Jambinai Tuesday 25 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 1pm – Lunch 2pm PM1 Gunn Lucas Pereira Goold & Foran PANEL PANEL PANEL 2pm – Beyond the Bronx: Exploring Turning metal Māori: Musical activism in Gringa The changing nature of the 4pm new cultural dynamics across Te Reo Māori and the Music event: migrant artist within the recording Alabarces & Bordolli (org); Strong / Baker / Qian / Ya-Hui / international international success musical- mediatic practices technology space. Two Presenters: Herrera / Linehan Cantillon / Fung / Lee events of Alien Weaponry in São Paulo/Brazil and their perspectives on the shift in / Marra; Discussant: Reitsamer Chinese TV O'Grady Allmark political senses artistic control Alabarces Popular Music and Music Idol ‘Nights on [Insert Place]:’ Shakaya, Gender, Viteri Foran & Gifford Football and Popular Music: the Archival Turn Shows, Relocated and Dislocated Place Indigeneity and the A Latin American perspective Improvising with the Commemorations, Audiences, Within the Bee Gees Music R&B influence in for the study of popular machine - a performer Celebrations and Fandom at Intimacy, Barjolin-Smith Australia music and media perspective on real time Stadiums and Global Events, I Pseudo- Glocalization of surf music: The Waksman Bertho interaction and II; Panel 1: Singer Fans democratic Floridian strand Mothership Localities under Kärki system Media Taton Disconnections: Race construction: the relations Sounds of Singularity: AI Company The Iloilo 'Dinagyang' Sound: and Arena Rock in the between groups of choro in Voices, Popular Music and Popular Musical Invasives in 1970s the interior of São Paulo Creativity Philippine Festival Musics Stratton Ulhôa Hidaka The Whiteness of Rock The waltz and women's Formatting the Market: The "sentimental education" in MIDI Data Distribution the Diário do Rio de Janeiro Industry in Japan in the 1990s 4pm – 4.30 PM2 KEYNOTE - MYKAELL RILEY 4.30 – 6pm TUESDAY EVENING FROM 7.30PM - FILM SCREENING Wednesday 26 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 AM1 PLENARY 9am – 10.30 10.30 – Morning tea 11am AM2 Mazzanti Brunt Fuernkranz Till PANEL A PANEL PANEL 11am – Defining Popular in Music: Can I Bring My Kid to the Gig?: Rewriting Austrian Jazz Dub Archaeology: An 1pm Tradition and Individuality Popular Music and the Politics Histor(iograph)y. A Critical autoethnographic account of a Alabarces & Bordolli lter / Johnson / Reeder / Pisfil Weisbard of Parenting Approach 21st century electronic release (org); Presenters: Tiné Collinson / / Mulder Why Music Sucks (Slight Butete Garlobo of reimagined music from / Bordolli / Alabarces; Keogh Turns and Return) Audience reception of the The jazz revolution in Cuban antiquity Discussant: Herrera Cameo Revolutions in Flath & Jacke depiction of women in Music and its social impact. Diaz-Gasca Football and Popular Appearances: the Production Popular music studies and Zimbabwean Dancehall music: Istvandity On Fighting the Reich in/and Music: Challenging of Live knowledge. Transdisciplinary Case of Boom Betto’s “Amai Trading Fours on a Continuum Alternative Timelines: Popular Commemorations, Normativity Performance perspectives and experiences. munodonhedza musika” of Practice: Jazz Heritage and Music as a Histographical Tool Celebrations and through the Haynes & Nowak (Mother, you drop the Memory Between the Past and in Wolfenstein: The New Fandom at Stadiums Symbolic Force We were never cool: market) music video. the Present Colossus and Bioshock Infinite and Global Events, I of the Abnormal reconfiguring ‘cool’ in the Campelo Stuparitz Morrison and II; Panel 2: sociology of popular music Refections upon the Java Jazz: The Politics of Psychogeography, hauntology Nations and Events “genderdization” of popular Preservation and cultural representations of music professions - the Ibiza Portuguese case Holm-Hudson González & Malhue Neil Young’s Journey through Exploring female subjectivities the (temporal and through fin-de-siècle music technological) past: A Letter albums Home

EXCURSIONS Thursday 27 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 Stream 7 AM1 8am – GM 11.00 10.30 – 11am Morning tea AM2 11am – Doehring & Krisper Pola Rickwood Wang, Yuan PANEL PANEL PANEL 1pm Remixes. Remix. Popular Music The Cuir Turn: queer Mapping Popular Establishing the Discipline of Research – Potentials for musicology and Music Exhibitions in Popular Music Studies in China in a Berkers (org) / Brennan / Collison Schoop / Methodological Redesign epistemologies of the Australia Global Perspective Brennan (org) / Scott / Ringsmut / König Whelan & Nowak south Adhiyatmaka Luo Behr / Coyle- Devine(Film/Video / Spinetti Genre work and the ‘virtual scene’: Nelligan The conflicts of values From Underground to Mainstream Hayward / session) Persecution and understanding the social in online “I’m not Real; I’m and meanings within and then What? Chinese Hip-hop Cloonan The Cost of Music Resistance music meaning making Theatre”: Lady Gaga, community-based Music in the Field of Popular Music (disucssant) Resounded: Wragg queer identity, and the practices of archiving Wang, Shuang Making a living Trajectories and Exploring the Crossroads Between quest for authenticity in Indonesian popular The Life Growing from Within: from live music Turns of WWII Intertextuality and Technological pop music music Reinvestigating the Rise of Chinese Musical Mediation Palermo Brown & Howe Rock Music Memorializations Yunhwa Analysing Male Not Given Lightly: The Kielman Music goes on ‘everyday life’: beyond Homosexualities in Flying Nun Records Tianxia Cosmopolitanism and New the pragmatic turn Contemporary Popular collection at the Mobilities in Southern Chinese Music: Three Case Alexander Turnbull Popular Music Studies Library Cox Ballico “I eat fuckbois for Taking music to the breakfast”[1]: FEMPRE$$ (museum) masses: as a queer feminist space The materiality of the in ” country music and grunge histories in Nashville and Seattle. 1pm – 2pm Lunch PM1 2pm – Hughes Dishanka Tomatis Lee, D PANEL PANEL 4pm Temporally affected voice, cultural Social media, protest What is Popular Music Tuition in Australian Tertiary narration and the singer-songwriter music and space of voice History? Institutions: Impact of Berkers (org) / / Kilpiö / Ramstedt Kallioniemi of dissent: Music and Methodological issues Contemporary Music Pedagogies Haynes (org) / The impact of Black Sabbath Meets the Friends of society of Assam (North- in popular music Anthony Bartmanski & digitalization on Tuonela – Finnish doom metal band Eastern state of India) in historiography “Learning how to rock”: Woodward / minority music: The Reverend Bizarre and its use and Digital Era O'Connor Perspectives on learning popular Gaupp Swedish-speaking assimilation of Anglo-Finnish past Fakhran al Ramadhan The Moment of music production from ‘both sides Music, Place and minority of Finland Collins, M Reconceptualizing Pop/Rock: 1955-1995. of the glass’ within a Higher Diversity as case study Community resilience, cultural Subcultural Resistance: RIP Education context heritage and Sumatran popular music The Core Values of Rogers García Quiñones in Indonesia Jakarta Skinhead Disappearing History: Ethnographic field recordings as Gabrillo Ignácz & Barna Case-Studies on the popular music objects in the 1950s Amateur Singing Contests and the Marxist interpretations of Precarity of Music and 1960s Construction of a Philippine Pop Sound popular music in the Writing Weston 1960s and 1970s: A Hemming comparison of the UK Towards a precise Revolutionary Popular Music and Hungary genealogy of the Education: the Study of Music as Guerra and Feixa music industry Theory AND Practice The Songs of Crisis: Words that Draw Identities in Protest Songs at Global South 4pm – 4.30 Afternoon tea PM2 4.30 – Percival Smith Mangaoang Ryan Suzuki Sonnichsen Kärjä (Pls Note: 6pm Time, place and resistance: Ladyfest Catch You Whispering, Prisons of Note Time to Turn South: Establishing a Andrew Poppy: Violence, Memory Screening of Scotland 2001 Catch Me Listening: Vocal Scott Major Aboriginal Cultural Festival in DIY Rockin’ and Qualitative Documentary, 57 Feldman-Barrett Constructions of Meaning Distant voices coming the Far South East Region of New Minimalist/ Research in Punk min) Beyond Beatlemania: Charting a in Beyonce’s Lemonade home: Songwriting as South Wales Minimalist History More Fast-paced Women’s History of the Beatles Stead political action Whiteoak Rocker Cronk Polkas … and Padua When Life Gives You research in criminal Why The Tango-Rag? An Takahashi Music and the First Things (Film) Intergenerational fandom and Lemonade?? Negotiating justice Interrupted Revolution in Early Beating the World War: the Lin, Chen-Yu (Pls articulating popular music authority Constructions of Musical Senger Australian Popular Music and Dance Pacific Rim: Gene experiences of Note: Screening of Authenticity in the Visual Nostalgia, Sainsbury Krupa's Australian service Documentary, 20 Album Appropriation, and the Joe Geia-songs and cultural context International personnel min) Fleshner New Right in Early of an Indigenous musician with Tour and the Rise Tien Dot to Dots Kanye West and the 1990s Pop longevity in the industry of Loud Live War and Romance Uncanny: Eerie and Music in 1950s through Nguyen Familiar Associations in Shumway Van Dong music in “Fade” and “Famous” Dylan on 1960s and 1970s Celebrity 7pm Conference dinner Friday 28 June 2019

Stream 1 Stream 2 Stream 3 Stream 4 Stream 5 Stream 6 stream 7 AM1 9am Fabbri Hiltunen Mouillot Royse PANEL PANEL PANEL – 11am Is plagiarism Future consciousness and Honks, Wails, Screeches and Loops: Making Sense of Royal Trux’s musicology’s ‘proof of creativity – connections in Acoustic Instruments and Post- “Ice Cream”: An Approach to Kim Fellezs (org) / Mendoza, L.K. / the pudding’? theory and in the work of Digital Mediation in the Montreal Interpreting Ambiguous Meter (org/discussant): Nagatomi / Mendoza, C. L. / Just Finnish pop songwriters Experimental Music Scenes in Experimental Rock Lee / Seong / Ohwada / Cayabyab / Montes / Space, Technology, McIntyre Renzo Bonetti Lee Manabe Alpay (5 presenters!) Listening and Popular Examining Popular Music as a Un Millón De Mezclas: The Analytical proposal on Beneath, Transnational Music Scenes and Music Analysis: Creative System in Action: The Resurgence of the Spanish symmetrical compositional Between, and Flows in Japanese Sonic Production Bridging the Gap Case of Texas Radio and the Big Megamix Format processes in Behind K-Pop: Popular Music: Spaces: Creating Through Media Beat Campos Popular Music: the example of Discovering Politico-Cultural Difference and Dispositifs Spanu The Visual Turn in Online Music Moacir Santos Diversity in Dialogue Between Representation of the Crowdy How Do We Sing in Different Circulation: Imagined Listening, Loy Contemporary Japan and the Filipino Hardwired to Languages ? Towards a Critical Critical Agency and its Moral Led Zeppelin in Concert: Korean Popular West Software - Towards a Approach of Language Diversity Economies Analysing the Musical Drama Music Code Musicology in Popular Music Avila of the Rock Performance Steinbrecher Neglia “No hay nada que celebrar” Pu “Secondary Musical (Re)Valuing Rock Music: (“There’s nothing to celebrate”): “Rebalance” in multi-text of Issues” – Musical Curatorship in the Production Music, Migration, and Violence in the Beatles songs Nuances and the of Anthology Compilation Luis Estrada’s El Infierno (Hell, Aesthetic Experience Albums 2010) of Popular Music 11am – Morning tea 11.30 AM2 KEYNOTE - PROF MARK BUTLER 11.30 – 1pm 1pm – Lunch 2pm PM1 2pm Kawamoto Lee, S Homma Rosa PANEL PANEL – 4pm The History of The Construction of Identity, Singing an Original Song with a Bossa Nova at Carnegie Hall: Harmonic Analysis in Imagined Homelands, and National Anthem: God save the the Musical Diplomacy Carfoot / Goold Cloonan (org) / Popular Music Studies Diasporic Connectivity through king des Français by P.-A.-A. de Piis between Brazil and The United / Pratt / Hsu Lewandowski / Ward, Andrew Music Shin States in the Cold War Context Music and Crabtree / Narrative progressions Li K-Turn? The Use of Tradition in Behr materiality in a Dicussant: in the structures of Between globalization and Korean Indie Pop-Rock Sounding off: changes in the post-digital Homan popular songs localization – historiography of Linthwaite-Gibbins popular musical component of world Working in Music O'Regan China Wind and the ‘Chinese Long live the [e]volution: A new political campaigns Hook, Line and Singer: nation’ methodology for analysing national Tochka Hooks as a Useful Tool Luoto identity and nationalism in 21st Rocking in the Free World: for Pop Song Analysis Popular Musicians as Unofficial century contemporary popular Popular Music and the Politics Regan Political Representatives – Case music of Freedom in Cold War What does the Finland Cannady America Brisbane Sound Williams Heyr Himna Smiður: Of Handmaids Masquiarán Díaz actually sound like? and Train Stations "Wavin' Whose Flag? One Urban Survival Handbook. The Song's Transformation from Laws Against Street Musicians the Personal to the National in Concepcion, Chile and Global