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Master Copy 254 September
2003 LA TROBE UNIVERSITY/AUSTRALIAN BOOK REVIEW ANNUAL LECTURE The Meaning of Recognition Clive James HERE IS A DIFFERENCE between celebrity and recog- the journalists are now quite likely to call it, a phenomena. nition. Celebrities are recognised in the street, but Really, it is just a bore. But to know that, you have to be Tusually because of who they are, or who they are genuinely interested in the sort of achievement whose practi- supposed to be. To achieve recognition, however, is to be tioners you feel compelled to recognise in a more substantial recognised in a different way. It is to be known for what you way. The cure lies in that direction if it lies anywhere. have done, and quite often the person who knows what you have done has no idea what you look like. When I say I’ve hile we are waiting for the cure, I am quite content had enough of celebrity status, I don’t mean that I am sick of the to go on having my life distorted by my own small very idea. As it happens, I think that the mass-psychotic Wmeasure of celebrity, which has mainly come about passion for celebrity — this enormous talking point for those because my face was once on television. Your face doesn’t who do not really talk — is one of the luxurious diseases that have to be on television for long, and in any capacity, before Western liberal democracy will have to find a cure for in the you become recognisable not just to normally equipped peo- long run, but the cure will have to be self-willed. -
Fruhjahr 2018 .. Die Uberschreitung Der Gegenwart
.. Fruhjahr 2018 .. Die uberschreitung der Gegenwart Wie alt kann ein Mensch werden, ohne seine Menschlichkeit zu verlieren? Ein Thriller über das Alter und den Wert des menschlichen Gedächtnisses ine einfache Zeitungsmeldung führt ihn über die Grenzen unserer Existenz: In Sevilla Esoll der älteste lebende Mensch entdeckt worden sein. Der namenlose Erzähler macht sich auf die Suche und merkt schnell, dass der Älteste gute Gründe hat, sich und sein Leben zu verbergen. Immer tiefer verirrt der Suchende sich in einem bedrohlichen Labyrinth aus selt- samen Erscheinungen und Zweifeln an unserer Realität, bis er endlich auf einen jugendlich erscheinenden Mann und seine kindliche Tochter trifft. Sie führen ihn in die Abgründe menschlicher Geschichte, zeigen ihm die dunklen Seiten des Gedächtnisses, ständig auf der Flucht vor Neid und Verrat. Er erfährt von menschlichen Optimierungen und wird vor die Frage gestellt, ob wir eine Gesellschaft ohne Tod ertragen können … Otmar Jenner spielte in einer Rock- band, arbeitete u.a. als Kriegsfotograf und schrieb den viel besprochenen Ro- © privat man »Sarajevo Safari«. Er lebt in Berlin und unterrichtet Sterbebegleitung. Neben eigenen Musikproduktionen beschäftigt er sich mit fotografischer Kunst. 2 SPITZENTITEL März ➤ Für Leser von Frank Schätzing und Andreas Eschbach ➤ Presseschwerpunkt ➤ Autorenlesungen, u.a. auf der Leipziger Buchmesse ➤ Ihr LEX ab Januar beim Verlag bestellbar Otmar Jenner DER ÄLTESTE Roman ca. 480 Seiten Geb. mit Schutzumschlag, 13,5 x 21,5 cm € [D] 24,90 / € [A] 25,60 ISBN: 978-3-946503-22-4 [WG 1120] | Auch als E-Book erhältlich ISBN: 978-3-946503-23-1 Erscheint im März 2018 3 Originalausgabe Avantgarde aus Nord-Neukölln: »Tobias O. -
Ethel the Aardvark #197
February 2019 – March 2019 Number 197 © Mark Ford 2019 Meetings:- St Augustine’s Anglican Chuch Hall, 100 Sydney Rd, Coburg, Vic. Getting there: Tram No 19 North Coburg, from Elizabeth St in the city, or Tram no 8, Moreland Rd from Glenferrie Rd, Toorak, to Stop 132. Upfield train line to Moreland Station. On street parking. Space on the road next to it, which is closed to through driving. Melway Ref 29 H3. Cyclists can use the Upfield bicycle path. Meetings of the Melbourne Science Fiction Club take place on the third Friday Night of the month. Unless it is Good Friday. Since 1952 The MSFC is a place where people who enjoy science fiction and fantasy meet to Most Club Nights – Gold coin for members, $5 for nonmembers. discuss their love of books, TV, film and Some nights may cost an extra fee, such as Trivia Nights. coffee. Premises open at 8pm on the third Friday of the month, events start CONTACTING THE MSFC. at 8.30pm. Lights out at 11pm. General enquiries. Sustenance - Hot food, cold snacks, coffee and hot chocolate and Soft [email protected] Drinks are available. Clubzine. Editor: LynC ANNUAL MEMBERSHIP DISCOUNTS FOR MEMBERS [email protected] Single membership $35 Website Show your MSFC membership card Family or household $45 www.msfc.sf.org.au when asking for these benefits. Interstate Ethel the Aardvark email subscription $25* Our Facebook page: 20% discount with cash or debit card, https://www.facebook.com/Mel and 15% discount with credit cards off bourneSFClub *plus $10 for interstate subscribers all books at: Our open Facebook group: wishing a hardcopy Ethel subscription. -
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival Randy Malamud
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir In Festival Randy Malamud In the sublime shadows of the Italian Alps, Courmayeur Confidential, Mulholland Drive, The Dark Knight trilogy), Noir In Festival’s 23-year run suggests America’s monop- hyper-noir (even ‘noirer’ than noir! Sin City, Django Un- 1 oly on this dark cinematic tradition may be on the wane. chained), and tech noir (The Matrix, cyberpunk) it remained The roots of film noir wind broadly through the geogra- a made-in-America commodity. phy of film history. One assumes it’s American to the core: Courmayeur’s 2013 program proved that contemporary Humphrey Bogart, Orson Welles, Dashiell Hammett. But noir, like anything poised to thrive nowadays, is indubita- au contraire, the term itself (obviously) emanates from bly global. Its December event featured Hong Kong film- a Gallic sensibility: French critic Nino Frank planted the maker Johnny To’s wonderfully macabre comedy, Blind flag when he coined ‘‘film noir’’ in 1946. He was discussing Detective (with the funniest crime reenactment scenes American films, but still: it took a Frenchman to appreci- ever); Erik Matti’s Filipino killer-thriller On the Job; and 2 ate them. Or maybe the genre is German, growing out Argentinian Lucı´a Puenzo’s resonantly disturbing Wakol- of Weimar expressionism, strassenfilm (street stories), da, an adaptation of her own novel about Josef Mengele’s 3 Lang’s M. 1960 refuge in a remote Patagonian Naziphile community. In fact, film noir is a hybrid which began to flourish in The Black Lion jury award went to Denis Villeneuve’s 1940s Hollywood, but was molded by displaced Europeans Enemy, a Canadian production adapted from Jose´ Sarama- (Billy Wilder, Alfred Hitchcock, Otto Preminger) and go’s Portuguese novel The Double (and with a bona fide keenly inflected by their continental aesthetic and philo- binational spirit). -
The Crimes That Rhyme Tom Clark
cPoetry ando Poetics r Review d i t ISSNe 1328-2107 poems by domonique grandmont seamus heaney dorothy hewett mtc cronin rod mengham js harry john tranter eric beach michael farrell john mateer zan ross arthur spyrou hugh tolhurst eugenio montejo james lucas michael heald alain bosquet luke davies nicolae prelipceanu trevor poulton joseph zaresky reviews by mark o’flynn dorothy hewett kathielyn job mtc cronin translations by ian patterson peter boyle the crimes rae sexton intereview that rhyme $ peter minter and philip salom 5 page 2 cordite Nº 2 contents PHILIP SALOM and Peter Minter CATH BARCAN intereview woman with gun front cover Philip Salom THE ROME AIR NAKED summer holidays, and I seemed to be doing the same thing, when in fact we were, and still are, very much a couple who man with beer back cover Penguin 1996, 134pp, $18.95. ISBN 0 14 058773 feel inseparable. And so on. Under these circumstances, ear and shell 6 n the July issue of the AUSTRALIAN BOOK REVIEW, given also that my previous year had been utterly disruptive, man and woman 23 Philip Salom writes about TH E RO M E AI R NA K E D I was ripe for writing. All the merging and blurring filled me. and his affinity for poetry which is both emotionally ERIC BEACH I I’m not sure if the concurrent poems, for example, would and sensually honest. Having recently won the looking back on th sixties 3 have happened, otherwise; everything led to that kind of Newcastle Poetry Prize with a moving and complex outbreak. -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Christopher A. Reynolds Collection of Women's Song
http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St. -
Trou of Tbononr
No. 137, Vol. 24] JULY, 1917. [Price 3d. CONTENTS. PAOE FAOI Roll of Honour 21 House Notes . 38 School Notes . 24 Games Account 42 AHeyn War Fund 30 Old Boys' Notes 48 Cricket . 80 Alleyn War List 43 Junior School Cric ket 33 War Honours . 46 Athletic Sports 34 An Estaminet in France 46 Swimming 36 Extracts from Letters . 48 Cross Country Race 37 Recent Additions to the House Fives . 37 Library • 4» TRoU of Tbononr. INCE the publication of the last number of the Magazine— S April, 1917—the following Old Boys have laid down their lives in defence of noble ideals and at the call of King and country. Our gratitude to them and our sympathy with the bereaved will be, we are assured, both cordial and generous. S. F. BLENCOWE (1904), Private of the Australian Expedi- tionary Force. His brother T. H. (1900) is serving as a Sapper R.E. (Signal Section). 22 EDWARD ALLEYN MAGAZINE. CLARENCE CARPENTER (1904), 2nd Lieut. Royal Fusiliers, killed in action near Petit Miraumont, France, February 17th, 1917. His brother Cecil (1902) is well known to some of our readers. GUY DENNY (1905), brother of H. H. Denny (1908), Private of the Bedford Regt., was killed in action on May 4th, 1917. A. D. HAY-SMITH (1902), 2nd Lieut. Essex Regt., fell on March 26th, outside Gaza. He had seen much service previously as a Sergeant in the L.R.B. His brother, A. L. Hay-Smith (1896), is serving in the Canadian Infantry. E. S. HORNBLOWEK (1890), while on a business visit to Canada, joined the Canadian Infantry (M.G. -
Australian Science Fiction: in Search of the 'Feel' Dorotta Guttfeld
65 Australian Science Fiction: in Search of the ‘Feel’ Dorotta Guttfeld, University of Torun, Poland This is our Golden Age – argued Stephen Higgins in his editorial of the 11/1997 issue of Aurealis, Australia’s longest-running magazine devoted to science fiction and fantasy. The magazine’s founder and editor, Higgins optimistically pointed to unprecedented interest in science fiction among Australian publishers. The claim about a “Golden Age” echoed a statement made by Harlan Ellison during a panel discussion “The Australian Renaissance” in Sydney the year before (Ellison 1998, Dann 2000)64. International mechanisms for selection and promotion in this genre seemed to compare favorably with the situation of Australian fiction in general. The Vend-A-Nation project (1998) was to encourage authors to write science fiction stories set in the Republic of Australia, and 1999 was to see the publication of several scholarly studies of Australian science fiction, including Russell Blackford’s and Sean McMullen’s Strange Constellations. Many of these publications were timed to coincide with the 1999 ‘Worldcon’, the most prestigious of all fan conventions, which had been awarded to Melbourne. The ‘Worldcon’ was thus about to become the third ‘Aussiecon’ in history, accessible for the vibrant fan community of Australia, and thus sure to provide even more impetus for the genres’ health. And yet, in the 19/2007 issue of Aurealis, ten years after his announcement of the Golden Age, Stephen Higgins seems to be using a different tone: Rather than talk of a new Golden Age of Australian SF (and there have been plenty of those) I prefer to think of the Australian SF scene as simply continuing to evolve. -
Academic Track
Confusion 2021 – Academic Track Friday 2nd April 2021 Session One: String Theory Made Easy Presented by: Maciej Matuszewski String theory is often considered to be one of the most difficult branches of modern physics. However, it is far from an impenetrable subject and the basic ideas can be readily understood by a layperson. String theory is the result of a long-time trend in physics to attempt to arrive at unified theories of seemingly distinct phenomena. The great successes of twentieth century physics have been general relativity – which explains how gravity behaves at large scales – and the standard model – which explains the subatomic world. However, it has been difficult to see how these two theories work together – for example, we do not know how gravity works for subatomic particles. String theory was created to describe subatomic particles called mesons – however it was also found to naturally ‘predict’ gravity. It is therefore hoped that it can be the missing ‘Theory of Everything’. Even if it is not correct as a fundamental theory in and of itself, the mathematics of string theory is very interesting. The so-called AdS/CFT correspondence is a trick that uses this new mathematics to simplify complicated calculations in areas such as high energy physics and solid state physics. My work has, in particular, looked at how the AdS/CFT correspondence can be used to make simpler, but hopefully still accurate, models of how mesons decay. This presentation will provide an accessible but detailed historical and scientific background which led up to string theory and the AdS/CFT correspondence, and then briefly outline the specifics of these theories themselves. -
APPENDIX ALCOTT, Louisa May
APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story.