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Connotations 14-01
Volume 14, Issue 1 February/March ConNotations 2004 The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society April Kicks Off with Ursula K Le Featured Inside Guin, Timothy Zahn, Phoenix SF Tube Talk Special Features ComicCon and World Horror All the latest news about Ursala K LeGuin by Lee Whiteside Scienc Fiction TV shows and other April Events by Lee Whiteside By Lee Whiteside The Arizona Book Festival on Saturday, outreach/scifisymp.html and http:// April 3rd, will feature authors Ursula K. Le www.asu.edu/english/events/outreach/ 24 Frames Jinxed, Hexed, or Cursed: Guin, Alan Dean Foster, and Diana leguin.html All the latest Movie News How I Ruined Harlan Ellison’s Gabaldon on the main stage with CASFS The next day is the Seventh Annual by Lee Whiteside Return to Arizona, Part 2 bringing in Timothy Zahn and other local Arizona Book Festival being held from 10 By Shane Shellenbarger authors for autographing and a special am to 5 pm at the Carnegie Center at 1100 Pro Notes block of programming. LeGuin will also be W. Washingtion in central Phoenix. The Waldorf Conference: appearing at ASU on Friday, April 2nd. Featured authors at the book festival are News about locl genre authors and fans Microphones, scripts, and actors The ASU Department of English Ron Carlson, Nancy Farmer, Alan Dean By Shane Shellenbarger Outreach will be hosting two events on Foster, Diana Gabaldon, Ursula K. Le Musical Notes Friday, April 2nd with Ursula K. LeGuin. Guin, Tom McGuane, and U.S. Supreme In Memorium First will be a daylong Symposium on the Court Justice Sandra Day O’Connor. -
Postmodernism: the American T.V. Show, 'Family Guy, As a Politically Incorrect Document
Postmodernism: The American T.V. Show, 'Family Guy, As a Politically Incorrect Document Tyron Tyson Smith1; Ajit Duara2* 1Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*[email protected] Abstract Postmodernism is a movement that grew out of modernism. Movements in art, literature, and cinema focused on a particular stance. The visual artists who created entertainment focused on expressing the creator herself/himself beginning from German expressionism to modernism, surrealism, cubism, etc. These art movements played an important part in what an artist (literature, art, and visual) portrayed to his or her audience. As perspectives played an important part, an understanding of what the artist needed to portray was critical. Modernism dealt with this portrayal, which came about due to the changes taking place in society. In terms of the industry, where the overall product dealt with features like individualism, experimentation and absurdity, modernism dealt with a need to overthrow past notions of what painting, literature, and the visual arts needed to be. "After World War II, the focus moved from Europe to the United States, and abstract expressionism (led by Jackson Pollock) continued the movement's momentum, followed by movements such as geometric abstractions, minimalism, process art, pop art, and pop music." Postmodernism helped do away with these shortcomings. An understanding of postmodernism is explored in this paper. The main point which sets it apart is concepts like pastiche, intersexuality, and spectacle. Concerning pop culture, an understanding of referencing is a constant trait used by postmodern art. -
FAMILY GUY “The Glenn Beck Quagmire”
FAMILY GUY “The Glenn Beck Quagmire” Written by Marcos Luevanos Marcos Luevanos (626) 485-2140 [email protected] ACT ONE EXT./ESTAB. GRIFFINS’ HOUSE - DAY INT. GRIFFINS’ LIVING ROOM - SAME PETER blasts an air horn. PETER (CALLING UPSTAIRS) Hurry it up you guys! The world and I have waited long enough for “Pretty Woman 2: Reality Sets In.” INT. SUBURBAN HOME - MORNING (CUTAWAY) A sloppily dressed RICHARD GERE yells at a crying JULIA ROBERTS. TWO CHILDREN observe from the staircase. RICHARD GERE I’m not getting what the problem is. You knew I slept with hookers when you married me. (SCOFFS) That’s how we met! INT. GRIFFINS’ LIVING ROOM - DAY (BACK TO SCENE) The doorbell rings. Peter opens it to reveal an incredibly ill QUAGMIRE. PETER Hey Quagmire! (DISGUSTED) Whoa, you look worse than Lindsay Lohan in a well-lit room. FAMILY GUY - "The Glenn Beck Quagmire" 2. QUAGMIRE That bad, huh? I have an appointment at the free clinic but I can’t seem to, you know, see. Would you be able to give me a ride to the doctor? PETER Sure thing. I was running low on free condoms anyway. (CALLING UPSTAIRS) Hey slowpokes, eighty-six the movie, I’m taking Quagmire to get his junk checked out. LOIS (O.S.) What? PETER (CALLING UPSTAIRS) I said, I’m taking Quagmire to get his junk checked out. (NORMAL, TO QUAGMIRE) It is your junk, right? QUAGMIRE Right. PETER (CALLING UPSTAIRS) Yeah, it’s his junk. Quagmire smacks his forehead. FAMILY GUY - "The Glenn Beck Quagmire" 3. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
An Ethnographic Study of Shared Information Practices in an Online Cosplay Community
“I found what I needed, which was a supportive community”: An ethnographic study of shared information practices in an online cosplay community 1 By Emily Vardell (ORCID: 0000-0002-3037-4789) 2 Ting Wang (ORCID: 0000-0002-1423-4559) 3 Paul Thomas (ORCID: 0000-0002-5596-7951) Scheduled to be published as: Vardell, E., Wang, T., & Thomas, P. (2021). “I found what I needed, which was a supportive community”: An ethnographic study of shared information practices in an online cosplay community. Journal of Documentation. https://doi.org/10.1108/JD-02-2021-0034 Abstract Purpose – This study explored the information practices of cosplayers, as well as the social norms, social types, and information infrastructure of an online cosplay Facebook group, the Rey Cosplay Community (RCC). Design/methodology/approach – To better understand individual behavior, the authors made use of ethnographic methods and semi-structured interviews. Observation of the RCC was combined with information gleaned from select participant interviews. Findings – The results suggest that the RCC can be conceived of as an information community where fans obtain and share information about cosplay costume making. Sufficient and well-organized information and positive community culture greatly help community members make their costumes. Originality/value – This works serves as a bridge between fan studies and information science research in its exploration of online communities, shared information practices, and creating non-toxic virtual environments. It also lends support to the idea that positivity, respect for community rules, and a tight-knit connection between members play essential roles in building a non-toxic fan and information community. -
Dark Matter #4
Cover Page DarkIssue Four Matter July 2011 SF, Fantasy & Art [email protected] Dark Matter Issue Four July 2011 SF, Fantasy & Art [email protected] Dark Matter Contents: Issue 4 Dark Matter Stuff 1 News & Articles 7 Gun Laws & Cosplay 7 Troopertrek 2011 8 Hugo Award Nominees 10 2010 Aurealis Awards 14 2011 Aurealis Awards to be held in Sydney again 15 2011 Ditmar Awards 16 2011 Chronos Awards 20 Renovation WorldCon 22 Iron Sky update 28 Art by Ben Grimshaw 30 Ebony Rattle as Electra, Art by Ben Grimshaw 31 The Girl in the Red Hood is Back … But She’s a Little Different 32 Launching & Gaining Velocity 34 Geek and Nerd 35 Peacemaker - A Comic Book 36 Continuum 7 Report 38 Starcraft 2 - Prae.ThorZain 46 Good Friday Appeal 50 FAQ about the writing of Machine Man, by Max Barry 65 J. Michael Straczynski says... 67 Interviews 69 Kevin J. Anderson talks to Dark Matter 69 Tom Taylor and Colin Wilson talk to Dark Matter 78 Simon Morden talks to Dark Matter 106 Paul Bedford talks to Dark Matter 115 Cathy Larsen talks to Dark Matter 131 Madeleine Roux talks to Daniel Haynes 142 Chewbacca is Coming 146 Greg Gates talks to Dark Matter 153 Richard Harland talks to Dark Matter 165 Letters 173 Anime/Animation 176 The Sacred Blacksmith Collection 176 Summer Wars 177 Evangelion 1.11 You are [not] alone 178 Evangelion 2.22 You can [not] advance 179 Book Reviews 180 The Razor Gate 180 Angelica 181 2 issue four The Map of Time 182 Die for Me 183 The Gathering 184 The Undivided 186 the twilight saga: the official illustrated guide 188 Rivers -
Read Ebook {PDF EPUB} the Star Wars Craft Book by Bonnie Burton the Star Wars Craft Book
Read Ebook {PDF EPUB} The Star Wars Craft Book by Bonnie Burton The Star Wars Craft Book. The Star Wars Craft Book is a fully-illustrated, step-by-step guide to creating Star Wars -themed arts and crafts. It was written by Bonnie Burton and published by Del Rey on March 29, 2011. Contents. Product description [ edit | edit source ] GIVE IN TO THE POWER OF THE CRAFTY SIDE. Chewbacca Sock Puppets. Ewok Flower Vases. AT-AT Herb Gardens. With The Star Wars Craft Book, fans of all ages and skill levels can bring the best of the galaxy far, far away right into their own homes. Fully illustrated, this guide features a variety of fun and original projects. • Playtime: Make and play with finger puppets of your favorite cantina characters, Cuddly Banthas, and Rotta the Huttlet Squeaky Toys for your pets • Home Decor: Spruce up your space with Chewbacca Tissue Box Covers, a Mounted Acklay Head, and a Jabba the Hutt Body Pillow • Holiday Crafts: Celebrate festive occasions with Wookiee Pumpkins, Hanukkah Droidels, and a Star Wars Action Figure Wreath • Nature and Science Crafts: Get down to earth with Emperor Appletine Dolls and a Wookiee Bird House • Star Wars Style: Give your wardrobe a dose of intergalactic chic with Ewok Fleece Hats and an R2-D2 Crocheted Beanie. With easy step-by-step instructions, The Star Wars Craft Book is a joyful and entertaining way for you and your friends to bring many beloved elements of Star Wars to life! (No midi-chlorians required!) Interview with Bonnie Burton. We were lucky enough to catch up with the lovely Bonnie Burton this week. -
6769 Shary & Smith.Indd
ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. -
Star Wars Jedi Legacy Checklist
STAR WARS JEDI LEGACY CHECKLIST Base Cards Connections Film Cell Relic □ 1A Anakin Skywalker Clandestine Birth □ C-1 Obi-Wan Kenobi □ FR-1 Luke With Twin Suns □ 1L Luke Skywalker Clandestine Birth □ C-2 Yoda □ FR-2 Luke Lightsaber Training w/Remote □ 2A Anakin Skywalker Fatherless as a Child □ C-3 Owen Lars □ FR-3 Vader Vs. Kenobi Duel □ 2L Luke Skywalker Fatherless as a Child □ C-4 R2-D2 □ FR-4 Vader Interrogation □ 3A Anakin Skywalker Tatooine □ C-5 C-3PO □ FR-5 Luke's Death Star Trench Run □ 3L Luke Skywalker Tatooine □ C-6 Emperor Palpatine □ FR-6 Vader Tantive IV Entrance □ 4A Anakin Skywalker Isolation in Youth □ C-7 Princess Leia Organa □ FR-7 Luke Rescues Leia □ 4L Luke Skywalker Isolation in Youth □ C-8 Boba Fett □ FR-8 Luke in Hanger Bay □ 5A Anakin Skywalker Befriending a Droid □ C-9 Padmé Amidala □ FR-9 Vader Chokes Motti □ 5L Luke Skywalker Befriending a Droid □ C-10 The Force □ FR-10 Torched Homestead □ 6A Anakin Skywalker Death of a Guardian □ C-11 Anakin's Lightsaber □ FR-11 Luke's Crash Landing/Meeting Yoda □ 6L Luke Skywalker Death of a Guardian □ C-12 Death Star □ FR-12 Vader and His Master □ 7A Anakin Skywalker Technical Ability □ C-13 Tatooine □ FR-13 Luke Trains With Yoda in Backpack □ 7L Luke Skywalker Technical Ability □ C-14 Tusken Raiders □ FR-14 Obi-Wan and Yoda Warn Luke □ 8A Anakin Skywalker Daredevil Abilities □ C-15 Jabba The Hutt □ FR-15 In the Wampa Cave □ 8L Luke Skywalker Daredevil Abilities □ FR-16 Vader Storms Echo Base □ 9A Anakin Skywalker Fantastic Adventure Influencers □ FR-17 Luke's Mechanical Hand □ 9L Luke Skywalker Fantastic Adventure □ I-1 Qui-Gon Jinn □ FR-18 Vader Freezes Han □ 10A Anakin Skywalker Introduction to Royalty □ I-2 Shmi Skywalker □ FR-19 Vader Hires the Bounty Hunters □ 10L Luke Skywalker Introduction to Royalty □ I-3 Mace Windu □ FR-20 Vader in Meditation Chamber □ 11A Anakin Skywalker A Royal Rescue □ I-4 Ahsoka Tano □ FR-21 "Where is that shuttle going" □ 11L Luke Skywalker A Royal Rescue □ I-5 Watto □ FR-22 Luke Vs. -
Topps Star Wars 3D Widevision: Attack of the Clones - Base Cards
Topps Star Wars 3D Widevision: Attack Of The Clones - Base Cards Base Cards Base Cards 1 The Senator Attacked! 23 Geonosian Ambush 2 Meeting With The Chancellor 24 Factory Chase 3 The Assassin's Plan 25 Jar Jar's Bold Action 4 Anakin to the Rescue 26 Into the Arena 5 Obi-Wan Hangs on 27 Count Dooku Stands Judge 6 City Chase 28 Creatures Unleashed 7 Combing the Nightclub 29 A Surprising Turn of Events 8 The Jedi Archives 30 Jedi to the Rescue 9 Lessons From Yoda 31 Against the Odds 10 Heroes on Naboo 32 Jango Fett Unleashed 11 Obi-Wan and Tipoca City 33 Battle Droids Engage 12 Blossoming Romance 34 Yoda's Perfect Timing 13 The Clone Army 35 Devising an Escape Plan 14 In Jango's Court 36 War on Geonosis 15 Battle in the Rain 37 Separatists Under Siege 16 Return to Tatooine 38 Obi-Wan and the Sith Lord 17 Asteroid Chase 39 Anakin's Intervention 18 Dodging the Sonic Charge 40 The Incredible Might of Yoda 19 Searching the Desert 41 Yoda and Count Dooku 20 The Tusken Camp 42 The Last Man Standing 21 Obi-Wan's Distress Call 43 The Clone Wars Begin 22 Dooku's Prisoner 44 Secret Marriage Topps Star Wars 3D Widevision: Attack Of The Clones - Hits Autograph Signers Medallion Cards Ian McDiarmid as Chancellor Palpatine MC-1 Anakin Skywalker Ian McDiarmid as Darth Sidious MC-2 Count Dooku Kenny Baker as R2-D2 MC-3 Supreme Chancellor Palpatine Anthony Daniels as C-3PO MC-4 Obi-Wan Kenobi Alan Ruscoe as Lott Dod MC-5 Padmé Amidala Jerome Blake as Oppo Rancisis MC-6 R2-D2 Zac Jensen as Kit Fisto MC-7 C-3PO Andy Secombe as Watto MC-8 Jango Fett David -
Obi-Wan Kenobi”
SÁBADO 3 DE ABRIL DE 2021 2 ETCÉTERA “Station Eleven”, con nuevo protagonista Será Daniel Zovatto quien pase a encabezar la serie postapocalíptica. EFE Los Ángeles, EE.UU. AGENCIAS Motivo. La serie fue cancelada en Valencia, España, luego de El actor costarricense Da- ser considerada como poco educativa para los menores de edad. niel Zovatto, que ha cons- truido una notable carrera en el cine y la televisión de Estados Unidos, será el pro- “Dragon Ball” es tagonista de “Station Ele- ven”, una serie postapoca- líptica que está preparando cancelado en HBO Max. La plataforma digital se- ñaló en un comunicado que España Zovatto estará acompañado en “Station Eleven” por Lo- EL UNIVERSAL lítico en Valencia) hizo una ri Petty,Andy McQueen, Da- Ciudad de México propuesta a las Cortes Va- vid Cross, Enrico Colantoni lencianas para que la serie y Julian Obradors. El anime “Dragon Ball”, se retransmitiera el progra- Esta nota de HBO Max uno de los que ha marcado ma en la televisión abierta; supone un curioso cambio AGENCIAS a distintas generaciones sin embargo, después de Producción. HBO Max difundió que en esta nueva temporada no se contara con ninguno de los per- de rumbo para “Station Ele- por sus personajes y épo- una evaluación, Alfred sonajes anteriores, como Gael García Bernal, Mackenzie Davis, Himesh Patel, entre otros. ven”, un proyecto que a co- cas batallas, fue cancelado Acosta, director del canal À mienzos del año pasado te- de los supervivientes de una en una televisora españo- Punt, detuvo la solicitud. nía como intérpretes vincu- gripe devastadora mientras la por violar las políticas La noticia no fue toma- lados al mexicano Gael Gar- intentan reconstruir y rei- de género de la región, mo- da para bien por muchas cía Bernal junto a Macken- maginar un mundo nuevo tivo por el cual las redes personas que están en con- zie Davis (”Halt and Catch conservando lo mejor de lo sociales explotaron ante la tra de la cultura de la can- Fire”, 2014-2017) y Himesh que se perdió”, adelantó decisión y condenaron la celación, en donde se han Patel (”Yesterday”, 2019).