DOCSLIB.ORG

Extract Catalogue for Auction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Auction 244 Page:1 Lot Type Grading Description Est $A COMICS & COMIC ART 741 Artwork original artwork for British saucy seaside postcards by Pedro, Arnold Taylor (2 + issued postcard) & Trow (2). Pencil, ink or warercolour. Taylor's pencil sketch has 'Blackpool Post Card Censorship Board APPROVED' handstamp on reverse. (5 items) 150 742 - Animation Art balance of collection including 1920s comic strips (4) of 'In Animal Town'; book 'How to Create Cartoons' by Greene [New York, 1941]; Storyboards (4) for 'Monster Force', 'Dog City', 'Wildcats' & 'Death Race 2000'; anime character design & concept art for 'Macross Frontier' & 'Crescent Love' (2); various items concept art in 40-page folio; etc. (40+) 150 743 - Filmation collection comprising animation cels (4), colour concept cels (2), animation drawings, and animation concept bibles (MU79, MU116, MU128, PP35, PP54, PP90, HH15) for He-Man and the Masters of the Universe, offshoot She-Ra: Princess of Power and Hero High. 150 744 - original artwork by Joseph Mackie (3) for Daredevil, Black Bolt & Triton; Brett Breeding DC Comics artwork; plus concept artwork photocopies for 'Spiderman - The Attack of the Arachnoid'. (5 items) 100 745 Books 'The Art of the Animator' by Percy Bradshaw [London, 1st Edition, c.1918-20], complete set of 20 parts in grey card folders, each with a developmental series of a single illustration, artists include Harry Rountree, Spencer Pryse, Bert Thomas, Warwick Reynolds, Lawson Wood, Russell Flint & Heath Robinson, mainly Fair/Fine. (20 items) 200 Ex Lot 746 746 Comic Books collection including science fiction pulps 'Captain Future' (Summer 1942 & Spring 1944); comics with 'Captain Marvel' (5) including Nos.16 & 20; 'Daredevil' Nos. 43 & 89; 'Captain Midnight' (Australian) No.17; 'Bugs Bunny' [1949]; 'The Atom'; 'Iron Man'; 'Captain Atom'; 'Bat Man' (2); 'The Shadow', 'Green Lantern'. (24) 250 Page:2 www.abacusauctions.com.au 17 & 18 June 2021 COMICS & COMIC ART (continued) Lot Type Grading Description Est $A Ex Lot 747 747 - collection including scarce Australian 'Corky - Chico & Kelly' #3 [Apache Comics, Sydney, 1955; not listed in 'Panel by Panel - A History of Australian Comics' or 'Bonzer']; 'The Adventures of Superman' #505 with postcard of issue #1; 'Skunge NYPD' #0 & #1; 'Youngblood'; 'Air Hawk' magazine issue #4 & Summer Special; Mickey Mouse collectable book; plus poster 'The Australian Comic Book Exhibition 1930s-1990s'. (9 items) 150 748 - collection including Walt Disney (25) with Mickey Mouse, Donald Duck & Uncle Scrooge; Phantom (4), Tarzan (3), Turok (3), The Avengers, Thor, X-men & others (36), condition variable. (74 items) 50 749 Posters 'The Australian Comic Book Exhibition 1930s-1990s' [Melbourne, 1995], framed 63x88cm; plus 'Batman, Catman and a kid called Ginger/Silver Star No.1' from the 1997 comic book exhibition at the State Library [Melbourne, 1997], framed 46x74cm. (2 items) 100 Lot 750 750 BATMAN: Original production drawings of Batman, Joker & Penguin from the 1968-69 Filmation TV show, window mounted together in archival quality frame, overall 118x44cm. With CoA. 300 751 - Acetate proof pages (6) including covers for Nos.166 & 332; plus two pages of original art, Superb condition. (8) 250 752 BONZO THE DOG: Collection of ceramic, metal & glass items including jugs (2), serviette rings (6), salt & pepper shakers (9), egg cups (3). {Bonzo the Dog was a fictional cartoon character created in 1922 by artist George Studdy. The pup quickly rose to popularity in the 1920s and starred in one of the world's first cartoons. Bonzo inspired mass-marketed merchandise, and became a favourite among children and adults} (44 items) 100 Auction 244 Page:3 COMICS & COMIC ART (continued) Lot Type Grading Description Est $A Ex Lot 753 753 THE ADVENTURES OF BUCK ROGERS: Australian edition comics Nos. 1 (covers loose), 2, 3, 4, 5, 6, 7, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22 & 23 [19 issues, Melbourne, Oct.1936 to Nov.1939]; plus Special Half-Yearly Issues Nos (1), 2, 3, 4, 5 & 9 [6 issues, Melbourne, c.1938-40]; also 'The Adventures of Buck Rogers Annual No.4' [Melbourne, circa 1940 with advertisment for WWII model planes on reverse], Fair/Good condition. A rare series. (26 items) 2,000 754 CONAN THE ADVENTURER: Original animation cel of Conan & Jezmine, with sticker 'Original Production Cel/CONAN licensed by/Conan Properties Inc/@1993 Sunbow Productions LP', window mounted, framed & glazed, overall 51x45cm. 150 755 GREEN LANTERN: Original production art for Green Lantern, signed lower right "Anthony Tollin". With CoA. 70 Ex Lot 756 756 THE PHANTOM: Australian edition comics Nos. 2 (covers loose), 3, 4 & 5 , Fair/Good condition with staples rusty. [From May 1938 to September 1940 'The Australian Woman's Mirror' ran a 5 comic book series dedicated solely to The Phantom] (4 items) 200 757 SHERLOCK HOLMES IN THE 23RD CENTURY: group with storyboards, characters & vehicles for first two episodes in two folders, with the storyboard for Act 3 signed by Lou Schiemer, Filmation co-founder. [Animated series by Filmation studios planned for 1988] 250 Page:4 www.abacusauctions.com.au 17 & 18 June 2021 COMICS & COMIC ART (continued) Lot Type Grading Description Est $A Ex Lot 758 758 THE SIMPSONS: Original production drawings of Homer Simpson from Season 15 (2003-04) & Season 16 (2004-05). (7 items) 200 759 SPIRAL ZONE: Writer's Bible, Storyboard & photocopied drawings, housed in two binders & folder, from Spiral Zone, a 1987 American science fiction animated series produced by Atlantic/Kushner-Locke, and animated by Japanese studio Visual 80. 150 Ex Lot 760 760 WALLY AND THE MAJOR: Comic books by Stan Cross issues #3 [1944], #4 [1945; tape on spine] & #13 [1954], Fair to VG condition. (3 items) 60 Ex Lot 761 761 - original cartoon drawings by Carl Lyon (64), pen and ink on paper, all signed lower right, each about 60x24cm, published in the 1970s in 'The Herald'; together with the 64 matching proofs. [Wally and the Major was a cartoon strip created by Stan Cross published in newspapers throughout Australia & NZ from 1940, with Carl Lyon taking over in 1970] (128 items) 1,000 Auction 244 Page:5 COMICS & COMIC ART (continued) Lot Type Grading Description Est $A Ex Lot 762 762 - Original cartoon drawings by Carl Lyon (40), pen and ink on paper, all signed lower right, each about 60x24cm, published in the 1970s in 'The Herald'; together with the 40 matching proofs. (80 items) 600 763 X-MEN THE ANIMATED SERIES: Original animation cel of Cyclops, window mounted, framed & glazed, overall 49x43cm. 250.
Recommended publications
  • Here Comes Television

    Here Comes Television

    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
  • H K a N D C U L T F I L M N E W S

    H K a N D C U L T F I L M N E W S

    More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
  • Teachers Guide

    Teachers Guide

    Teachers Guide Exhibit partially funded by: and 2006 Cartoon Network. All rights reserved. TEACHERS GUIDE TABLE OF CONTENTS PAGE HOW TO USE THIS GUIDE 3 EXHIBIT OVERVIEW 4 CORRELATION TO EDUCATIONAL STANDARDS 9 EDUCATIONAL STANDARDS CHARTS 11 EXHIBIT EDUCATIONAL OBJECTIVES 13 BACKGROUND INFORMATION FOR TEACHERS 15 FREQUENTLY ASKED QUESTIONS 23 CLASSROOM ACTIVITIES • BUILD YOUR OWN ZOETROPE 26 • PLAN OF ACTION 33 • SEEING SPOTS 36 • FOOLING THE BRAIN 43 ACTIVE LEARNING LOG • WITH ANSWERS 51 • WITHOUT ANSWERS 55 GLOSSARY 58 BIBLIOGRAPHY 59 This guide was developed at OMSI in conjunction with Animation, an OMSI exhibit. 2006 Oregon Museum of Science and Industry Animation was developed by the Oregon Museum of Science and Industry in collaboration with Cartoon Network and partially funded by The Paul G. Allen Family Foundation. and 2006 Cartoon Network. All rights reserved. Animation Teachers Guide 2 © OMSI 2006 HOW TO USE THIS TEACHER’S GUIDE The Teacher’s Guide to Animation has been written for teachers bringing students to see the Animation exhibit. These materials have been developed as a resource for the educator to use in the classroom before and after the museum visit, and to enhance the visit itself. There is background information, several classroom activities, and the Active Learning Log – an open-ended worksheet students can fill out while exploring the exhibit. Animation web site: The exhibit website, www.omsi.edu/visit/featured/animationsite/index.cfm, features the Animation Teacher’s Guide, online activities, and additional resources. Animation Teachers Guide 3 © OMSI 2006 EXHIBIT OVERVIEW Animation is a 6,000 square-foot, highly interactive traveling exhibition that brings together art, math, science and technology by exploring the exciting world of animation.
  • Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse

    Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets.
  • Info Fair Resources

    Info Fair Resources

    ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out
  • Free-Digital-Preview.Pdf

    Free-Digital-Preview.Pdf

    THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
  • Looking Back at the Creative Process

    Looking Back at the Creative Process

    IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains.
  • Jim Schlenker Art Direction, Set Design, Visual Development

    Jim Schlenker Art Direction, Set Design, Visual Development

    Jim Schlenker Art Direction, Set Design, Visual Development Represented By Ellen Ann Mersereau, Esq. [email protected] 323-461-3316 JimSchlenker.com [email protected] 626 755-5077 IMDb Linkedin Education Art Center College of Design Pasadena, California BFA, Illustration 2017_2020 DreamWorks Animation Art Director: Where’s Waldo 2015- 2017 Walt Disney Television Animation Location Designer: Tangled, Big Hero 6 2014-2015 Nickelodeon Animation Studios Location BG Design Supervisor: Dora and Friends 2010- 2013 DisneyToon Studios Feature Animation Vis/Dev Artist, Set Designer: Planes 1,2, and 3 2009- 2010 Bento Box Entertainment Location BG Design Supervisor: Neighbors from Hell 2004-2009 Universal Cartoon Studios Background Designer Supervisor, VisDev: Curious George Television Background Designer: Brer Rabbit, The Land Before Time (TV series), Curious George 2: Follow That Monkey! 2003- 04 Warner Bros. Animation Art Director: Tom & Jerry Blast off to Mars! 2000- 03 Walt Disney Toons Animation Layout: Tarzan II Production Designer: Piglet’s Big Movie 1998- 2000 Walt Disney Feature Animation Journeyman VisDev, Workbook, Layout: Dinosaur, Atlantis 1989- 96 Walt Disney Television Animation Key Background Designer: Lion King II, Pith Possum, the Little Mermaid, Aladdin, Bonkers, Goof Troop, Darkwing Duck, Tail Spin, Winnie the Pooh, Lilo & Stitch: the Series 1983-89 Mihahn Incorporated Background Painter: Starchaser: the Legend of Orin, Bagdasarian Productions Layout: The Chipmunk Adventure 1983-89 DIC Productions Key Background Designer:
  • LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy

    LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy

    CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241
  • What Superman Teaches Us About the American Dream and Changing Values Within the United States

    What Superman Teaches Us About the American Dream and Changing Values Within the United States

    TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.
  • TAG21 Mag Q1 Web2.Pdf

    TAG21 Mag Q1 Web2.Pdf

    IATSE LOCAL 839 MAGAZINE SPRING 2021 ISSUE NO. 13 THE ANIMATION GUILD QUARTERLY GIMMIE SHELTER: CREATING CAPTIVATING SPACES IN ANIMATION GIMME SHELTER SPRING 2021 CREATING CAPTIVATING SPACES IN ANIMATION FOR YOUR CONSIDERATION BEST ANIMATED FEATURE GLEN KEANE, GENNIE RIM, p.g.a., PEILIN CHOU, p.g.a. GOLDEN GLOBE ® NOMINEE BEST ANIMATED FEATURE “ONE OF THE MOST GORGEOUS ANIMATED FILMS EVER MADE.” “UNLIKE ANYTHING AUDIENCES HAVE SEEN BEFORE.” “★★★★ VIBRANT AND HEARTFELT.” FROM OSCAR®WINNING FILMMAKER AND ANIMATOR GLEN KEANE FILM.NETFLIXAWARDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 NETFLIX: OVER THE MOON PUB DATE: 02/25/21 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 13 CONTENTS 46 11 AFTER HOURS 18 THE LOCAL FRAME X FRAME Jeremy Spears’ passion TAG committees’ FEATURES for woodworking collective power 22 GIMME SHELTER 4 FROM THE 14 THE CLIMB 20 DIALOGUE After a year of sheltering at home, we’re PRESIDENT Elizabeth Ito’s Looking back on persistent journey the Annie Awards all eager to spend time elsewhere. Why not use your imagination to escape into 7 EDITOR’S an animation home? From Kim Possible’s NOTE 16 FRAME X FRAME 44 TRIBUTE midcentury ambience to Kung Fu Panda’s Bob Scott’s pursuit of Honoring those regal mood, these abodes show that some the perfect comic strip who have passed of animation’s finest are also talented 9 ART & CRAFT architects and interior designers too. The quiet painting of Grace “Grey” Chen 46 SHORT STORY Taylor Meacham’s 30 RAYA OF LIGHT To: Gerard As production on Raya and the Last Dragon evolved, so did the movie’s themes of trust and distrust.
  • Monopolization of Modern Comic Book Distribution

    Monopolization of Modern Comic Book Distribution

    Who Watches the Watchmen? Monopolization of Modern Comic Book Distribution * HARRISON DONAHOE I. INTRODUCTION: DAYS OF FUTURE PAST ......................................... 924 II. PRESSURE AND TIME: DIAMOND’S ORIGIN STORY ......................... 926 A. Too Much of A Good Thing: Sales Boom to Speculation Bust ............................................................... 926 B. Seizing the Mantle: Diamond Makes its Move ................. 931 C. Dodging a Bullet: The DOJ Investigation ........................ 934 III. GRADING A DIAMOND: THE COMPONENTS OF DIAMOND’S MONOPOLY ............................................................................... 935 A. Diamond’s Market: Distributing from Smallville to Gotham ............................................................................. 938 1. Relevant Product Market ............................................ 938 2. Relevant Geographic Market ...................................... 940 B. Diamond’s Power: Demonstrating the Indestructible ..... 941 1. Direct Method ............................................................. 943 2. Indirect Method ........................................................... 943 C. Diamond’s Conduct: The Devourer of Competition ........ 947 1. Exclusive Dealing ....................................................... 948 2. Serial Acquisitions ...................................................... 951 3. Competitive Justifications ........................................... 952 IV. CONCLUSION: IS THE END NIGH? ................................................