October 21, 1959 the Board of Trustees the Corcoran Gallery of Art
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Capitol Hill Guide Welcome
The Van Scoyoc Companies Capitol Hill Guide Welcome Welcome to Washington and the Van Scoyoc Companies. I hope you’ll find this guide useful during your visit to Capitol Hill. Our Country’s forefathers enshrined in the First Amendment to the U.S. Constitution the people’s right “peaceably to assemble, and to petition the Government for a redress of grievances.” They considered this right of equal importance with freedom of religion and freedom of the press. Thousands of Americans visit their elected representatives in the House and the Senate each year, providing Members of Congress and the Administration with vital insights into the Country’s needs and fears and wishes for the future. Unfortunately, many Americans today don’t appreciate this right – and this privilege – they have to influence government by making their views known, either directly or through agents and associations. The Founding Fathers knew that a great nation grew out of a vigorous competition of ideas and interests, and they designed our Government to accommodate conflicts, not quash them. We at the Van Scoyoc Companies have always believed that our primary role was to help our clients find honorable and effective ways to make their arguments known to those in power. Please don’t hesitate to ask anyone in our firms for something you may need during your visit to Washington. We don’t pretend to have the answer to every question, but I guarantee you that when we don’t, we know how to find it. Regards, Contents ciate sso s I a nc c o • y V Stu’s Welcome 2 o S C c o s n n s a Map of Capitol Hill 3 u v l • t c i a n Hints for Visiting Congressional Offices 4 p g i I t n o c • l D Useful Contacts 5 e c c isions In Restaurant Map 6 Recommended Restaurants 7 This guide was created for the convenience and sole use of clients and potential clients of the Van Map of Places to Visit 8 Scoyoc Companies. -
District of Columbia Inventory of Historic Sites Street Address Index
DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES STREET ADDRESS INDEX UPDATED TO OCTOBER 31, 2014 NUMBERED STREETS Half Street, SW 1360 ........................................................................................ Syphax School 1st Street, NE between East Capitol Street and Maryland Avenue ................ Supreme Court 100 block ................................................................................. Capitol Hill HD between Constitution Avenue and C Street, west side ............ Senate Office Building and M Street, southeast corner ................................................ Woodward & Lothrop Warehouse 1st Street, NW 320 .......................................................................................... Federal Home Loan Bank Board 2122 ........................................................................................ Samuel Gompers House 2400 ........................................................................................ Fire Alarm Headquarters between Bryant Street and Michigan Avenue ......................... McMillan Park Reservoir 1st Street, SE between East Capitol Street and Independence Avenue .......... Library of Congress between Independence Avenue and C Street, west side .......... House Office Building 300 block, even numbers ......................................................... Capitol Hill HD 400 through 500 blocks ........................................................... Capitol Hill HD 1st Street, SW 734 ......................................................................................... -
Guide to Oral History Collections in Missouri
Guide to Oral History Collections in Missouri. Compiled and Edited by David E. Richards Special Collections & Archives Department Duane G. Meyer Library Missouri State University Springfield, Missouri Last updated: September 16, 2012 This guide was made possible through a grant from the Richard S. Brownlee Fund from the State Historical Society of Missouri and support from Missouri State University. Introduction Missouri has a wealth of oral history recordings that document the rich and diverse population of the state. Beginning around 1976, libraries, archives, individual researchers, and local historical societies initiated oral history projects and began recording interviews on audio cassettes. The efforts continued into the 1980s. By 2000, digital recorders began replacing audio cassettes and collections continued to grow where staff, time, and funding permitted. As with other states, oral history projects were easily started, but transcription and indexing efforts generally lagged behind. Hundreds of recordings existed for dozens of discreet projects, but access to the recordings was lacking or insufficient. Larger institutions had the means to transcribe, index, and catalog their oral history materials, but smaller operations sometimes had limited access to their holdings. Access was mixed, and still is. This guide attempts to aggregate nearly all oral history holdings within the state and provide at least basic, minimal access to holdings from the largest academic repository to the smallest county historical society. The effort to provide a guide to the oral history collections of Missouri started in 2002 with a Brownlee Fund Grant from the State Historical Society of Missouri. That initial grant provided the seed money to create and send out a mail-in survey. -
Good Neighbor Cultural Diplomacy in World War II
Good Neighbor Cultural Diplomacy in World War II: The Art of Making Friends Darlene J. Sadlier, Indiana University, USA In August 1940, President Franklin D. Roosevelt named Nelson A. Rockefeller to head the Office of the Coordinator of Inter-American Affairs (CIAA), a new federal agency whose main objective was to strengthen cultural and commercial relations between the U.S and Latin America, in particular Brazil, in order to route Axis influence and secure hemispheric solidarity. On November 7, 1940, just months after the CIAA‘s inception, Robert G. Caldwell and Wallace K. Harrison, Chairman and Director, respectively, of the agency‘s Cultural Relations Division, received written approval for twenty-six special projects at a cost of nearly one-half million dollars.i The most expensive, at $150,000, was an Inter-American exhibit of art and culture under the direction of the MoMA, to be held simultaneously with parallel exhibits in capital cities throughout the Americas.ii Two hundred fifty-five U.S. paintings were curated by the MoMA in conjunction with other major museums, and in April 1941, these were previewed at the Metropolitan Museum of Art in New York. Portions of the large exhibit then toured eight South American republics, Mexico and Cuba for close to a year, beginning with an exposition at Mexico City‘s Palacio de Bellas Artes in June.iii The emphasis was on modern art and included paintings by Georgia O‘Keefe, Thomas Hart Benton, Edward Hopper, Stuart Davis, Loren MacIver, Eugene Speicher, Peter Hurd and Robert Henri, among others. A file in the MoMA archive has valuations of all the paintings at the time, the highest valued being George Bellows‘s Dempsey and Firpo and Georgia O‘Keefe‘s The White Flower at $25,000 each. -
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST 395 - Fall Semester (Galgano) World War II shaped the twentieth century, as its events and aftermath affected the entire globe. The attitudes and actions of the nations' populations determined how the war played out, and the thing that most shaped these peoples' actions was war art. War art in World War II had two important goals: mobilization of citizens and creation of accurate depictions of the battlefield. War art's intended audience was foremost the citizens, as their support for the war was crucial to success. Dependence on civilian support - both through labor and service - was much greater in World War II than in any other previous war. Many participating nations in WWII developed war art programs, with the goal of showing the warfront to garner civilian support back home. Artists ranged from active-duty soldiers, like in the United States, to civilians following troops on tours, like Great Britain. These hired artists were given specific subjects to depict, depending on where they were stationed; the first hand account ensured the most accurate depictions possible. However, the disparity between the actual war fronts and the artists' depictions was present in all major art programs. This paper looks at the war art from the major powers in World War II: Great Britain, the United States, and Germany. It examines the styles adopted by artists in these nations, the subjects artists depicted, and the war art's purpose in society. Germany, to anchor their claim of "supreme race", used traditional art forms similar to the Roman Empire. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Trustees Corcoran Gallery of Art Corcoran School
CONFIDENTIAL: TRUSTEES CORCORAN GALLERY OF ART CORCORAN SCHOOL OF ART MARCH/APRIL 1974 MONTHLY REPORTS Director/Dean's Report Gallery: Curatorial Registrar Education Special Education Membership Admissions Maintenance/Security Gallery Shop Public Relations Events Finance Conservation School: Assistant Dean/Academic Studies Registrar Corcoran Report March/April 1974 During the months of March and April the Corcoran Gallery of Art continued to be most active, with many exhibitions and events. On Friday, March 15, a preview was held of exhibitions organized as a "Tribute to the Arts of the America's". The Tribute was organized by the Washington Performing Arts Society, and the Corcoran exhibitions played a vital role in the celebration of the arts in the America's. The preview was held in conjunction with openings at the Pan American Union and the Renwick Ga-llery. Many members, guests and others attended the opening at the Corcoran. The sculpture of Edgar Negret was well received, being sculpture of major international importance. The Argentine Embassy helped present the paintings of Raquel Forner, while the Commonwealth of Puerto Rico presented prints from the San Juan Biennial and Puerto Rican photographs. Canada was represented by the prints of William Featherston. The paintings of Elliott Thompson were previewed later in the month on Wednesday, March 27. Elliott Thompson is increasingly well known as a Washington painter and the work shown represented his development in painting from 1967-1974. Elliott Thompson teaches at the Corcoran School of Art. Events were held in March to coincide with "The Tribute to the Arts in the America's", including lunchtime talks and a reception by the Commonwealth of Puerto Rico in conjunction with the Puerto Rican photography of'Dos Mundos'.' The Lecture Committee of the Women's Committee sponsored an evening of "American Writing of the 1930's". -
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art Kathleen Brown Funding for the processing of this collection was provided by the Terra Foundation for American Art January 21, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1920-1968..................................................... 6 Series 2: Correspondence, circa 1919-1982............................................................ 7 Series 3: Writings, circa 1920-1971...................................................................... -
New Masses Index 1926 - 1933 New Masses Index 1934 - 1935 New Masses Index 1936
NEW MASSES INDEX 1936 NEW MASSES INDEX NEW MASSES INDEX 1936 By Theodore F. Watts Copyright 2007 ISBN 0-9610314-0-8 Phoenix Rising 601 Dale Drive Silver Spring, Maryland 20910-4215 Cover art: William Sanderson Regarding these indexes to New Masses: These indexes to New Masses were created by Theodore Watts, who is the owner of this intellectual property under US and International copyright law. Mr. Watts has given permission to the Riazanov Library and Marxists.org to freely distribute these three publications… New Masses Index 1926 - 1933 New Masses Index 1934 - 1935 New Masses Index 1936 … in a not for profit fashion. While it is my impression Mr. Watts wishes this material he created be as widely available as possible to scholars, researchers, and the workers movement in a not for profit fashion, I would urge others seeking to re-distribute this material to first obtain his consent. This would be mandatory, especially, if one wished to distribute this material in a for sale or for profit fashion. Martin H. Goodman Director, Riazanov Library digital archive projects January 2015 Patchen, Rebecca Pitts, Philip Rahv, Genevieve Taggart, Richard Wright, and Don West. The favorite artist during this two-year span was Russell T. Limbach with more than one a week for the run. Other artists included William Gropper, John Mackey, Phil Bard, Crockett Johnson, Gardner Rea, William Sanderson, A. Redfield, Louis Lozowick, and Adolph Dehn. Other names, familiar to modem readers, abound: Bernarda Bryson and Ben Shahn, Maxwell Bodenheim, Erskine Caldwell, Edward Dahlberg, Theodore Dreiser, Ilya Ehrenberg, Sergei Eisenstein, Hanns Eisler, James T. -
White House Neighborhood Focuses on the History and Architecture of Part of Our Local Environment That Is Both Familiar and Surprising
Explore historic dc Explore historic CHILDREN’S WALKING TOUR CHILDREN’S EDITION included WHITE HOUSE inside! NEIGHBORHOOD WASHINGTON, DC © Washington Architectural Foundation, 2017 Welcome to the cap Welcome to Welcome This tour of Washington’s White House Neighborhood focuses on the history and architecture of part of our local environment that is both familiar and surprising. The tour kit includes everything a parent, teacher, Scout troop leader or home schooler would need to walk children through several blocks of buildings and their history and to stimulate conversation and activities as they go. Designed for kids in the 8-12 age group, the tour is fun and educational for older kids and adults as well. The tour materials include... • History of the White House Neighborhood • Tour Booklet Instructions • The White House Neighborhood Guide • Architectural Vocabulary • Conversation Starters • The White House Neighborhood Tour Stops • Children's Edition This project has been funded in part by a grant from the Dorothea DeSchweinitz Fund for the District of Columbia of the National Trust for Historic Preservation. This version of the White House Neighborhood children’s architectural tour is the result of a collaboration among Mary Kay Lanzillotta, FAIA, Peter Guttmacher and the creative minds at LookThink. White house neigh History of the White House Neighborhood The president's neighborhood hen Pierre L’Enfant designed the plan of Washington, W DC, in 1791, he selected the site for the President’s House west of the downtown. Next to the President’s House was an orchard, which was identified as President’s Park. When President Jefferson moved into the President’s House in 1801, he noted that the country residence was “free from the noise, the heat...and the bustle of a close built town.” Over the next 100 years, the neighborhood developed with many fashionable homes, including the Octagon and the Ringgold Residence. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939). -
Sky House Commences Construction
Southwest Waterfront Fireworks Festival Special Pullout Section Inside The www.thesouthwester.com SouthwesterServing the Southwest and Capitol Riverfront Communities Copyright © 2012 Southwest Neighborhood Assembly, Inc., All rights reserved. April 2012 Circulation 12,000 FREE Published by the Southwest Neighborhood Assembly, Inc. (SWNA) — a non-profit, 501(c)(3) charitable and educational corporation. Submit material to [email protected] Potbelly Sandwich Shop Opens in Navy Yard Sky House Commences Construction otbelly Sandwich Shop announces the n March 12, Urban Atlantic and sleek interior designs, upscale fixtures, hard- opening of its newest neighborhood shop The JBG Companies, together wood flooring and contemporary kitchens. P at 301 Tingey St., located in the historic O with their development partners, The community is pet-friendly and amenities Navy Yard neighborhood. Situated at the corner civic and community leaders and business include a rooftop deck with pool, e-lounge, of 3rd and Tingey, the shop resides below the representatives, celebrated the official com- resident clubroom with gaming elements, mencement of construction for Sky House, pool table and movie screening area, extensive Yards Foundry Lofts and is the 45th Potbelly two residential buildings totaling 530 units gym, and an outdoor courtyard with sitting to open in the metropolitan Washington D.C. located at the corner of Fourth and M Streets areas, TVs, gas fireplace and grills. area. James Carpenter is the general manager SW. District of Columbia Mayor Vincent C. and will head the brand’s new operations at the Sky House is an adaptive reuse of two Gray attended the event. “The development shop. Born and raised in Washington D.C., commercial buildings into two new luxu- of Sky House represents a significant step in Carpenter has nearly half a decade of experience ry residential communities.