Timeline / Before 1800 to After 1930 / PORTUGAL
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Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
Timeline / 1810 to 1930
Timeline / 1810 to 1930 Date Country Theme 1810 - 1880 Tunisia Fine And Applied Arts Buildings present innovation in their architecture, decoration and positioning. Palaces, patrician houses and mosques incorporate elements of Baroque style; new European techniques and decorative touches that recall Italian arts are evident at the same time as the increased use of foreign labour. 1810 - 1880 Tunisia Fine And Applied Arts A new lifestyle develops in the luxurious mansions inside the medina and also in the large properties of the surrounding area. Mirrors and consoles, chandeliers from Venice etc., are set alongside Spanish-North African furniture. All manner of interior items, as well as women’s clothing and jewellery, experience the same mutations. 1810 - 1830 Tunisia Economy And Trade Situated at the confluence of the seas of the Mediterranean, Tunis is seen as a great commercial city that many of her neighbours fear. Food and luxury goods are in abundance and considerable fortunes are created through international trade and the trade-race at sea. 1810 - 1845 Tunisia Migrations Taking advantage of treaties known as Capitulations an increasing number of Europeans arrive to seek their fortune in the commerce and industry of the regency, in particular the Leghorn Jews, Italians and Maltese. 1810 - 1850 Tunisia Migrations Important increase in the arrival of black slaves. The slave market is supplied by seasonal caravans and the Fezzan from Ghadames and the sub-Saharan region in general. 1810 - 1930 Tunisia Migrations The end of the race in the Mediterranean. For over 200 years the Regency of Tunis saw many free or enslaved Christians arrive from all over the Mediterranean Basin. -
2008 Romanesque in the Sousa Valley.Pdf
ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1. -
Timeline / 1860 to 1900
Timeline / 1860 to 1900 Date Country Theme 1860 - 1900 Tunisia Cities And Urban Spaces Following development of the Port of La Goulette, new districts relating to trade and industrial activities are born. The neighbourhood is given the name of “Little Sicily”, which is suggestive of its role as host to a poor immigrant population mainly from southern Italy. 1860 Tunisia Great Inventions Of The 19th Century The restoration of the Aqueduct of Zaghouan is completed, running water arrives in Tunis. 1860 - 1863 Tunisia Economy And Trade Restoration of the Zaghouan Aqueduct, Tunisia’s largest water-service network, allows supply to the capital and its suburbs. 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1860 France Travelling First trip by Napoleon III to Algeria; the second will take place in 1865. 1860 - 1870 Jordan Reforms And Social Changes By the 1860s, population density has decreased drastically. The border of the sawn cultivated land had been pushed westwards under the pressure of the nomadic tribes from the east. Several reasons are suggested for this decline, including maladministration and the taxation policies of the Ottoman Empire. Some of the regions south of Ajlun, including Amman area, and along the escarpment of the Jordan valley were almost completely abandoned. Recovery starts during the last quarter of the 19th century. 1860 Italy Cities And Urban Spaces The unification of Italy leads to urban expansion outside the old city walls, which have lost their defensive value. -
Circle Patterns in Gothic Architecture
Bridges 2012: Mathematics, Music, Art, Architecture, Culture Circle patterns in Gothic architecture Tiffany C. Inglis and Craig S. Kaplan David R. Cheriton School of Computer Science University of Waterloo [email protected] Abstract Inspired by Gothic-influenced architectural styles, we analyze some of the circle patterns found in rose windows and semi-circular arches. We introduce a recursive circular ring structure that can be represented using a set-like notation, and determine which structures satisfy a set of tangency requirements. To fill in the gaps between tangent circles, we add Appollonian circles to each triplet of pairwise tangent circles. These ring structures provide the underlying structure for many designs, including rose windows, Celtic knots and spirals, and Islamic star patterns. 1 Introduction Gothic architecture, a style of architecture seen in many great cathedrals and castles, developed in France in the late medieval period [1, 3]. This majestic style is often applied to ecclesiastical buildings to emphasize their grandeur and solemnity. Two key features of Gothic architecture are height and light. Gothic buildings are usually taller than they are wide, and the verticality is further emphasized through towers, pointed arches, and columns. In cathedrals, the walls are often lined with large stained glass windows to introduce light and colour into the buildings. In the mid-18th century, an architectural movement known as Gothic Revival began in England and quickly spread throughout Europe. The Neo-Manueline, or Portuguese Final Gothic, developed under the influence of traditional Gothic architecture and the Spanish Plateresque style [10]. The Palace Hotel of Bussaco, designed by Italian architect Luigi Manini and built between 1888 and 1907, is a well-known example of Neo-Manueline architecture (Figure 2). -
Timeline / 1850 to After 1930 / CITIES and URBAN SPACES
Timeline / 1850 to After 1930 / CITIES AND URBAN SPACES Date Country Theme 1852 - 1870 France Cities And Urban Spaces Georges Haussmann’s works in Paris cover all areas of city planning: streets and boulevards, reconstruction of buildings, parks and street furniture, drainage networks and water supply facilities, equipment and monuments. 1853 Lebanon Cities And Urban Spaces Antun Bey Najjar, a merchant who made his fortune in Constantinople, builds Khan Antun Bey in 1853. It becomes a great business centre and the building is used by many institutions such as Beirut’s foreign consulates, the Ottoman administration, postal services, merchants’ offices and Beirut’s first bank, Imperial Ottoman. 1854 - 1870 France Cities And Urban Spaces Construction of workers’ housing includes the utopian city of Familistère de Guise in Aisne (also called the “Social Palace”), set up by Jean-Baptiste André Godin between 1859 and 1870. 1855 Lebanon Cities And Urban Spaces A school is built by the Jesuits in Ghazir (Kisruwan district). 1856 Turkey Cities And Urban Spaces Fire in Aksaray district, #stanbul, destroys more than 650 buildings and is a major turning point in the history of #stanbul’s urban form. Italian architect Luigi Storari is appointed to carry out the re-building of the area, which is to conform to the new pattern: hence it is to be regular with straight and wide streets. 1856 Turkey Cities And Urban Spaces #stimlak Nizamnamesi (Regulation for Expropriation) issued. 1856 - 1860 Spain Cities And Urban Spaces Ildefonso Cerdá designs the "extension" of Barcelona in 1859. The orthogonal design of the streets creates a new neighbourhood: El Ensanche/L’Eixample. -
Rua Do Norte, 44 • 1200-286 Lisboa • PORTUGAL
LIVRARIA CASTRO E SILVA LIVROS ANTIGOS – RARE BOOKS Rua do Norte, 44 • 1200-286 Lisboa • PORTUGAL Telefone +351 213 467 380 • Telemóvel +351 967 201 362 CATÁLOGO 140 –Janeiro de 2013 http://www.castroesilva.com/ • [email protected] Este documento permite visualizar imagens de cada obra do catálogo, clicando sobre o título da mesma. This document allows visualizing images from each of the works present in the catalogue by clicking on the title 1. ALBUM DE DESENHO COM 25 RETRATOS. De 15x22 cm. (formato oblongo). Cerca 100 fólios. S/l. S/d. (Circa 1790-1830). Encadernação da época em tela (pele diabo) com danos exteriores e marginais. Caderno de desenho executado com grande qualidade artística, ilustrado manualmente com 25 esboços (todos a carvão) com bustos masculinos retratados de perfil, todos com vestuário da época, provavelmente todos pertencendo a uma família aristocrática ou da alta burguesia do início do século xix. Terá servido de estudo para a execução de uma gravura? A proveniência indicia que o álbum terá tido eventual origem na ilha da Madeira. SKETCHBOOK. Oblong 15x22 cm. With 100 folium. (Circa 1790-1830). Binding: contemporary fabric. Illustrated with 25 hand drawings (all charcoal) of profiled males, fashioned with contemporary attires. Non identified author nor subjects; possibly belonging to an aristocratic or high bourgeoisie family. €200 2. ALMANACH DÉDIÉ AUX DAMES pour l’An 1826. À Paris chez Le Fuel, Lib edi. Et Delaunay, Palais Royal. Junto com: SOUVENIR. À Paris. Chez Le Fuel, Libraire Éditeur. S/d [1826]. In 12.º de 12x7,5 cm. Com 152, [7] pags. -
For As Low As Us$ 2399 Per Person
FOR AS LOW AS US$ 2,399 PER PERSON With Airline Tax Blocking Dates: June 23, July 21, Aug. 11, Sept. 15, Oct. 20, Nov. 17, Dec. 22, 2019 ITINERARY: Day 04: MALAGA - SEVILLE (B) Day 06: LISBON – TOLEDO – MADRID (B) we go northbound to the largest city of the autonomous We will back to Madrid via Toledo, a World Heritage Day 01: Arrived Barcelona community of Andalusia, Seville. This city was the capi- Site declared by UNESCO in 1986 for its extensive Arrive in Barcelona Airport, transfer to your hotel. tal of the Muslim dynasty, considered to be the guardian cultural and monumental heritage. This old city is lo- angel of culture in Andalusia and the birthplace of the cated on a mountaintop, surrounded on three sides by Day 02: BARCELONA - flamenco dance. Seville is the primary setting of many a bend in the Tagus River, and contains many histori- operas, the best known of which is Bizet’s Carmen. As cal sites. By strolling across the city, overlooking the VALENCLA - ALICANTE (B) the fourth largest city in Spain, it has hosted the World’s Alcázar of Toledo and visiting the grand structure of After breakfast, leave Barcelona for Spain’s third Fair in 1992. After visit Seville Cathedral, the largest Toledo Cathedral, you will feel the bustling of Spain in largest city, Valencia. Valencia’s history has Gothic cathedral and the third-largest church in the the old time. Then take a well-earned rest as you sit celebrated as the gateway to the Mediterranean. world. Its completion was back to the early 16th century back, catch a breath taking landscape of Spain and It’s commercially and culturally rich, with Moorish and now the cathedral halls are dedicated as Royal enjoy its rich palette of colours in natural surroundings culture, Arab customs and foods all frequented in Chapel, the burial place of the kings’ mausoleum for while you are on the journey to Madrid. -
Teori Arsitektur 03
•Victorian architecture 1837 and 1901 UK •Neolithic architecture 10,000 BC-3000 BC •Jacobethan 1838 •Sumerian architecture 5300 BC-2000 BC •Carpenter Gothic USA and Canada 1840s on •Soft Portuguese style 1940-1955 Portugal & colonies •Ancient Egyptian architecture 3000 BC-373 AD •Queenslander (architecture) 1840s–1960s •Ranch-style 1940s-1970s USA •Classical architecture 600 BC-323 AD Australian architectural styles •New towns 1946-1968 United Kingdom Ancient Greek architecture 776 BC-265 BC •Romanesque Revival architecture 1840–1900 USA •Mid-century modern 1950s California, etc. Roman architecture 753 BC–663 AD •Neo-Manueline 1840s-1910s Portugal & Brazil •Florida Modern 1950s or Tropical Modern •Architecture of Armenia (IVe s - XVIe s) •Neo-Grec 1848 and 1865 •Googie architecture 1950s USA •Merovingian architecture 400s-700s France and Germany •Adirondack Architecture 1850s New York, USA •Brutalist architecture 1950s–1970s •Anglo-Saxon architecture 450s-1066 England and Wales •Bristol Byzantine 1850-1880 •Structuralism 1950s-1970s •Byzantine architecture 527 (Sofia)-1520 •Second Empire 1865 and 1880 •Metabolist Movement 1959 Japan •Islamic Architecture 691-present •Queen Anne Style architecture 1870–1910s England & USA •Arcology 1970s-present •Carolingian architecture 780s-800s France and Germany Stick Style 1879-1905 New England •Repoblación architecture 880s-1000s Spain •Structural Expressionism 1980s-present Eastlake Style 1879-1905 New England •Ottonian architecture 950s-1050s Germany Shingle Style 1879-1905 New England •Postmodern architecture 1980s •Russian architecture 989-1700s •National Park Service Rustic 1872–present USA •Romanesque architecture 1050-1100 •Deconstructivism 1982–present •Chicago school (architecture) 1880s and 1890 USA •Norman architecture 1074-1250 •Memphis Group 1981-1988 •Neo-Byzantine architecture 1882–1920s American •Blobitecture 2003–present •Gothic architecture •Art Nouveau/Jugendstil c. -
Texto E Autoridade. Diversificação Sociocultural E Religiosa Com a Sociedade Bíblica Em Portugal (1804-1940) Volume II – Cronologia E Anexos
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS Texto e Autoridade. Diversificação sociocultural e religiosa com a Sociedade Bíblica em Portugal (1804-1940) Volume II – Cronologia e Anexos Rita Alexandra Borda de Água Mendonça Leite Orientadores: Professor Doutor António Manuel Antunes de Matos Ferreira Professor Doutor José Augusto Martins Ramos Tese especialmente elaborada para obtenção do grau de Doutor no ramo de História, na especialidade de História e Cultura das Religiões 2017 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS Texto e Autoridade. Diversificação sociocultural e religiosa com a Sociedade Bíblica em Portugal (1804-1940) Volume II – Cronologia e Anexos Rita Alexandra Borda de Água Mendonça Leite Orientadores: Professor Doutor António Manuel Antunes de Matos Ferreira Professor Doutor José Augusto Martins Ramos Tese especialmente elaborada para obtenção do grau de Doutor no ramo de História, na especialidade de História e Cultura das Religiões Júri: Presidente: Professor Doutor Victor Manuel Guimarães Veríssimo Serrão, Professor Catedrático e Membro do Conselho Científico da Faculdade de Letras da Universidade de Lisboa Vogais: Doutor Francisco Diez de Velasco Abellán, Professor Catedrático da Facultad de Humanidades da Universidad de La Laguna, Espanha; Doutor Alfredo Manuel Matos Alves Rodrigues Teixeira, Professor Associado da Faculdade de Teologia da Universidade Católica Portuguesa; Doutor José António Martin Moreno Afonso, Professor Auxiliar do Instituto de Educação da Universidade do Minho; Doutor Sérgio Carneiro Campos Matos, Professor Associado com Agregação da Faculdade de Letras da Universidade de Lisboa; Doutor António Manuel Antunes de Matos Ferreira, Professor Auxiliar Convidado da Faculdade de Letras da Universidade de Lisboa, orientador. Instituição Financiadora: Fundação para a Ciência e a Tecnologia (SFRH/BD/61749/2009) 2017 Texto e Autoridade. -
Romanesque Architecture and the Scenery
Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology Romanesque Architecture 35 Between the late 10th century and the early 11th century, Western Europe accuses a slow renovation accompanied by a remarkable building surge. In this period, the regional differences concerning ar- chitecture are still much accentuated. While the South witnesses the development of the so-called first meridional Romanesque art, in the North of France and in the territory of the Otonian Empire the large wood-covered constructions of Carolingian tradition prevail. However, it is throughout the second half of the 11th century and the early 12th century that a series of political, social, economical and religious transformations will lead to the appearance and expansion of the Romanesque style. A greater political stability is then followed by a slow but significant demographic growth. In the 11th century, progress in the farming techniques will provide better crops and a visible improvement in the population’s eating habits and life conditions. -
Rayonnant Style, French Building Style (13Th Century) That Represents the Height of Gothic Architecture
Rayonnant style, French building style (13th century) that represents the height of Gothic architecture. During this period architects became less interested in achieving great size than in decoration, which took such forms as pinnacles, moldings, and especially window tracery. The style’s name reflects the radiating character of the rose window. Other features include the thinning of vertical supporting members, the enlargement of windows, and the combination of the triforium gallery and clerestory into one large glazed area, until walls became largely undifferentiated screens of tracery, mullions, and glass. Flamboyant style, phase of late Gothic architecture in 15th-century France and Spain. It evolved out of the Rayonnant style’s increasing emphasis on decoration. Its most conspicuous feature is the dominance in stone window tracery of a flamelike S- shaped curve. Wall surface was reduced to the minimum to allow an almost continuous window expanse. Structural logic was obscured by covering buildings with elaborate tracery. Flamboyant Gothic, which became increasingly ornate, gave way in France to Renaissance forms in the 16th century. Perpendicular style, Phase of late Gothic architecture in England roughly parallel in time to the French Flamboyant style. The style, concerned with creating rich visual effects through decoration, was characterized by a predominance of vertical lines in stone window tracery, enlargement of windows to great proportions, and conversion of the interior stories into a single unified vertical expanse. Fan vaults, springing from slender columns or pendants, became popular. In the 16th century, the grafting of Renaissance elements onto the Perpendicular style resulted in the Tudor style. Manueline, Portuguese Manuelino, particularly rich and lavish style of architectural ornamentation indigenous to Portugal in the early 16th century.