2019-2020 Operational Report of the MMFA
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Brief by Professor François Larocque Research Chair In
BRIEF BY PROFESSOR FRANÇOIS LAROCQUE RESEARCH CHAIR IN LANGUAGE RIGHTS UNIVERSITY OF OTTAWA PRESENTED TO THE SENATE STANDING COMMITTEE ON OFFICIAL LANGUAGES AS PART OF ITS STUDY OF THE OFFICIAL LANGUAGES REFORM PROPOSAL UNVEILED ON FEBRUARY 19, 2021, BY THE MINISTER OF ECONOMIC DEVELOPMENT AND OFFICIAL LANGUAGES, ENGLISH AND FRENCH: TOWARDS A SUBSTANTIVE EQUALITY OF OFFICIAL LANGUAGES IN CANADA MAY 31, 2021 Professor François Larocque Faculty of Law, Common Law Section University of Ottawa 57 Louis Pasteur Ottawa, ON K1J 6N5 Telephone: 613-562-5800, ext. 3283 Email: [email protected] 1. Thank you very much to the honourable members of the Senate Standing Committee on Official Languages (the “Committee”) for inviting me to testify and submit a brief as part of the study of the official languages reform proposal entitled French and English: Towards a Substantive Equality of Official Languages in Canada (“the reform proposal”). A) The reform proposal includes ambitious and essential measures 2. First, I would like to congratulate the Minister of Economic Development and Official Languages for her leadership and vision. It is, in my opinion, the most ambitious official languages reform proposal since the enactment of the Constitution Act, 1982 (“CA1982”)1 and the Canadian Charter of Rights and Freedoms (“Charter”),2 which enshrined the main provisions of the Official Languages Act (“OLA”)3 of 1969 in the Canadian Constitution. The last reform of the OLA was in 1988 and it is past time to modernize it to adapt it to Canada’s linguistic realities and challenges in the 21st century. 3. The Charter and the OLA proclaim that “English and French are the official languages of Canada and have equality of status and equal rights and privileges as to their use in all institutions of the Parliament and government of Canada.”4 In reality, however, as reported by Statistics Canada,5 English is dominant everywhere, while French is declining, including in Quebec. -
Old Works / New Works: When Contemporary
OLD WORKS / NEW WORKS: WHEN CONTEMPORARY PHOTOGRAPHIC ARTWORKS HELD BY CANADIAN PUBLIC INSTITUTIONS CHANGE AFTER ACCESSION by Anne Cibola Master of Arts, York University, Toronto ON, 2005 Bachelor of Fine Arts, Concordia University, Montreal QC, 2003 A thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photography Preservation and Collections Management Toronto, Ontario, Canada, 2014 © Anne Cibola 2014 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Anne Cibola I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Anne Cibola I understand that my thesis may be made electronically available to the public. ii Abstract Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession Master of Arts, 2014 Anne Cibola Film and Photographic Preservation and Collections Management, Ryerson University This thesis explores what is at stake when changes are made to artworks after Canadian public institutions have accessioned them. It argues that the materiality of an art object matters, and together with the narrative or history of the artwork, contributes to its interpretation. Changes at the object level can have an impact not only on the history of an artwork, but also on an artist’s larger practice and on an institution’s collection. -
Delvaux Opens a New Flagship in Beijing
DELVAUX OPENS A NEW FLAGSHIP IN BEIJING Delvaux continues its strategy of international expansion and strengthens its presence in China by opening a new boutique in Beijing. Situated in the exclusive, new-expanded China World Mall, one of the first luxury shopping centres of Beijing, it is located in the prosperous Chaoyang District. As in Brussels, Paris, London, Milan, New York or Rome, every Delvaux boutique is different from another. The boutique interior has been decorated with a pale gold metal effect, while images of the iconic Grand Place in Brussels grace the walls of the VIP room. Exotic leather pieces are beautifully showcased on a decorative black glass display and flanked by the distinctive 1960’s Angolo Armchairs by Italian designer Corrado Corradi Dell’acqua. Sense of history and contemporary aesthetics merge together to create an inimitable character imbued with Belgitude. For this brand new address, Delvaux Chairman and CEO Jean-Marc Loubier, with the support of the Milanese architectural studio Vudafieri Saverino Partners, has developed an exceptional boutique façade. Delvaux’s signature white wooden panelling has been enriched with illuminated gold metal stripes, giving a surprising warmth to the outside walls. Delvaux China World boutique will be the first Delvaux store to offer onsite personalisation, a service which allows clients to personalise purchased items by adding their initials to them. Clients can choose from two exclusive Delvaux fonts, including one which has been specially developed with Delvaux’s signature crown for each letter. Available in different sizes, clients have a multitude of choices for customising their leather designs with their own personal style and fantasy. -
MOR-17-Catalogue 18-3.Indd 1 10/08/17 09:05 497
VENTE PUBLIQUE SAMEDI 16 SEPTEMBRE 2017 - 13H00 PRÉCISES ! EXPOSITION GÉNÉRALE Du samedi 9 septembre au vendredi 16 septembre (Dimanche inclus) de 14h à 19h. Le matin sur rendez-vous uniquement. 24 rue Henri Marichal - 1050 Bruxelles Bus 95 arrêt Delporte Trams 7, 25 arrêt gare d’Etterbeek T. : (32) (0)479 33 95 38 Enchérissez ou suivez la vente online : www.liveauctioneers.com www.drouotlive.com Clôture réservations téléphone : le 15 septembre à 20 h. au plus tard CORRESPONDANCE : 24 rue Henri Marichal - 1050 Bruxelles T. : (32) (0)2 640 22 53 - F. : (32) (0)2 706 23 06 [email protected] VENTE PUBLIQUE DU 16 SEPPTEMBRE 2017 1 MOR-17-catalogue 18-3.indd 1 10/08/17 09:05 497. • ILLUSTRATIONS visibles sur • LES ORDRES D’ACHAT, communiqués www.biblioroom.com par fax ou mail, doivent nous parvenir le 15 septembre à 20h. au plus tard. Les • ILLUSTRATIES te bekijken op réservations de téléphone seront clôturées www.biblioroom.com le 15 septembre à 20h. au plus tard. • ENLÈVEMENT DES LOTS • OPDRACHTEN, via mail of fax, dienen Pendant la vente. ons ten laatste op vrijdag 15 september om Dimanche 10h30 - 13h30 20 uur toegestuurd. De telefonische reser- À partir du MARDI 19 septembre vaties worden afgesloten op 15 september sur rendez-vous. Rue Henri Marichal 24, om 20 uur ten laatste. 1050 Bruxelles • NOUS ACCEPTONS les paiements par • AFHALING Bancontact & cartes de crédit, les 16 & 17 Gedurende de veiling. septembre uniquement. Zondag : 10u30 - 13u30 Vanaf DINSDAG, 19 september, • WIJ AANVAARDEN betalingen met op afspraak. Henri Marichalstraat 24, Bancontact en creditkaarten, alleen op 1050 Brussel 16 & 17 september. -
Old Works / New Works: When Contemporary
OLD WORKS / NEW WORKS: WHEN CONTEMPORARY PHOTOGRAPHIC ARTWORKS HELD BY CANADIAN PUBLIC INSTITUTIONS CHANGE AFTER ACCESSION by Anne Cibola Master of Arts, York University, Toronto ON, 2005 Bachelor of Fine Arts, Concordia University, Montreal QC, 2003 A thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photography Preservation and Collections Management Toronto, Ontario, Canada, 2014 © Anne Cibola 2014 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Anne Cibola I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Anne Cibola I understand that my thesis may be made electronically available to the public. ii Abstract Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession Master of Arts, 2014 Anne Cibola Film and Photographic Preservation and Collections Management, Ryerson University This thesis explores what is at stake when changes are made to artworks after Canadian public institutions have accessioned them. It argues that the materiality of an art object matters, and together with the narrative or history of the artwork, contributes to its interpretation. Changes at the object level can have an impact not only on the history of an artwork, but also on an artist’s larger practice and on an institution’s collection. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Different Compositions of the Appeals Board/Administrative Tribunal
DIFFERENTS COMPOSITIONS OF THE APPEALS BOARD/ ADMINISTRATIVE TRIBUNAL since 1965 Appeals Board on 25 September 1965 Members Mr E. HAMBRO Chair (Norway) Mr G.H. Van HERWAARDEN Deputy Chair (Netherlands) Mr M. RECKINGER Judge (Luxembourg) Deputy Members Mr H.J. Von OERTZEN Deputy Judge (Fed. Rep. of Germany) Mr S. VEROSTA Deputy Judge (Austria) Sir John WHYATT (Sept.65/Oct.67) Deputy Judge (United Kingdom) Appeals Board on 25 September 1968 Members Mr E. HAMBRO Chair (Norway) Mr G.H. Van HERWAARDEN Deputy Chair (Netherlands) Mr M. RECKINGER Judge (Luxembourg) Deputy Members Mr Cantono di CEVA Deputy Judge (Italy) Mr H.J. Von OERTZEN Deputy Judge (Fed. Rep. of Germany) Prof. S. VEROSTA Deputy Judge (Austria) Appeals Board on 25 September 1971 Members Mr E. HAMBRO Chair (Norway) Mr G.H. Van HERWAARDEN Deputy Chair (Netherlands) Mr H. DELVAUX Judge (Luxembourg) Deputy Members Mr Cantono di CEVA Deputy Judge (Italy) Mr H.J. Von OERTZEN Deputy Judge (Fed. Rep. of Germany) Mr S. VEROSTA Deputy Judge (Austria) Appeals Board on 25 September 1974 Members Mr H. DELVAUX Chair (Luxembourg) Mr S. VEROSTA Deputy Chair (Austria) Mr S. Cantono di CEVA Judge (Italy) Deputy Members Mr E. DIEZ Deputy Judge (Switzerland) Mr H. KITSCHENBERG Deputy Judge (Fed. Rep. of Germany) Appeals Board on 25 September 1977 Members Mr H. DELVAUX Chair (Luxembourg) Mr H. KITSCHENBERG Deputy Chair (Fed. Rep. of Germany) Mr S. Cantono di CEVA Judge (Italy) Deputy Members Mr E. DIEZ Deputy Judge (Switzerland) Mr GÖZÜBÜYÜK Deputy Judge (Turkey) Mr K. HERNDL Deputy Judge (Austria) EXTENSION OF THE OFFICES OF ALL MEMBERS OF THE APPEALS BOARD FROM SEPTEMBER 1980 TO SEPTEMBER 1981 Appeals Board on 25 September 1981 Members Mr W.J. -
Legislative Assembly of Manitoba
ISSN 0542-5492 Second Session - Thirty-Second Legislature of the Legislative Assembly of Manitoba STANDING COMMITTEE on PRIVILEGES and ELECTIONS 31-32 Elizabeth 11 Chairman Mr. Phi/ Eyler Constituency of River East VOL. XXXI No. 63 - 2:00 p.m., SATURDAY, 28 JANUARY, 1984. Printed by the Office of the 0.-ns Printer. Province of Allltliloba . MANITOBA LEGISLATIVE ASSEMBLY Thirty-Second Legislature Members, Constituencies and Political Affiliation Name Constituency Party ADAM,Hon. A.R. (Pete) Ste. Rose NDP ANSTET� Hon. Andy Spnngfield NDP ASHTON, Steve Thompson NDP BANMAN,Robert (Bob) La Verendrye PC BLAKE,David R. (Dave) Minnedosa PC BROWN, Arnold Rhineland PC BUCKLASCHUK,Hon. John M. Gimli NDP CARROLL, Q.C., Henry N. Brandon West IND CORRIN, Q.C., Brian Ellice NDP COWAN, Hon. Jay Churchill NDP DESJARDINS, Hon. Laurent St. Boniface NDP DODICK,Doreen Riel NDP DOERN, Russell Elm wood NDP DOLIN, Hon. Mary Beth Kildonan NDP DOWNEY, James E. Arthur PC DRIEDGER, Albert Emerson PC ENNS, Harry Lakeside PC EVANS,Hon. Leonard S. Brandon East NDP EYLER,Phil River East NDP FILMON, Gary Tu xedo PC FOX, Peter Concordia NDP GOURLAY, D.M. (Doug) Swan River PC GRAHAM, Harry Virden PC HAMMOND, Gerrie Kirkfield Park PC HARAPIAK, Harry M. The Pas NDP HARPER, Elijah Rupertsland NDP HEMPHILL,Hon. Maureen Logan NDP HYDE, Lloyd Portage la Prairie PC JOHNSTON,J. Frank Sturgeon Creek PC KOSTYRA,Hon. Eugene Seven Oaks NDP KOVNATS, Abe Niakwa PC LECUYER,Hon. Gerard Radisson NDP LY ON, Q.C., Hon. Sterling Charleswood PC MACKLING, Q.C., Hon. AI St. James NDP MALINOWSKI,Donald M. -
BULLETIN for FILM and VIDEO INFORMATION Vol. 2,No.3
HudochOneWorld, !nn 13AoadiaRU . .0!d8moowioh .CT8G87U 1975'70 ILM AND VIDEO INFORMATION feature film catalogue available . Wd, il, No . 3, May 1975 Independent Filmmakers' Cooperative . 2026 OOntario E., Montreal 133, Quebec, Canada (514) 523-2816 . 1972-73 catalogue is available listing over Editor : HolUo Melton ; Publisher: Anthology Film Archives ! 3K Alms, and a upplemerit to We min catalogue has been published. The subscription : ! Address: DOWouoterS1, New York, N1 10012 . Yearly 85 coopera0e now distributes close to 500 films by independent film-makers . Insight Exchange, P 0 @ux42584SonFmnciouo CA 94101 )021-2713. buUstniu0oserve theiWunnuUonneeds nf The ofthis "We currently seeking ewfilms undvideo inuurmajor categories : mental and their users . The bulletin is organized around five film-and video-makers health, women, community urUmnizing ."Sponsor film-discussion series, of 0m and video: film-and video-making ; distribution ; exhibition and aspects "Women Emorying"Write forfree brochures ondflyers. programming ; study; and preservation . Your suggestions and comments will welcomed . be Mu0Media Resource Center, 540Powo!St . .8anFrancisco, CA041U0 . Has catalogue supplement available of 1Smmfilms andvideocassettes on human sexuality. Now Line Cinema, 8 16th Floor, N.Y, N.Y . 10003 (212) 2DBrentwood Rd D Shore, NY 11706 Cum Wealth Alternate School . 674-7460 . Has new catalogue available . (516) 587-8398 . A new theater group, The Hamlet Collective, ''comprised of directors, dancers, painters, photographers, actors, musicians, playwrights, Polymorph Films . 331 NewburySt .jBoston, 02115(b17)202-5Q0U . artists who might wish to partici- video artists . We welcome film and video ''Films about families and living .'' Write or call for catalogue. pate in our growth .'' For information call or write Ned Bobkoff at the above Work! Class Films. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Jean Baptiste Armand Guillaumin 1841-1927
Jean Baptiste Armand Guillaumin 1841-1927 Le val André, Bretagne vers 1907 Huile sur toile signée en bas à gauche Dimensions : 60 x 73 cm Littérature : Catalogue raisonné d'Armand Guillaumin par G.Serret et D. Fabiani reproduit sous le n°696 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Jean Baptiste Armand Guillaumin 1841-1927 Dimensions avec cadre : 84 x 96 cm 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Jean Baptiste Armand Guillaumin 1841-1927 Biographie Peintre de scènes de genre, de nus, de paysages et de natures mortes, Armand Guillaumin fait partie du premier groupe des Impressionnistes. Issu d'une famille très modeste, Guillaumin s'installe seul à Paris à l'âge de 16 ans où il est contraint de travailler pour subvenir à ses besoins. Il profite de son temps libre pour visiter les musées du Louvre et du Luxembourg, et également pour prendre des cours de peinture le soir, à l'école de dessin de la rue des Petits-Carreaux. Il se distingue très rapidement des autres élèves en recevant une médaille de bronze. Il participe au Salon des Refusés en 1863 et, rejetant un enseignement académique et conventionnel, s'inscrit à l'Académie Suisse en 1864. Là, il rencontre les peintres Cézanne et Pissaro avec qui il se lie d'une amitié qui s'avèrera longue et fructueuse. Ils se retrouvent souvent aux réunions du Café Guerbois avec les Naturalistes et peignent ensemble sur les bords de Seine. -
Ann Temkin Appointed Chief Curator of Painting and Sculpture at the Museum of Modern Art
ANN TEMKIN APPOINTED CHIEF CURATOR OF PAINTING AND SCULPTURE AT THE MUSEUM OF MODERN ART New York, September 3, 2008—Ann Temkin has been appointed The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art, it was announced today by MoMA Director Glenn D. Lowry. In this role, Ms. Temkin will guide all aspects of the department, including its installations, acquisitions, exhibitions and loan programs. Ms. Temkin has served as The Blanchette Hooker Rockefeller Curator of Painting and Sculpture at MoMA since 2003. She succeeds John Elderfield, who retired in July and has assumed the position of Chief Curator Emeritus. A noted scholar of modern and contemporary art, Ms. Temkin brings an innovative approach to art history, as well as an ability to connect art and audiences. “After an extensive, international search, Ann was clearly the best candidate to lead the department,” said Mr. Lowry. “She is an outstanding curator who has already played an important role at the Museum. She brings to this position a breadth of knowledge and passion for modern and contemporary art that is exemplary and that is matched by her gifted scholarship and ability to work with colleagues across the institution and beyond.” “I am honored to take the helm of this legendary department and feel fortunate to be doing so at this particular moment,” Ms. Temkin said. “Today we are in a strong position to challenge ourselves and our audiences. I look forward to working with my colleagues throughout the institution, using its extraordinary resources to raise questions, offer surprises, and invite new ways of looking.” Ms.