Virtual Card Set #1 (V1.1) Rules Updates

Total Page:16

File Type:pdf, Size:1020Kb

Virtual Card Set #1 (V1.1) Rules Updates Young Jedi TM Customizable Card GameTM Virtual Card Set #1 (v1.1) Rules Updates Dueling Another Example: Aurra Sing, Bounty Hunter Deck Construction During a duel, when it is your turn to play a non- using her stolen lightsaber, duels a uBravo Pilot You may not have more than 5 cards with any blocking attack, you may declare a "pass". This from Duel of the Fates with no weapon. They are one card title in any one deck construction dot, passes the action back to your opponent, who may on Naboo, the Pilot is on site, and the Bravo including Wild Cards. Subtitles are ignored for either pass or play an attack. Once a player has Squadron Effect is in play. Aurra draws 7 cards, the deck construction. passed, they may only block for the remainder of Pilot draws 6. Aurra leads with a 4, the pilot blocks, Example: In your red-dot deck construction color, the duel (they must continue to pass), and they Aurra responds, the Pilot is out of 4's and is hit. you may have up to 5 Qui-Gon Jinn cards. If you decide may not initiate a battle for the remainder of the He passes, so it is Aurra's turn again . She leads to place a "Qui-Gon Jinn: Jedi Protector" (Wild Card) turn. If both players pass, the duel ends with with a 3, the pilot blocks. Aurra blocks with another in your red-dot deck construction color, you may only have 4 red-dot Qui-Gon Jinn cards in that color. neither player being defeated. If there is a tie, 3, and the Pilot is ready with a 3, so Aurra is hit. Angry now, Aurra lashes out with a 5, the Pilot Another Example: You are building a Trade neither player takes damage. Otherwise, apply blocks, Aurra blocks, the Pilot blocks, Aurra blocks Federation Tank deck. Looking at your red-dot con- the damage rule as found below. with her last card, the Pilot blocks with his last card, struction color, you decide to use 5 (the maximum) Note: Blocks that a passing character plays will still scoring a hit on Aurra. The Duel ends in a draw. Aurra "Trade Federation Tank: Armored Division" cards. In deal damage as normal if they hit their opponent. has 2 hits on her, the Pilot one hit. Aurra takes one your blue-dot construction color, you decide to use 4 damage, her two hits minus the one hit she scored "Trade Federation Tank: Assault Division" cards, and Dueling Damage on the Bravo Pilot. one "Trade Federation Tank: Assault Leader" (Wild When a character is defeated in a duel, they must Since she did not pass, Aurra can now get her revenge Card). You may also include your normal Wild Card take damage equal to their printed damage (after by initiating a battle... tanks in the other deck construction colors as per modifiers have been applied) minus the number the Wild Card rules, as long as the total number of Hyperspace of hits they scored on their opponent in the duel. cards in each color with the same card title does Rules change: Whenever a transport attempt is This is also the case when neither player is not exceed 5. successful, the transporting player randomly defeated, with the player who took the most hits selects one of his surviving transports. It is taking damage equal to their hits minus the hits Virtual Cards shuffled into the deck along with the characters they scored. The virtual cards can only be used on the cards and weapons that it transported. that match specified card number, and cannot be Dueling Text used with any Armed & Dangerous, Double Impact, Podracing Any character that successfully hits their opponent or Combo Battle cards, unless otherwise specified. Rules change: You may play no more than two with a card that contains dueling text during a duel Virtual Cards are not used in sealed deck. handling cards per lap. may utilize that dueling text, even without a Rules change: You must perform all of your lightsaber. Since Virtual Cards share their card names with podracing actions (thrust, lap cards, refuel, etc.) the original versions of the cards, they will still before performing any other actions in your Example: Mace Windu: Jedi Councilor duels Aurra count against the deck building color limit. Sing: Trophy Collector. Since the light side already Deploy Step. controls Coruscant, Mace draws 10 cards for his dueling Virtual Cards are numbered according to the hand. Aurra is weaponless so she draws 7 cards. Mace Virtual Objectives original card that they are to be used with. For leads off with a destiny 2 card, A Powerful Opponent. These new objectives are limited to one per deck. example, •JC-42 is Jedi Council card number Aurra has no destiny 2 cards in her hand so she takes This only means that the objective is limited, not 42. 2 hits and declares Pass. Since she passed, she does the card title. The title still follows the deck Here are the abbreviations for each expansion: not attack, and Mace plays an attack. This time he construction rules below. plays a destiny 4 card. Aurra has a 4, and blocks that DM (Menace of Darth Maul) attack with the card, To The Death. Mace has no RULINGS JC (Jedi Council) more destiny 4 cards and takes a hit, Aurra discards Uh-Oh! is not to be used in sealed deck. If it is BN (Battle of Naboo) To The Death to do 2 extra hits to Mace. Mace DF (Duel of the Fates) strikes with a destiny 2 card, which Aurra cannot block, received in a limited environment, it cannot be delivering the final blow. Aurra is defeated and used. RF (Reflections) normally would deal 3 damage, but since she scored BP (Boonta Eve Podrace) All Jedi are are Jedi Masters EXCEPT Ki-Adi 3 hits on Mace, she reduces her damage by 3. an asterisk indicates a gameplay change Result: Aurra is defeated, but because she fought Mundi and Obi-Wan Kenobi. * so valiantly, she takes no damage. in the 1.1 release. Not endorsed or sponsored by Lucasfilm Ltd. 2002 SWCCG Player's Committee Young Jedi TM Customizable Card GameTM Virtual Card Set #1 (v1.1) Rules Updates (page 2) Semi-Wild Cards "Present" ip rt 2 If a card says present, at this location, here, or h o - These are Wild Cards that also have a regular S p e l s ag o n m r ra a 7 t T D s. 3 anything to that effect, it needs to be able to . n 1 deck building dot. If they are placed in a deck n n a - o io di N t n i B C ra ai o • e g em d d s N i e id y slot that uses the Wild Card color, they fill the see the card in question. This means that the ro F ro an e D g D d le tin ra tt a T a cu card has to be face-up at the time. r B va Wild Card slot for that color. If they are placed u e Yo le hi w in a slot that has a non-Wild Card dot, they are E AG 6M DA used normally. Face Down/Hidden & Face Up rt o I p n I s io Any of your cards that are face down at the start V an at r These ships, for example, may be placed in the purple t r u te 0 T ac gh 7 n r ev fi - a e ar JC i is an st • d u s 1 deck slot according to the normal rules. They may of your turn are turned face up. Face down a r rt y C ta lo R c s p li II de b t V y k. u an a ec (hidden) cards are not present at the location for p di m D also be placed in the red, blue, or green slots. This e Ra ou w R n , y ra he pt r D W m ou tte y would give you the chance to have more starships in any purpose other than uniqueness. They do not a m fro E AG 6M participate in battles or duels. Remember, you A your deck than before, however, it will use up the D Wild Card for those slots. can’t use the game text of a hidden card until that card is turned face up. e Watto - Junk Merchant ar s r t ie ou Other o n in y t a st m * t h e o . 4 c d fr tie 7 This new Watto isn't impressed by Jedi. If a r re s a - e fo rd n JC W M e ca i • If a card refers to an "other" card, such as the k , b 2 ds n di d en u e ar y he comes up in a battle against a Jedi (or a J J sc el a di at ng y di new Yarael Poof, it cannot modify any version of tli a e at m m b ou im n y le Jedi fighting together with any other he n, tt W w Ba it's persona. So, Yoda, Jedi Instructor cannot ra : d nd ha character) and you discard 2 cards from your E 2 AG add to any version of Yoda, and Poof cannot AM D hand, the result of the battle is a tie.
Recommended publications
  • Complete Catalogue of the Musical Themes Of
    COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts
    [Show full text]
  • Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
    RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y.
    [Show full text]
  • Star Wars: the Musical Expe
    Star Wars: The Musical Experience, Part 1 http://www.wizards.com/default.asp?x=starwars/article/music1,0 Star Wars : The Musical Experience, Part 1 Producing a Soundtrack for Your Games Patrick Stutzman Take a moment and play your copy of Star Wars : Episode I The Phantom Menace . Fast-forward to the lightsaber battle between Obi-Wan Kenobi and Darth Maul near the end and watch it. Now that you have your fill of excitement, rewind the battle and watch it again, but this time, mute your television or speakers. Does it seem different? Is the scene not quite as exciting? Perhaps it's because you're missing the sounds of the lightsabers clashing or the combatants' footsteps. That's definitely part of it, but what really makes this particular scene stand out is the music. Musical soundtracks play a key role in the way that we perceive movies, and music can enhance the atmosphere and add to the enjoyment of our games as well. To best determine what music to use throughout the game, you need a basic idea of how music works with film to create a spectacular cinematic experience. You do not need to be a musicologist or any kind of musical expert to put together a soundtrack. As long as you have watched any of the Star Wars movies, you have a good starting knowledge. If you listen to any movie soundtrack, whether it's from Star Wars, The Godfather , or even Braveheart , basic themes can be heard throughout the entire score. These themes connect with a particular character, location, or event in the story and may appear multiple times throughout the movie.
    [Show full text]
  • The Star Wars Timeline Gold: Appendices 1
    The Star Wars Timeline Gold: Appendices 1 THE STAR WARS TIMELINE GOLD The Old Republic. The Galactic Empire. The New Republic. What might have been. Every legend has its historian. By Nathan P. Butler - Gold Release Number 49 - 78th SWT Release - 07/20/11 _________________________________________ Officially hosted on Nathan P. Butler’s website __at http://www.starwarsfanworks.com/timeline ____________ APPENDICES ―Look at the size of that thing!‖ --Wedge Antilles Dedicated to All the loyal SWT readers who have helped keep the project alive since 1997. -----|----- -Fellow Star Wars fans- Now that you‘ve spent time exploring the Star Wars Timeline Gold‘s primary document and its Clone Wars Supplement, you‘re probably curious as to what other ―goodies‖ the project has in store. Here, you‘ll find the answer to that query. This file, the Appendices, features numerous small sections, featuring topics ranging from G-Canon, T-Canon, and Apocryphal (N-Canon) timelines, a release timeline for ―real world‖ Star Wars materials, information relating to the Star Wars Timeline Project‘s growth, and more. This was the fourth file created for the Star Wars Timeline Gold. The project originally began as the primary document with the Official Continuity Timeline, then later spawned a Fan Fiction Supplement (now discontinued) and an Apocrypha Supplement (now merged into this file). The Appendices came next, but with its wide array of different features, it has survived to stand on its own alongside the primary document and continues to do so alongside the newer Clone Wars Supplement. I hope you find your time spent reading through it well spent.
    [Show full text]
  • Star Wars at MT
    STAR WARS AT MADAME TUSSAUDS KEY FACTS In Madame Tussauds London’s exciting new immersive Star Wars experience guests will be able to co-star with their favourite heroes and villains from Star Wars Episodes I-IV. They will encounter amazingly life- like wax figures in 11 separate sets, bringing to life some of the most famous film moments in history. It will take 12 months to create the experience and bring to life 11 authentic sets with dramatic special effects and dynamic theming, featuring 16 famous Star Wars characters A team of 180 talented Madame Tussauds sculptors, hair artists and colourists are working hard to create the wax figures featured in the attraction Every hair on each wax figure will be inserted by hand – from Yoda’s fine grey wisps to Chewbacca’s mass of brown Wookiee hair – with an average of 10,000 hairs per head Amazingly accurate skin colour for each character will be achieved using over 100ml per figure of oil paint applied by hand The total cost of producing the wax figures alone will cost £2.5 million The smallest wax figures in the experience will be Master Yoda and Salacious B. Crumb o Yoda stands at just 66cm tall and his figure was created using detailed measurements from one of the original Yoda models o Jabba the Hutt’s court jester, Salacious B. Crumb, will be marginally smaller at a diminutive 41.2cm tall and his distinctive ears will be 14cm long The largest figure will be of Jabba the Hutt. 1.5 tonnes of clay is being used to create the figure, which will measure 2.9m long, 1.5m high and weigh in at a whopping 35 stone The hairiest figure will be 2m tall Chewbacca.
    [Show full text]
  • Symphonic Suite from STAR WARS: EPISODE
    CONCERT BAND Symphonic Suite from STAR WARS: EPISODE I THE PHANTOM MENACE Featuring STAR WARS (Maine Theme), DUEL OF THE FATES, ANAKIN’S THEME, AUGIE’S GREAT MUNICIPAL BAND and END CREDITS By JOHN WILLIAMS Arranged by ROBERT W. SMITH INSTRUMENTATION 1 Conductor 2 B Tenor Saxophone 4 Tuba 1 C Piccolo 1 Eb Baritone Saxophone 1 Piano 3 1st C Flute 2 1stb B Trumpet (Flugelhorn) 3 Mallet Percussion (Bells, 3 2nd C Flute 2 2nd Bb Trumpet Chimes, Suspended Cymbal, 1 1st Oboe 2 3rd B b Trumpet Police Whistle) 1 2nd Oboe 1 1st Hornb in F 1 Timpani 3 1st B Clarinet 1 2nd Horn in F 2 Percussion I (Snare Drum, 3 2nd Bb Clarinet 1 3rd Horn in F Triangle, Low Toms, Metal 3 3rd B bClarinet 1 4th Horn in F Trash Can Lid) 1 B Bassb Clarinet 1 1st Trombone 2 Percussion II (Triangle, 1 Eb Contrabass Clarinet 1 2nd Trombone Crash Cymbals, Suspended 2 Bassoonb 1 3rd Trombone Cymbal) 1 1st E Alto Saxophone 1 Baritone 2 Percussion III (Crash Cymbals, 1 2nd Eb Alto Saxophone 1 Baritone Treble Clef Wind Chimes, Bass Drum) b Preview Only LegalPlease note: Our bandUse and orchestra musicRequires is now being collated by an automatic Purchase high-speed system. The enclosed parts are now sorted by page count, rather than score order. We hope this will not present any difficulty for you in distributing the parts. Thank you for your understanding. Preview Only Legal Use Requires Purchase Preview Only Legal Use Requires Purchase Preview Only Legal Use Requires Purchase Preview Only Legal Use Requires Purchase Preview Only Legal Use Requires Purchase Preview Only Legal
    [Show full text]
  • Star Wars at MT
    STAR WARS AT MADAME TUSSAUDS A SCENE-BY-SCENE GUIDE Star Wars at Madame Tussauds is a major new and unique, immersive experience bringing to life some of the most iconic moments in film history. Extraordinarily life-like wax figures of the favourite heroes and villains from Episodes I-VI of the legendary movie franchise appear in authentic walk-in sets inspired by key scenes. Dramatically themed and featuring dynamic special effects, guests can step right into the sets and star alongside 16 characters - from Luke Skywalker and Obi-Wan Kenobi, to Darth Vader and the evil Emperor Palpatine. THE TRADE FEDERATION BRIDGE (featured in Star Wars: Episode I The Phantom Menace) The journey begins aboard a Trade Federation landing ship. As the unmistakable Star Wars theme tune plays out, guests find themselves on one of the giant vehicle’s sleek, metallic walkways, where massive windows reveal a galaxy of shining stars. DRAMATIC LIGHTSABER DUEL with Qui-Gon Jinn, Obi-Wan Kenobi and Darth Maul (featured in Star Wars: Episode I The Phantom Menace) Emerging from the walkway, guests find themselves looking down on one of the most epic of all Star Wars lightsaber battles, as Qui-Gon Jinn and Obi-Wan Kenobi duel with Darth Maul. Progressing downwards into the set, the sound of clashing lightsabers gets louder as the Jedi Knights take on the dark power of the Sith Lord. Spanning the height of both floors of the attraction, the scene is dominated by one of the gigantic light cylinders which form the backdrop to much of the battle, its flickering energy beams dramatically recreated by state of the art flexi flash lighting effects.
    [Show full text]
  • Star Wars™ CCG™ Rules Supplement
    Star Wars™ CCG™ Rules Supplement Section 0. Preface Sec tion 1. R ulin gs b y Ca rd T itle D Dantooine Base Operations/More Dangerous Than You Realize This card establishes a deploy cost for squadrons Updated 27th Jan 2003 Agents In The Cou rt/No Love For The E mpire equal to their current power. The squadron’s power See Supplement may be modified (e.g. S-Foils), but because the deploy This documen t is an official rules document for Decipher’s Copies of your rep card placed on the objective must cost is equal to this power, the cost may not be SW CCG. It supplements the Glossary and Rules version also have their species specified in the lore (or by a modified (e.g. Hav en, Ren dezvous P oint). 2.0 as published with the Special Edition set in November Glossary S upplement en try). D DFS Squadron Starfighter 1998 , and the SW CCG Glossary S upplement u pdate D All Wrapped Up (interim ) Deploys -1 to Naboo or same system as your published on January 29, 2002 See Supplement battleship. While at same system as your battleship, This card merely requires that the bounty hunter be may deploy D roid Starfighter La ser Can nons aboa rd Although rulings and clarifications may be made by present at the loca tion. He need not be presen t with from Reserve Deck. Reshuffle. SW CCG P layer Advocates in various forums, they are not the forfeited ch aracter. D Docking And Repair Facilities considered official unless specifically noted, or unless they Blaster Rack (V) When removing a squadron for which a deploy cost are included as part of an officially published rules You may deploy one weapon per turn for each copy of has been defined (e.g.
    [Show full text]
  • Does Transmedia Started with Film? Dördüncü Kuvvet
    Erzurum, F. (2019). Does Transmedia Started with Film? Dördüncü Kuvvet. 2 (1). 32-42. DOES TRANSMEDİA STARTED WİTH FİLM? 1 Funda ERZURUM Abstract There is no one to be unimpressed by a well-told story. Stories can change even the most rigid, most stereotypical minds of people because their logic resistance "wanders around" the ego walls. We're witnessing is the emergence of a new form of narrative that’s native to the Internet. Told through many media at once in a nonlinear fashion, these new narratives encourage us not merely to watch but to participate, often engaging us in the same way that games do. Star Wars stands in a different place in content creation and marketing, it is possible to encounter all kinds of content in film’s official website. From the teaser series to fragments, interviews, comic books, art works by fans, events, games, and applications, there's a lot of content here, and more and more content continues to grow and expand. From the second and all subsequent films, we are given glimpses of different corners of the Star Wars universe on screen precisely so that material can be mined and developed through these other platforms. And these other creative developments sustained audience engagement across the long years. Transmedia storytelling , maybe, the end of a narration with a precise narrations with the beginning and the end. Star Wars, is a good example of transmedia narration. In this study Star Wars will be examined with it’s transmedia storytelling activities. The answer of the “Does Transmedia Started with Film?” will be searched by taking the Star Wars to the center of the study.
    [Show full text]
  • Complete Catalogue of the Themes Of
    Complete Catalogue of the Themes of A Guide to John Williams's Musical Universe Compiled by Frank Lehman, [email protected]. Updated March 12, 2021 COMPLETE CATALOGUE OF THE MUSICAL THEMES OF STAR WARS CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations IV. Diegetic and Extra-Diegetic Music (Music that comes from completely within the film world, or completely outside it) A. Source Music B. Concert Arrangements C. End Credits V. Appendix A. Background Criteria & Conventions | Cue Lists | Census |Citations B. Acknowledgements This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts University. This catalogue is continually revised and updated.
    [Show full text]
  • Download the Digital Booklet
    Episode IV: A New Hope Episode V: The Empire Strikes Back Episode VI: Return Of The Jedi 01. Star Wars: A New Hope 05. The Imperial March 09. Forest Battle 02. Cantina Band 06. Han Solo And The Princess 03. Princess Leia 07. The Asteroid Field 04. The Throne Room / Finale 08. Yoda's Theme Episode I: The Phantom Menace Episode II: Attack Of The Clones Episode III: Revenge Of The Sith 10. Anakin's Theme 14. Across The Stars 15. Battle Of The Heroes 11. The Flag Parade 12. The Adventures Of Jar Jar 13. Duel Of The Fates Episode IV: A New Hope (1977) Episode IV in the George Lucas epic, Star Wars was actually the first to be shot and released. The plot follows the life of a simple farmboy, Luke Skywalker, as he and his newly met allies (Han Solo, Chewbacca, Ben Kenobi, C-3PO, R2-D2) attempt to rescue a rebel leader, Princess Leia, from the clutches of the Empire. Within R2-D2’s memory banks are the plans to the Empire’s flagship weapon the “Death Star”, these plans allow the rebellion to attempt to destroy the Death Star and turn the tides to return the galaxy to Jedi rule. Luke makes his journey from a kid working on his uncle's farm to hero as the very British sounding track “The Throne Room / Finale” scores the presenting of medals by Princess Leia. Episode V: The Empire Strikes Back (1980) Fleeing the evil Galactic Empire, the rebels abandon their new base on Hoth, Princess Leia, Han Solo and the droids R2-D2 and C-3P0 escape in the damaged Millennium Falcon.
    [Show full text]
  • Topps Star Wars 40Th Anniversary Trading Cards - Base Cards 1-100
    Topps Star Wars 40th Anniversary Trading Cards - Base Cards 1-100 1 Star Wars: A New Hope 36 Battle at the Sarlacc 71 Star Tours Opens at Disneyland 2 Star Wars: The Empire Strikes Back 37 Ewok Village 72 Star Wars 3-D Comic Released 3 Star Wars: Return of the Jedi 38 Brother and Sister 73 Star Wars Roleplaying Game Thrives 4 Star Wars: The Phantom Menace 39 The Battle of Endor 74 Rebel Alliance Sourcebook is Released 5 Star Wars: Attack of the Clones 40 Darth Vader's Redemption 75 Heir to the Empire is Published 6 Star Wars: Revenge of the Sith 41 The Jedi's Introduction 76 The Glove of Darth Vader is Published 7 Star Wars: The Force Awakens 42 C-3PO Meets R2-D2 77 Rebel Assault is Released 8 Star Wars: Rogue One 43 The Podrace 78 Classic Star Wars Begins 9 Star Wars: The Clone Wars Movie 44 Duel of the Fates 79 Kenner Introduces The Power of the Force Line 10 Star Wars: The Clone Wars - Season 1 45 Obi-Wan Takes a Student 80 Shadows of the Empire 11 Star Wars: The Clone Wars - Season 2 46 The Arena Fight 81 The Star Wars Special Editions are Released 12 Star Wars: The Clone Wars - Season 3 47 Yoda vs. Count Dooku 82 Rogue Squadron is Released 13 Star Wars: The Clone Wars - Season 4 48 The Clone Wars Begin 83 The Phantom Menace is Released 14 Star Wars: The Clone Wars - Season 5 49 The Death of Count Dooku 84 Star Wars Roleplaying Game Core Rulebook Released 15 Star Wars: The Clone Wars - Season 6 50 Rise Darth Vader 85 Rogue Squadron: Rogue Leader Released 16 Star Wars Rebels - Season 1 51 Order 66 86 Attack of the Clones is Released
    [Show full text]