Complete Catalogue of the Themes Of
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™ Merchandise at Echo Lake Using FASTPASS® Service
Meet Our Event Hosts Autograph Sessions ™ Merchandise at Echo Lake Using FASTPASS® Service Blast into Star Wars Weekends 2013 with limited James Arnold Taylor Disney FASTPASS Ticket Required edition pins, artwork and collectibles, plus limited release apparel for the entire family! Authentic Meet the voice behind Obi-Wan An extremely limited number of FASTPASS tickets are distributed on Star Wars Weekends collectibles, must-have Kenobi and Plo Koon in Star a first-come, first served basis at Disney’s Hollywood Studios® main merchandise, and special artist signings and book Wars: The Clone Wars. entrance, to the right of the turnstiles. Distribution may begin prior to signings can be found at Darth’s Mall located in Autograph Sessions: the courtyard between Rock ‘n’ Roller Coaster® Park opening based on demand. Starring Aerosmith and The Twilight Zone Tower 9:45am of Terror™. You must have a FASTPASS ticket to receive an autograph. To receive a FASTPASS ticket: Ashley Eckstein’s Her Universe Ashley Eckstein • Join the line of the celebrity you would most like to meet. You Meet Ashley Eckstein for a special signing of ™ The voice behind Ahsoka Tano may not save a place in line for other party members. Her Universe Star Wars merchandise! in Star Wars: The Clone Wars Daily, June 7–9, 3:00pm–4:00pm will be hosting Behind the Force: • While in line, you will receive a wristband. Your Theme Park Star Wars Voices. admission media and wristband allow you to receive one Autograph Sessions: FASTPASS ticket. Only one autograph FASTPASS ticket per Darth’s Mall Location Guest. -
Star Wars™ Customizable Card Game™ Complete Card List
Star Wars™ Customizable Card Game™ Complete Card List The following lists all cards available for the Star Wars™ Customizable Card Game™ through the Theed Palace expansion (Dec. 2001). The list is sorted chronologically by expansion, and alphabetically by card type then card name. Card numbers provided for reference only. US cards come before the Japanese market’s cards [Card List - Vers. 4.0] Key To Rarity: F — Fixed VR — Very Rare F# — Foil Card — Limited or Foil C — Common SR — Super Rare R# — Reflections Foil Card Check Box U — Uncommon UR — Ultra Rare T# — Tournament Foil Card — Unlimited or Revised R — Rare XR — Exclusive Rare #M — Mail-in Correction Card WB Check Box P — Premium PV — Preview Card #A — Alternate Image Card — Japanese Limited ° — Episode I Card N# — Unplayable Card #E — Card with error(s) 5 — Japanese WB Premiere Limited (December 1995)| 41 — Fusion Generator Supply Tanks C2 42 — Observation Holocam U2 Premiere Unlimited (April 1996)| Dark Side Rarity 43 — Restraining Bolt C2 Characters 44 — Stormtrooper Backpack C2 1 — 5D6-RA-7 [Fivedesix] R1 45 — Stormtrooper Utility Belt C2 2 — Admiral Motti R2 Effects 3 — Chief Bast U1 46 — A Disturbance In The Force U1 4 — Colonel Wullf Yularen U1 47 — Baniss Keeg C2 5 — Commander Praji U2 48 — Blast Door Controls U2 6 — Darth Vader R1 49 — Blaster Rack U1 7 — Dathcha U1 50 — Dark Hours U2 8 — Death Star Trooper C2 51 — Death Star Sentry U1 9 — Djas Puhr R2 52 — Disarmed R1 10 — Dr. Evazan R2 53 — Expand The Empire R1 11 — DS-61-2 U1 54 — Fear Will Keep Them In Line R2 12 -
Lego Star Wars Tcs Cheat Lego Star Wars: the Complete Saga Cheat Codes – 2021 Guide
lego star wars tcs cheat Lego Star Wars: The Complete Saga Cheat Codes – 2021 Guide. If you enjoy smashing your way through group of enemies and getting through each level in Lego Star Wars: The Complete Saga, chances are at some points, you’ll notice that there’re things you simply can’t interact with because you don’t have the right character. But don’t worry – we’ve got you covered! This post will help you unlock characters, skills, vehicles, and more. To unlock items, just go to the Mos Eisley Cantina and select the Code menu, then enter the code to unlock the corresponding item. Lego Star Wars: The Complete Saga Skill Codes. CODE SKILL BRJ437 Disguise CLZ738 Force Grapple. Lego Star Wars: The Complete Saga Vehicle Codes. CODE VEHICLE HUT845 Imperial Shuttle DBH897 TIE Fighter INT729 TIE Interceptor AAB123 Tri-Fighter UUU875 Zam’s Speeder. Lego Star Wars: The Complete Saga Power Brick Codes. CODE EFFECT NUJ866 Infinite torpedoes HS9K44 Become invincible FBM152 Minikit detector FBM834 Power brick detector HBF899 Score x2 DQY857 Score x4 NMP499 Score x6 XXY99G Score x8 VXZ123 Score x10 VXZ193 Stud magnet. Lego Star Wars: The Complete Saga Character Codes. CODE CHARACTER ACK646 Admiral Ackbar 584HJF Zam Wesell PLL967 Watto BDC866 Vulture Droid PRX482 Taun We XZNR21 Super Battle Droid NBN431 Stormtrooper CBR954 Sandtrooper EVILR2 R2-Q5 VBJ322 Padme LUM521 Luminara MUN486 Ki Adi Mundi KLJ897 Jango Fett GUA850 Imperial Guard GIJ989 IG-88 ZZR636 Greedo PMN576 General Grievous EWK785 Ewok A32CAM Darth Sidious H35TUX Darth Maul DDD748 Count Dooku QRN714 Captain Tarpals HHY697 Boss Nass LA811Y Boba Fett KPF958 Battle Droid Commander. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
星球大战论坛star Wars China 编者说明目录星球大战常见问题解答
星球大战论坛 STAR WARS CHINA 编者说明 本手册最初由星球大战论坛版主雏龙先生、绿熊等人编写,凝结了诸多同好的心血,其内容原载于百度星球大战贴吧 后因变故撤除,现经重新整合、润色、校对和排版在星球大战论坛发布。为便于解答星战迷普遍困惑的问题,普及星战 文化,现特将该系列文章整理成册,并增加了截至 2013 年的最新资料,编为三篇:星球大战常见问题解答、星战历 史常见问题解答、星战电影误译汇总。这些只是星战迷常见问题的冰山一角,还需不断更新、完善。 因编者水平有限,错漏之处在所难免,欢迎指正、探讨。 星球大战论坛,2013 年 10 月 目 录 星球大战常见问题解答.........................................................................................1 星球大战共有几部?应该按照什么样的顺序观看?...................................................................................1 克隆人战争动画有几部,分别发生在什么时间?......................................................................................1 星球大战是先有电影,还是先有小说?...................................................................................................2 什么是 EU?.............................................................................................................................................. 2 星球大战的历史是如何纪年的?.............................................................................................................2 星球大战的有关资料,如何识别是正确的还是错误的?.............................................................................4 太空中为什么会有声音?......................................................................................................................5 为什么《绝地归来》末尾出现的阿纳金灵魂,是年轻时的形象?................................................................5 星球大战电影的重制版与原版都有哪些不同?..........................................................................................5 星战历史常见问题解答.......................................................................................12 “原力的平衡” 是什么意思?.................................................................................................................12 -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
We Have Liftoff! the Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 P.M
POPS FOUR We Have Liftoff! The Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 p.m. • MARK C. SMITH CONCERT HALL, VON BRAUN CENTER Huntsville Symphony Orchestra • C. DAVID RAGSDALE, Guest Conductor • GREGORY VAJDA, Music Director One of the nation’s major aerospace hubs, Huntsville—the “Rocket City”—has been heavily invested in the industry since Operation Paperclip brought more than 1,600 German scientists to the United States between 1945 and 1959. The Army Ballistic Missile Agency arrived at Redstone Arsenal in 1956, and Eisenhower opened NASA’s Marshall Space Flight Center in 1960 with Dr. Wernher von Braun as Director. The Redstone and Saturn rockets, the “Moon Buggy” (Lunar Roving Vehicle), Skylab, the Space Shuttle Program, and the Hubble Space Telescope are just a few of the many projects led or assisted by Huntsville. Tonight’s concert celebrates our community’s vital contributions to rocketry and space exploration, at the most opportune of celestial conjunctions: July 2019 marked the 50th anniversary of the Apollo 11 moon-landing mission, and 2020 brings the 50th anniversary of the U.S. Space and Rocket Center, America’s leading aerospace museum and Alabama’s largest tourist attraction. S3, Inc. Pops Series Concert Sponsors: HOMECHOICE WINDOWS AND DOORS REGIONS BANK Guest Conductor Sponsor: LORETTA SPENCER 56 • HSO SEASON 65 • SPRING musical selections from 2001: A Space Odyssey Richard Strauss Fanfare from Thus Spake Zarathustra, op. 30 Johann Strauss, Jr. On the Beautiful Blue Danube, op. 314 Gustav Holst from The Planets, op. 32 Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity INTERMISSION Mason Bates Mothership (2010, commissioned by the YouTube Symphony) John Williams Excerpts from Close Encounters of the Third Kind Alexander Courage Star Trek Through the Years Dennis McCarthy Jay Chattaway Jerry Goldsmith arr. -
Arkansas Symphony Presents Music of Star Wars with Costumes, Trivia, and Music Attendees Are Invited to Attend in Costume for a Chance to Win a Prize
PRESS RELEASE: FOR IMMEDIATE RELEASE Press Contact: Brandon Dorris Office: (501)666-1761, ext. 118 Mobile: (501)650-2260 Fax: (501)666-3193 Email: [email protected] Arkansas Symphony Presents Music of Star Wars with Costumes, Trivia, and Music Attendees are invited to attend in costume for a chance to win a prize. Little Rock, ARK, September 27, 2018 - The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, announces a presentation of The Music of Star Wars, 7:30 p.m. Saturday, October 20th and 3:00 p.m. Sunday, October 21st at the Robinson Center. The concert will feature music selected from the entire series of 10 feature films, an animated film, three TV films, and six animated series spanning more than 40 years. The celebrated film composer John Williams (Star Wars, Jaws, Indiana Jones, Harry Potter), composed all music from the eight saga films (Williams is also slated to score the ninth and final film), with award-winners Michael Giacchino and John Powell composing the music for the spin-off films. The program will feature costumes, trivia, and decoration of the Robinson Center to create a multi- sensory experience. Audiences are invited attend this family-friendly event in costume as their favorite character. A random Star Wars-themed prize winner will be selected from costumed attendees at each performance. Tickets are on sale now and prices are $16, $36, $57, and $68 and can be purchased online at www.ArkansasSymphony.org/starwars; at the Robinson Center street-level box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext.