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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
COLOR MODE the Color Mode Controls Whether a Still Image Is Color Or Black and White As Well As the Color Space
INSTRUCTION MANUAL COLOR MODE The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set in section 3 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 102. Natural Color and Adobe RGB - Vivid Color - increases the reproduces the colors in the scene saturation of the colors in the faithfully. scene. Black & White - produces Solarization - produces a partial monochrome images. reversal of tones and colors in the image. 2 EXAMPLES BEFORE YOU BEGIN Thank you for purchasing this Konica Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. Check the packing list before using this product. If any items are missing, immediately contact your camera dealer. DiMAGE digital camera AV cable AVC-400 Lithium-ion battery NP-400 USB cable USB-500 Lithium-ion battery charger BC-400 Ferrite Core FRC-100 Neck strap NS-DG4000 DiMAGE Viewer CD-ROM Lens shade DLS-2 DiMAGE Viewer instruction manual Lens cap LF-1349 Camera instruction manual Accessory shoe cap SC-10 Warranty card This product is designed to work with accessories manufactured and distributed by Konica Minolta. Using accessories or equipment not endorsed by Konica Minolta may result in unsatisfactory performance or damage to the product and its accessories. Konica Minolta is a trademark of Konica Minolta Holdings, Inc. DiMAGE is a trademark of Konica Minolta Camera, Inc. -
Three Phases of Change and Persistence in the Camera Industry
G Model RESPOL-3332; No. of Pages 12 ARTICLE IN PRESS Research Policy xxx (2016) xxx–xxx Contents lists available at ScienceDirect Research Policy journal homepage: www.elsevier.com/locate/respol Innovation and recurring shifts in industrial leadership: Three phases ଝ of change and persistence in the camera industry a b,∗ Hyo Kang , Jaeyong Song a Haas School of Business, University of California, 2220 Piedmont Avenue, Berkeley, CA 94720, USA b Graduate School of Business, Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul 151-916, Korea a r t i c l e i n f o a b s t r a c t Article history: This study examines factors underlying three phases of change or persistence in industrial leadership Received 31 October 2013 in the sector of interchangeable-lens cameras over the past century. During this period there were two Received in revised form 31 August 2015 major phases of leadership change, both associated with the emergence of innovations involving major Accepted 2 January 2016 discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in Available online xxx the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean JEL: firm developed Mirrorless cameras, which allowed them to capture the majority of market share from the N70 L63 incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases O33 of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. -
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry*
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry* Hyo Kang† Jaeyong Song‡ Forthcoming in Research Policy 46(2), 2017 Abstract This study examines factors underlying three phases of change/persistence in industrial leadership in the segment of interchangeable-lens cameras over the past century. During this period there were two major phases of leadership change, both associated with the emergence of innovations involving major discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean firm developed Mirrorless cameras, which allowed them to capture the majority of market shares from the incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. This paper explores the factors influencing these contrasting experiences of change and persistence in industry leadership. The analysis integrates several aspects of sectoral innovation systems – i.e., windows of opportunity associated with technology, demand, and institution – as well as the strategies of incumbents and latecomer firms. The conclusions highlight the complex and diverse combinations and importance of the factors that help explain the patterns of leadership shift. Keywords: catch-up cycle; industrial leadership; innovation; interchangeable-lens camera JEL: N70, L63, O33 * This research has been supported by the Center for Global Business and Research, Seoul National University. -
Photography 101 Eric Kim a Gift to You
PHOTOGRAPHY 101 ERIC KIM A GIFT TO YOU Dear friend, I wanted to write you this book on how to take better photos. I know you started off with your iPhone, and started to show keen interest on making better images. I taught you the “rule of thirds” and other basics; but now it is time for you to take your photography to the next level. So consider this a handbook or a manual of sorts; for you only. I am also writing this book in hope that other people (similar to you, still relatively new in photography and wanting to learn more) will find it helpful as well. Always, Eric Dec 5, 2015 i 1 PHOTOGRAPHY EQUIPMENT WHAT CAMERA SHOUD I BUY? I wanted to have more manual controls. I wanted to do things like control my shutter speed, and also aperture (which is how much light the lens allows in, which also controls “depth-of-field”— which To start off, one of the first things on your mind is probably “what is how blurry the background is when you shoot (also called camera should I buy?” “bokeh”). Let me be honest with you— I regret spending so much time, effort, At the time, Flickr was still relatively new, Instagram wasn’t around, (and especially money) on all the gear and cameras and lenses I ac- Facebook was still in its infancy. The only way to share photos was cumulated over the years. They call it “Gear Acquisition Syndrome” either Flickr, photography forums (I was part of the “Black and White (G.A.S. -
The Canon System of Photography
Canon THE CANON SYSTEM OF PHOTOGRAPHY WIDEN THE WONDERFUL WORLD The Canon System offers you a wide variety and flexibility that completely answers your every photographic need. Wheth r OF PHOTOGRAPHY you are a beginning amateur or highly skilled professional, you WITH THE CANON SYSTEM! will find exactly what you need and want in Canon 's extensiv line of cameras and photographic equipment. Used individually, or as part of an integrated system, Canon products give you the ultimate in superior performance, quality and results. This is why you will find Canon cameras and Canon photogr.aphic equipment used the world over by amateurs and professionals alike. Widen your photographic horizons with the wonderful world of the Canon System! With Canon FT Qt.., FL 35mm F3.5, f i ll at l iB sec. Canon Single-Lens Reflex Camera System Canon 00 It seems just yesterday that the world's most forward·thinking, imaginative photographers were taking extraordinary photo· w~ SLR camera of the highest precision graphs using only one lens, their own skill, and the lessons A high performance SLR camera with quick·return mirror that learned through experience. And even more recently that the registers the faintest light. Meets all technical requirements. new horizons offered by extra·long telephoto and super wide· An e-asy-to·hold, compact body with all functions ideally ar· angle lens were opened up. Cameras have now developed to ranged. With center-spot metering, the "through-the·lens" the point where professional ·type pictures can be taken by system is the most accurate method to measure light inten anyone, with the greatest of ease. -
The Sierd Bouma Collection Part III 20/07/2016 8:00 PM NZST
Auction - The Sierd Bouma Collection Part III 20/07/2016 8:00 PM NZST Lot Title/Description Lot Title/Description 1 Five Swiss Early 20th Century Gunmetal Cased Open Face Pocket 18 Four Gold Plated Keyless American Pocket Watches, C.1900-1920 Watches Four Gold Plated Keyless American Pocket Watches, Five Swiss Early 20th Century Gunmetal Cased Open Face Pocket C.1900-1920Three 'Elgin' and 'Century' (all running). One dial with minor WatchesVeritas, Lever, Cylinder, Rare Calendar Back (good dials, three hairlines, (4). are running). (5). Est. 200 - 300 Est. 100 - 200 19 Three Gold Plated Pocket Watches 2 Six Various Pocket Watches Three Gold Plated Pocket WatchesElgin, Hunter, Rockford Hunter, Five Various Pocket WatchesA Swiss Nickel 'Goliath' pocket watch Grosvenor, c.1925. Gold Dial (all need overhaul), (3). (running), golf ball watch (running), half hunter, gunmetal etc. (6). Est. 100 - 200 Est. 150 - 250 20 A Vintage Swiss Pocket Watch 3 Five Various Keywind Silver Open Face Pocket Watches A Vintage Swiss Pocket WatchGold plated open face, c.1920. Five Various Keywind Silver Open Face Pocket WatchesHallmarks Est. 50 - 80 dates 1872-1909. Two with fusee drive (for parts or restoration), (5). 21 A Victorian Silver Cased Open Face Pocket Watch, 1875 Est. 100 - 200 A Victorian Silver Cased Open Face Pocket Watch, 1875Fusee and 4 Two Victorian Keywind Silver Hunter Cased Pocket Watches, chain drive movement by Simpson and Benzie. C.1881-1891 Est. 100 - 150 Two Victorian Keywind Silver Hunter Cased Pocket Watches, 22 A Victorian Silver Open Face Pocket Watch, 1871 C.1881-1891(1) Henry Neil, fusee drive. -
ITEM DESCRIPTION Estimate 85/2.8 Culminar (Tested)
Lot ITEM DESCRIPTION Estimate 85/2.8 Culminar (tested). Wray Stereographic Camera and £30-40 Kodak Cameras Retinette 1, 11S £15-20 25. 1. Viewer, Coronet 3D (untested). 11B a/f, Instamatic Reflex (battery 150 Duplex Super 120 Stereo £60-80 cover missing) 2 x 1B + Retinette 26. Camera. 1B (1 shutter u/s). Argus C3, A3 Kodak 35, Graphic £15-20 Retina 111S Camera, 50/19 Xenon £20-30 27. 2. 35 Cameras. 28/4 Curtagon, 85/4 Tele-Arton, Topcon Cameras 1C-1 Auto, 1, £20-30 135/4 Telexenar. 28. Re-Auto (af), PR.11 (af), RE Super. Retina Reflex Cameras, Model S, £20-30 3. Meter (af), 58/1.4 (minor internal Retina Reflex IV Cameras, (shutter fungus), 135/3.5 Topcor case. slightly slow). (tested) Corfield 66 Camera and a Great £20-30 4. Comet III Camera and Case £20-30 Wall Camera. (af) 29. (tested). 7 x Exa/Exakta Cameras (af). £15-20 5. 30. Agiflex III, Agimatic, Reflex Korelle £20-30 6. Contax D (x 2) Cameras 50/28 'T', £15-20 (untested) Cameras. 58/2 Biotar 'T' Tessar, both 1 sec 31. Minolta Camera's, Minolta A, £15-20 only. Minolta A2, Hi-Matic, 110 Zoom 7. Practica IV (x 2), Porst, Practina, £15-20 SLR Camera. Exacta FE (af). 32. 2 x Olympus 35 SP Cameras (1 x £20-30 8. Miranda Cameras EE2, F Black, £15-20 af), Auto-Eye, OM10 (dust in lens), Early, F. Chrome, RE11 50/14 2 x 35RC (af). (tested-some fungus evident). 33. Half Frame Camera's, Pen-F (af), £40-50 9. -
Foundation-Diploma-Photography
Mozi, Aristotle Ahazen were the first mentioners of the camera obscura. To me personally, that was very surprising as I thought that photography was not thought of at those times. It feels unimaginable to live without photography, but it is never imaginable to Sir Isaac Newton discovers that white light is come from that age.At the same time, it makes me composed of different colors by refracting white wonder how could they think of such an outstanding light off a prism. It feels like we must have idea. known all about light and colour but it is not that old this knowledge. 1664-1672 400BC-1040AD Arabian astronomers used this camera to trace a 1490 path of the stars. It was just a dark room with a Leonardo Da Vinci recorded detailed small hole in the wall. In other words, they were descriptions of camera obscura and used it to using camera obscura. Camera means room and trace things. As I was doing this reserach, it obscure in Italian means dark. It is just showing was so mind opening as I had no idea that how geniuos the past generations have been such a great master as Leonardo would use such thing and even think of it. Camera obscura devices become increasingly common. Heliography. Josep Nicephore Niepce took the first photograph. It Artist like Rembrandt, Vermeer and Caravaggio used took him eight hours of exposure. In central France made a still the camera obscura. Those are some of my favorite camera. His original goal was to make physical copies of artists and it is explaining how they could capture such lithography. -
MD-System Mit Den Minolta Rokkor-Objektiven Minolta
Meine Minolta Kleinbildausrüstung In den Siebzigerjahren war ich finanziell bereits so gefestigt, dass ich an die Anschaffung einer "ordentlichen" Kameraausrüstung denken konnte. Die Spiegelreflexkameras aus Japan hatten damals einen qualitativen Höhepunkt erreicht, die Zeit der Nachahmung deutscher Erzeugnisse war längst Geschichte. Olympus, Nikon, Canon, Sony und eben Minolta. Meine Wahl fiel nach Berück- sichtigung von Ratschlägen fachkundiger Freunde auf die Minolta XD mit dem MD- Bajonett und den hochwertigen Rokkor-Objektiven. Dies garantierte auch eine große Auswahl an eigenen und Fremdobjektiven, verbunden mit einer gewissen Langlebigkeit des Systems. Später wechselte ich für Reisen und Schnappschüsse wieder zu kleinern Sucherkameras und letztlich zu den noch handlicheren Digitalkameras. Das Minolta-System habe ich gut konserviert und zusammen mit den Kleinstbildkameras - siehe separate Dokumentation - als Sammlung betrachtet. Auf Photoflohmärkten stößt man heute auf Angebote zu besagtem Minolta-System, dazu passende Kameras wie die ältere SRT 101 und Objektive zu Preisen, für die man seinerzeit gerade einen passenden Filtersatz erhielt. Wenn man sich der Analogfotografie aus Nostalgiegründen stellen will, kann man also um einen Pappenstiel eine wunderbare Ausrüstung zusammenstellen. Ich möchte hier keine wissenschaftliche Abhandlung schreiben, dazu gibt es genug Fachliteratur. Andererseits gerät einfache fotografisches Wissen um Blende Brennweite, Belichtung bei den heutigen automatischen Kameras immer mehr in Vergessenheit und werden auch nur mehr auf Akademien gelehrt. Die Fachliteratur für Otto Normalverbraucher gibt es praktisch nicht mehr, er braucht sie auch nicht. Ein "Selfie" ist auch so drin. Für Freunde, die sich aus Nostalgie mit der Analogfotografie beschäftigen wollen, einen Leitfaden für Antikmärkte suchen, schlage ich als eine von vielen Möglichkeiten vor: Das Minolta SR/MC/ MD-System mit den Minolta Rokkor-Objektiven Minolta: Kazuo Tashima gründete am 11. -
SALE of the LATE PETER SMITH's LIFETIME PHOTOGRAPHIC COLLECTION 30Th JUNE 2017 Lot ITEM DESCRIPTION
SALE OF THE LATE PETER SMITH’S LIFETIME PHOTOGRAPHIC COLLECTION th 30 JUNE 2017 Lot ITEM DESCRIPTION Estimate 1 - 274 1 - 274 1. Kodak Cameras Retinette 1, 11S 11B a/f, Instamatic Reflex (battery cover missing) 2 x £15-20 1B + Retinette 1B (1 shutter u/s). 2. Retina 111S Camera, 50/19 Xenon 28/4 Curtagon, 85/4 Tele-Arton, 135/4 Telexenar. £20-30 3. Retina Reflex Cameras, Model S, Retina Reflex IV Cameras, (shutter slightly slow). £20-30 4. Corfield 66 af Great Wall Cameras. (af) £20-30 5. 7 x Exa/Exakta Cameras (af). £15-20 6. Contax D (x 2) Cameras 50/28 'T', 58/2 Biotar 'T' Tessar, both 1 sec only. £15-20 7. Practica IV (x 2), Porst, Practina, Exacta FE (af). £15-20 8. Miranda Cameras EE2, F Black, Early, F. Chrome, RE11 50/14 (tested-some fungus £15-20 evident). 9. Minolta Cameras DYnax 800Si Classic, Dynax 7x1, 28-80, Sigma 70.210 .75 - 300 £15-20 MD - (AF) Adaptor, (tested). 10. Minolta Cameras SRT 303 (meter u/s), 50/1.4, SRT 101 50/1.7 (sticky iris), XD-7, £20-30 50/1.7, XD-5 50/1.7. 11. Voigtlander Cameras VITO B (x 2), BL, CD Vitomatic 1A, 11, 11A (3 af). (tested) £20-30 12. Voigtlander VITESSA L Camera, 50/2.8, (plunger return slightly slow). (tested) £30-40 13. Voigtlander Prominent Camera 50/1.5 Nokton, (shutter slow, minute mark on rear £30-40 element), tested. 14. Kiev 4 35/2.8, Jupiter, Kiev 4A, 53/2 Jupiter, Kiev 5 50/1.8.