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J. S. BACH, Fugue (1St Violin Sonata)

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J. S. BACH, Fugue (1St Violin Sonata) GUITAR NEWS The Officia l Organ of the INTERNATIONAL CLASSIC GUITAR ASSOCIATION No. 61 Single cop,y price 1/4 (U.S.A. 20c.) SEPT./OCT., 1961 Ph oto: Marhel Jn MARIA LIVIA SAO MARCOS 2 G UITAR NEWS 5EPT.- 0CT .. 1\16 1 Ricordi Publishers - Milano Rruxcllcs - Buenos Airc-s - London - LOrrach - Mexico - New York - Paris - Sao Paulo - S)'dney - Toronto NEW EDITIONS FOR GUITAR By MIGUEL ABLONIZ TRANSCRIPTIONS 129879 J. S. BACH, Fugue (1st Violin Sonata). 129882 J . S. BACH, Two Gavottes (5th 'cello Suite). l 29880 J . S. BACH, Sar,abande-Double, Bourree-Double (1st Violin Partita). 129347 J. S. BACH, Two Bourrees ('French overture') and March (A. Magdalena's book). 129652 L. van BEETHOVEN, Theme and Variation ('septet'). 129653 G. F. HANDEL, Aria ('Ottone'). 129654 G. F . HANDEL, Sarabande and Variations (Suite XI). 129655 J . P. RAMEAU, Six Menuets. 129349 Two ancient 'Ariettes' by A. Scarlatti and A. Caldara. 130056 J. HAYDN, Minuet (Op. 2, No. 2). 130057 F. MENDELSSOHN, Venetian Barcarole (Op. 19, No. 6). 129348 Three short ancient pieces: Aria by Purcell, Minuet by Clarke, Invention by Stanley. 130059 R . SCHUMANN, Four "Album Leaves": Valzer Op. 124, No. 10. Larghetto Op. 124, No. 13. Danza Fantastica Op. 124, No. 5. Presto Op. 99, No. 2. 129884 A Guitar Anthology of T welve Pieces (Purcell, Bach, Mozart, Chopin, de Visee, Gruber, etc.). TWO GUITARS 129350 J. S. BACH, Prelude No. I (48 Preludes a nd Fugues). 130055 J. S. BACH, Prelude No. l ("Six Little Preludes"). 129351 A. VIVALDI, Aria del vagante ("J uditha triumphans"). Complete catalogues free on request. Write, asking to have your name pl aced on the mai ling li st. G. RICORDI & C. Ufficio Edizioni, Via Salomone, 77. Milano-Italy. SEPT.- OcT. , 1961 GUITAR N EWS j OUR COVER PICTURE HE picture on the front cover shows' the Brazilian guitarist Maria Livia Sao Marcos with the Quarteto de Cordas Municipal of Silo Paulo­ T Johannes Oelsner, viola: Calixto Corazza, violoncello; Gino Alfonsi, 1st violin; Alexandre Schaff man, 2nd violin. This famous quartet was founded in 1935 and has given concerts not only in South American lands but also in France, Italy and Germany. · These five musicians may be heard in Boccherini's Quintet in C major on an LP record (SRE-2) ''Violas dos Mestres" produced by Ricor~i (Brazil). The record also includes solos by Maria Livia Sao Marcos- the Sor-Mozart Theme and Variations and works by Savio and Nogueira. The 'programme notes' (in Portuguese) on the sleeve of this record are exceptionally interesting, especially those on Boccherini. The photograph is printed by courtesy of Ricordi Brasileira. ALIRIO DIAZ GUITAR recital lasting 30 minutes by Alirio Diaz was broadcast on Hilversum (Holland) Radio on July 31st. The Venezuelan guitarist A was in great form and played with amazing fluency. His purity of tone and sensitive control of dynamics were superb. His rendering of Moreno Torroba's Sonatina was pleasing but it was in the 'near folk' music of Lauro (Venezuelan Dance), Ponce (Popular Mexican Song) and Villa-Lobos (Choros) that he displayed a breathtaking vitality which really brought this music to life. His final item Sevilla (Albeniz) showed his artistic restraint and just the right amount of 'expression' for this more delicate music. SEGOVIA'S AUSTRALIAN TOUR UITARISTS in Australia are delighted to know that Segovia will visit Australia during October and November. G His recitals are as follows : Melbourne- 17th and 18th October. Perth-23rd October. Adelaide- 25th October. f{obart- 30th October. Sydney-4th and 6th November. Brisbane- 9th November. He will make at least one Television appearance. THANK YOU! I.C.G.A. wishes to thank the many readers who have sent congratula­ tions on the Tenth Anniversary Issue of "Guitar News"-No. 60. 4 GUITAR NEWS SEPT.-Ocr., 1961 INTERNATIONAL CONTESTS RESULTS HE famous Paris concert hall, Salle Gaveau, holds about 1,100 people, and every seat was sold for the playing of the finalists in the Concours T d'Interpretation, and the announcement of the prize winners, of this contest, and also of the Contest for Guitar Compositions organised by Radio­ diffusion- Television Francaise on the instigation of Robert J. Vidal. Of the 30 guitarists who entered, 26 had been eliminated, thus leaving four, who each played the test pieces and an 'own choice' solo. Photo: R. T. F. (Louis Jo yeux) KONRAD RAGOSSNIG First Prize was awarded to Konrad R agossnig (Austria), the jury being unanimous. He received a Medal of Honour, a Diploma, a Scholarship at the famous Paris Conservatoire, Schola Cantorum, 500 new Francs ( = £50 or $140 approx.) and a concert tour of 10 to 15 recitals in France arranged for him by the Musical Youth of France. His 'own-choice' solo was Sonata in A major by Moreno Torroba. Konrad Ragossnig studied with Prof. Karl Scheit and (at Santiago de Compostela, Spain) with Segovia. It may be remembered that he won the Guitar Contest at Cheltenham Competitive Music Festival last year. In November 1960 he was appointed Professor of Guitar at the State Academy of Music in Vienna. The second . prize in the playing contest was won by Michel Roger (France) who received a Diploma, a Schola Cantorum scholars:hip and a money prize equal to half the First Prize. S EPT.- 0 CT., 196 1 GUITAR N EW S 5 Composersr' Contest The original compositions for guitar solo had been reduced by the jury to two : "Invocation et danse" and "Hommage a Ja Guitare" which were entered, according to the rules, under pseudonyms. They were played to the audience by Alirio Diaz. Then the sealed envelopes were opened and the names of the winning composers were revealed. First Prize- 1,000 new Francs and some valuable books- was won by Joaquin Rodrigo for his Invocation and Danse in homage to Manuel de Falla. Second Prize-750 new Francs- was awarded to Eduardo Sainz de la Maza (brother of Regino Sainz de la Maza, Professor of Guitar at Madrid Conservatory). To round off this wonderful evening, Alirio Diaz played a recital of guitar music by Milan, Molinaro, Galilei, R. de Visee, Sor and Bach. The Jury consisted of Marius Constant, Guy Erismann, Daniel Lesur (Director of Schola Cantorum), Pierre Wissmer, Mrs. Suzanne Demarquez, Alexandre Tansman and Emilio Pujol. Also supporting the contests were Raymond Lyon (Director of the Musical weekly 'Guide du Concert'), Schola Cantorum and Musical Youth of France. It is intended to repeat the contes,ts next year with the addition of a contest for the best composition for two guitars. The Classics of the Guitar MARIA LUISA ANIDO The volume of 64 pages, with coloured cover, contains : bi ogra phy ; 60 rare and original photographs; reproductions of docwnents; letters and autographs of M . Uobet and other masters; Tarrega's guitar and ot her information of great interest. Notes, translation and text in Italian by E. R. Roveri. Photography by F. Redaelli. For orders (advance payment only) write to: - EDIZIONI E. R. ROVERI, Via Piatti 3, Milano, Italy. Price, includin,g postage, $2.50 (U.S.A.). 18/- sterling. 1.500 Italian lire. SPANISH GUITAR STRINGS Processed Nylon and Gut and Wound Wound on Terylene on Silk Each Each 281 1st Nylon ... 1/10 136½ 1st Gut .. 2/11 282 2nd ,, 2/2 137½ 2nd ,, 3/2 283 3rd 2/6 138½ 3rd ,, 3/8 284 4th w'bund .. 2/9 148 4th Wound 2/11 285 5th 2/11 149 5th 3/6 Calb~dral Strings 286 6th 3/4 150 6th 3/10 287 Set .. '.' 15/6 150½ Set 20/0 ~ole Manufacturers BRITISH MUSIC (GN) STRINGS LTD., 130, Shacklewell Lane, London, E.8. ENGLAND. 6 GUITAR NEWS SEPT.- OcT .. 196 1 Classical Guitar Music Guitar Archive - Segovia Editions - Pujol Editions Transcriptions by Deric Kennard - Arrangements by Len Williams - Compositions by Villa Lobos Contemporary Guitar Music. Also Publications by Bibliotheca Fortea (Spain), Berben (Italy), Eschig (France), Bote & Bock (Germany), etc. Apply for new Guitar Catalogue . • SCHOTT & CO., LTD. 48 Great Marlborough Street, London, W. l Special Nylon guitar strings highest tonal quality R. Esenbel 19 Boulevard de Montmorency Paris 16e CONCERTISTE France cordes pour guitare classique PARIS S,-,_ PT.- OcT., 1961 G UITAR N EWS 7 ITRAWI .. ♦ ♦ By Tim Verey ("Timbuctoo") HERE actually was an Italian musical instrument made from straw, but this article is nothing to do with that obsolete curiosity. The T 'straws' in this case show the strength and direction of the wind- in the musical sense. They symbolise the stray bits of news and statistics which add up to a realisation that MUSIC- real 'art' music- is in the ascendant. Straw No. 1 Take the piano, for instance- admittedly rather a heavy 'straw' for it requires colossal strength to take a piano anywhere! Not so many years ago a piano was considered as necessary to a middle­ class home as a certific_ate of marriage. The coming of radio and television resulted in auction rooms being crowded with unwanted pianos for which not even a bid of ten shillings could be obtained. The making of pianos dropped from 60,000 a year in 1930 to just about nil in the 1940's. Now, the figure for 1960 has risen again to 20,000 a year, and the people who are buying them are not just 'keeping up with the Jones's' but intent on making their own music. The revival of the classic guitar during this difficult period undoubtedly helped to stimulate an interest in good music. Straw No. 2 There is a picturesque lake in the park at Kenwood in North London.
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