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DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
American Folk Music and Folklore Recordings 1985: a Selected List
DOCUMENT RESUME ED 277 618 SO 017 762 TITLE American Folk Music and Folklore Recordings 1985: A Selected List. INSTITUTION Library of Congress, Washington, D.C. American Folklife Center. PUB DATE 86 NOTE 17p.; For the recordings lists for 1984 and 1983, see ED 271 353-354. Photographs may not reproduce clearly. AVAILABLE FROM Selected List, American Folklife Center, Library of Congress, Washington, DC 20540. PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Black Culture; *Folk Culture; *Jazz; *Modernism; *Music; Popular Culture ABSTRACT Thirty outstanding records and tapes of traditional music and folklore which were released in 1985 are described in this illustrated booklet. All of these recordings are annotated with liner notes or accompanying booklets relating the recordings to the performers, their communities, genres, styles, or other pertinent information. The items are conveniently available in the United States and emphasize "root traditions" over popular adaptations of traditional materials. Also included is information about sources for folk records and tapes, publications which list and review traditional music recordings, and relevant Library of Congress Catalog card numbers. (BZ) U.111. DEPARTMENT OF EDUCATION Office or Educao onal Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) This document hes been reproduced u received from the person or o•panizahon originating it Minor changes nave been made to improve reproduction ought) Points of view or opinions stated in this docu mint do not necessarily represent Olhcrai OERI posrtio.r or policy AMERICAN FOLK MUSIC AND FOLKLORE RECORDINGS 1985 A SELECTED LIST Selection Panel Thomas A. Adler University of Kentucky; Record Review Editor, Western Folklore Ethel Raim Director, Ethnic Folk Arts Center Don L. -
Kentucky Humanities Council Catalog 2005-2006 Kentucky Library Research Collections Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Kentucky Humanities Council Catalog Kentucky Library - Serials 2005 Kentucky Humanities Council Catalog 2005-2006 Kentucky Library Research Collections Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/ky_hum_council_cat Part of the Public History Commons, and the United States History Commons Recommended Citation Kentucky Library Research Collections, "Kentucky Humanities Council Catalog 2005-2006" (2005). Kentucky Humanities Council Catalog. Paper 22. https://digitalcommons.wku.edu/ky_hum_council_cat/22 This Magazine is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Kentucky Humanities Council Catalog by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. o -N. > Ruth Hanly Catherine \v Booe Connor S-S Vrf Price Hollowell / M Dr. Thomas .Walker i -• -i 2ft;- Whole Humanities Catalog August 1, 2005-July 31, 2006 O ur twentieth-anniversary Whole Humanities Catalog is the biggest yet, offering more than ever before in every category: Featured Speakers (26), Kentucky Writers (8), and Kentucky Chautauqua characters (16)! We thank you for two decades ofunstinting support. We couldn't have done it without you, and we trust you will enjoy reviewing the dozens of great programs our presenters are ready to bring to your community. Contents Credits 1 Speakers Bureau 2 Featured Speakers 3 Kentucky Writers 16 More Speakers 20 Speakers Bureau Travel Map 21 Kentucky Chautauqua 22 Book Discussions 30 Application Instructions 32 Application Forms Inside Back Cover www.kyhumanities.org You'll find this catalog and much more on our web sice. The cover: To learn more about our new Chautauqua characters, turn to page 22. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs. -
Pete Seeger: a Singer of Folk Songs
LINGUACULTURE 2, 2020 PETE SEEGER: A SINGER OF FOLK SONGS DAVID LIVINGSTONE Palacký University Abstract Pete Seeger would have turned one hundred and one on May 3 of this year. To commemorate these ten decades plus one year, I would like to look at eleven of the most remarkable aspects of Pete Seeger’s life, work and legacy. This paper will examine the cultural impact and oral tradition of the music, songs and books of Pete Seeger. This legendary folk musician's career spanned eight decades and touched on many of the key historical developments of the day. He is responsible for some of the iconic songs which have not only helped define American culture, but even beyond. Seeger was also a pioneer in a number of fields, using his music to propagate political convictions, ecological themes, civil rights, world music, education, etc. The folk singer also had his finger on the pulse of a number of developments in American history and culture. He was friends with a number of prominent musicians and artists and influenced an entire range of younger musicians and activists. Keywords: Pete Seeger; Folk music; American history; Social activism; Civil Rights movement Family Pete Seeger’ family was a powerhouse of talent, musically and beyond. Charles Seeger (1886-1979), his father, was a renowned musicologist who held a number of prominent university positions. His political convictions, obviously on the left, were also instrumental in forming his son’s ideological worldview. His mother Constance de Clyver (1886-1975) was also a musician although not as accomplished by far as his stepmother Ruth Seeger (1901-1953) (mother to Mike and Peggy). -
Brent Mcknight Thesis
Table of Contents ! Introduction 1 1. Growing Tourists: Agriculture, Cultural Performance, and Tourism at 14 the Cherokee Indian Fair 2. Entering the Kingdom of Rhododendron: White Culture, Escapism, 42 and Tourism in the Rhododendron Festival 3. Attracting Tourists with Kilts and Cabers: The Cultural and 71 Economic Impact of the Grandfather Mountain Highland Games Conclusion 97 Bibliography 103 ! Introduction: What do Festivals have to do with Anything? When someone mentions western North Carolina today, a host of possible travel destinations and tourist attractions come to mind. The Great Smoky Mountains National Park and the Blue Ridge Parkway attract many visitors annually to their scenic overlooks and expansive views of the Blue Ridge Mountains. Grandfather Mountain blends conservation and tourism into a single attraction where visitors can see native wildlife and walk on the mile-high swinging bridge. One might also think of Harrah’s Cherokee Hotel and Casino and the Museum of the Cherokee Indian in Cherokee, North Carolina, or the craft beer scene, Grove Park Inn, and Shindig on the Green in Asheville. More generally, one might think of folk music or handmade arts and crafts. At the beginning of the twentieth century, no one could have predicted that the tourist industry in western North Carolina, which at the time was dominated by health resorts catering to the wealthy, would transform over the course of the century into a multi-faceted $3 billion industry in 2014.1 The health resort industry began in the nineteenth century and attracted visitors who came to enjoy the hot springs and mountain water, both thought to improve health.2 Over the course of the twentieth century, the tourist industry diversified and expanded to incorporate new forms of leisure. -
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol. -
The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy. -
"This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major -
Baldwin Haney Essay For
The Singing on the Mountain By Dave Haney and Lisa Baldwin This essay was composed for the project Worth 1,000 Words: Essays on the Photos of Hugh Morton, made possible in part by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities. The Hugh Morton Collection of Photographs and Films is held by the North Carolina Collection Photographic Archives, Wilson Library at the University of North Carolina at Chapel Hill. Haney is the former Vice Provost for Undergraduate Education and Professor of English and Appalachian Studies at Appalachian State University (now Provost at Black Hills State University in South Dakota), as well as a musician and author on topics of philosophy, literature, and bluegrass music. Lisa Baldwin is a recent graduate of the MA program in Appalachian Studies at Appalachian State University, has taught elementary school for 30 years, is the founder of “Learning Through Song,” a music education program, and is a musician and songwriter who performs with Dave Haney and others. Although our current understanding of traditional music festivals is shaped by the folk and bluegrass festivals that blossomed in the 1960s, both secular and religious traditional music had been performed in large outdoor settings in the Blue Ridge Mountains much earlier. Many of the largest of these events had inauspicious beginnings. On the secular side, the Annual Old Fiddler’s Convention in Galax, Virginia, according to the convention’s official web site, was started in 1935 by Moose Lodge #733 in order to raise funds and preserve regional musical traditions, and has since grown to one of the world’s largest fiddler’s conventions. -
Download on the ACHF Website: 7
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 American Team Clogging as Pilgrimage and Heritage Ritual James Andrew Howard Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE AMERICAN TEAM CLOGGING AS PILGRIMAGE AND HERITAGE RITUAL By JAMES ANDREW HOWARD A Thesis sub itted to the Depart ent of Dance in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded. Spring Se ester, 2001 Copyright © 2001 Ja es Andrew Howard All Rights Reser3ed The me bers of the Co ittee appro3e the Thesis of Ja es Andrew Howard defended on March 30, 2001. _________________________________ Tricia Young Professor Directing Thesis __________________________________ Jennifer At6ins Committee Member __________________________________ Sally So er Co ittee Me ber __________________________________ Patricia Phillips Co ittee Me ber Appro3ed. _____________________________________ Patricia Phillips, Co7Chair, Depart ent of Dance _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and appro3ed the abo3e na ed co ittee me bers. ii Dedicated, in lo3ing me ory, to Ryan Lee Marsh (118372008) Than6 you, Ryan, for your encourage ent in this and many other ad3entures. Than6 you for being part of my story. One more thing= iii ACKNOWLEDGEMENTS I would first li6e to than6 my fa ily for being tea cloggers, by association, for o3er 21 years. My grand other, Annie Ruth Howard (Granny Annie, as many clogging friends call her), has been exceptionally supporti3e and significant in my clogging ad3entures, fro the earliest lessons to fa ily su er pilgri ages to Dollywood. -
Coon Creek Girls Mp3 Album Free Download Coon Creek Girls' Banjo Pickin' Girl
coon creek girls mp3 album free download Coon Creek Girls' Banjo Pickin' Girl. About Coon Creek Girls' Banjo Pickin' Girl Album. Coon Creek Girls' Banjo Pickin' Girl is a English album released on 25 Jun 2006. Coon Creek Girls' Banjo Pickin' Girl Album has 1 song sung by The Coon Creek Girls. Listen to Coon Creek Girls' Banjo Pickin' Girl song in high quality & download Coon Creek Girls' Banjo Pickin' Girl song on Gaana.com. Related Tags - Coon Creek Girls' Banjo Pickin' Girl, Coon Creek Girls' Banjo Pickin' Girl Songs, Coon Creek Girls' Banjo Pickin' Girl Songs Download, Download Coon Creek Girls' Banjo Pickin' Girl Songs, Listen Coon Creek Girls' Banjo Pickin' Girl Songs, Coon Creek Girls' Banjo Pickin' Girl MP3 Songs, The Coon Creek Girls Songs. Coon Creek Girls. One of the most famous all-female string bands in country, the Coon Creek Girls were also among the first female groups to play their own instruments and focus on authentic mountain music, instead of sentimental and cowboy songs. The founding member of the long-lived group was Lily May Ledford. Born in Pilot, KY, she was the daughter of poor tenant farmers who frequently played string band music; consequently, Lily May learned how to play guitar and fiddle as a child. By the time she was an adolescent, she had formed the Red River Ramblers with her sister, Rose, and her brother, Cayen, and the group began playing local square dances. The Ramblers auditioned for talent scouts in 1935, and Lily May was chosen to appear on WLS Chicago's Barn Dance.