2018 Summer Course Descripts
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Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
The Diurnal Order of the Image in Dracula, by Bram Stoker
THE DIURNAL ORDER OF THE IMAGE IN DRACULA, BY BRAM STOKER O REGIME DIURNO DA IMAGEM EM DRÁCULA, DE BRAM STOKER Claudio Vescia Zanini1 In reality, the acceptance of the shadow-side of human nature verges on the impossible. Consider for a moment what it means to grant the right of existence to what is unreasonable, senseless, and evil! Yet it is just this that the modern man insists upon. He wants to live with every side of himself – to know what he is. That is why he casts history aside. He wants to break with tradition so that he can experiment with his life and determine what value and meaning things have in themselves, apart from traditional presuppositions. Carl Gustav Jung. Psychology and Religion: West and East ABSTRACT: The article proposes a reading of Bram Stoker’s Dracula analyzing the imagery in the novel in accordance with the Diurnal Order of the Image (DURAND, 1999), a perspective that encompasses images within three antithetical dichotomies: the theriomorphic and diæretic images (respectively related to an animal archetypology and to the devices and weapons of the hero), the nyctomorphic and spectacular images (related to darkness and light) and catamorphic and ascensional images, which are connected to falling and rising. The conclusion highlights the universality in the imagery Stoker employs in his work, which might explain Dracula’s timelessness and power. KEYWORDS: Dracula; Victorian literature; diurnal order of the image; vampire fiction. RESUMO: O artigo propõe uma leitura de Drácula, de Bram Stoker analisando as imagens no romance de acordo com o Regime Diurno da Imagem (DURAND, 1999), uma perspectiva que engloba o imaginário com base em três dicotomias antitéticas: as imagens teriomórficas e diairéticas (respectivamente relacionadas a uma arquetipologia animal e às armas e recursos do herói), as imagens nictomórficas e espetaculares (relacionadas à escuridão e à luz) e as imagens catamórficas e ascensionais, ligadas à queda e à ascensão. -
CAPÍTULO IV Drácula No Cinema: Cenas De Uma Erótica Prometeica
CAPÍTULO IV Drácula no cinema: Cenas de uma erótica prometeica Rogério de Almeida1 Marcos N. Beccari2 Variações sobre o mesmo tema ou os filmes de vampiros Uma busca rápida pelo Internet Movie Database (www.imdb.com) com a entrada “Drácula” retorna uma lista de duzentos filmes. O mesmo ocorre com “Vampiro”. São filmes que contém a palavra no título. Se acrescermos os filmes pautados na temática, mas que não trazem “Drácula” ou “Vampiro” no título, a lista se agiganta ainda mais, com películas tão improváveis quanto Martin (1976), Fome de Viver (1983), Procura-se Rapaz Virgem (1985), Os Garotos Perdidos (1987), Um Drink no Inferno (1996), Van Helsing (2004), que mistura Drácula com Frankenstein, Deixa Ela Entrar (2008), Amantes Eternos (2013), e o mais importante de todos, Nosferatu (1922), de F. W. Murnau, refilmado brilhantemente por Werner Herzog em 1979. Há também variações de todo tipo, como A Girl Walks Home Alone at Night (2014), anunciado como “o primeiro Western de vampiros iraniano”. O que dizer de Abraham Lincoln: Vampire Hunter (2012), que pós-modernamente transforma o 16º presidente dos EUA (1861-1865) num caçador de vampiros? 171 O mito de Drácula CAPÍTULO IV A vasta filmografia sobre o mito do vampirismo também pode ser abordada numa perspectiva histórica e não restará uma só década sem numerosos representantes. O pri- meiro filme do gênero é de 1908, Les vampires de la côte, um curta francês hoje desaparecido sobre o qual restam poucas informações. De 1913, temos The Vampire, também desapare- cido, e Vampire of the Desert, cuja história gira em torno de uma vampira de nome Lispeth. -
Heritage Festival Brings Dancing, Drums, and Culture Profile: Ivana
FREEDOM AND FAIRNESS gfmmmm Jfagtam OCTOBER 29, 2009 VOL. 106 ISSUE 7 ThePotihornOnline.com Heritage Festival Brings Dancing, Drums, And Culture LAURA PLANTHOLT StaffWriter "We are the proud brown sisters of Lambda Theta Nu!" shouted three Latina USF students in Harney Plaza last Thurs day, stomping their feet and clapping their hands in a traditional "stepping" routine. The sisters of Lambda Theta Nu joined The new compass rose, the Latina sorority at USF in order to cel located between Phelan Hall ebrate their shared experience as female and the University Center, is Latin American college students. For another campus addition to them, stepping is a way of showing pride improve aesthetics at USF. in their sorority and their culture. In another number, the Lamba Theta NEWS Nu sisters each took out a pair of machetes, PAGE which they rhythmically clanked together. The long silver blades created a loud clank ing each time they touched, as the sisters danced in well-coordinated steps, creating a visual and audio performance. The ma chete dance was meaningful to the Lamda Theta Nu sisters; more than just a flashy show. Senior Anita Buitrago explained, "We wanted to show that women could also step with machetes." The machete dance is a traditional Mexican art, usually performed by men to display their mas culinity, according to Buitrago. The Lati na students use the masculine dance as a source of female empowerment. Melissa Stihl/Foghorn Lambda Theta Nu was one of four The San Francisco Taiko Dojo group performed a portion of their drum set at the Harney Nooner Heritage Festival on Friday. -
Consuming Appetites and the Modern Vampire S
S. Brooke Cameron and Suyin Olguin 79 Consuming Appetites and the Modern Vampire S. Brooke Cameron and Suyin Olguin, Queen's University, Ontario Abstract : This article looks at food and the role of appetitive consumption in modern representations of the vampire. Most critics have read vampire as embodying Victorian fears surrounding fin-de-siècle desire and sexual decadence. We instead want to shift the discussion to food and eating rituals. Using Francis Ford Coppola‘s Bram Stoker‘s Dracula as a bridge text, ―Consuming Appetites and the Modern Vampire‖ compares the British tradition, which advocates disciplined appetites as defense against Dracula‘s demonic invasion, with modern American texts, which celebrate the vampire as a reflection of its own culture of excess consumption. The vampire is marked as Other precisely by his inability to control his appetite, and the disciplined appetite is essential insofar as it differentiates between the human and vampiric Other. It is this legacy of appetitive excess which continues to inform our modern interpretations of the vampire, whether this figure is a direct inheritor of Dracula or a more sympathetic, even domesticated, vampire. Key words: Dracula, Vampire, Blood, Eating, Consumption, Meat, Appetite, Other, British, American Revenant 1.1 (2015) S. Brooke Cameron and Suyin Olguin 80 Come, there is dinner. We must keep one another strong for what is before us. We have a cruel and dreadful task. When you have eaten you shall learn the rest, and I shall answer any questions you ask, if there be anything which you do not understand, though it was apparent to us who were present. -
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3. 10,000 BC 4. 101 Dalmatians 5. 102 Dalmations 6. 10th Kingdom 7. 11-11-11 8. 12 Monkeys 9. 127 Hours 10. 13 Assassins 11. 13 Tzameti 12. 13th Warrior 13. 1408 14. 2 Fast 2 Furious 15. 2001: A Space Odyssey 16. 2012 17. 21 & Over 18. 25th Hour 19. 28 Days Later 20. 28 Weeks Later 21. 30 Days of Night 22. 30 Days of Night: Dark Days 23. 300 24. 40 Year Old Virgin 25. 48 Hrs. 26. 51st State 27. 6 Bullets 28. 8 Mile 29. 9 Songs 30. 9 ½ Weeks 31. A Clockwork Orange 32. A Cock and Bull Story 33. A Very Harold & Kumar 3D Christmas 34. A-Team 35. About Schmidt 36. Abraham Lincoln: Vampire Hunter 37. Accepted 38. Accidental Spy 39. Ace Ventura: Pet Detective 40. Ace Ventura: When Nature Calls 41. Ace Ventura, Jr. 42. Addams Family 43. Addams Family Reunion 44. Addams Family Values 45. Adventureland 46. Adventures of Baron Munchausen 47. Adventures of Mary-Kate & Ashley: The Case of the Christmas Caper 48. Adventures of Mary-Kate & Ashley: The Case of the Fun House Mystery 49. Adventures of Mary-Kate & Ashley: The Case of the Hotel Who-Done-It 50. Adventures of Mary-Kate & Ashley: The Case of the Logical Ranch 51. Adventures of Mary-Kate & Ashley: The Case of the Mystery Cruise 52. Adventures of Mary-Kate & Ashley: The Case of the SeaWorld Adventure 53. Adventures of Mary-Kate & Ashley: The Case of the Shark Encounter 54. -
Horrorhound 33(C2c)(2012)(Re Em DCP)
HOP Movie News « Comics « Action Figures « Biu-rays ^ GORE! Jan/Feb 2012 $6.99 THE HOME ORIGINAL AND r EHRAORDINARY FICTION IGHTMARE ICITY^ OR THESE AHD MAHY OTHER CLASSICS KOj^JtlS "At Samhain, we 're committed to bringingyou the very best in " horror every month. —Don D'Auria, Executive Editor JM iWWW.samhainhorroncom' HQRReR IS mmFi Till EXCLUSIVE INTERVIEW-. ' wi th \ OHfb^ C USA'C K w’ E'S E AND, J, AM K^CT;E EG u m -r ^ HORRORHOUND LTD. r.O. Box 710 Jlilforrt, OH 45150 Dear HorrorHound, "Monster Mash” on the radio, the Aurora Models and the HORROIUIOUND I would like to let you know that I’m a big fan of your newsstand invasion of monster magazines like Famous magazine. I have been a true fan of horror since I was 7 Monsters, Castle of Frankenstein, Horror Monsters and Publisher JEREjVry SHELDON years of age. I’m currently 29, and love horror even on and on. I’ve never lost my fascination for horror and more. My favorites are Halloween (1978), Halloween 2 fantasy films (despite the many turkeys I've been privi- Editor-iu-Chief NATHAN HANNE]\IAN (1981) and My Bloody Valentine (1981). Being a child leged to watch during the last five decades), and I’ve bom in 1982 during the era when slasher films ruled is bought and read most of the mags that have come and Managing Editor renting of AARON CROWELL quite interesting. I collect slasher films and was also writ- gone over the years, not to mention scads VHS ing to ask if you know of any establishments or Web sites tapes and DVDs since the video explosion in the '80s. -
The Proto-Filmic Monstrosity of Late Victorian Literary Figures
Bamberger Studien zu Literatur, 14 Kultur und Medien “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 14 Bamberger Studien zu Literatur, Kultur und Medien Bamberger Studien zu Literatur, Kultur und Medien hg. von Andrea Bartl, Hans-Peter Ecker, Jörn Glasenapp, Iris Hermann, Christoph Houswitschka, Friedhelm Marx Band 14 2015 “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 2015 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich- Universität Bamberg als Dissertation vorgelegen. 1. Gutachter: Prof. Dr. Christoph Houswitschka 2. Gutachter: Prof. Dr. Jörn Glasenapp Tag der mündlichen Prüfung: 28. Januar 2015 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Docupoint, Magdeburg Umschlaggestaltung: University of Bamberg Press, Anna Hitthaler Umschlagbild: Screenshot aus Vampyr (1932) © University of Bamberg Press Bamberg 2015 http://www.uni-bamberg.de/ubp/ ISSN: 2192-7901 ISBN: 978-3-86309-348-8 (Druckausgabe) eISBN: 978-3-86309-349-5 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-267683 Danksagung Mein besonderer Dank gilt meinem Bruder Christian für seinen fachkundigen Rat und die tatkräftige Unterstützung in allen Phasen dieser Arbeit. Ich danke meinem Doktorvater Prof. Dr. Christoph Houswitschka für viele wichtige Denkanstöße und Freiräume. -
Shadow of the Vampire"
Journal of Dracula Studies Volume 4 2002 Article 2 2002 Imitations of Immortality: "Shadow of the Vampire" James Craig Holte East Carolina University Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Holte, James Craig (2002) "Imitations of Immortality: "Shadow of the Vampire"," Journal of Dracula Studies: Vol. 4 , Article 2. Available at: https://research.library.kutztown.edu/dracula-studies/vol4/iss1/2 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Imitations of Immortality: "Shadow of the Vampire" Cover Page Footnote James Craig Holte is a Professor of English and Director of Graduate Studies in English at East Carolina University, where he teaches courses in film and literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol4/ iss1/2 Imitations of Immortality: “Shadow of the Vampire” James Craig Holte [James Craig Holte is a Professor of English and Director of Graduate Studies in English at East Carolina University, where he teaches courses in film and literature.] At some future conference a round-table discussion entitled “The Golden Age of Film and Fantasy” will be scheduled, and as the participants debate the merits of particular film -- arguing the success of adapted high fantasies, the problem of original screenplays, the relationship of horror to the fantastic, the transforming nature of animation, the role of children’s fantasy in film, and the problematic role of computer graphics in special effects -- they will be discussing the films of today. -
Drácula, O Imortal Do Cinema: Uma Arqueologia Das Encarnações Do Famoso Vampiro No Audiovisual1
revista Fronteiras – estudos midiáticos 19(1):26-36 janeiro/abril 2017 Unisinos – 10.4013/fem.2017.191.03 Drácula, o imortal do cinema: uma arqueologia das encarnações do famoso vampiro no audiovisual1 Dracula, the immortal of cinema: An archeology of the incarnations of the famous vampire in the audiovisual Yuri Garcia2 [email protected] RESUMO ABSTRACT O presente artigo tem como objetivo traçar uma breve This article aims to outline a brief archeology of the incursions arqueologia das incursões do personagem “Drácula”, criado of the character “Dracula”, created by Bram Stoker, in the book por Bram Stoker, no livro de 1897 do mesmo nome, no cinema. of 1897 of the same name, in the movies. Although the work of Embora a obra de Stoker seja um grande marco da literatura Stoker is a major milestone of the English Gothic literature (and gótica inglesa (e talvez até da literatura de uma forma geral), perhaps even of literature in general), it is in the audiovisual that é no audiovisual que percebemos um maior desenvolvimento we perceive a greater development of the vampire, achieving do vampiro, alcançando uma fama inimaginável. Nesse caso, an unimaginable fame. In this case, we see that the influence vemos que a influência dos meios acabam sendo um interessante of the media is an interesting modeler in the development of modelador no desenvolvimento do vampiro ao longo do tempo. the vampire over the time. Its difference in mediatic device and Sua diferença de suporte midiático e diferentes momentos different times of society and technological possibilities ends da sociedade e das possibilidades tecnológicas acabam nos up presenting us an incredible variation of the initial literary apresentando uma incrível variação do produto literário product. -
Drácula De Bram Stoker Película
Publicado en ARTIUM - Biblioteca y Centro de Documentación (https://catalogo.artium.eus) Inicio > Exposiciones > La letra filmada: del libro a la gran pantalla > Selección de títulos > D > Drácula de Bram Stoker Drácula de Bram Stoker Película Título: Drácula de Bram Stoker Título original: Bram Stoker's Dracula Director: Francis Ford Coppola Guión: James V. Hart Año: 1992 País: Estados Unidos Actores: Gary Oldman, Anthony Hopkins, Winona Ryder Premios: Oscar (Mejor vestuario, mejor maquillaje, mejor efectos de sonido) Argumento: En el año 1890, el joven abogado Jonathan Harker viaja a un castillo perdido a Transilvania, en el este de Europa, siendo allí capturado por el conde Drácula, que viajará hasta Londres inspirado por una fotografía de la prometida de Harker, Mina. Ya en Inglaterra, el conde iniciará su intento de conquista y reinado de seducción y terror, absorbiendo la vida de la mejor amiga de Mina, Lucy. Datos de interés: Drácula (más conocida como Drácula, de Bram Stoker) es una película estadounidense de los géneros de terror y romance, rodada en 1992 por el director Francis Ford Coppola y escrita por James V. Hart, basándose en la novela Drácula, original de Bram Stoker.Fue producida por Columbia Pictures. El reparto cuenta con Gary Oldman, (interpretando el papel del conde Drácula), Keanu Reeves, Anthony Hopkins y Winona Ryder. La banda sonora fue compuesta por Wojciech Kilar, pero su tema final, Love Song for a Vampire (Canción de amor para un vampiro) fue escrita por Annie Lennox. La película tuvo una buena acogida por el público, y obtuvo 4 nominaciones a los premios de la Academia en 1993, de los que ganó tres: mejor diseño de vestuario, mejor Maquillaje y Mejor edición de sonido. -
Sample File Night's Black Agents THRILL OF
Sample file night's black agents THRILL OF Sample file Publisher: Cathriona Tobin Assistant Publisher: Simon Rogers Author: Kenneth Hite Cover Art & Design: Nathan D. Paoletta Dracula Dossier ads: chris huth Poster Images: Where images are not public domain they are copyright their respective owners, and no challenge is intended – they are reproduced under Fair Use doctrine. Allowances are made under Section 107 of the Copyright Act 1976 for –fair use– for purposes such as criticism, scholarship and comment. No free equivalent exists that would effectively identify the article's subject, and the images do not in any way limit the ability of the copyright owners to market or sell their product. Interior Layout: Nathan D. Paoletta Sample file Copyright © 2016 Pelgrane Press Ltd. Dracula Dossier and Operation Edom are trademarks of Pelgrane Press Ltd. Pelgrane Press is co-owned by Simon Rogers and Cathriona Tobin. THE THRILL OF DRACULA 4 THE SECOND LIFETIME 39 What I Included 5 The Horror of Dracula (1958) 40 The Good Stuff 7 The Brides of Dracula (1960) 42 Dracula, Prince of Darkness (1966) 43 THE BEGINNINGS 8 Dracula (1968) 45 Mythemes and Motifs 9 Dracula Has Risen From the The Dracula Atrocity Literature Grave (1968) 47 (1462-1568) 9 Count Dracula (1970) 49 Taste the Blood of Dracula (1970) 51 Dracula (1897) 11 Scars of Dracula (1970) 53 Characters 11 Dracula A.D. 1972 (1972) 54 Mythemes 12 Bram Stoker’s Dracula (1973) 56 Settings 14 Satanic Rites of Dracula (1974) 58 The Legend of the 7 Golden THE FIRST LIFETIME 15 Vampires (1974) 60 The Dramas 16 Count Dracula (1977) 61 Nosferatu the Vampyre (1979) 63 Nosferatu (1922) 17 Dracula (1979) 64 Dracula: The Vampire Play Monster Squad (1987) 66 (1924, 1927) 18 Sundown: The Vampire in Dracula (1931) Sample20 fileRetreat (1991) 68 Drácula (1931) 22 Bram Stoker’s Dracula (1992) 69 Dracula’s Daughter (1936) 24 Dracula: Dead and Loving It (1995) 70 Dracula (1938) 26 Dracula 2000 (2000) 71 Son of Dracula (1943) 27 Buffy vs.