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London Symphony Orchestra Living Music Thursday 28 April 2016 7.30pm Barbican Hall WORLD WAR I CONNECTIONS Butterworth A Shropshire Lad Vaughan Williams A Pastoral Symphony (Symphony No 3)* INTERVAL Ravel Piano Concerto for the Left Hand London’s Symphony Orchestra Debussy La mer Sir Mark Elder conductor Louise Alder soprano* Cédric Tiberghien piano Concert finishes approx 9.40pm 2 Welcome 28 April 2016 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2016 This evening, following Elgar’s The Dream of Gerontius on Sunday, Sir Mark Elder returns to conduct the The LSO is delighted to announce details of the 2016 Orchestra in a programme of music shaped by BMW LSO Open Air Classics concert on Sunday conflict, as we remember the 100th anniversary 22 May at 6.30pm. Conducted by Valery Gergiev, the of the Battle of the Somme during World War I. LSO will perform an all-Tchaikovsky programme in London’s Trafalgar Square, free and open to all, with The concert includes Butterworth’s A Shropshire Lad, the Orchestra joined on stage by young musicians an evocative portrait of England written only a few from LSO On Track and students from the Guildhall years before the composer’s death in 1916 at the School for a special arrangement of the composer’s Battle of the Somme. Following this is a seminal work Swan Lake Suite. by Butterworth’s great friend, Vaughan Williams, who was inspired to compose his Symphony No 3 after lso.co.uk/openair his wartime experiences in France. We continue with Ravel’s Piano Concerto for the Left Hand, commissioned by Austrian pianist Paul Wittgenstein LSO AT THE BBC PROMS 2016 after losing his arm during the War. The LSO will be returning to this year’s BBC Proms We are delighted to be joined by our soloists this Festival at the Royal Albert Hall for a performance evening: soprano Louise Alder, who makes her debut of Mahler’s Symphony No 3 on 29 July. This will be with the LSO singing Vaughan Williams; and pianist conducted by Bernard Haitink, marking 50 years Cédric Tiberghien, who also makes his debut with since his first appearance at the Festival, and features the Orchestra after previous performances in BBC mezzo-soprano Sarah Connolly. For full details, visit: Radio 3 Lunchtime Concerts at LSO St Luke’s. bbc.co.uk/proms Thank you to our media partner Classic FM, who have recommended tonight’s concert to their listeners. A WARM WELCOME TO TONIGHT’S GROUPS We hope you enjoy this evening’s concert and can join us again at the Barbican soon. On Sunday 8 May, The LSO offers great benefits for groups of 10+, pianist Leif Ove Andsnes joins us for the first concert including a 20% discount on standard tickets. of his LSO Artist Portrait. At tonight’s concert we are delighted to welcome: Hertford U3A Jenny Faulkner & Friends lso.co.uk/groups Kathryn McDowell CBE DL Managing Director London Symphony Orchestra Living Music Leif Ove Andsnes LSO Artist Portrait ‘I have no choice but to make music. I love music so much, it is just so much a part of me, that I just have to do it.’ Leif Ove Andsnes MOZART SCHUMANN LEIF OVE ANDSNES LEIF OVE ANDSNES PIANO CONCERTO NO 20 PIANO CONCERTO SOLO RECITAL & FRIENDS Sun 8 May 2016 7pm Thu 12 May 7.30pm Fri 10 Jun 7.30pm Sat 28 May 7pm, Milton Court Mozart Piano Concerto No 20 Schumann Piano Concerto Sibelius Brahms Bruckner Symphony No 3 Beethoven Symphony No 9 Three Pieces (‘Kyllikki’); The Birch; Piano Quartet No 1 in G major The Spruce; Spring Vision; Piano Quartet No 2 in A major Daniel Harding conductor Michael Tilson Thomas conductor The Forest Lake; Song in the Forest Piano Quartet No 3 in C minor Leif Ove Andsnes piano Leif Ove Andsnes piano Beethoven London Symphony Orchestra Lucy Crowe soprano Piano Sonata No 18 in E-flat major Leif Ove Andsnes piano Christine Rice mezzo-soprano Debussy Christian Tetzlaff violin Toby Spence tenor La soirée dans Grenade; Tabea Zimmermann viola Iain Paterson baritone Three Études; Étude in A-flat major Clemens Hagen cello London Symphony Chorus Chopin Produced by the Barbican, Simon Halsey chorus director Impromptu in A-flat major; not part of the LSO Season. London Symphony Orchestra Nocturne in F major; Visit barbican.org.uk for details. Supported by Baker & McKenzie LLP Ballade No 4 in F minor lso.co.uk Leif Ove Andsnes piano 020 7638 8891 4 Programme Notes 28 April 2016 George Butterworth (1885–1916) A Shropshire Lad – Rhapsody (1912) PROGRAMME NOTE WRITER The son of the General Manager of the North Originally called The Cherry Tree, the title was LEWIS FOREMAN Eastern Railway, George Sainton Kaye Butterworth changed to A Shropshire Lad before the first was educated at Eton, Oxford and the Royal College performance. Butterworth wrote that, ‘This is in the of Music, a talented son of that pre-1914 generation nature of an orchestral epilogue to the composer’s lost in the Great War. ‘Shropshire lad’ songs’. The principal theme is taken from the song 'Loveliest of Trees'. Various other Butterworth’s actual musical achievement was melodic fragments appear, including the piano small, but enduring. He was introduced to folk interlude between the two verses of the song. music by Vaughan Williams and Cecil Sharp while at However, the music takes on a new sensibility for Oxford, and found himself associated with the young a post-War audience at the very end as the solo composers who would later become the big names flute quietly intones a new theme. It is the opening of British music. Butterworth collected folk songs vocal line of the last song in Butterworth’s Housman and dances, and we have brief glimpses of him cycle 'Bredon Hill', setting the words ‘With Rue my energetically participating in Cecil Sharp’s Morris heart is laden’. team in pioneering ‘flick books’ and Kinora short silent movies from 1912. This folk-song sensibility is reflected in his celebrated early settings of GEORGE BUTTERWORTH AND THE BRITISH CECIL SHARP (1859–1924) was Housman’s A Shropshire Lad. FOLK DANCING SCENE the founder of the folk-song revival in England in the early 20th century, ‘Loveliest of trees, the cherry now and creator of the English Folk Dance Is hung with bloom along the bough, Society in 1911. The Society (which merged with the Folk Song Society in And stands about the woodland ride 1932 and was renamed the English Wearing white for Eastertide.’ Folk Dance and Song Society) is now based in the Cecil Sharp House in From A E Housman’s The Cherry Tree, which Camden. Opened as a memorial to Butterworth set in his 6 Songs from A Shropshire Lad Cecil Sharp after his death in 1924, As well as being a keen folk music collector and the venue is dedicated to traditional Butterworth’s songs were published in 1911, and composer, George Butterworth was more widely folk music and is home to England's the orchestral Rhapsody we hear tonight was first involved with the British folk music revival of national collection of folk music, the presented by Arthur Nikisch at the Leeds Festival the early 20th century through his engagement Vaughan Williams Memorial Library. on 2 October 1913, when the programme note in folk and Morris dancing. In 1911 he became a described it as a ‘prelude’. It was heard again at founder member of the English Folk Dance Society. London’s Queen’s Hall on 20 March 1914, but was Footage still survives of Butterworth and Cecil Sharp only widely recognised after Butterworth’s death demonstrating traditional Morris dances, wearing in the Battle of the Somme on 5 August 1916, after similar outfits to those worn above, where Butterworth Sir Henry Wood conducted the work at Queen’s Hall can be seen standing on the far right. in September 1917. lso.co.uk Composer Profiles 5 George Butterworth Ralph Vaughan Williams Composer Profile Composer Profile George Butterworth was born Born in Gloucestershire on 12 in London on 12 July 1885, and October 1872, Ralph Vaughan spent much of his youth in Williams moved to Dorking in Yorkshire. His father, Alexander, Surrey at the age of two, on the was a solicitor for the North death of his father. Here, his Eastern Railway company, while maternal grandparents, Josiah his mother Julia had trained as Wedgwood – of the pottery family a soprano before her marriage. – and his wife Caroline, who was He studied at Eton College from the sister of Charles Darwin, 1899 to 1904, and read Classics at encouraged a musical upbringing. Trinity College, Oxford. Despite his Vaughan Williams attended father intending him to follow into Charterhouse School, and in 1890 the legal profession, Butterworth he enrolled at the Royal College did not devote much time to his of Music, becoming a pupil of Classical studies, gaining a third- Sir Hubert Parry. Weekly lessons class degree in 1908; instead, he at the RCM continued when he pursued musical activities, particularly the composition of folk songs. entered Trinity College, Cambridge, in 1892. It was during his time at Oxford that Butterworth joined the Folk Song Vaughan Williams’ first composition to make any public impact, the Society, which had been founded in 1898. The vogue for traditional song Linden Lea, was published in 1902. His ‘discovery’ of folk song in folk music had been gaining momentum in the early 20th century, 1903 was a major influence on the development of his style.

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