Jazzlondonlive Sept 2018
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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
Jazzlondonlive July 2019
01/07/2019 PIZZAEXPRESS LIVE, HOLBORN 20:30 02/07/2019 TOULOUSE LAUTREC, KENNINGTON 19:30 02/07/2019 VORTEX JAZZ CLUB, DALSTON 20:30 £10.00 JAZZLONDONLIVE JULY 2019 £17.50 FREE ENTRY THREEBOP Ella Hohnen-Ford (vcls), Rosina Bullen (vcls) , THE VINCE DUNN ORCHESTRA FAYE PATTON PIANO BAR & RESTAURANT Faye Patton (Vocals, Piano & Guitar) will be Luca Manning (vcls) , David Swan (pno) , Seth 01/07/2019 ARCHDUKE, WATERLOO 19:30 FREE Tackaberry (bs) , Boz Martin-Jones (drs) 01/07/2019 THE OXFORD TAVERN, KENTISH TOWN showcasing a range of originals from her catalogue, some standards, and some new JOE BICKERSTAFF SOLO PIANO 20:30 £8/£5 MUSICIANS compositions. Expect soaring, bluesy vocals, 02/07/2019 RONNIE SCOTT'S, SOHO 23:30 £10 blistering piano hooks, glittering guitar riffs and 01/07/2019 RONNIE SCOTT'S, SOHO 19:30 £35 - £50 MATT HOME QUARTET ROELLA OLORO QUINTET'S LATE SHOW DEBUT Matt Home(drums), Steve Fishwick (trumpet), smooth vibes. JOE STILGOE AND HIS MIGHTY BIG BAND MAIN Alex Bryson (piano), Jeremy Brown (double PRESENTED BY ALEX GARNETT LATE LATE SHOW bass) 02/07/2019 BULL'S HEAD, BARNES 20:00 £10 ADV & Roella Oloro - Piano, Sylvan Biscoe - Tenor Sax, SHOW Joseph Oti - Trumpet, Isobella Burnham - Bass, Tom Richards -Saxophone, Mike Lovatt -Trumpet, £12 ON THE DOOR Wilf Cameron Marples - Drums Martin Shaw -Trumpet, Billy Adamson -Guitar, 01/07/2019 TROUBADOUR, EARL’S COURT 20:30 FREE DANA ALI BAND BLUES & SOUL Tom Farmer -Bass, Callum Au -Trombone, Pete EVENT Dana Ali, vcls, Dave Hewitt, bass, Dave Punshon, North -Trombone, Andy Wood -
Miller High Life Theatre Event Advisory
ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. -
Jazzlondonlive Mar 2019
01/03/2019 SOUTH HILL PARK, BRACKNELL 19:30 £12 Greg Davis, sax, Cliff Charles, gtr, Paul Eldridge, ALINA BZHEZHINSKA'S HIPHARP COLLECTIVE JAZZ pno, Julian Bury, bass, Matt Skeaping, drms (£5.50 UNDER 18S) JAZZLONDONLIVE MAR 2019 CLUB CONCERT LULUK PURWANTO - VIOLIN & BYRON WALLEN - Award winning harpist Alina Bzhezhinska brings 02/03/2019 VORTEX JAZZ CLUB, DALSTON 20:30 £15.00 her latest project brings to life with the finest 01/03/2019 THE HAWTH, CRAWLEY 11:45 £21.95 (INCL TRUMPET PRESENTED BY BRACKNELL JAZZ compositions of legendary harpists Dorothy MONICA VASCONCELOS Simon Cook (piano), Andy Masters (bass), Dae Monica Vasconcelos (vcls), Steve Lodder (keys), LUNCH) Ashby and Alice Coltrane. Alina Bzhezhinska Hyun Lee (drums) (Harp), Gareth Lockrane (Flutes), Christian Ife Tolentino (gtr), Andres Lafone (bs), Yaron WHEN PEGGY MET ELLA PRESENTED BY THE Vaughan (Piano/Keyboards), Julie Walkington Stavi (bs), Marius Rodrigues (drs) LISTENING ROOM 01/03/2019 BARBICAN, EC2 20:00 £15-35 (Double Bass), Joel Prime (Drums) Shireen Francis (vcls), Sarah Moule (vcls), Simon THE BRANFORD MARSALIS QUARTET + NIKKI YEOH 02/03/2019 PIZZAEXPRESS JAZZ CLUB, SOHO 21:00 Wallace (pno) 01/03/2019 ARCHDUKE, WATERLOO 22:00 FREE £20 (SOLO SET) with Joey Calderazzo, Eric Revis & Justin SIMON PURCELL TRIO PIANO-LED JAZZ TRIO JAMES MORTON 'GROOVE DEN' 01/03/2019 SOUTHBANK CENTRE 13:00 FREE Faulkner MISHA LUNCHTIME FOYER GIG 01/03/2019 JAZZ CAFE, CAMDEN 22:30 £15 02/03/2019 606 CLUB, CHELSEA 21:30 £14.00 Intricate yet intuitive jazz from lauded bass player 01/03/2019 -
Jazz Services National Touring Support Scheme Data 1992 – 2011
Jazz Services National Touring Support Scheme Data 1992 – 2011 Presented By: Steve French Computer Consultant Jazz Services 132 Southwark Street London SE1 0SW Telephone: 0207 928 9089 Email: [email protected] Website: www.jazzservices.org.uk Facebook: British Jazz Twitter:@jazzservices 15th March 2012 Table of Contents FOREWORD ......................................................................................................................... 3 1. GENERAL ACTIVITY: FINANCIAL YEARS 1992-2011.................................................... 4 1.1 TABLE 1: Data Relating to the Financial Years April to March 1992/2011 .............................. 4 1.2 TABLE 1: Notes to the figures .................................................................................................. 5 2. BAND ACTIVITY: FINANCIAL YEARS 1992-2011 ........................................................... 6 2.1 TABLE 2: Data Relating to Band Award for Financial Years April to March 1992/2011 .......... 6 2.2 TABLE 2: Notes to the figures .................................................................................................. 7 3. REGIONAL STATISTICS 1992-2011 ................................................................................ 8 3.1 TABLE 3: Number of gigs by Financial Year and Region ........................................................ 8 3.2 TABLE 4: Gigs by Financial Year and Region as a Percentage 1992-2011 ............................ 9 3.3 TABLE 5: Number of gigs by Financial Year and Region as a % 1992-2011 ....................... -
JAZZ in London F E B R U a R Y 2015
JAZZ in London www.jazzinlondon.net F E B R U A R Y 2015 RONNIE SCOTT’S PizzaExpress Jazz Club 47 Frith St. Soho, London W1D 4HT 10 Dean St. London W1 reservations: 020 7439 0747 Reservations: 08456 027 017 www.ronniescotts.co.uk www.PizzaExpresslive.com F E B R U A R Y Sun 1 (lunch) MATTHEW VanKAN with Phil Robson 1 BIG BAND METHENY (eve) JACQUI DANKWORTH 2 - 4 RUBY TURNER - sold out Mon 2 sings Billie Holiday 5 - 7 PEE WEE ELLIS FUNK ASSEMBLY EDANA MINGHELLA with special guest Huey Morgan on 6 & 7 Tue 3/Wed 4 RENATO D’AIELLO plays Horace Silver 8 CHARLIE WOOD BAND Thur 5 TAMMY WEIS with the Tom Cawley Trio with special guest Guy Barker Fri 6 CLARK TRACEY QUINTET 9 AMINA FIGAROVA featuring Chris Maddock & Henry Armburg-Jennings & ISHAR SARABSKI Sat 7 THE MOTOWN REVUE with Patrick Alan 9 Ronnie Scott’s JAZZ ORCHESTRA 10 PETER EDWARDS TRIO/ Sun 8 (lunch) LOUISE BALKWILL (eve) HENRY SPENCER’S JUNCTURE / SOWETO KINCH BAND WORLD SERVICE PROJECT Mon 9 WILDFLOWER SEXTET 11- 13 KENNY GARRETT QUINTET Tue 10 BETH ROWLEY 14 STILGOE/ WILLIAMS - sold out Wed 11 PETE OXLEY/ NICOLAS MEIER 15 - Soul Family NATALIE WILLIAMS Thur 12 ALEX MENDHAM ORCHESTRA 16-17 CHRIS POTTER’S UNDERGROUND Fri 13 18 ZHENYA STRIGALEV’S KANSAS SMITTY’S HOUSE BAND SMILING ORGANIZM Sat 14 Valentine’s special with TINA MAY 19-21 ARTURO SANDOVAL - sold out & GUILLERMO ROZENTHULLER 22 Ronnie Scott’s BLUES EXPLOSION Sun 15 (lunch) DURHAM UNI BIG BAND 23-28 BILLY COBHAM (eve) ROBERTO ANGRISANI Mon 16/ Tue17 ANT LAW BAND Wed 18 JONATHAN KREISBERG Royal College of Music with Will Vinson, Rick Rosato, Colin Stranahan (Britten Theatre) Prince Consort Rd. -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Schule Am Stadtrand
KING CRIMSON – 01. July 2018 – Berlin, Admiralspalast – Uncertain Times Tour - Text: Holger Ott Schwere Kost und ein anstrengender, langer Abend stehen heute auf meinem Plan. KING CRIMSON mit ihrem, als etwas exzentrisch geltenden Bandleader ROBERT FRIPP, sind in der Stadt und geben im ehrwürdigen Admiralspalast gleich drei Konzerte an drei Abenden. Betrachtet man den Tourplan, scheint das wohl bei ihnen so üblich zu sein. Anderenorts gibt es auch Zusatzkonzerte wegen der enormen Nachfrage. Ein kluger Rechner würde überlegen, weshalb die Band nicht in größere Säle gewechselt hat, um alles mit einem Rutsch abzuarbeiten, aber der Rechner hat dabei ROBERT FRIPP vergessen. Für ihn ist es wichtiger Qualität abzuliefern, als die Massen zu bespaßen. Somit bildet der Admiralspalast das perfekte Ambiente, um das 'Klanggewitter' auf die Bühne zu bringen. Zudem können sich die Band, die Techniker und Roadies ein paar Tage Berlin gönnen. Da Foto- und Videoaufnahmen streng verboten sind, kann ich mich entspannt in meinem Sitz zurücklehnen und das Ereignis über mich ergehen lassen. Ja, die Fotoregelung ist schon etwas Besonderes, das doch mal Erwähnung verdient hat. Bei der Einlasskontrolle wird jedem Besucher alles technische Gerät abgenommen. Zwei riesige Schilder auf der Bühne weisen darauf hin, dass bei einem Verstoß, der 'Täter' sofort aus dem Saal komplimentiert wird. Ein Ansager erklärt, dass erst nach Ende des Konzertes fotografiert werden darf, und zwar ab dem Moment, an dem Bassist TONY LEVIN seine eigene Kamera zur Hand nimmt, um Bilder vom Publikum zu machen. Und womit soll das Publikum fotografieren? Ich habe meine Kamera und mein Mobiltelefon zum Auto zurückgeschleppt. Einige haben es dennoch geschafft ihr Telefon hinein zu schmuggeln und wer schon im Dunkeln das Gerät einschaltet und somit eine Lichtquelle erzeugt, wird von den Ordnern aufs Korn genommen. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Hertsjazz.Pdf
JaHezrtzs Club Sundays7.45pm Download edition Sept to Dec A jazz musician is a juggler ‘who uses harmonies instead of oranges. Benny Green ’ Herts Jazz has a long and rich history, stretching back to the late 1960s when regular presentations began at the legendary pub, The Bell, in Codicote. Distinguished local saxophonist Jimmy Skidmore’s quartet took up residence and were soon joined by a whole host of celebrated guest artists and groups, including Stan Tracey, Tubby Hayes and Ronnie Scott, each delivering the best of British jazz. As the club expanded from its simple beginnings, its reputation and guest list became Hawthorne Theatre and Studio is international, attracting American star guests ranging from Jimmy Witherspoon to Sonny Stitt. unique as a jazz venue offering: With its ever- burgeoning status, it was no surprise that the club • Performances in a comfortable, intimate space eventually outgrew its pub-jazz origins and up until 2009 it moved • Fully licensed bar with a range of alcohol from venue to venue whilst continuing to thrive. Matching this, the including real ales music presented was a similarly fluid mix of modern jazz styles, both imported and home-grown. The club also prided itself in giving early • Humphrey’s Coffee Shop serving an exposure to young British jazz musicians who would eventually grow assortment of Starbucks’ tea and coffee, and a to become some of the leading jazz lights of their generation, variety of snacks including Alan Barnes, Dave Newton, Gerard Presencer and Clark Tracey. Beloved by musicians and with a faithful, knowledgeable and • Ample free car parking next to the venue attentive audience, Herts Jazz became one of the best known gigs on the circuit, a fact that made its sudden and ironic end – in its 40th • Full disabled access year – all the more lamentable. -
ISSUE 22 ° May 2011
Ne w s L E T T e R Editor: Dave Gelly ISSUE 22 ° May 2011 Ready for the Second Round We have now success- packs on the theme ‘The fully completed the devel- Story of British Jazz’, empha- opment phase of the sising the people and places Simon Spillett Talkin’ (and Access Development involved, and also the wider Playin’) Tubby Project for the Heritage social and cultural aspect of A celebration of the Music, Life Lottery Fund bid. Working the times. Some of these are NATIONAL JAZZ ARCHIVE JAZZ NATIONAL and times of the late, great British with Essex Record Office touched on in the Archive’s and Flow Associates, our exhibition at the Barbican jazz legend Tubby Hayes education and outreach Music Library (see below). With John Critchinson (piano), consultants, we have Alec Dankworth (bass) and developed our plans to Clark Tracey (drums) apply for the second NJA Exhibition Saturday 23 July 2011 round – funding of £388,000 opens at Barbican 1.30 - 4.30pm, at Loughton Methodist Church for a three-year delivery Music Library project. Tickets £10 from David Nathan at The Archive’s exhibition the Archive (cheques payable to This will involve building at the Barbican Music Library National Jazz Archive) on what we have so far is set to open on Tuesday 3rd See also Pages 5 & 6 achieved in increasing access May. It presents the people, to our collections during the places, bands and great jazz development phase - con- events, portrayed in rare serving, cataloguing, digitis- photos, posters, books, ing, developing outreach magazines and ephemera facilities, and collaborating from our fast-growing on projects with those who collection. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects .