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Festival Žanrskega Filma FestivalFestival GenreGenre žanrskegažanrskega FilmFilm filmafilma FestivalFestival kurjapolt.org 18. – 22. 4. 2018 Slovenska kinoteka & Kinodvor / Ljubljana Zbiramo filme na 8, s8 in 16 mm trakovih! Domači filmi so bogata zakladnica spominov in pomemben dokument zgodovine našega vsakdanjika. Škoda bi bilo, če bi jih izgubili. V Slovenski kinoteki bomo v evropskem letu kulturne dediščine več pozornosti namenili raziskovanju domačega filma. Kot filmski muzej vas pozivamo, da nam zaupate v hranjenje svoje družinske posnetke in s tem dostop do njih zagotovite tudi prihodnjim generacijam. Tudi vi doma hranite družinske filme? We are collecting works on 8-mm, S8-mm and 16-mm film! Home movies are a rich treasure chest of memories and an important document about life in a certain time. It would be a shame to lose them. In the European Year of Cultural Heritage, the Slovenian Cinematheque will devote more attention to researching home movies. As a film museum, we invite you to entrust us with the storage of your home movies and thus enable future generations to have access to them. Do you have such films at home? Oglasite se nam: Slovenska kinoteka, Arhivski oddelek Contact us: Slovenian Cinematheque, Archive Department Metelkova 2a, 1000 Ljubljana I 01 4342535 I [email protected] URNIK / TIMETABLE SREDA / WEDNESDAY 18. 4. / Slovenska kinoteka 19.30 18.00 Long Weekend Dolgi konec tedna Phase IV Faza IV Colin Eggleston, 1978, 35mm, 96' Saul Bass, 1974, 16mm, 84' 21.30 20.00 Zombi 2 Zombie Flesh Eaters Roar Rjovenje Lucio Fulci, 1979, 35mm, 91' Noel Marshall, 1981, 35mm, 102' 23.30 + predfilm / pre-feature short La Bête Zver The Beast Les Chiens savants Pasje gledališče Walerian Borowczyk, 1975, 35mm, 98' Pathé Frères, 1909, 35mm, 5' + predfilm / pre-feature short Queen Kong ČETRTEK / THURSDAY 19. 4. / Slovenska kinoteka Monica Stambrini, 2016, DCP, 19' 17.30 Maynila sa mga Kuko ng Liwanag NEDELJA / SUNDAY 22. 4. / Kinodvor Manila v krempljih luči 16.00 Manila in the Claws of Light Baahubali: The Beginning Lino Brocka, 1975, DCP, 124' Bahubali: Začetek 20.00 S. S. Rajamouli, 2015, DCP, 137' Vinyan 19.00 Fabrice du Welz, 2008, 35mm, 96' Baahubali 2: The Conclusion + Master Class: Fabrice du Welz Bahubali 2: Zaključek 22.30 S. S. Rajamouli, 2017, DCP, 140' Calvaire Kalvarija The Ordeal Fabrice du Welz, 2004, 35mm, 88' PODNAPISI / SUBTITLES Filmi so predvajani s slovenskimi podnapisi. PETEK / FRIDAY 20. 4. / Kinodvor All films are subtitled or spoken in English. 14.00 – 17.30 Konferenca kultnega filma VSTOPNICE / TICKETS Okužba, poguba in prekletstvo! Kultni film v Posamezne vstopnice: nacionalnem kontekstu 5 € (redna) / 4 € (v predprodaji) V angleščini. Vstop prost. 3D projekciji: Cult Film Conference 5,5 € (redna) / 4,5 € (v predprodaji) Contamination, Ruination and Damnation! Filmski dvojčki: 7 € Cult Cinema and the Nation Fabrice du Welz (Vinyan + Kalvarija), In English. Free admission. Ozploatacija (Ne ravno Hollywood + Dolgi konec tedna), 18.00 Bahubali (Bahubali: Začetek + Bahubali 2: Zaključek) Brawl in Cell Block 99 Filmski dvojček 3D: 8 € Ravs v zaporniškem krilu (Pošast iz črne lagune + Mojster meča) S. Craig Zahler, 2017, DCP, 132' 20.45 Vstopnice za projekcije v Slovenski kinoteki in Kinodvoru so Creature from the Black Lagoon 3D naprodaj pri blagajnah posameznih prizorišč. Pošast iz črne lagune 3D Jack Arnold, 1954, 3D DCP, 79' Single Tickets: 22.30 5 € (Regular) / 4 € (Presale) San shao ye de jian 3D 3D Screenings: Mojster meča 3D 5,5 € (Regular) / 4,5 € (Presale) Sword Master 3D Double Bills: 7 € Derek Yee, 2016, 3D DCP, 108' Fabrice du Welz (Vinyan + Calvaire), + Feature Your Creature Afterparty! Ozploitation (Not Quite Hollywood + Long Weekend) Baahubali (Baahubali: The Beginning + Baahubali 2: SOBOTA / SATURDAY 21. 4. / Slovenska kinoteka The Conclusion) 17.00 Double Bill 3D: 8 € Not Quite Hollywood: The Wild, Untold Story (Creature from the Black Lagoon + Sword Master) of Ozploitation! Ne ravno Hollywood: Divja in zamolčana zgodba Tickets for screenings at Kinodvor and Slovenska kinoteka o ozploataciji! are available at the respective box offices. Mark Hartley, 2008, 35mm, 103' PREDPRODAJA / PRESALE: 3. – 17. APRIL! UVODNIK Kurja polt 5: Ko narava podivja Festival žanrskega filma Kurja polt praznuje in prikazuje – pogosto prvič na domačem platnu in v izvornem formatu filmskega traku – tisto čudovito bizarno, drzno in divje polje filmske ekspresije, etike in estetike, ki nosi oznake kultni, eksploatacijski, off mainstream, B film, camp. Nekateri med njimi so filmske sirote in pankrti brez pedigreja, drugi so zamolčani, spregledani, celo prepovedani filmi velikih auteurjev, spet tretji so čistokrvne žanrske klasike. Vsi skupaj pa tvorijo filmsko subkulturo, ki ima svoj credo, svoj videz, svoj kult privržencev in svoje večno mesto na kanonski margini, od koder kriči zoper konvencionalnost in konformizem množične kulture, zoper družbeni, politični in filmski status quo. Letošnja tematska retrospektiva Ko narava podivja subverzivnem, pogosto ikonoklastičnem duhu jemlje v razmislek bogato in razgibano zakladnico filmov in avtorjev, kakršnim je festival Kurja polt žanrskih filmov, ki jo zaobjema sintagma »nature gone posvečen, odkrivamo vidike »podivjane narave« na wild« (tudi »nature run amok«, »nature’s revenge«, manj pričakovanih in nenavadnih krajih, a kot vselej »animals attack« in tako dalje). V prvi vrsti sem sodijo v čistokrvnih kultnih klasikah in po krivem prezrtih filmi o »naravnih pošastih« (creature feature), pa biserih filmske preteklosti. Eden slednjih je nedvomno ekološke grozljivke, srhljivke in znanstvena fantastika. Dolgi konec tedna (Long Weekend, 1978) – nukleus Prvo eksplozijo creature featurejev je v 50. letih sprožil in navdih letošnje retrospektive ter vrhunski primerek in podžigal strah pred posledicami jedrskih poskusov. avstralskega žanrskega booma 70. let, čudovito Pogosto orjaška ali radioaktivna, vselej zlovešča in podivjane »ozploatacije«. Posvetili ji bomo poseben morilska narava je tu pojmovana kot grožnja človeštvu. fokus in projekcijo pospremili še s slastno ponorelim Četudi je človek vzrok njene anomaličnosti, sta filmska dokumentarcem Ne ravno Hollywood: Divja in zgodba in gledalec na njegovi strani. V teku 60. let zamolčana zgodba o ozploataciji! (Not Quite se dvom in zaskrbljenost spričo nebrzdanega napredka Hollywood: The Wild, Untold Story of Ozploitation!, znanosti še zaostrujeta, hkrati se krepi in organizira 2008). Za brezčasno klasiko bo poskrbel sinonim creature okoljevarstvena zavest in tako smo v 70. priča še feature filma Pošast iz črne lagune (Creature from the drugemu, a zdaj bistveno drugačnemu valu eko-terorja. Black Lagoon, 1954), ki se vrača na platno v izvornem Filmi postajajo bolj naturalistični in bolj odločno 3D formatu! S slovitim oblikovalcem Hitchcockovih simpatizirajo z naravo. Njena bitja so sicer še vedno špic, Saulom Bassom, in pravo kurioziteto iz zakladnice preteča, toda človek si kazen več kot zasluži. In tega se obskurnih filmskih kultov, filmom Faza IV (Phase IV, tudi dodobra zaveda. Njegov občutek krivde se zajeda 1974), bomo orali ledino eksperimentalne znanstvene v vse pore živalskega kraljestva. Paranoično domišljijo fantastike. Nato bomo Hitchcocku, ki je motiv creature featurejev buri vsa, resnična in mitološka, flora in podivjane narave prenesel v mainstream in kanonsko favna; žuželke in pajki, dvoživke in črvi, ptiči in netopirji, kinematografijo, pomežiknili še enkrat. A namesto da divje mačke, psi in medvedi, morski psi, orke in lignji, bi se s Tippi Hedren otepali morilskih ptičev, se bomo kače in krokodili, mesojede rastline, bakterije in virusi, pa s Tippi Hedren in Rjovenjem (Roar, 1981), »najbolj prazgodovinske in fiktivne pošasti (Godzila, King Kong, nevarnim filmom vseh časov«, raje podali v levji brlog. volkodlak, jeti) in nazadnje še vsi njihovi križanci, živalski Za veliki finale sta tu še velikana evropskega žanrskega in antropomorfni. podzemlja, Lucio Fulci in Walerian Borowczyk. Fulcijeva ultrakultna zombijada in mejnik splatter filma Toda namen pričujoče retrospektive ni sistematični Zombi 2 (1979) nam bo v enem najbolj neverjetnih pregled ali golo nizanje tipskih primerkov. V svobodnem, prizorov žanrskega panteona zagotovil obveznega morskega psa in, kajpak, figuro zombija – vse od muzikal, se vrača na platno v vsem svojem blišču – Romera največjo naravno katastrofo in utelešenje kot maratonski dvojček Bahubali: Začetek človeškega kvarnega vpliva par excellence. Letošnja (Baahubali: The Beginning, 2015) in Bahubali 2: polnočna ekstravaganca pa se poklanja razuzdanim Zaključek (Baahubali 2: The Conclusion, 2017). križancem erosa in tanatosa, tako imenovani filmski Za okrepčilo bo poskrbljeno. »horrotiki«: njenemu ultimativnemu remekdelu, filmu Zver (La Bête, 1975) Waleriana Borowczyka, in njeni Globalne razsežnosti bo letos privzela tudi strokovna sodobni, ženski različici, kratkometražcu Queen Kong Konferenca kultnega filma, ki jo že drugo leto (2016) Monice Stambrini. zapored pripravljamo v sodelovanju z Univerzo Northumbria iz angleškega Newcastla, kjer je na delu Častni gost letošnje edicije in avtor v fokusu sekcije pravi možganski trust kultnega in žanrskega filma. Poleg poklon bo belgijski režiser Fabrice du Welz. Strastni starih festivalskih znancev, dr. Steva Jonesa in dr. Russa cinefil in rojeni filmar. Eden najbolj izvirnih in Hunterja z Univerze Northumbria, bo tokrat z nami suverenih avtorskih glasov sodobnega žanrskega filma vrhovna avtoriteta na področju študij kultnega filma, ter ključnih predstavnikov
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