The 'Third Man Argument' and the Text of the Parmenides
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Gregory Vlastos, Socrates
72 Gregory Vlastos, Socrates: Ironist and ~oral Philosopher (Cam bridge: Cambridge University Press, 1991), ISBN 0 521 307333 hardback £35/$57-50; ISB~ 0 521 31450X paperback £11-95/S16-95. Socrates: Ironist and Noral Philosopher (SINP) is a book that all students of Socrates and of Greek philosophy will have to read, and will benefit from reading. It isn't the complete portrait of Socrates that many of us hoped it would be (for example, it contains no full discussion of the elenchus) and it is not all new much of it is already familiar from journal articles. It reads, indeed, more like a collection of articles than a unified book, but it is none the less engaging and provocative for that, the product of hard thinking by a major scholar and a life-long Socratist It is also very well written. I shall focus on only a few central themes. 1. Socrates and Plato Vlastos (pp. 46-7) divides the Platonic dialogues into four classes: (1) ELENCTIC; Apology, Charmides, Crico, Euthyphro, Gorgias, Hippias Ninor, Ion, Laches, Protagoras, Republic I (2) TRANSITIONAL: Eu thydemus, Hippias l1ajor, Lysis, l1enexenus, l1eno (3) MIDDLE: Cratylus, Phaedo, Symposium, Republic II-X, Phaedrus, Parmenides, Theaetetus (4) LATE: Timaeus, Crit ias, Sophist, Politicus, Philebus, Laws 73 He believes that the protagonist of the elenctic dialogues ("SocratesE") is the historical Socrates. while the protagonist of the middle and later dialogues ("SocratesM") is little more than a mouthpiece for Plato. Many scholars would go along with this thesis. but they might well balk at the members of (2). -
SGR VERY Final Version
PLATO’S EXPLANATORY PREDICATION A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Saul Gordon Rosenthal January 2011 © 2011 Saul Gordon Rosenthal All rights reserved PLATO’S EXPLANATORY PREDICATION Saul Gordon Rosenthal, Ph. D. Cornell University 2011 One of the most classic puzzles in Plato’s metaphysics is how to interpret his apparently self-predicational language. Plato seems committed, at least in his middle dialogues, to the view that for all forms, the form of F “is F”. For instance, he seems to say that the form of largeness itself “is large”, and to generalize this claim to all forms. Commentators have struggled to find an interpretation of such claims that is consistent with Plato’s text and that attributes to Plato a view with some plausibility. One aim of this dissertation is to show that we have good reason to doubt all of the most influential interpretations offered by commentators. The views discussed include Narrow Self-Predication, the Tautologous Identity view, two Non- Tautologous Identity views, the Pauline Predication view, Broad Self-Predication, and a view distinguishing different kinds of predication. It is doubtful whether any of these interpretations correctly captures Plato’s self-predicational commitments. Another aim of the dissertation is to argue that the textual evidence most often thought to commit Plato to the Self-Predication Assumption (SP), that for all forms, the form of F is itself an F thing, is insufficient to establish such a commitment. One chapter focuses on Plato’s repeated discussion of the resemblance between form and participant. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
Phaedrus Plato
Phaedrus Plato TRANSLATED BY BENJAMIN JOWETT ROMAN ROADS MEDIA Classical education, from a Christian perspective, created for the homeschool. Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler. Just as the first century roads of the Roman Empire were the physical means by which the early church spread the gospel far and wide, so Roman Roads Media uses today’s technology to bring timeless truth, goodness, and beauty into your home. By combining excellent instruction augmented with visual aids and examples, we help inspire in your children a lifelong love of learning. Phaedrus by Plato translated by Benjamin Jowett This text was designed to accompany Roman Roads Media's 4-year video course Old Western Culture: A Christian Approach to the Great Books. For more information visit: www.romanroadsmedia.com. Other video courses by Roman Roads Media include: Grammar of Poetry featuring Matt Whitling Introductory Logic taught by Jim Nance Intermediate Logic taught by Jim Nance French Cuisine taught by Francis Foucachon Copyright © 2013 by Roman Roads Media, LLC Roman Roads Media 739 S Hayes St, Moscow, Idaho 83843 A ROMAN ROADS ETEXT Phaedrus Plato TRANSLATED BY BENJAMIN JOWETT INTRODUCTION The Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. -
Plato Apology of Socrates and Crito
COLLEGE SERIES OF GREEK AUTHORS EDITED UNDER THE SUPERVISION OF JOHN WILLIAMS WHITE, LEWIS R. PACKARD, a n d THOMAS D. SEYMOUR. PLATO A p o l o g y o f S o c r a t e s AND C r i t o EDITED ON THE BASIS OF CRON’S EDITION BY LOUIS DYER A s s i s t a n t ·Ρι;Οχ'ε&^ο^ ι ν ^University. BOSTON: PUBLISHED BY GINN & COMPANY. 1902. I P ■ C o p · 3 Entered, according to Act of Congress, in the year 1885, by J o h n W il l ia m s W h i t e a n d T h o m a s D. S e y m o u r , In the Office of the Librarian of Congress, at Washington. J . S. C u s h in g & Co., P r i n t e r s , B o s t o n . PREFACE. T his edition of the Apology of Socrates and the Crito is based upon Dr. Christian Cron’s eighth edition, Leipzig, 1882. The Notes and Introduction here given have in the main been con fined within the limits intelligently drawn by Dr. Cron, whose commentaries upon various dialogues of Plato have done and still do so much in Germany to make the study of our author more profitable as well as pleasanter. No scruple has been felt, how ever, in making changes. I trust there are few if any of these which Dr. Cron might not himself make if he were preparing his work for an English-thinking and English-speaking public. -
Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
Sophist Revisited Trends in Classics Q Supplementary Volumes
Plato’s Sophist Revisited Trends in Classics Q Supplementary Volumes Edited by Franco Montanari and Antonios Rengakos Scientific Committee Alberto Bernabe´ · Margarethe Billerbeck · Claude Calame Philip R. Hardie · Stephen J. Harrison · Stephen Hinds Richard Hunter · Christina Kraus · Giuseppe Mastromarco Gregory Nagy · Theodore D. Papanghelis · Giusto Picone Kurt Raaflaub · Bernhard Zimmermann Volume 19 De Gruyter Plato’s Sophist Revisited Edited by Beatriz Bossi Thomas M. Robinson De Gruyter ISBN 978-3-11-028695-3 e-ISBN 978-3-11-028713-4 ISSN 1868-4785 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. Ą 2013 Walter de Gruyter GmbH, Berlin/Boston Logo: Christopher Schneider, Laufen Printing: Hubert & Co. GmbH & Co. KG, Göttingen ϱ Printed on acid-free paper Printed in Germany www.degruyter.com Preface This book consists of a selection of papers presented at the International Spring Seminar on Plato’s Sophist (26–31 May 2009, Centro de Ciencias de Benasque ‘Pedro Pascual’, Spain) with the financial support of MI- CINN, CSIC, Universidad de Zaragoza and Gobierno de Aragón. The Conference was organized by the editors, under the auspices of the Director of the Centre, Prof. José Ignacio Latorre, who provided invaluable assistance at every stage of the Conference, up to its close with a lecture on Quantum Physics for Philosophers. The aim of the conference was the promotion of Plato studies in Spain in the framework of discussions with a number of international scholars of distinction in the field, whilst at the same time looking afresh at one of Plato’s most philosophically profound dialogues. -
Protagoras 330-1 David Wol£Sdorf
~tKatO<J"UVll and 'Qc.nem,c; at Protagoras 330-1 David Wol£sdorf I Introduction and Review In an argument in Protagoras for the similarity of Ol1WlO(j'\JVTj and oCH6'tTj~ Socrates introduces the following set of propositions: 1 (1) OtKalO(j'\JVT] is OtKlXlOV. 2 (2) oCH6'tTj~ is OCHOV. 3 (3) OtKlX lO(j'\JVTj is ocrWV. 4 (4) oCH6'tT]~ is otKawv. iI , I The meanings of (1)-(4) remain controversial. The objective of this paper is to give an update on the state of the discussion and to offer my own interpretation. The words 'OtKlXtOOUVTj' and 'OtKlXtoV' are typically translated as 'jus- tice' and 'just'. Thus, (1) is rendered as 'Justice is just'. The words '6CH6'tT1~' and 'ocrtoV' are typically translated as 'piety' or 'holiness' and 'pious' or 'holy'. But 'piety' and 'holiness' are not synonyms. Humans and their actions can be pious or holy, but inanimate objects can be holy, 330c4-dl 2 330d2-el 3 331a7-b3 4 331a7-b3 182 David Wolfsdorf ~lKato(jUVT\ and 'CXn6'!T\~ at Protagoras 330-1 183 but not pious. Thus, it is unclear whether to translate (2)-(4) as 'Holiness defined, is a condition that can only occur within a metaphysical discur- is holy', 'Justice is holy', and 'Holiness is just', or 'Piety is pious', 'Justice sive context.9 is pious', and 'Piety is just'. For much of the paper I will retain the original Insofar as the condition of self-predication depends upon the subject Greek and render the key words in English only where necessary. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Plato's Third Man Argument
Greek Philosophy (Essays) Theo Todman Does the Third Man Argument refute the theory of forms? Fine [1993] recognises four versions of the Third Man Argument (TMA). However, she argues persuasively that these are similar arguments with similar tacit premises, though with different emphases. Consequently, we will consider only that in Parmenides 132a1- b2. Fine’s translation runs as follows, with Parmenides speaking to Socrates: I suppose it is because of the following sort of thing that you think that (1) each form is one: (2) Whenever many things seem large to you, there perhaps seems to you to be, when you have looked at them all, some one and the same idea. Hence you think (3) the large is one. …. (4) What, then, if in the same way you look in your soul at all these – at the large itself and the other large things? (5) Will not some one large appear again, by which all these will appear large? …. So another form of largeness will appear besides the large itself and its participants. (6) And in addition to these, yet another, by which all these will be large. (7) And so each of the forms will no longer be one for you, but infinitely many. There are two things we need to address in this essay. Firstly, we need to understand the TMA itself, determining its premises, logical structure and validity. Secondly, we need to determine what Plato wants us to learn from it, and what its consequences are for his theory of Forms. The Argument Vlastos [1954] generalises Fine’s steps (2) and (5) as: (V2) If a number of things a, b, c, are all F, there must be a single Form F-ness, in virtue of which we apprehend a, b, c as all F. -
Gregory Vlastos
Gregory Vlastos: A Preliminary Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Vlastos, Gregory, 1907-1991 Title: Gregory Vlastos Papers Dates: circa 1930s-1991 Extent: 100 document boxes (42.00 linear feet) Abstract: The papers of philosopher Gregory Vlastos, a scholar of ancient Greek philosophy who spent most of his career studying the thought of Plato and Socrates, document his studies, his writings, and his career as an educator at several American universities. Call Number: Manuscript Collection MS-4361 Language: English, with Ancient Greek, French, German, Italian, Latin, Modern Greek, and Spanish Access: Open for research Administrative Information Acquisition: Gifts, 1993-2010 (G9070, G9134, G9163, G9225, G9252, G9628, G9979, G9982, G10214, G10288, G11877, 10-03-014-G) Processed by: Hope Rider, 2006; updated by Joan Sibley, 2016 Repository: The University of Texas at Austin, Harry Ransom Center Vlastos, Gregory, 1907-1991 Manuscript Collection MS-4361 Scope and Contents The papers of philosopher Gregory Vlastos (1907-1991), a scholar of ancient Greek philosophy who spent most of his career studying the thought of Plato and Socrates, document his studies, his writings, and his career as an educator at several American universities, especially Cornell, Princeton, and The University of California at Berkeley. The papers are arranged in six series: I. Correspondence and Offprint Files, II. Study, Lecture, and Teaching Files, III. Works, IV. Works by Others, V. Miscellaneous, and VI. Offprints Removed from Manuscripts. The Correspondence and Offprint Files (35 boxes) in Series I. represent Vlastos' extensive correspondence with other philosophers, classicists, former students, academics, and others. The files are arranged alphabetically by correspondent name, and generally include not only letters received, but copies of Vlastos' responses. -
The Science of Philosophy: Discourse and Deception in Plato's Sophist
The Science of Philosophy - Discourse and Deception in Plato’s Sophist - For Epoché [Penultimate ver.] The Science of Philosophy: Discourse and Deception in Plato’s Sophist Olof Pettersson Abstract: At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor explains why philosophy is a science. Like the art of grammar, philosophical knowledge corresponds to a generic structure of discrete kinds and is acquired by systematic analysis of how these kinds intermingle. In the literature, the Visitor’s science is either understood as an expression of a mature and authentic platonic metaphysics, or as a sophisticated illusion staged to illustrate the seductive lure of sophistic deception. By showing how the Visitor’s account of the science of philosophy is just as comprehensive, phantasmatic and self-concealing as the art of sophistry identified at the dialogue’s outset, this paper argues in favor of the latter view. Introduction At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor1 explains what he means by philosophy. Like the art of grammar, philosophy is about parts: All things can be analyzed. But not all parts fit together. Just like the letters of the alphabet, some can be combined and some cannot. According to the Visitor, it is knowledge about this that constitutes philosophy (253d1-e2) – a science he classifies as the greatest of them all (253c4-9). In the literature there are two main takes on this. Either the Visitors’ philosophical science is taken to be an expression of an authentic and mature platonic metaphysics; or it is said to be a sophisticated illusion staged to illustrate the seductive lure of sophistic deception.