Film Calendar August 10 - October 18, 2018
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Filmmaker Bios, 2008
FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years. -
2012-Loft-Film-Fest-Program
Festival Parties Join us as we cut the ribbon on our brand-new third screen! Ribbon cutting Friday November 9 at 5:00pm Open House 5:00 - 6:30pm Join the Loft staff, Board of Directors and local officials as we un- veil our new third screen (or what we affectionately call Screen 3)! You’ll be the first to step inside this new space for a behind-the- Loft Film Fest 2012 scenes tour! Join us for a champagne toast as we celebrate a job well done by an incredible team of dedicated people! loftfilmfest.com We will recognize the donors who made this phase of the project Inspired by film’s unique ability to entertain, engage, challenge and possible and we will especially honor those who have given their illuminate, The Loft Cinema will present its third annual international name to key parts of the project, including Bob Oldfather and film festival fromNovember 8th – 15th, 2012. Bookmans for the 3-D technology in Screen 3! Honoring Tucson’s richly diverse cultural community, The Loft Film Fest will present foreign films, documentaries and U.S. indies in a cin- You’re invited to The Loft Cinema’s ematic celebration of storytelling from around the world. 40th birthday party! The Loft Film Fest is an eight-day showcase of exclusive, one-time-only Friday November 15 from 5:30 - 7:30pm screenings and will feature: Yes, we know we don’t look 40, but The Loft is celebrating four • Festival favorites from Cannes, Sundance, Telluride, and more! decades of great film in Tucson! • Lively Q&A’s with talented filmmakers and actors Join us as we honor the last 40 years and toast the next 40! • Exciting retrospective screenings Where: The Lodge on the Desert • New international cinema 306 North Alvernon Way • Edgy Late Night movies When: 5:30 - 7:30pm, Thursday, November 15 (the actual 10th an- • Stimulating shorts from the filmmakers of tomorrow niversary of our purchase of The Loft as a nonprofit in 2002!) At the Loft Film Fest, audiences experience world-class film festival Who: Everyone! Loft Film Fest passholders get in free. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
The Importance of the Weimar Film Industry Redacted for Privacy Abstract Approved: Christian P
AN ABSTRACT OF THE THESIS Tamara Dawn Goesch for the degree of Master of Arts in Interdisciplinary Studies in Foreign Languages and Litera- tures (German), Business, and History presented on August 12, 1981 Title: A Critique of the Secondary Literature on Weimar Film; The Importance of the Weimar Film Industry Redacted for Privacy Abstract approved: Christian P. Stehr Only when all aspects of the German film industry of the 1920's have been fully analyzed and understood will "Weimar film" be truly comprehensible. Once this has been achieved the study of this phenomenon will fulfill its po- tential and provide accurate insights into the Weimar era. Ambitious psychoanalytic studies of Weimar film as well as general filmographies are useful sources on Wei- mar film, but the accessible works are also incomplete and even misleading. Theories about Weimar culture, about the group mind of Weimar, have been expounded, for example, which are based on limited rather than exhaustive studies of Weimar film. Yet these have nonetheless dominated the literature because no counter theories have been put forth. Both the deficiencies of the secondary literature and the nature of the topic under study--the film media--neces- sitate that attention be focused on the films themselves if the mysteries of the Weimar screenare to be untangled and accurately analyzed. Unfortunately the remnants of Weimar film available today are not perfectsources of information and not even firsthand accounts in othersour- ces on content and quality are reliable. However, these sources--the films and firsthand accounts of them--remain to be fully explored. They must be fully explored if the study of Weimar film is ever to advance. -
Persmap Skate Kitchen Een Film Van Crystal Moselle
PERSMAP SKATE KITCHEN EEN FILM VAN CRYSTAL MOSELLE Drama - 2018 - VS - 107 minuten VOD releasedatum: 28 mei 2020 iTunes | Cinetree | Cinemember | Ziggo | KPN Meer over de film:Cineart.nl/films/skate-kitchen Persmaterialen: Cineart.nl/pers/skate-kitchen Distributie: Contact: Cinéart Nederland Julia van Berlo Herengracht 328-III T: +31 20 5308840 1016 CE Amsterdam M: +31 6 83785238 T: +31 20 530 88 48 [email protected] SKATE KITCHEN EEN FILM VAN CRYSTAL MOSELLE SYNOPSIS SKATE KITCHEN is het speelfilmdebuut van regisseur Crystal Moselle (THE WOLFPACK); een ‘intens aangenaam en sympathieke’ (The Guardian) coming-of-age film over een groep vrouwelijke skateboarders, die zich door New York bewegen op wielen. De 18-jarige Camille (Rachelle Vinberg) doet niets liever dan hele dagen skateboarden, maar moet na een heftige valpartij haar moeder beloven om het nooit meer te doen. De liefde voor het skaten is echter te groot, en dus sluipt ze elke dag stiekem het huis uit met haar skateboard. Via Instagram komt Camille in contact met ‘The Skate Kitchen’, meiden die stuk voor stuk ‘leven om te skaten’. Ze voelt zich meteen welkom bij de groep en dankzij hun wilde levensstijl gaat er een nieuwe wereld voor haar open. Crystal Moselle maakte in 2015 veel indruk met de geprezen documentaire THE WOLFPACK over het bizarre levensverhaal van zes broers opgesloten in een appartement in New York. Een jaar later maakte ze de korte film THAT ONE DAY, waarin ze de crew van ‘The Skate Kitchen’ volgde. Ze raakte zo gefascineerd door de wereld van deze meiden, dat ze plannen maakte voor een lange speelfilm over de groep: SKATE KITCHEN. -
Editorial Anagrama 2014
Editorial Anagrama 2014 http://www.anagrama-ed.es/ag_cat_print.php Índice de colecciones PN Panorama de narrativas NH Narrativas hispánicas A Argumentos CO Contraseñas CM Compactos BM Biblioteca de la memoria CR Crónicas OVT Otra vuelta de tuerca EB Ebooks ZM Zoom FC Fuera de colección EL Edición Limitada LI Literatura Infantil LA Llibres Anagrama Otras Colecciones Índice de Autores | Índice Alfabético Panorama de narrativas EAN IVA 978-84-339-3001-9 1 Jane Bowles, Dos damas muy serias 6,92 7,20 978-84-339-3002-6 2 Ruggero Guarini, Parodia 7,50 7,80 978-84-339-3003-3 3 Grace Paley, Batallas de amor 7,50 7,80 978-84-339-3004-0 4 Mircea Eliade, Medianoche en Serampor 6,92 7,20 978-84-339-3005-7 5 Patricia Highsmith, El talento de Mr. Ripley 13.87 14.42 978-84-339-3006-4 6 Joseph Roth, La leyenda del Santo Bebedor 11.44 11.90 978-84-339-3007-1 7 Patricia Highsmith, La máscara de Ripley 11,54 12,00 978-84-339-3008-8 8 Thomas Bernhard, Sí 7,50 7,80 978-84-339-3009-5 9 J. Rodolfo Wilcock, La sinagoga de los iconoclastas 15.38 16 978-84-339-3011-8 11 Paul Bowles, Amor por un puñado de pelos 7,79 8,10 978-84-339-3011-8 11 Mohammed Mrabet, Amor por un puñado de pelos 7,79 8,10 978-84-339-3012-5 12 Samuel Beckett, Compañía 5,19 5,40 978-84-339-3013-2 13 Christiane Rochefort, El reposo del guerrero 10,96 11,40 978-84-339-3015-6 15 Patricia Highsmith, El amigo americano 13.94 14.50 978-84-339-3016-3 16 Giorgio Manganelli, Centuria 7,50 7,80 978-84-339-3017-0 17 Joseph Roth, A diestra y siniestra 6,35 6,60 978-84-339-3018-7 18 Mario Brelich, La ceremonia -
Gesture and Movement in Silent Shakespeare Films
Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate School of The Ohio State University By Jennifer Rebecca Collins, B.A. Graduate Program in Theatre The Ohio State University 2011 Thesis Committee: Alan Woods, Advisor Janet Parrott Copyright by Jennifer Rebecca Collins 2011 Abstract The purpose of this study is to dissect the gesticulation used in the films made during the silent era that were adaptations of William Shakespeare's plays. In particular, this study investigates the use of nineteenth and twentieth century established gesture in the Shakespearean film adaptations from 1899-1922. The gestures described and illustrated by published gesture manuals are juxtaposed with at least one leading actor from each film. The research involves films from the experimental phase (1899-1907), the transitional phase (1908-1913), and the feature film phase (1912-1922). Specifically, the films are: King John (1899), Le Duel d'Hamlet (1900), La Diable et la Statue (1901), Duel Scene from Macbeth (1905), The Taming of the Shrew (1908), The Tempest (1908), A Midsummer Night's Dream (1909), Il Mercante di Venezia (1910), Re Lear (1910), Romeo Turns Bandit (1910), Twelfth Night (1910), A Winter's Tale (1910), Desdemona (1911), Richard III (1911), The Life and Death of King Richard III (1912), Romeo e Giulietta (1912), Cymbeline (1913), Hamlet (1913), King Lear (1916), Hamlet: Drama of Vengeance (1920), and Othello (1922). The gestures used by actors in the films are compared with Gilbert Austin's Chironomia or A Treatise on Rhetorical Delivery (1806), Henry Siddons' Practical Illustrations of Rhetorical Gesture and Action; Adapted to The English Drama: From a Work on the Subject by M. -
Season Two of HBO S BETTY Debuts June 11
Season Two Of HBO’s BETTY Debuts June 11 Based on creator Crystal Moselle’s 2018 Sundance hit “Skate Kitchen,” BETTY will return to HBO for a second season FRIDAY, JUNE 11. The series follows five young women on journeys of self-discovery against the backdrop of New York City’s male-dominated skateboarding scene. The six-episode season will air on HBO and be available to stream on HBO GO. Horarios por país visita Hbocaribbean.com In season two, our five protagonists are stepping firmly into womanhood and tackling all the challenges it brings. As they navigate the pressures of adulthood, their male counterparts start to step up, step in, and become true allies, forming a united front for the greater good. Set in the last chapter of 2020, the season captures the pandemic in New York City, where masks and outside activities are the norm. This season stars Nina Moran as “Kirt,” Dede Lovelace as “Janay,” Moonbear as “Honeybear,” Rachelle Vinberg as “Camille” and Ajani Russell as “Indigo.” Recurring cast this season include: Katerina Tannenbaum (AJ and the Queen) as Honeybear’s girlfriend, “Ash”; Andrew Darnell as Janay’s adversarial love interest, “Sylvester”; Lil’ Dre as Camille’s new skating partner and content collaborator, “Tai”; Chef Roblé Ali as Janay’s cousin, “Jzabel”; Rad Pereira (HBO’s “High Maintenance”) as “Victoria,” Honeybear and Ash’s alluring third; Isabel Palma as betty “Shelby”; Eisa Davis (HBO’s “The Wire”) as Indigo’s mom, “Jeanne”; Danielle Melendez (“Skate Kitchen”) as Indigo’s sugarbaby guide, “Paloma”; Aya Aldamin as the crew’s beloved “Deli Mama”; Florence Pedrosa Blake Mourad as Honeybear’s “Grandma Sue”; Alexander Cooper (“Skate Kitchen”), Raekwon Haynes (White Boy Rick), Moisés Acevedo (“Remember Me”), Judah Lang (“Skate Kitchen”), Joe Apollonio (“High Fidelity”), and Sage Ceasar as skater boys “Charlie,” “Philip,” “Micah,” “Scruffy,” “Joe,” and “Teddy.” Episodes Include: Season 2, Episode 1 “Octopussy” Debut Date: FRIDAY, JUNE 11 Kirt’s (Nina Moran) (probably) on a quest. -
Sunday Morning Grid 2/17/19 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/17/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding College Basketball Ohio State at Michigan State. (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Hockey Day Hockey New York Rangers at Pittsburgh Penguins. (N) Hockey: Blues at Wild 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid American Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Jentzen Mike Webb Paid Program 1 1 FOX Planet Weird Fox News Sunday News PBC Face NASCAR RaceDay (N) 2019 Daytona 500 (N) 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Christina Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Grand Canyon Huell’s California Adventures: Huell & Louie 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN Jeffress Win Walk Prince Carpenter Intend Min. -
BAM Announces the Full Lineup for the 10Th Annual Bamcinemafest, A
BAM announces the full lineup for the 10th annual BAMcinemaFest, a festival of American independents featuring 22 New York premieres and three world premieres, Jun 20—Jul 1 Opening night—Boots Riley’s Sorry to Bother You Closing night—Josephine Decker’s Madeline’s Madeline Centerpiece—Debra Granik’s Leave No Trace Spotlight—Bo Burnham’s Eighth Grade & Stephen Maing’s Crime + Punishment Outdoor screening—Kasi Lemmons’ Eve’s Bayou (1997) The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. May 1, 2018/Brooklyn, NY—BAM announces the full lineup for the tenth annual BAMcinemaFest (Jun 20—Jul 1). Described as “filmgoers’ most exhilarating annual opportunity for discovery” (The Village Voice), BAMcinemaFest has evolved into a platform for both emerging and established filmmakers as well as unconventional and often overlooked films. This year’s 12-day festival presents all New York premieres and three world premieres. Gina Duncan, BAM’s Associate Vice President of Cinema explains "We are proud to present work that is compelling, defiant, and ultimately thrilling. It feels appropriate to celebrate the tenth BAMcinemaFest with a line-up of films and filmmakers whose energy and adventurousness hints at something profound taking root. I can't wait to see what it bears." Opening this year’s festival on Wednesday, June 20 is the head-spinningly surreal debut from musician-turned-filmmaker Boots Riley, Sorry to Bother You. Struggling to make ends meet in Oakland, CA, Cassius Green (Lakeith Stanfield) lands a job as a RegalView telemarketer. Realizing perfecting his “white voice” is the key to his monetary success, Green soon discovers it’s not without considerable consequences. -
IL CINEMA RITROVATO 1997 Undicesima Edizione / Eleventh Edition Sabato 28 Giugno - Sabato 5 Luglio Saturday June 28 - Saturday July 5
XXVI Mostra Internazionale del Cinema Libero IL CINEMA RITROVATO 1997 undicesima edizione / Eleventh edition sabato 28 giugno - sabato 5 luglio Saturday June 28 - Saturday July 5 curato da / edited by Cineteca del Comune di Bologna e Nederlands Filmmuseum Assessorato alla Cultura e Commissione Cinema del Comune di Bologna, Istituto per i Beni Culturali con il patrocinio della Regione Emilia-Romagna con il contributo della Presidenza del Consiglio dei Ministri con il sostegno della Commissione delle Comunità Europee - Direction Générale X - Politique Audiovisuelle Con la collaborazione di: Orchestra Regionale Arturo Toscanini Ente Autonomo Teatro Comunale di Bologna Dipartimento di Musica e Spettacolo dell'Università di Bologna Associazione Nazionale Esercenti Cinematografici ATC Azienda Trasporti Consorziali Con la sponsorizzazione / sponsored by: Haghefilm (Amsterdam) L'Immagine Ritrovata (Bologna) Soho Images (London) giovedì / thursday 26 Cinema Lumière A NUOVA LUCE: IL CINEMA MUTO ITALIANO workshop internazionale / International workshop dal pomeriggio di giovedì 26 - al pomeriggio di domenica 29 giugno from the afternoon of Thursday 26th to the afternoon of Sunday 29th June Cinema Lumière - Cinema Fulgor Dipartimento di Musica e Spettacolo dell'Università di Bologna Cineteca del Comune di Bologna Nederlands Filmmuseum Centro di promozione teatrale "La Soffitta" Unione Italiana Circoli del Cinema Mostra Internazionale del Cinema Libero ore 15.00 Introduzione ai lavori / Introducing the Workshop Vittorio Boarini (Cineteca del Comune di Bologna) e Antonio Costa (Università di Bologna) ore 15.45 Conservare i film muti italiani / Preserving the Italian silents intervento di Gian Luca Farinelli (Cineteca di Bologna) proiezione di: frammenti, film senza didascalie, opere da restaurare / projection of fragments, films without intertitles, film to be restored ore 17.00 La storia delle imprese di produzione del cinema muto italiano.