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Home , Dimitri Buchowetzki, Don Coscarelli, Josephine Decker, Michael Cimino, Mike Myers, Rachelle Vinberg

FILM CALENDAR AUGUST 10 - OCTOBER 18, 2018

LAWRENCE OF ARABIA New 70MM Print Part of THE 70MM FILM FESTIVAL, September 14-27

Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, www.musicboxtheatre.com 773.871.6607

NOIR CITY SKATE CATVIDEOFEST HOCUS POCUS MUSIC BOX CHICAGO KITCHEN SUNDAY, HEX-A-LONG OF HORRORS AUGUST 17-23 OPENS AUGUST 24 SEPTEMBER 9 SUNDAY, 24 HOUR FILM FEST OCTOBER 7 SATURDAY, OCT. 13 Welcome TO THE MUSIC BOX THEATRE!

FEATURE FILMS 5 SCOTTY AND THE SECRET HISTORY OPENS AUGUST 10 6 NICO, 1988 AUGUST 10-16 8 OPENS AUGUST 24 8 CUSTODY AUGUST 24-30 9 MADELINE’S MADELINE OPENS AUGUST 31 9 THE APPARITION SEPTEMBER 7-13 11 LET THE CORPSES TAN OPENS SEPTEMBER 14 12 PICK OF THE LITTER OPENS SEPTEMBER 28 12 BISBEE ‘17 OCTOBER 5-11 13 HEAVY TRIP OCTOBER 5-11

22 COMMENTARY SERIES 24 CLASSIC MATINEES 27 CHICAGO FILM SOCIETY 28 SILENT CINEMA 29 FROM STAGE TO SCREEN 30 MIDNIGHTS

SPECIAL EVENTS 5 MUSIC BOX MOVIES AT GALLAGHER WAY MAY 16-SEPTEMBER 19 RETURNING TO CHICAGO PARKS 6 COWBOY BEBOP AUGUST 15 & 16 AUGUST 26 - SEPTEMBER 1 7 NOIR CITY AUGUST 17-23 10 CATVIDEOFEST SEPTEMBER 9 Clarendon Park | Ellis Park | Independence Park | Loyola Park 17 70MM FILM FESTIVAL SEPTEMBER 14-27 Nichols Park | Ogden Park | Ping Tom Park 13 HEX-A-LONG HOCUS POCUS OCTOBER 7 West Pullman Park | Wicker Park 14 AN EVENING WITH OCTOBER 8 14 HUMP TOUR OCTOBER 10-12 15 MUSIC BOX OF HORRORS OCTOBER 13 A traveling exhibition of Chicago films. Eight 15 THE FACES OF FRANKENSTEIN OCTOBER 15 neighborhood park screenings and a three-day festival celebration of local film featuring dozens of films from all over the city.

More about our films at Brian Andreotti, Director of Programming VOLUME 36 ISSUE 151 Ryan Oestreich, General Manager Copyright 2018 Southport Music Box Corp. bit.ly/ChicagoOnscreen MusicBoxTheatre.com Buck LePard, Senior Operations Manager Stephanie Berlin, Public Relations Manager Published by Newcity Custom Publishing Newcitynetwork.com Movies in the Parks is presented by Claire Alden, Group Sales and Membership Manager For information, email [email protected] Julian Antos, Technical Director and Assistant Programmer or call 312.243.8786 Kyle Westphal, Programming Associate Cover Image from the film LAWRENCE OF ARABIA, Rebecca Lyon, Assistant Technical Director part of the 70MM Film Festival, September 14-27 at Music Box Theatre.

This program is presented as part of the Chicago Park District’s Night Out in THE OFFICIAL REWARDS the Parks with the support of Mayor Rahm Emanuel. Arts programming in Music Box Theatre 3733 North Southport musicboxtheatre.com PROGRAM OF THE CHICAGO neighborhoods across the city advances the goals of the Chicago Park 773-871-6604 showtimes 773-871-6607 office PARK DISTRICT District and the Chicago Cultural Plan. Learn more at: www.ChiParkPoints.com www.nightoutintheparks.com 3 City of Chicago | Rahm Emanuel, Mayor For more information about your Chicago Park District, visit Chicago Park District | Board of Commissioners | Michael P. Kelly, General Superintendent & CEO www.chicagoparkdistrict.com or call 312.742.7529 or 312.747.2001 (TTY). FEATURES AND SPECIAL EVENTS

MAY 16 - SEPTEMBER 19 SPECIAL EVENT

MUSIC BOX THEATRE MOVIES AT GALLAGHER WAY

Every Other Wednesday, May 16 - September 19 at 7:30pm Gather your friends and family and come enjoy Gallagher Way’s free summer movie series brought to you by Chicago’s premier venue for independent and classic films, the Music Box Theatre. Running every other Wednesday through September, join us as we screen classic films including SPACE JAM, TOP GUN and BACK TO THE FUTURE. All screenings take place at Gallagher Way, located at 3637 N Clark Street, Chicago. Visit GallagherWay.com for more information and events. There is no cost for Music Box Theatre Movies at the Gallagher Way, join us for free.

OPENS AUGUST 10 FEATURE FILM

SCOTTY AND THE SECRET HISTORY OF Captures a fascinating era of “ Hollywood—the public-relations DIRECTED BY: version and the real one.” 97 mins, DCP –The Wrap

SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD is the An engaging, layered, frequently deliciously scandalous story of Scotty Bowers, a handsome “fascinating look at Hollywood ex-Marine who landed in Hollywood after WWII and became legend Scotty Bowers.” – confidante, aide-de-camp and lover to many of Hollywood’s greatest male—and female—stars. An unsung Hollywood legend, Bowers would cater to the sexual appetites of celebrities—straight and gay–for decades. While the studio PR machines were promoting their stars as wholesome and monogamous, Bowers was fulfilling the true desires of many of them. This cinéma-vérité documentary tells his story, and presents eye- opening takes on icons from the Hollywood Golden Age including Cary Grant, , Spencer Tracy, Lana Turner, Ava Gardner and many more.

Features and Special Events 5 FEATURES AND SPECIAL EVENTS

AUGUST 10-16 FEATURE SPECIAL FILM EVENT

10th Anniversary!

NICO, 1988 Surprisingly authentic, with “a zombie-pitch-perfect performance by Trine Dyrholm.” DIRECTED BY: Susanna Nicchiarelli –Variety STARRING: Trine Dyrholm, John Gordon Sinclair, 95 mins, DCP, In English, German and French with English subtitles NICO, 1988 features a tour de force performance from Trine Dyrholm as the aging Nico (aka Christa Päffgen), interpreting rather than impersonating the famed singer-songwriter as she approaches 50. Leading a solitary existence in Manchester, Nico’s life and career are on the ropes, a far cry from her glamorous days as a Warhol superstar and celebrated vocalist for The Velvet Underground. NOIR CITY CHICAGO • AUGUST 17-23 Nico’s new manager convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a NOIR CITY CHICAGO celebrates 10 years with “Film Noir From A to B”! Audiences will be taken back in time relationship with the son she lost custody of long ago. A brave and uncompromising musician, NICO, with a program of seven genuine “A” and “B” double bills, spanning the breadth of the original film noir era, 1988 is the story of an artist, a mother, and the woman behind the icon. 1945 to 1952. With a special Opening Night double feature of DEVIL IN A BLUE DRESS and ONE FALSE MOVE with director Carl Franklin in person. Hosted by Film Noir Foundation Founder and President Eddie Muller, and FNF board member and author Alan K. Rode. Highlights include: AUGUST 15 & 16 SPECIAL EVENT DEVIL IN A BLUE DRESS (Carl Franklin, 1995, 102 mins, 35mm) Adapted from the first of Walter Mosley’s popular Easy Rawlins novels, this neo-noir stars as the private investigator plying his trade in South Central after WWII. When DeWitt Albright (a memorably shifty ) asks Easy to find a missing woman (Jennifer Beals) involved with a mayoral candidate, the detective soon has several murders to solve. With Don Cheadle. ONE FALSE MOVE (Carl Franklin, 1992, 105 mins, 35mm) After Michael Beach, Cynda Williams and Billy Bob Thornton (who co-wrote the taut script) leave Los Angeles following a particularly bloody drug robbery, LAPD detectives suspect they’ll head to Star City, Arkansas. Talkative local sheriff Bill Paxton is excited by Contains COWBOY BEBOP: THE MOVIE - 15 Minutes of the prospect of doing real police work—but he has a connection to one of the criminals Behind-The- that he doesn’t disclose in this unpredictable crime thriller. Critic Gene Siskel’s favorite KNOCKIN’ ON HEAVEN’S DOOR Scenes Bonus film of 1992, and ran for 8 weeks at the Music Box Theatre in its initial theatrical release. Footage! THE MAN WHO CHEATED HIMSELF Wednesday, August 15 at 9:30pm & Thursday, August 16 at 7pm (Felix Feist, 1950, 81 mins, 35mm) (Shinichirô Watanabe, 2001, 115 mins, DCP) A veteran San Francisco homicide cop (Lee J. Cobb) spirals into a moral morass when Mars. Days before Halloween 2071. Villains blow up a tanker truck on Highway One, releasing a deadly his married socialite lover (Jane Wyatt, in a rare fatale role) “accidentally” bumps off virus that kills hundreds. Fearing a bigger, even more devastating biochemical attack, an astronomical her husband. Instead of playing it by the book (would that be noir?), he covers up the reward is offered for the capture of the culprits behind the destruction. On the spaceship “Bebop,” crime, only to have his younger brother (John Dall)—a rookie homicide dick—start Spike Spiegel and his crew of bounty hunters are bored and short of cash. But with the news of the putting together the pieces. This reward, everything changes. Based on the wildly popular TV series, the big-screen adaptation pits James M. Cain-style thriller gets maximum impact from its San Spike and Co. against their deadliest adversary ever. Featuring stunning, state-of-the-art animation, Francisco locations, including a memorable climax at Fort Point. this action-packed sci-fi adventure builds to a breathtaking, nail-biting climax, guaranteed to keep you Presented in a brand new 35mm restoration courtesy of the hanging on the edge of your seat. Film Noir Foundation and UCLA Film & Television Archive.

6 Music Box Theatre August-October 2018 Features and Special Events 7 FEATURES AND SPECIAL EVENTS

OPENS AUGUST 24 FEATURE OPENS AUGUST 31 FEATURE FILM FILM

READ NICK ALLEN’S SKATE KITCHEN An irresistible hangout movie” COMMENTARY ON PAGE 22 “–Variety DIRECTED BY: Crystal Moselle A gorgeous exploration of MADELINE’S MADELINE One of the boldest and STARRING: , Nina Moran, Jaden Smith a young woman coming “ most invigorating American 106 mins, DCP into her own via her skills “ films of the 21st century.” and her sisterhood” DIRECTED BY: Josephine Decker –IndieWire In the first narrative feature from THE WOLFPACK director Crystal –The Wrap STARRING: Helena Howard, Molly Parker, Moselle, Camille, an introverted teenage skateboarder from 94 mins, DCP The best film I saw , meets and befriends an all-girl, -based “at Sundance” crew called Skate Kitchen. She falls in with the in-crowd, has a falling out with her Madeline has become an integral part of a prestigious physical theater –Village Voice mother, and falls for a mysterious skateboarder guy, but a relationship with him proves to be trickier troupe. When the workshop’s ambitious director pushes the teenager to navigate than a . Writer/director Crystal Moselle immersed herself in the lives of the to weave her rich interior world and troubled history with her mother skater girls and worked closely with them, resulting in the film’s authenticity, which combines poetic, into their collective art, the lines between performance and reality begin to blur. The resulting atmospheric filmmaking and hypnotic skating sequences. SKATE KITCHEN precisely captures the battle between imagination and appropriation rips out of the rehearsal space and through all three experience of women in male-dominated spaces and tells a story of a girl who learns the importance women’s lives. Writer/director Josephine Decker’s film displays a rare sensitivity for capturing the of camaraderie and self-discovery. messy struggles of discovering a sense of one’s self that defies easy narrative categorization.

AUGUST 24-30 FEATURE SEPTEMBER 7-13 FEATURE FILM FILM

CUSTODY Gripping. Superbly-performed. Truly merit[s] the term ‘discovery.’” “ THE APPARITION An excellent film...” –The Playlist DIRECTED BY: Xavier Legrand “–Cineuropa STARRING: Denis Ménochet, Léa Drucker, Thomas Gioria The most dazzling fusion of grim DIRECTED BY: Xavier Giannoli 93 mins, DCP, French with English subtitles “social realism and giddy genre STARRING: Vincent Lindon, Galatéa Bellugi, Patrick d’Assumçao thrills since 4 MONTHS, 3 WEEKS 144 mins, DCP, In English, French and Italian with English subtitles A Music A broken marriage leads to a bitter custody battle with an AND 2 DAYS.” embattled son at the center in this domestic thriller that will –Sight & Sound Jacques is a journalist at a large regional newspaper in France. His reputation as an Box Films keep audiences guessing and leave them with their hearts in their impartial and talented investigator attracts the attention of the Vatican who recruits Release! throats. Miriam and Antoine Besson have divorced, and Miriam is him for a special task: taking part of a committee to investigate the veracity of a saintly seeking sole custody of their son Julien to protect him from a father she claims is violent. Antoine apparition in a small French village—a true canonical investigation. Upon his arrival, he pleads his case as a scorned dad whose children have been turned against him by their vindictive meets the young and sensitive Anna who claims to have personally witnessed the apparition of the mother. Unsure who is telling the truth, the appointed judge rules in favor of joint custody. A hostage Virgin Mary. A profound devout, she’s garnered an impressive following in the village and is torn to the escalating conflict between his parents, Julien is pushed to the edge to prevent the worst from between her faith and the many solicitations she receives. Confronted with opposing views from happening. A companion piece to director Xavier Legrand’s Academy Award®-nominated short film Just clergy members and skeptics in the group, Jacques gradually uncovers the hidden motivations and Before Losing Everything, CUSTODY won the Silver Lion for Best Director at the . pressures at work and sees his beliefs system profoundly shaken.

8 Music Box Theatre August-October 2018 Features and Special Events 9 FEATURES AND SPECIAL EVENTS

SEPTEMBER 9 SPECIAL OPENS SEPTEMBER 14 FEATURE EVENT FILM

LET THE CORPSES TAN Meticulously executed, “obsessively stylized. You almost expect to see Dario Argento or DIRECTED BY: Hélène Cattet, Bruno Forzani Mario Bava’s name on the credits” CATVIDEOFEST STARRING: Elina Löwensohn, Stéphane Ferrara, Bernie Bonvoisin –Screen International 92 mins, DCP, In French with English subtitles Beautiful, experimental and Sunday, September 9 at Noon & 2:30pm After stealing a truckload of gold bars, a gang of thieves absconds “ bold. One of the most exciting to the ruins of a remote village perched on the cliffs of the cinematic experiences I’ve had CatVideoFest returns to Chicago! 70 minutes of the best cat videos of the year, in quite some time.” Mediterranean. Home to a reclusive yet hypersexual artist and –Birth.Movies.Death plus some classics and surprises. her motley crew of family and admirers, it seems like a perfect CatVideoFest is a charitable nonprofit dedicated to bringing the joy of cat hideout. But when two cops roll up on motorcycles to investigate, videos to the masses and raising money for cats in need. Each year, curator Will the hamlet erupts into a hallucinatory battlefield as both sides engage in a firefight rife with double- Braden creates a program of the best cat videos of the year, along with some crosses and dripping with blood. Based on a classic pulp novel by Jean-Patrick Manchette and classics and unique submissions. Ticket sales for CatVideoFest go toward local featuring music by Ennio Morricone, LET THE CORPSES TAN is a deliriously stylish, cinematic fever cat charities, animal welfare organizations, and shelters. dream that will slamfire your senses like buckshot to the brain.

Music Box Member Is a great way to support the quality programming at the historic theatre! • Discounted tickets • Restaurant discounts • Members-only screenings • Deals on Music Box Films DVD’s • Advanced purchase for • Bottomless popcorn special screenings • Discounted house wines join today register online at musicboxtheatre.com or visit our box office!

10 Music Box Theatre August-October 2018 Features and Special Events 11 FEATURES AND SPECIAL EVENTS

OPENS SEPTEMBER 28 FEATURE OCTOBER 5-11 FEATURE FILM FILM

A Doppelgänger Releasing Presentation

PICK OF THE LITTER Emotive storytelling with “concisely focused film- HEAVY TRIP Jukka Vidgren and Juuso making that’s sure to charm Laatio’s breakout film is a DIRECTED BY: Dana Nachman, Don Hardy viewers well beyond a sizable “ 81 mins, DCP DIRECTED BY: Jukka Vidgren, Juuso Laatio metal movie for the ages.” audience of dog lovers.” –Birth.Movies.Death –The Hollywood Reporter STARRING: Johannes Holopainen, Minka Kuustonen, Max Ovaska PICK OF THE LITTER follows a litter of puppies from the moment 90 mins, DCP, In English, Norwegian and Finnish with English subtitles they’re born and begin their quest to become guide dogs for the blind. Cameras follow these pups through an intense two-year odyssey as they train to become dogs In this offbeat from Finland, Turo is stuck in a small village where the best thing in his life is whose ultimate responsibility is to protect their blind partners from harm. Along the way, these being the lead vocalist for the amateur metal band Impaled Rektum. The only problem? He and his remarkable animals rely on a community of dedicated individuals who train them to do amazing, bandmates have practiced for 12 years without playing a single gig. The guys get a surprise visitor from life-changing things in the service of their human. The stakes are high and not every dog can make Norway—the promoter for a huge heavy metal music festival—and decide it’s now or never. They steal the cut. Only the best of the best. The pick of the litter. a van, a corpse, and even a new drummer in order to make their dreams a reality.

OCTOBER 5-11 FEATURE OCTOBER 7 SPECIAL FILM EVENT

Opening Weekend - Director In 25th Person! Anniversary Screening! BISBEE ‘17 Instantly essential. A lyrical, “powerful piece of work that will certainly stand among the HEX-A-LONG HOCUS POCUS DIRECTED BY: Robert Greene best documentaries you’ll see 112 mins, DCP this year.” –RogerEbert.com Sunday, October 7 at 1:30pm BISBEE ’17 is a nonfiction feature film by award-winning filmmaker (Kenny Ortega, 1993, 96 mins, 35mm) Robert Greene set in Bisbee, Arizona, an eccentric old mining town A fascinating and dream-like just miles away from both Tombstone and the Mexican border. “mosaic about a forgotten This Halloween, the Sanderson Sisters are casting their spell over the Music Box! American tragedy.” Bette Midler, Kathy Najimy and Sarah Jessica Parker star as three 17th-century Radically combining collaborative documentary, western and –IndieWire Salem witches who rise from the dead to wreak havoc on the early-‘90s. And musical elements, the film follows several members of the close knit with HEX-A-LONG HOCUS POCUS, you can join in on the wicked mischief! Dick O’Day photo community as they attempt to reckon with their town’s darkest hour. In 1917, nearly two-thousand by Rick Aguilar immigrant miners, on strike for better wages and safer working conditions, were violently rounded Hosted by Dick O’Day, you’re invited to shout, sing, cheer and scream along with up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexico the movie during our interactive screening. Plus, the magic is in your hands with our goody bags, full of desert and left there to die. This long-buried and largely forgotten event came to be known as the candy, bubbles, streamers and more. So put on your wildest, wackiest Halloween costume, hop on your Bisbee Deportation. broom (or vacuum), and fly over to the Music Box for this family-friendly event.

12 Music Box Theatre August-October 2018 Commentary 13 FEATURES AND SPECIAL EVENTS

OCTOBER 8 SPECIAL SATURDAY, OCTOBER 13 SPECIAL EVENT EVENT AN EVENING WITH DON COSCARELLI Monday, October 8 at 7:15pm Conversation and Book-Signing From Don Coscarelli, the celebrated filmmaker behind many cherished cult classics comes a memoir that’s both revealing autobiography and indie film crash course. Best known for his horror/sci-fi/fantasy films including , and BUBBA HO-TEP, now he’s taking you on a white-knuckle ride through the wild world of filmmaker. Join Coscarelli as he gets his own office on the studio lot while still a teenager, turns Includes a a short story about Elvis Presley battling a Screening four thousand-year-old Egyptian mummy of BUBBA into a beloved cult classic film, and breaks bread with Tobe Hooper, , HO-TEP! and many more. True Indie will prove indispensable for film fans, aspiring filmmakers, and anyone who loves an underdog success story.

OCTOBER 10-12 SPECIAL OCTOBER 15 SPECIAL EVENT EVENT

THE FACES OF FRANKENSTEIN

Monday, October 15 at 7pm Depictions of Frankenstein’s Creature from Mary Shelley to Benedict Cumberbatch. A conversation coordinated by Remy Bumppo Theatre Company HUMP TOUR: THE VERY BEST OF HUMP! Shelley’s creation has become one of the most recognizable but misunderstood characters in film, literature and on stage: Boris Karloff’s nonverbal behemoth to Herman Munster to your favorite Wednesday, October 10 - Friday, October 12 green Halloween mask. But the monster is much more than neck bolts—and has been a favorite subject of filmmakers, artists, writers and performers for two centuries because of it. The creative What’s HUMP!? It’s the best little porn festival in the world! For this special show, HUMP! creator team of Remy Bumppo Theatre Company hosts a discussion of the depictions of this complex Dan Savage (Savage Lovecast, It Gets Better Project) has selected some of his favorites from the creature, celebrating the 200th anniversary of the novel’s publication. Panel discussion to start 2008 through 2017 festivals. Filmmakers resubmitted their films for this mini tour to select cities. at 8:15pm following a 7pm screening of FRANKENSTEIN (James Whale, 1931, 70 mins, 35mm). Go to HumpFilmFest.com to see the lineup and buy tickets!

14 Music Box Theatre August-October 2018 Features and Special Events 15 “With narrative restraint and a lapidary visual style, Mr. Beauvois opens up this isolated world with stirring emotional force.” —

FRIDAY SEPTEMBER  TO THURSDAY SEPTEMBER  

BUY YOUR COPY TODAY AT THE MUSIC BOX THEATRE

@musicboxfi lms 16 Music Box Theatremusicboxfi August-October lms.com 2018 Commentary 17 70MMFEATURES FILM AND FESTIVAL SPECIAL EVENTS

INDIANA JONES AND THE LAST CRUSADE THE MUSIC BOX (, 1989, 127 mins) 70MM Blowup with Magnetic Sound 70MM FILM FESTIVAL from Paramount In the third entry in the Indiana Jones series, has to rescue his father profes- September 14 - 27, 2018 sor Henry Jones () from the Na- zis before they get to the Holy Grail. Beauti- The 70MM Film Festival returns to the Music Box for another epic year of fully shot in Spain, Italy, the , celluloid. This year’s festival includes a brand new 70MM print of LAWRENCE Turkey, and Jordan, THE LAST CRUSADE is OF ARABIA, festival favorites like WEST SIDE STORY and 2001: A SPACE genuinely thrilling entertainment that still ODYSSEY, and 8 films that have never screened in 70MM at the Music Box! makes time for Steven Spielberg’s patented deadbeat father and son dynamics. Featuring River Phoenix as a teenage Indiana Jones! Friday, September 21 at 7:15pm • Saturday, September 22 at 3pm 2001: A SPACE Tuesday, September 25 at 7:30pm • Wednesday, September 26 at 2:30pm ODYSSEY (, 1968, 164 mins) LAWRENCE OF ARABIA 70MM with DTS Sound from (, 1962, 228 mins) Warner Brothers New 70MM Print with DTS Sound from Brand New Stanley Kubrick’s dazzling, Academy Award- Sony Pictures Repertory 70MM Print! winning achievement is a compelling drama An account of the life and adventures of T.E. Lawrence of man vs. machine, a stunning meld of mu- (piercingly blue-eyed Peter O’Toole), David Lean’s finest sic and motion. Kubrick (who co-wrote the film is the rare historical epic that works on nearly every screenplay with Arthur C. Clarke) first visits level, combining awe-inspiring production values with a our prehistoric ape-ancestry past, then leaps genuinely moving story of a deeply imperfect man. Made millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks by people who really meant business, the locations were astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay so hot and dry that they caused cracking in the emulsion doors, HAL.” Let an awesome journey unlike any other begin. of the camera negative. Don’t watch this one at home! Monday, September 24 at 7pm • Thursday, September 27 at 2:30pm Saturday, September 15 at 7pm • Sunday, September 16 at 12:30pm Tuesday, September 18 at 7pm • Wednesday, September 19 at 2pm Thursday, September 20 at 2pm THE DARK CRYSTAL (, Frank Oz, 1982, 93 mins) 70MM Blowup with Magnetic Sound PATTON from Universal (Franklin J. Schaffner, 1970, 172 mins) A young Gelfling named Jen sets out to restore or- Archival 70MM Print with DTS Sound from der to his planet by recovering a glass shard from Twentieth Century Fox the broken and powerful Dark Crystal. A delightfully George C. Scott stars as the controversial WWII general creepy collaboration between Jim Henson and Frank “Old Blood and Guts” George S. Patton, in a performance Oz, THE DARK CRYSTAL presents a darker side of so crazed and immersed it’s hard not to believe he’s the the muppets and features some of the best anima- man himself. A personal favorite of Roger Ebert, who tronics of the ‘80s (which still hold up beautifully called PATTON “not only one of the best American today). Variety noted the film was a welcome lesson in mortality for parents and children alike, and “the movies, but one of the best uses ever made of 70MM outstanding character is the Aughra, an ancient one-eyed harridan of an oracle who somehow reminds widescreen photography … it is startling to see how good one of a truly blowsy Shelley Winters.” a movie can look.” Saturday, September 22 at 12:30pm • Sunday, September 23 at 9:15pm Saturday, September 15 at 11:30am Wednesday, September 26 at 7pm Thursday, September 20 at 7pm

18 Music Box Theatre August-October 2018 70MM Film Festival 19 70MMFEATURES FILM AND FESTIVAL SPECIAL EVENTS

THE REMAINS OF THE DAY (James Ivory, 1993, 134 mins) 70MM Blowup with Magnetic Sound from Sony Pictures Repertory Adapted from Kazuo Ishiguro’s novel, Merchant- Ivory’s exquisite follow-up to HOWARDS END reunites and STAR TREK VI: THE in another understated and adult romance. A tale THE THING (John Carpenter, 1982, 109 mins) of compromise and complicity in interwar , UNDISCOVERED COUNTRY THE REMAINS OF THE DAY follows housekeeper (Nicholas Meyer, 1991, 110 mins) 70MM Blowup with Magnetic Sound from Universal Miss Kenton (Thompson) as she waits for unflap- 70MM Blowup with Magnetic Sound pable head butler Stevens (Hopkins) to think above from Paramount Master of horror John Carpenter and frequent col- laborator Kurt Russell take you to a remote outpost his station and express his feelings while their employer Lord Darlington (James Fox) pursues a separate The final entry in the Star Trek franchise starring the in Antarctica, as a group of American research sci- peace with Nazi Germany. The only Merchant-Ivory production to receive a 70MM release, REMAINS OF cast of The Original Series (and the last Star Trek film to receive a 70MM release), THE UNDISCOVERED entists discover that a nearby camp has been de- THE DAY shows the team’s typical attention to costume design, set decoration, and period detail to its COUNTRY is a still timely Russian/American allegory stroyed and a strange craft has been found beneath best advantage in this lovely blowup. that borrows heavily from Shakespeare and finds the the ice. Under attack by an alien lifeform that can Friday, September 21 at 3pm • Sunday, September 23 at 11:30am crew of the enterprise gracefully confronting old age. assume the shape of its victims, THE THING is a Monday, September 24 at 2:30pm Hesitant to admit he was really a fan, Gene Siskel harrowing combination of slow burn paranoia and revealed on “At the Movies” that after 6 movies, gruesome body horror. With groundbreaking crea- he’d “really grown to like these people.” Featuring ture special effects by Rob Bottin (TOTAL RECALL, SILVERADO an earth shattering Dolby SR soundtrack and Chris- SE7EN) and music by the great Ennio Morricone. topher Plummer. Please note this print has somewhat faded color. (, 1985, 133 mins) Friday, September 21 at 10:30pm Friday, September 14 at 11:30pm 70MM Blowup with Magnetic Sound Saturday, September 22 at 11pm Saturday, September 15 at Midnight from Sony Pictures Repertory Sunday, September 23 at 6:30pm Wednesday, September 19 at 7:30pm Lawrence Kasdan, screenwriter of RAIDERS OF THE LOST ARK and : THE EMPIRE STRIKES BACK and an Oscar-nominee for THE BIG CHILL, uses his industry clout to assemble a star-studded cast for this old-fashioned Western. Kevin Kline, Scott Glenn, and (in his breakout role) are four drifters who arrive in a small town overrun by a corrupt sheriff and his mercenaries. Kasdan pays tribute to the cowboy films of the past, with thrilling gunfights, horseback chases, jailbreaks, dishonorable men doing honorable deeds, and fills the 70MM frame with the sun-drenched vistas of the old west. All this, plus Jeff Goldblum as a lowlife gambler! YEAR OF THE DRAGON (Michael Cimino, 1985, 134 mins) Sunday, September 23 at 3pm • Tuesday, September 25 at 2:30pm WEST SIDE STORY 70MM Blowup with Magnetic Sound Wednesday, September 26 at 9:30pm ( and , 1961, 152 mins) from Private Collections, permission 70MM with DTS Sound from Park Circus Warner Brothers Adapted from the incredibly successful Broad- Director Michael Cimino’s first film after the infa- THE SOUND OF MUSIC way play, even the magnificent 70MM frame has mously disastrous (and quite beautiful) HEAVEN’S (Robert Wise, 1965, 172 mins) trouble containing the raw energy of WEST SIDE GATE, YEAR OF THE DRAGON stars Archival 70MM Print with DTS Sound STORY. Robert Wise (THE SOUND OF MUSIC, THE as veteran Stanley White, a police from Twentieth Century Fox DAY THE EARTH STOOD STILL) co-directed with captain hell bent on cleaning up organized crime Jerome Robbins, who had a nervous breakdown in New York’s Chinatown. wrote the Julie Andrews and Christopher Plummer star in the midway through production—the results are visible script, and described Cimino’s obsessive directing beloved American classic, based on the real life von on screen, and it was worth it. For our money, this style as follows: “With Michael, it’s a 24-hour day Trapp family’s escape from Nazi-annexed Austria. is one of the best looking prints of the festival, it … He doesn’t really sleep … he’s truly an obsessive Winner of five , including Best Pic- also has the best end credits sequence by Saul Bass. personality. He’s the most Napoleonic director I ture, THE SOUND OF MUSIC was enormously popular on its original release, with many 70MM engage- Friday, September 14 at 7:30pm ever worked with.” The results are big budget Hol- ments running over two years straight (the run at the Michael Todd Theatre in Chicago was 92 weeks)! Sunday, September 16 at 6pm lywood filmmaking at its most personal. With music by Rodgers and Hammerstein. Patrons please note, this is NOT a Sing-A-Long! Monday, September 17 at 2:30pm Saturday, September 15 at 3:30pm Saturday, September 22 at 6:30pm • Thursday, September 27 at 7pm Tuesday, September 18 at 2:30pm Monday, September 17 at 7:30pm

20 Music Box Theatre August-October 2018 70MM Film Festival 21 COMMENTARY

collaborating cinematographer Ashley Connor, and a dedication to shallow focus, leaving much of the world a blur as we hone in on the crystal-clear spectacle in front of us. As someone whose creative energy thrives off of discomfort and intimacy, Decker doesn’t excuse herself from the claustrophobia of the project, or distance herself from the awkward notion that Howard is Decker’s creative break- through. Decker interrogates the purpose of the very film you’re watching through Molly Parker’s performance. As the story works through its light narrative, she becomes another mysterious, shattered soul who feels that attaching herself to being another figure to someone as untamable as Madeline will provide some sort of clarity. Miranda July’s Regina watches much of this from the sidelines, until her influence as Madeline’s mother is seen as a means to inspire the truest art out of Howard’s character. Decker hones in on July’s curious delicacy, especially as a mother whose dynamic with Madeline is more like a younger sister who can easily be overpowered. As the movie becomes about Madeline’s relationship with her mother, so too does it touch upon a woman with more first-hand experience to how Madeline creates beauty and pain, and someone well aware that Madeline is also still MADELINE’S MADELINE just a teenager. In one of the best projects July has ever been a part of, she adds to the humming anxiety that gives OPENS AUGUST 31. the film its energy. SEE PAGE 9 FOR DETAILS. A SWIRLING, SYMPHONIC FILM With its hypnotic glimpses of such perilous relationships, MADELINE’S MADELINE leads viewers to an exhilarating climax that comes out of nowhere, and yet it feels perfect for a film such as Decker’s. It’s essentially a trip inside MADELINE’S MADELINE Is Undoubtedly the Star Madeline’s brain, but with no special effects needed: only the craft of performance, and the visceral emotions that By Nick Allen came before it. It’s a testament to the pleasures of such an impulsive movie, one that rewards viewers with creativ- ity and a type of acting and filmmaking style that feels wholly new. Its greatest gift of all, however, is cluing us into World—meet Helena Howard. The 17-year-old actress contains the latest must-witness talent in American inde- Howard’s talents. Decker doesn’t just gorgeously articulate the complexity of acting, she gives us a new voice, pendent cinema, as presented by Josephine Decker’s “MADELINE’S MADELINE,” Howard’s first movie and one that whose talent is beyond words. dares not contain her. Here is a young woman who seemingly has the ability to broadcast any emotion, making her instantaneously enigmatic. MADELINE’S MADELINE is the type of acting reel for a first-timer that an endless Nick Allen is an assistant editor and film critic at RogerEbert.com, and also writes for The Hollywood Reporter amount of bigger-name actors can’t match: her first scene shows that she could play an animal without any motion and the AV Club. You can follow him on at @nickallen_redux. capture needed; her last scene proves that she could play the title role in a biopic about God. MADELINE’S MADELINE is the swirling, symphonic work of a director who is more than prepped for her own GENE SISKEL FILM CENTER big moment, a performance artist-turned-filmmaker who has been telling impulsive, abrasive stories on a micro- scale. Decker’s previous movies sent her to the woods; 2013’s “Butter on the Latch” dealt with a woman having a breakdown in a California forest, and 2014’s “Thou Wast Mild and Lovely” dreamed of three people on a quiet MINDING THE farm, gaming each other with what they do and don’t reveal about their urges. Feeding off of with THE GAP AREA her actors, her scripts often send her main characters on disturbing fever dreams, composing slowly unsettling AUG 31 - SEPT 13 SEPT 14 - 27 character-driven tales. She’s also the kind of director who doesn’t hesitate to show us the POVs of the animals in her films, articulating how untamable humans are at their core. For her best and biggest film yet, MADELINE’S MADELINE puts into her unique cinematic language the primal FROM KARTEMQUIN LAND GRAB IN expression of acting, of pretending to be something or someone while stuck in your own skin and bones. Based FILMS! ENGLEWOOD! around the relationship between a student (Helena Howard’s Madeline), her teacher Evangeline (Molly Parker) and Madeline’s mother (Miranda July), it is light on plot—so much that it’s an acting movie without a focal production, 164 N State • siskelfilmcenter.org at least in the conventional sense. But the movie is extremely heavy with character—it’s about Madeline, and the two mother figures who have different projections of her. Madeline is the youngest student in a New York City acting class full of other die-hard thespians, but she’s undoubtedly the star. Her flexibility with her emotions, and full physical commitment, bewitches Evangeline as she starts to gear obscure acting exercises toward Madeline’s talents. As an acting coach and expectant mother, she dangerously romanticizes the elements that make Madeline a complicated soul—Madeline’s tense relationship with her comparably docile mother, or the history of mental illness that once sent her to a psych ward, and makes her an unpredictable stage presence. Often taking place within the realm of performance, MADELINE’S MADELINE in part displays Howard’s tremendous knowledge of people—how to imitate them, intimidate them, or break them. As she commands the attention of those around her, Madeline’s acting abilities are a superpower of creativity and/or destruction, and she is not aware of their full potential. Decker’s film captivates in part by showing this phenomenon in its most pure form, while finding a soul-mate for Decker’s own aesthetic interests: disorienting cuts, intrusive close-ups by frequent

22 Music Box Theatre August-October 2018 Commentary 23 CONTINUING SERIES

September 1 & 2 CLASSIC MATINEES Presented SATURDAYS & SUNDAYS AT 11:30am on 35MM! (, 1950, 110 mins, 35mm) MUSIC BOX STAFF PICKS! Picked by Kyle, Operations Manager Kyle says: Film noir has always held a special place in my The Music Box Matinee programming has been turned over to our excellent house staff! Come heart and SUNSET BOULEVARD is one of my all-time see classic films selected by the folks who sell the tickets, make the popcorn, mix the drinks, favorites. The part in which Gloria Swanson’s character project the movies, and keep the Music Box running. rewatches old movies of herself while smoking and relives her glory days is one of the best scenes ever put August 12 on film. Plus, any movie featuring Buster Keaton, albeit in a small role, will forever hold my attention. CABARET (, 1972, 124 mins, 35mm) September 8 & 9 Picked by Sarah, Front of House Sarah says: Directed by Bob Fosse with music and lyrics THE ‘BURBS by Kander & Ebb, CABARET takes place in Berlin during (, 1989, 101 mins, 35mm) the uprising of the Nazi party. It centers around cabaret Picked by Ray, Front of House singer, Sally Bowles (!!!!) and brings glitter, Ray says: THE ‘BURBS is an overlooked gem from Tom jazz, and sexual fluidity to the forefront despite the Hanks’ comedy days. Its darker themes are painfully world falling apart (relevant) and reminds us to live life relevant today and the humor is timeless and nonstop. to the fullest. Some hearty laughs will be had and I can’t think of a better way to start the day. It’s easily in my top 10. Tom August 18 & 19 Hanks, Corey Feldman, Carrie Fisher, Bruce Dern, Joe Dante... a lot to love. JOHNNY GUITAR (Nicholas Ray, 1954, 110 mins, 35mm) Picked by Justin, Projectionist UNIVERSAL HORROR Justin says: When I first started at the Music Box in 2013, JOHNNY GUITAR played as a matinee. I foolishly missed it and it hasn’t played in Chicago on film since. The Music Box and DePaul University’s School of Cinematic I love everything about it. The way it looks (those Arts resurrect the most iconic monsters, murderers, and colors! those costumes!), the way it feels (so sensitively madmen ever captured on 35MM. This series celebrates the dramatic! so wonderfully queer!), and that commanding haunting legacy of DRACULA, THE MUMMY, THE INVISIBLE performance by Joan Crawford. Oh my goodness! MAN and more in establishing the horror genre as a site for powerful philosophical, political, and cultural discussions about the terrors lurking in our imagination. Prepare August 25 & 26 yourself for the macabre seduction of undead aristocrats, megalomaniac scientists, and the birth of Modern Horror AMERICAN GRAFFITI Cinema. Featuring introductions by DePaul faculty and (, 1973, 110 mins, 35mm) post-screening discussions in the Music Box Lounge Picked by Roibeard, House Manager & Garden. Sponsored by DePaul University College of Computing and Digital Media, School of the Cinematic Arts. Roibeard says: After his first feature (THX 1138) flopped at the Box Office, George Lucas needed a success September 29 & 30 October 20 & 21 or his film career could have ended before it began. DRACULA MURDERS IN THE RUE MORGUE Thankfully, AMERICAN GRAFFITI (based on George’s (Tod Browning, 1931, 75 mins, 35mm) (Robert Florey, 1932, 61 mins, 35mm) teenage years) struck a chord with audiences being both critically and commercially successful. Without this film, October 6 & 7 October 27 & 28 we wouldn’t have STAR WARS or INDIANA JONES, and THE INVISIBLE MAN THE MUMMY the landscape of films today would be vastly different. (James Whale, 1933, 71 mins, 35mm) (Karl Freund, 1932, 73 mins, 35mm)

24 Music Box Theatre August-October 2018 Matinees 25 CONTINUING SERIES

H EST TC AT THE CHICAGO FILM SOCIETY PRESENTS A E B W The Chicago Film Society hosts monthly L I presentations featuring classic films, underseen L N rarities, cult movies, short subjects, trailer reels and A E more, all on glorious celluloid. For more information,

M R visit www.chicagofilmsociety.org.

S Y GREEN SNAKE (Tsui Hark, 1993, 99 mins, 35mm, In Cantonese with English subtitles) Monday, August 13 at 7pm Tsui Hark had moved from punk rock outsider to studio mogul • when he made his revisionist wuxia O • P K masterpiece GREEN SNAKE, a film E E N 7 E that married the surface appeal DAYS A W of a special effects-heavy martial arts blowout with a colorful, hyperactive style and subversive sense of humor reminiscent of Frank Tashlin. An update of the undying folk tale Madame White Snake, GREEN SNAKE features Hong Kong superstars Maggie Cheung and Joey Wong as a pair of sororal snake spirits hunted by a puritanical Buddhist monk after taking human form. Every overindulgent camera tilt and oversized snake prosthetic serve to push this ridiculous pulp concoction ever closer to the sublime. 35mm from the Academy Film Archive

THE SMALLEST SHOW ON EARTH DABLON (Basil Dearden, 1957, 80 mins, 35mm) Monday, September 3 at 7pm A young couple (Virginia McKenna and ) discover they have inherited a derelict cinema the VINEYARDS locals call “the fleapit.” The staff is a bickering triad of fantastic character actors: as Mr. Quill, the projectionist, Margaret Winery & Tasting Room Rutherford as Mrs. Fazackalee, the cashier, and Bernard Miles as Old Tom, the usher. McKenna and Travers gamely succumb to the joys and pains of running a decrepit single screen: elaborate concessions sales schemes, customers who want to pay in pork chops, and the eternal problems of management vs. projection. A love letter to movie houses and their 111 W. Shawnee Rd. • Baroda, MI • 49101 occupants that will be felt keenly by anyone who ever watched a multiplex go up around the corner and secretly wished that it would mysteriously burn to the ground. Imported 35mm print • 26 Music 269-422-2846Box Theatre August-October 2018 DABLON.COM Chicago Film Society 27 CONTINUING SERIES

SILENT CINEMA SAPPHO (Dimitri Buchowetzki, 1921, Classic silent films the way they were meant to be seen! 81 mins, 35mm) Featuring a live musical score on the famous Music Box organ by Dennis Scott, Music Box House Organist. Sunday, October 14 at 5pm Co-presented by Chicago Film Society. Fresh from the worldwide success of Ernst Lubitsch’s MADAME DUBARRY, Pol- ish actress signed a Hollywood contract with great fanfare. In March 1923, THE BLUE BIRD a month before the release of Negri’s first (Maurice Tourneur, 1918, American film, Goldwyn Studios dusted 80 mins, 35mm) off a German Negri film from two years Saturday, August 11 at 11:30am earlier, retitled it MAD LOVE, and cannily exploited the public’s mounting Negri- Nobel laureate Maurice Maeterlinck’s mania. Described by the New York Tri- 1908 play THE BLUEBIRD had already bune as “the greatest non-stop vamping charmed audiences in Moscow, Lon- record ever filmed,” SAPPHO follows Negri as the titular temptress who drives one lover to the insane don, and New York by the time this asylum (Alfred Abel), proceeds to seduce his brother (Johannes Riemann), beguiles an automobile magical adaptation reached the magnate (Albert Steinrück), and more. A mad whirl of betrayal and revenge follows. screen. The simple fairytale of My- tyl and Tytyl, children who journey 35mm print courtesy of UCLA Film and Television Archives through enchanted lands in search of Still provided by MoMA the Bluebird of Happiness, provided the ideal material for Maurice Tour- neur, the French émigré who brought a wispy Pictorialist sensibility to the wilds of . This delicate dream of a film excels in realizing the stranger aspects of Maeterlinck’s play with wide-eyed, guileless gusto: the spirits and fairies, the living souls of everyday objects like bread and milk, the Cathedral of Happiness, and more. 35mm print courtesy of the George Eastman Museum. FROM STAGE TO SCREEN The Music Box proudly presents the greatest in filmed theatrical experiences from around the world! CITY GIRL (F.W. Murnau, 1930, 88 mins, 35mm) AN AMERICAN IN PARIS - Saturday, September 8 at 11:30am THE MUSICAL Initially conceived as poetic paean to the production chain of bread, F.W. PRESENTED BY TRAFALGAR RELEASING Murnau’s decidedly experimental Directed by: Christopher Wheeldon concept was reconfigured into an en- Sunday, September 30 at 11:30am & dearingly simple love story between Tuesday, October 16 at 2:30pm & 7pm Minnesota country boy Lem (Charles Farrell), come to the big city to sell Rory Kinnear (THE THREEPENNY OPERA, PENNY his family’s wheat crop, and Chicago This breathtakingly beautiful, Tony Award-winning waitress Kate (Mary Duncan), yearn- musical, inspired by the Oscar-winning ing for an end to the loneliness of film, tells the impassioned story of discovering love urban life. Lem weds Kate and brings in the “City of Light.” Featuring the gorgeous music her home to the farm, where Lem’s and lyrics of George and Ira Gershwin, stunning family doesn’t look kindly upon designs, and show-stopping choreography. With Kate’s city girl ways. Filming his city a record-setting 28 five-star reviews from critics, scenes on extravagant studio sets AN AMERICAN IN PARIS is coming from ’s and his farm scenes on location in the wilds of Oregon, Murnau imbues both with a rapturous West End to the Music Box. Experience this “old- sense of discovery, collapsing simple urban-rural dichotomies and inventing the career of Terrence fashioned, big-hearted spare-no-expense Broadway Malick in the process. romance” () on the big screen.

28 Music Box Theatre August-October 2018 Stage to Screen 29 CONTINUING SERIES

MIDNIGHTS FRIDAYS & SATURDAYS AT MIDNIGHT presents

August 10 & 11 SUMMER OF ‘84 August 31 & MIND GAME (François Simard, Anouk Whissell & September 1 (Masaaki Yuaza, 2004, Yoann-Karl Whissell 2018, 105 mins, DCP) 103 mins, DCP)

August 17 & THE ROOM September WAYNE’S WORLD 2 September 28 (Tommy Wiseau, 2003, 99 mins, 35mm) 7 & 8 (Stephen Surjik, 1993, 95 mins, 35mm) August 18 & THE ROCKY HORROR September 29 PICTURE SHOW September GET MY GUN (Jim Sharman, 1975, 100 mins, 35mm) 14 & 15 (Brian Darwas, 90 mins, 2017, DCP) August 24 & 25 LETHAL WEAPON (Richard Donner, 1987, 119 mins, 35mm) CHICAGO SUMMER OF ‘84 54 (François Simard, Anouk Whissell Writer PREMIERES & Yoann-Karl Whissell, 2018, 105 mins, DCP) INTERNATIONAL150 Stephen Smith For 15-year-old Davey, the thought of having a serial in person! 50 COUNTRIES killer in his suburban town circa the 1980s is a scary FILM FESTIVAL yet exciting prospect at the start of a lazy summer. In MEET DIRECTORS hormonal overdrive, Davey and his friends dream of sexual conquests until the news reports of the Cape May Killer. Davey convinces his SEE STARS friends that they must investigate, and they come to the conclusion that his next-door neighbor, an unassuming police officer, could be the prime suspect. Is this a case of successful amateur sleuthing, or simply an overactive imagination fueled by Reagan-era OCTOBER 10-21, 2018 AMC River East 21• 322 E. Illinois St. paranoia? From the directing trio that brought the world 2015’s TURBO KID. PASSES NOW ON SALE! MIND GAME (Masaaki Yuaza, 2004, 103 mins, DCP) chicagofilmfestival.com Buckle in and prepare to surrender yourself to an exhilarating and wildly entertaining ride. The animation cult classic MIND GAME is an explosion /chicagofilmfestival of unconstrained expression—gloriously colorful images ricochet in @chifilmfest Michael Shannon rapid fire associations, like Masaaki Yuaza’s demented brain splattered @chifilmfest onto the screen in all its goopy glory. Loser Nishi, too wimpy to try to save his childhood sweetheart from gangsters, is shot in the butt by a soccer-playing psychopath, projecting Nishi into the afterlife. In limbo, God—shown as a series of rapidly changing characters—tells him to walk toward the light. But Nishi runs like hell in the other direction and returns to Earth a changed man, driven to live each moment to the fullest. Phantasmagoric does not even begin to describe this truly mind-bending work of animated mad-genius!

WAYNE’S WORLD 2 (Stephen Surjik, 1993, 95 mins, 35mm) 25th Everyone’s favorite headbangers from Aurora are Anniversary! back in this sequel to the 1992 hit comedy. The Patrick Stewart success of their TV show allows Wayne Campbell Alfre Woodard (Mike Myers) and Garth Algar () to finally move out of the basement, but now they have to figure out what to do with their lives. Prompted by the ghost of Jim Morrison, Wayne organizes a massive rock concert, while his rockstar girlfriend Cassandra () is being wooed by her sleezy new manager () and Garth is seduced by femme fatale Honey Hornee ().

Jessie Smollett, Marina Squerciati, Chadwick Boseman, and Josh Gad. 30 Music Box Theatre August-October 2018 (l-r): Reginald Hudlin, Sterling K. Brown, Paula Wagner, PUMP UP THE VOLUME: A FILM SERIES BEASTIE BOYS Sigur Ros.NICK CAVE

RPC

8.28 - beastie boys: awesome; i f***ing shot that! / fight for your right revisited 9. 4 - madonna: truth or dare 9.18 – Sigur Ros: Heima 10. 2 - nick cave: 20,.000 days on earth RESERVE TICKETS: ARCLIGHTCINEMAS.COM